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Art Collection

In 1996 Lannan Foundation created a museum gift program, offering pieces from its collection of over 1,000 works of modern and contemporary art to U.S. museums and making these important works accessible to significantly larger and more diverse audiences. The program was designed to increase the exposure of, accessibility to, and scholarship on artists represented in the foundation’s holdings.

Between January 1996 and August 2000 over 1,000 drawings, paintings, photographs, prints, sculptures and video installations were given to 78 museums in twenty-six states, the District of Columbia, and Mexico. The gift program was designed to match works with institutions where the pieces would become an active part of the collection. In fall 2000 Lannan Foundation decided to sell a group of twenty-three works at auction at Sotheby’s to support ongoing acquisitions and projects in contemporary art.

The Foundation continues to acquire and commission new work on a limited basis. As new pieces enter the Foundation’s holdings, each is earmarked as a promised gift to a museum in the U.S. Among recent acquisitions are works by Guy Tillim, Victoria Sambunaris, Thomas Joshua Cooper, Fred Sandback, and Susan York. Recent gifts include donations of work by An-My Lê to the Art Institute of Chicago, On Kawara to Dia:Beacon, and Siah Armajani to the Walker Art Center.

Collection

TitleArtistRecipient
#17-1964, 1964

John McLaughlin

Medium: oil on canvas

John McLaughlinThe Museum of Contemporary Art, Los Angeles
#6-1969, 1969

John McLaughlin

Medium: oil on canvas

John McLaughlinThe Museum of Contemporary Art, Los Angeles
'Part' dyptych, 1998

Iain Stewart

Medium: Chromogenic print

Iain Stewart
'Rhythm II', 1997

Iain Stewart

Medium: Chromogenic print

Iain Stewart
'Rhythm I', 1997

Iain Stewart

Medium: Chromogenic print

Iain Stewart
'Rhythm III', 1997

Iain Stewart

Medium: Chromogenic print

Iain Stewart
(Christmas Card)

Willy Weber

Medium: paint, gold and silver leaf, blue pencil on paper

Willy Weber
(Christmas Card), 1979

Isaiah Zagar

Medium: foil, plastic, cloth, pencil on cardboard

Isaiah Zagar
(New Years Card)

Fernando Zobel

Medium: etching, ink

Fernando Zobel
-43 degree F / -41 degrees C, The Polar Plateau, The South Pole, Antarctica, 2007-200890 degrees S

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
-43°F / -41.6°C, The Polar Plateau, The South Pole, Antarctica, 2007-2008, 90° S

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
1 + 1 + 1, 1987

Alfredo Jaar

Medium: 3 color transparancies, light boxes, gilded frames, mirrors

Alfredo JaarThe Art Institute of Chicago
10.80.60

Wallace Berman

Medium: wood, plexibox with painted stone inside and metal chain

Wallace BermanThe Museum of Contemporary Art, Los Angeles
100 Aluminum Solid, 1964

Carl Andre

Medium: aluminum blocks, 4 tiers of 25 (only 99)

Carl AndreThe Museum of Contemporary Art, Los Angeles
12, 1960

Jay Mcvicker

Medium: acrylic on canvas

Jay Mcvicker
12:06, 1982

Peter Drake

Medium: sanded ink on paper

Peter DrakeWilliam Benton Museum of Art, University of Connecticut
12:07, 1982

Peter Drake

Medium: sanded ink on paper

Peter DrakeWilliam Benton Museum of Art, University of Connecticut
12:08, 1982

Peter Drake

Medium: sanded ink on paper

Peter DrakeCarnegie Art Museum
17.3.92, 1992

Gerhard Richter

Medium: paint on color photograph

Gerhard RichterThe Art Institute of Chicago
19.3.92, 1992

Gerhard Richter

Medium: paint on color photograph

Gerhard RichterThe Art Institute of Chicago
1945 - 1982, 1982

E'wao Kagoshima

Medium: acrylic, leopard skin, sumi ink

E'wao KagoshimaJapanese American Cultural Center, Los Angeles
1981-VIII, 1981

Edward Hendricks

Medium: aluminum and stainless steel

Edward Hendricks
2 JAN. 1971

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
20.3.92, 1992

Gerhard Richter

Medium: paint on color photograph

Gerhard RichterThe Art Institute of Chicago
2200 Cube Displacement

Ronald Mallory

Medium: cubes floating in mercury in a frame

Ronald Mallory
26.JULI1976

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
27DEC.1978

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
28 DEC. 1972

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
29 Palms: Bivouac, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Colonel Greenwood, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Combat Operations Center Guard, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Combat Support Service Operations I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Combat Support Service Operations II, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Corporal Hoepper, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Debriefing, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Embassy Medevac, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Embassy Reinforcement I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Embassy Reinforcement II, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Explosive Ordnance Disposal, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Force Recon, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Officers' Brief, 2003-2004

An-My Lê

Medium: gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Alpha Company, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Attack, 2003-2004

An-My Lê

Medium: gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Camp, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Machine Gunners, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Retreat, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: LCAC (Landing Craft Air-Cushioned), 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Marine Palms, 2003-2004

An-My Lê

Medium: gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Mechanized Assault, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
29 Palms: Mortar Impact, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Night Operations I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Night Operations III, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
29 Palms: Night Operations IV, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Resupply Operations, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Rocket-Propelled Grenade Ambush, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Security and Stability Operations, Graffitti I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Security and Stability Operations, Graffitti II, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Security and Stability Operations, Iraqi Police, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Security and Stability Operations, Marines, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Security and Stabilization Operations, George Air Force Base, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Small Convoy Attack, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms:Captain Folsom, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
3 - Compartment Box

Robert Fisher

Medium: enamel on brass

Robert Fisher
3-DX Man 3, 1979

Jedd Garet

Medium: acrylic and latex on wood

Jedd GaretWilliam Benton Museum of Art, University of Connecticut
33, 1961

Oli Sihvonen

Medium: pen and ink on paper

Oli SihvonenHarwood Museum, University of New Mexico
34 Blows, 1971

Joel Shapiro

Medium: copper

Joel ShapiroThe Art Institute of Chicago
3D B.C., 1976

David Bungay

Medium: acrylic, Plexiglas on canvas

David BungayOakland Museum of California
44th Wire Piece, 1981

Richard Tuttle

Medium: wire, template for pencil line

Richard TuttleThe Museum of Contemporary Art, Los Angeles
4:24, 1965

David Novros

Medium: acrylic on canvas

David NovrosBlanton Museum of Art, University of Texas, Austin
4:32, 1965

David Novros

Medium: vinyl lacquer on canvas

David NovrosBlanton Museum of Art, University of Texas, Austin
5 APR. 68

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
5 Figures of Structure, 1987

Lawrence Weiner

Medium: Script on wall

Lawrence WeinerDia Art Foundation
7 Days of Hell, Baton Rouge River Shelter, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
7, 1957

Joe Secca

Medium: acrylic on pressed wood

Joe Secca
9th Ward, New Orleans, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
A Beacon for Beacon / DIAHigh Noon on The Hudson RiverBeacon Landing, BeaconDutchess CountyNew York, USA2000-2003

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Complete Set of Wallace Berman's Semina, 1988-1992

Wallace Berman

Medium: Cardboard box

Wallace Berman
A Female Nude with Putti in a Landscape, (top), Portrait of a Woman in Profile, (bottom)

Eugene Delacroix

Medium: black lead

Eugene DelacroixUniversity of Michigan Museum of Art
A Force-Eight gale, Storm Drenched, Estrecho de Magallanes – The Strait of Magellan, Cabo Froward, the Peninsula de Brunswick, Magallanes, Chile, 2006, The South-most point of Continental South America

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
A Frog in its Liquidity, from Ingestion, 1982

Mike Kelley

Medium: acrylic on paper

Mike KelleyThe Museum of Contemporary Art, Los Angeles
A group of immigrants walks toward the border west of Agua Prieta. Agua Prieta, Sonora, 2000

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
A Humble Collection of Simple Homes and the Indistinct Tales of Those Who Live Within Them, 2016

Samuel Ellvinger

Medium: Paper, wood, resin & lights (using CR2032 batteries)

Samuel Ellvinger
A massive dump site in the Upper Altar Valley, Arizona; illegal immigrants meet representatives of their smugglers (coyotes) after a 40 mile walk through the desert; they are told to strip, dump their old clothes, packs and jugs of water, and put on new,

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
A Meeting of the Seas – The Meeting Point ofThe Atlantic Ocean and The Gulf of MexicoZachary Taylor State ParkKey WestThe Florida KeysMonroe CountyFloridaU.S.A.North America2009/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A New Student, LaLander, Afghanistan #21, 2003

Tony O’brien

Medium: Gelatin silver print

Tony O’brien
A Nice Day for Mississippi, 2006

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
A Painting with Separate Parts which are Self Generating (Miami Postcard), 1974

Malcolm Morley

Medium: oil on shaped canvas with fabric, shoes, clothes pins, blackboard, eraser, dominoes, wood stool & film of the creation of this work

Malcolm MorleyThe Museum of Contemporary Art, Los Angeles
A peasant fighter of the Moro Islamic Liberation Front. Cotabato, Mindanao Island, the Philippines, 1999

Sebastiao Salgado

Medium: Back and white photograph

Sebastiao Salgado
A Premonitional Work - lava creviceSurtshellirAusterlandIcelandEurope1987/2017part 1 of a 4 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A Premonitional Work -Ice-embedded cinder dustApproaching the glacier fieldBreiðamerkurjökull SkaftafellVatnajökullAusterlandIcelandEurope1987/2017part 2 of a 4 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A Premonitional Work -Ice-embedded cinder dustOn the lower ice-wall of the glacierBreiðamerkurjökull SkaftafellVatnajökullAusterlandIcelandEurope1987/2017part 3 of a 4 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A Premonitional Work -The glacier summit - creviceIce-embedded cinder dustBreiðamerkurjökull SkaftafellVatnajökullAusterlandIcelandEurope1987/2017part 4 of a 4 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A Premonitional Work, Buzzard's Bay-Looking Away S., S.W.-Towards More of the New World, Wings Neck Point, Barnstable County, Massachusetts, U.S.A., 2000/2001

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, Cape Cod Bay-Looking N.,N.E.-Towards the Old World, First Encounter Beach, Near Eastham, Cape Cod, Massachusetts, U.S.A., 2000/2001. (From the site the Pilgrim Settlers first Encountered Native Americans.)

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, E., S.E.,-The Atlantic Ocean, Cape Race, No. 2, The Isle of Newfoundland, Canada, 1998-1999,( the site of the first land-based distress message to be received from the Titanic) In the week of the Spring Equinox

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
A Premonitional Work, Muskeget Sound and the North Atlantic Ocean, Looking N.,N.E.-Yet Again, Towards the Old World, From Sunset to Full Moonrise, Wasqae Point, Chappaquiddick Island, Martha's Vineyard, Massachusetts, U.S.A. 2000/2001. (The Southernmost

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, Nantucket Sound-Looking N.,N.E.-Again, Towards the Old World, Point Gammon, Great Island, Barnstable County, Massachusetts, U.S.A., 2000/2001

Thomas Cooper

Medium: selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, Plymouth Bay-Looking N.,N.E.-Back, Towards the Old World, Just Below Plymouth Rock, Plymouth, Plymouth County, Massachusetts, U.S.A., 2000/2001. (The Pilgrim Fathers/Settlers finally landed the Mayflower around this spot, and, at

Thomas Cooper

Medium: selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, Plymouth Sound-Looking S.,S.W.-Hopefully, Towards the New World, The Mayflower Steps, Plymouth, Cornwall, England, 1998/2001. (The Pilgrim Fathers/Settlers left England forever for the hope of new lives in the New World, on the

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, The Atlantic Ocean, Cape Spear, New Foundland, Canada, 1998-2001, The East-most Point of North America

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, The English Channel-Looking S.,S.W.-Towards the New World, Beachy Head, The South Downs, Sussex, England, 1997/2001

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, The North Atlantic Ocean-Looking N., N.E.-Towards the Old World, Rage Point, Cape Cod, Massachusetts, U.S.A., 2000/2001 (The Northernmost Point of Cape Cod)

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Premonitional Work, Vineyard Sound-Looking N.,N.E.-Towards the Old World, Nobska Point, Near Woods Hole, Barnstable County, Massachusetts, U.S.A., 2000/2001. (Near the Southernmost Point of Cape Cod.)

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
A Rolling Stone

Bart Soubry

Medium: marble

Bart SoubryDennos Museum Center, Northwestern Michigan College
A Swelling Is, 1956

John Battenberg

Medium: Cast bronze

John Battenberg
A Thousand Times

Phillip Smith

Medium: pencil, pastel on paper

Phillip SmithWhitney Museum of American Art
A three-part Whirlpool workwhirl - The Sea River - early afternoonThe middle of the great Spring high tideThe Gulf of CorryvreckanCarraig MhórThe Isle of Jura -Looking towards the Isle of ScabraArgyllshireScotlandU.K.Europe1991/2018Part 2

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A three-part Whirlpool workwhirl - The Sea River - early eveningThe great Spring high tide in full floodThe Gulf of CorryvreckanCarraig MhórThe Isle of Jura -Looking towards the Isle of ScabraArgyllshireScotlandU.K.Europe1991/2018Part 3 of

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A three-part Whirlpool workwhirl - The Sea River - early morningThe beginning of the great spring tideThe Gulf of CorryvreckanCarraig MhórThe Isle of Jura -Looking towards the Isle of ScabraArgyllshireScotlandU.K.Europe1991/2018Part 1 of

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A victim of war on Jade Maiwan Avenue. Kabul. Afghanistan, 1996

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
A Young Rice Field, Winters, California, 1978

Julie Bozzi

Medium: tempera on paper

Julie BozziMuseum of Contemporary Art, San Diego
A-Ree-Dha, 1970

Natvar Bhavsar

Medium: acrylic on canvas

Natvar BhavsarDennos Museum Center, Northwestern Michigan College
A.J. Verdelle, Readings and Conversations Author, 1998

Don Usner

Medium: Black and white photograph

Don Usner
A.L. Kennedy, Readings & Conversations, 20 October 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
A.S. Byatt, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
A.S. Byatt, Readings & Conversations, 15 March 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Abduction No. 1 (Humorous Abduction), 1961

Robert Goodnough

Medium: oil on canvas

Robert GoodnoughThe Museum of Contemporary Art, Los Angeles
Aberration #12, 2011

Adam Ekberg

Medium: Archival inkjet print

Adam Ekberg
Above 76 Degrees NorthJones Sound andGlacier StraitKing Edward’s PointEllesmere IslandQueen Elizabeth IslandsNunavutCanadaNorth America2013/2016The Southmost point of Ellesmere Island.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Cooper
Above 79 Degrees NorthDobbin Bay atNares StraitEllesmere IslandQueen Elizabeth IslandsNunavutCanadaNorth America2013/2016

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas CooperLos Angeles County Museum of Art (LACMA)
Above cloud cover on top of the cliff face, 1200 feet high, Smith Sound, Kap Alexander, Inglefield Land, Greenland, Denmark, 2007-2008, The West-most point of Greenland, 78° 10.191' N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Absence Reveals Presence, 1979

Joseph Guy

Medium: paper, graphite, acrylic

Joseph GuyBlanton Museum of Art, University of Texas, Austin
Abstract Figure, 1934

John Storrs

Medium: bronze

John StorrsHirshhorn Museum and Sculpture Garden
Abstract Painting, 1950-1951

Ad Reinhardt

Medium: oil on canvas

Ad Reinhardt
Abstract Painting, 1960-1965

Ad Reinhardt

Medium: oil on canvas

Ad ReinhardtThe Art Institute of Chicago
Abuction, 2007

Sarah Pickering

Medium: Chromogenic development print photograph

Sarah Pickering
Accelerators, drawings # 1262, 1263, 1264 & 1265, 2014

James Drake

Medium: Graphite and ink on book pages

James Drake
Aching, 1981-1982

William Crozier

Medium: cast bronze

William CrozierDennos Museum Center, Northwestern Michigan College
Acrylic piece 2015-8

Hadi Tabatabai

Medium: Acrylic paint on cast acrylic panel

Hadi Tabatabai
Acrylic piece 2015-9

Hadi Tabatabai

Medium: Acrylic paint on cast acrylic panel

Hadi Tabatabai
Activated Painting with Blue, 1961

Clay Spohn

Medium: oil on canvas

Clay SpohnOakland Museum of California
Aerial photograph of “The City Complex” Showing Land Owned by Triple Aught Foundation in Garden Valley, Nevada, 2008

Michael Heizer

Medium: Color photograph

Michael Heizer
Aerial photograph of “The City Complex” Showing Land Owned by Triple Aught Foundation in Garden Valley, Nevada, 2008 (Survey Image)

Michael Heizer

Medium: Color photograph

Michael Heizer
Aesthetic Outpost, 1982

Alex McFarlane

Medium: milled graphite

Alex McFarlaneWilliam Benton Museum of Art, University of Connecticut
Agapito

Julio Zachrisson

Medium: watercolor on paper

Julio ZachrissonGodwin-Ternbach Museum, Queens College
Agoraphobia, 1968

Gerald Gooch

Medium: lithographs, etched Plexiglas, lighted aluminum box

Gerald GoochOakland Museum of California
Agression "Ammann"

Bernhard Luginbuhl

Medium: painted iron and steel

Bernhard LuginbuhlDennos Museum Center, Northwestern Michigan College
Ah! Quel; beau jour Monsieur Guillotin [What a Beautiful Day Mister Guillotin], 1982

Jean Mathot

Medium: cast bronze and steel with cable

Jean MathotDennos Museum Center, Northwestern Michigan College
Ahdaf Soueif, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Air, c. 2008

Erika Wanenmacher

Medium: Watercolor on board

Erika Wanenmacher
Airport Reflection, 2004

David Marshall

Medium: Fuji crystal archive photograph print

David Marshall
Alex, 1987

Chuck Close

Medium: Polaroid photograph mounted on aluminum

Chuck CloseThe Art Institute of Chicago
Alex, 1991

Chuck Close

Medium: woodcuts in colors

Chuck CloseThe Art Institute of Chicago
Alex, 1992

Chuck Close

Medium: woodcut in colors

Chuck CloseThe Art Institute of Chicago
Alex/Reduction Prints, 1991-93

Chuck Close

Medium: screenprints on paper

Chuck CloseThe Art Institute of Chicago
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alistair MacLeod, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
All My Clothes, 1973

Charles Ray

Medium: Kodachrome photographs mounted on board

Charles RayThe Museum of Contemporary Art, Los Angeles
All Site Information Lost, Somewhere in The Mid Atlantic Ocean and the Caribbean Sea, An unidentified point, From an unknown Caribbean island, The Caribbean, 2007/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Allegory No.1

Ronald Morosan

Medium: wood, acrylic, oil, pastel

Ronald MorosanSweeney Art Gallery, University of California, Riverside
Alligator (Double Headed)

Unknown

Medium: copper, cut, hammered

UnknownSalvation Army
Along the Bund, by the Huangpu River. Shanghai, China, 1998

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
Along the Frozen Rimtop of Horseshoe Falls - and the Frozen Niagara Falls Basin Niagara Falls Ontario Canada North America March 2015/2017Only the fifth time in the last 125 years that Niagara Falls has frozen, with Laura Cooper. Part 2 of 3 part

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Along the Frozen Rimtop of Horseshoe Falls - The Niagara Falls Basin and the Niagara River Niagara Falls Ontario Canada North America March 2015/2017Only the fifth time in the last 125 years that Niagara Falls has frozen, with Laura Cooper. Part 1

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Aluminum Chair, 1980-1981

Scott Burton

Medium: aluminum, lacquer

Scott BurtonThe Art Institute of Chicago
Alutable, 1972

Mary Bauermeister

Medium: gouache, ink on paper, pebbles, egg shells, lenses, in aluminum box

Mary BauermeisterCarnegie Art Museum
Amazon Waterfall, 1971

Ann McCoy

Medium: pencil on acrylic coated paper

Ann McCoySweeney Art Gallery, University of California, Riverside
America's Finest, 2005/2016

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
America, 1965

Dean Fleming

Medium: acrylic on canvas

Dean Fleming
America, 1982-83

Martin Silverman

Medium: polychromed bronze

Martin SilvermanDennos Museum Center, Northwestern Michigan College
American Bathers, 1962

Phyllis Yampolisky

Medium: gouache, ink pen on paper

Phyllis YampoliskyCarnegie Art Museum
American Costume, 1970

David Hammons

Medium: oil, powdered pigment and fixative on paper

David HammonsThe Art Institute of Chicago
America’s Finest, 2005

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
Amira Hass, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Amiri Baraka, Readings & Conversations, 9 May 2009

Don Usner

Medium: Archival pigment print on paper

Don Usner
Amy Goodman, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Amy Goodman, Readings and Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Amy Tan, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
An Indication Piece (message for Robert Frank and Richard Serra), The Northumberland Strait, Green Point, Cape Breton Island, Nova Scotia, Canada 1999/2001

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece (message for Robert Frank and Richard Serra)The Mouth of the Maboi River - Looking Out DownstreamCape Breton Island, Novia Scotia, Canada, (Part 1, The top part, of a 2 part vertical work)1999/2001

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
An Indication Piece - The North Atlantic OceanSignal Hill, near St. John’s, The Isle of Newfoundland, Canada1998-2015The site where Guglielmo Marconi received his first transatlantic wireless cable message from his Poldhu Wireless Station in Cornwall,

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
An Indication Piece, Cabot Strait-Looking N.,N.E.-Towards the Old World, Cape North, Cape Breton Island, Nova Scotia, Canada, 1999/2001. (The Northeasternmost Point of Nova Scotia along the site of John Cabot's Canadian discoveries and explorations of the

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece, E., N.E.,The North Atlantic OceanSignal HillSt. John’sNewfoundlandCanada, 1998/2015North AmericaThe site where Guglielmo Marconi received his first transatlantic wireless message from his Poldhu Wireless Station, Cornwall,

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas CooperLos Angeles County Museum of Art (LACMA)
An Indication Piece, E., S.E.-The Atlantic Ocean, Cape Race, No. 1, The Isle of Newfoundland, Canada, 1998-1999 (from the site of the most treacherous shipping lane in the area-the site of near 300 shipwrecks) In the week of the Spring Equinox

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece, Farthest South- The Atlantic Ocean, Cape Freels, Last Light, (the southernmost point of the Isle of Newfoundland) The Isle of Newfoundland, Canada, 1998-1999, In the week of the Spring Equinox

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece, S., S.E.- The Atlantic Ocean, Cape Pine, Twilight, The Isle of Newfoundland, Canada, 1998-1999, In the week of the Spring Equinox

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece, The Dover Strait-Looking S., S.W.-Towards the New World, North Foreland, Isle of Thanet, The Easternmost Point of the County of Kent, England, 1998/2001 (The lighthouse on this point ceased operations as the last-manned British

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece, The English Channel-Looking S., S.W.-Towards the New World, Rame Head (Number 2), Near Plymouth, Cornwall, England, 1998/2001, (The Last View of the English Coast that the Pilgrim Settlers would have seen upon their leave-taking from

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece, The North Atlantic Ocean-Looking N.,N.E.-Towards the Old World, Cape Sable, Cape Sable Island, Novia Scotia, Canada, 1999/2001. (The Southernmost Point of Novia Scotia. And the Point from which over 1,000 ships have been lost at sea,

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
An Indication Piece-The North Atlantic OceanCape SableCape Sable IslandShelburne CountyNova ScotiaCanada, 1999/2015North AmericaThe south most point of the island of Nova Scotia - and the recorded start-point over which 1,000 ships have be lost at

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas CooperLos Angeles County Museum of Art (LACMA)
An Indication PieceThe Gulf of St. Lawrence-Looking N., N.E.-Towards the Old WorldCape St. Lawrence, Cape Breton IslandNova Scotia, Canada, (The Northwesternmost Point of Nova Scotia, and alongthe site of both Jacques Cartier's andSamuel de

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
An Indication – See Canyon, San Luis Obispo County, California1969-1970, for The Lannan Foundation - with my gratitude and Appreciation ----Thank you!The picture that I acknowledge as my first real picture. I purposely set out to make this picture on

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Andrew Bacevich, Readings & Conversations, 21 April 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
Anechoic Chamber, 1974

Doug Wheeler

Medium: colored pencils on graph paper

Doug WheelerSan Francisco Museum of Modern Art
Annapolis Strait very nearFrobisher BayEast BluffMeta Incognita PeninsulaBaffin IslandNunavut CanadaNorth America2013/2016The Southmost point of Baffin Island.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Cooper
Annie Proulx, Readings & Conversations, 4 June 2008

Don Usner

Medium: Archival pigment print on paper

Don Usner
Annunciation No. 2 Penance no. 3 , 1982

Manuel Neri

Medium: enamel paint on cast bronze

Manuel NeriHirshhorn Museum and Sculpture Garden
Annunciation, 1956

Salvador Dali

Medium: gouache on paper

Salvador DaliThe Museum of Fine Arts, Santa Fe
Annunciation, 1957-1959

Wallace And Jay Berman And Defeo

Medium: oil on canvas

Wallace And Jay Berman And DefeoThe Art Institute of Chicago
Antennen [Antennas], 1957

Siegfried Klapper

Medium: ink, gouache on paper

Siegfried KlapperMilwaukee Art Museum
Anti Catholic Painting, 1991

Manuel Ocampo

Medium: oil on canvas

Manuel OcampoThe Museum of Contemporary Art, Los Angeles
Anvil Rock slight wind - moving towards darkness - becalmed Estrecho de Magallanes/The Strait of Magellan Cabo Monmouth Isla Grande Tierra del Fuego Tierra del Fuego Chile South America, 2006/2017

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Apparition, 2014

Pard Morrison

Medium: Fired pigment on aluminum

Pard Morrison
Apple Tree Screen 12, 2012

Nancy Sutor

Medium: Mixed Media

Nancy Sutor
Applegate, 1963

Lloyd Hamrol

Medium: pencil on paper

Lloyd HamrolWestern Gallery, Western Washington University
Apples, 1980

P.g Thelander

Medium: bronze

P.g ThelanderDennos Museum Center, Northwestern Michigan College
Apples, Pears, 1980

Malcolm Morley

Medium: Watercolor on paper

Malcolm Morley
Approaching Nightfall - The Mid North Atlantic OceanPunta Fariones(The North-most point of The Island)The Isle of LanzaroteThe Canary IslandsSpain, 2002

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
April 1977, 1977

Bill Jensen

Medium: gouache and pastel on paper

Bill JensenWhitney Museum of American Art
Aqua Regia, 1961

Geoffrey Bowman

Medium: oil on canvas

Geoffrey BowmanOakland Museum of California
AR-r-r OU-u-u-Ur-r

Carl Apfelschnitt

Medium: oil, roplex, acrisol, retarding medium, pigment, oil, canvas

Carl Apfelschnitt
Aral, 1970

Ken Showell

Medium: acrylic on canvas

Ken ShowellSweeney Art Gallery, University of California, Riverside
Archipelago Number 1Norskerenna, The North Sea and the Wick of SkawLooking towards the Holm of SkawThe Island of UnstThe Shetland IslandsScotlandU.K., Europe1989-2017Near the Northmost point of the Shetland Islands and the Northmost point of the

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Archipelago Number 2Norskerenna, The North Sea and the Wick of SkawLooking towards the Holm of SkawNorth CoosThe Island of UnstThe Shetland IslandsScotlandU.K., Europe1989-2017Near the Northmost point of the Shetland Islands and the Northmost

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Archipelago Number 3Sumburgh Roost, the North SeaSumburgh HeadDunrossnessShetland MainlandThe Shetland IslandsScotlandU.K., Europe1989-2017Near the Southmost point of the Shetland Islands.part 3 of 5-part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Archipelago Number 4The Sound and the North Atlantic OceanThe Point of Sensors at the Old LighthouseDennis NessThe Isle of North RonaldsayThe Orkney IslandsScotlandU.K., Europe1989-2017The Northmost point of the Orkney Islands.part 4 of 5-part

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Archipelago Number 5Looking towards Scotland - The Pentland FirthThe WingVery near Brough NessThe Isle of South RonaldsayThe Orkney IslandsScotlandU.K., Europe1989-2017The Southhmost point of the Orkney Islands.part 5 of 5-part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Arctic moon light Looking West The Labrador Sea Coopers Island Labrador Canada North America 2013/2018 With Greg Landreth and Oskar Strom.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Arctic twilight Looking East The Labrador Sea Coopers Island Labrador Canada North America 2013/2018 With Greg Landreth and Oskar Strom.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Arlequin Dormido [Sleepy Harlequin]

Carmelo Gonzales

Medium: wood engraving

Carmelo GonzalesGodwin-Ternbach Museum, Queens College
Armato Francesi [French Army], 1963

Franco Angeli

Medium: oil and silk gauze over canvas

Franco Angeli
Artifacts (Anasazi Cliff Dwellings, Canyon de Chelly, Spacecraft in Perpetual Geosynchronous Orbit, 35,786 km Above Equator), 2010

Trevor Paglen

Medium: Chromogenic print

Trevor Paglen
Artillery, 2005

Sarah Pickering

Medium: Lambda print photograph

Sarah Pickering
Arundhati Roy, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Arundhati Roy, Readings & Conversations, 24 March 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
Asymmetrical bar, deep, 2007

Susan York

Medium: Solid graphite, with aluminum, brass, steel mount

Susan York
At St. Albans, 1954

Louis James

Medium: oil on canvas

Louis JamesHouse of Hope
At sundown, hundreds of migrants march north in groups of twenty, hoping to cross the border. Each group is joined by a smuggler, whose identity is not revealed and who acts as a guide. Agua Prieta, Sonora, 2000 (from the special limited edition ‘Dreams

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
At the Corral - Counting and Separating Reindeer, 2007From the Series: Even and the Climate (Siberia)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
At the Corral - Nikolayev Matvey Gathering Reindeer.From 'Even and The Climate series', 2007

Subhankar Banerjee

Medium: Digital chomogenic print face & mounted to Plexiglas

Subhankar Banerjee
At the Meeting of the Two Seas-The Beginnings of the Baltic, Grenen, Jutland, Denmark, 1998 (the northernmost point of Denmark)

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Atlas Holding Up the Sky and Herakles Going, 1979

Milo Reice

Medium: gouache on cardboard sections

Milo ReiceZimmerli Art Museum, Rutgers University
Atomic Crest, 1954

Morris Louis

Medium: acrylic on canvas

Morris Louis
Atomic Fact, 1986

Joel Otterson

Medium: cast bronze

Joel OttersonBerkeley Art Museum, University of California, Berkeley
Auftauchender Kopf [Emerging Head ], 1969

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
Aurora

John Marshall

Medium: silver

John MarshallNational Ornamental Metal Museum
Aurora, 1965

Leo Valledor

Medium: acrylic on canvas

Leo ValledorOakland Museum of California
Ausum, 1973

Agapito Miniucchi

Medium: wood, steel

Agapito MiniucchiDennos Museum Center, Northwestern Michigan College
Ave Maria Purisima (Enlightenment 8), 1983

Celia Munoz

Medium: mixed media

Celia MunozMuseum of Contemporary Art, Chicago
Avenue Patrice Lumumba: Administration building, Antsiranana, Madagascar, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Administration office, Department of Commerce, Antsiranana, Madagascar, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Apartment building, Avenue Bagamoyo, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Apartment building, Avenue Kwame Nkrumah, Maputo, Mozambique, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Apartment building, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Athénée Royal High School, Lumumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Avenue Bagamoyo, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Bust of Agostinho Neto, Quibala, Angola, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: City Hall offices, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: City Hall, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Court records, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Former bank building, Kolwezi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008 (diptych)

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: High school, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Library, sports club, Kolwezi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Likasi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Lubumbashi City Hall, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Old landline exchange, Post Office, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Park in the centre of town, Gabela, Angola, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Post Office, Likasi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Private residence, Kolwezi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Typists, Likasi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Wires linked to private generators, apartment block, Luanda, Angola, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Awaiting sunrise - early SpringChinle WashThe Navajo Nation Indian ReservationCanon del Muerto/The Canyon of the DeadCanyon de Chelly National MonumentApache CountyArizonaU.S.A.North America1994/2017(with C.A.M.)part 1 of a 2 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
A˙n Piensa, 1961

Rafael Coronel

Medium: acrylic on masonite

Rafael CoronelThe Museum of Fine Arts, Santa Fe
B 2-5-8 (s), 1967

Sol LeWitt

Medium: painted aluminum

Sol LeWittThe Museum of Contemporary Art, Los Angeles
Baalbek, May 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Babel Tower

Fran Monchatre

Medium: lead, mirrors, glass, paint, wood

Fran Monchatre
Back Porch with Picnic Table, 1985

Siah Armajani

Medium: maple, cedar, pine, acrylic paint and stain, bronze and aluminum screen

Siah ArmajaniThe Museum of Contemporary Art, Los Angeles
Backpacks, jackets, shoes and gloves—on sale to immigrants in the main plaza. Altar, Sonora, 2005

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Bagged Bag Series

John And Katherine Littleton And Vogel

John And Katherine Littleton And Vogel
Bahamas Internet Cable System (BICS-1)NSA/GCHQ-Tapped Undersea Cable, Atlantic Ocean

Trevor Paglen

Medium: C-Print

Trevor Paglen
Baigneuses (recto and verso), 1934

Paul Delvaux

Medium: pen, brush and black ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Balance Akt [Balance Act], 1966

Bernhard Jaeger

Medium: lithograph on paper

Bernhard JaegerHouse of Hope
Balcon [Balcony], 1985

Gunther Rg

Medium: tempera and watercolor on paper

Gunther RgThe Museum of Contemporary Art, Los Angeles
Ballet Dancer, 1980

David Sharpe

Medium: oil on canvas

David SharpeUniversity Art Museum, University of New Mexico
Barbute, 1987

Margaret Honda

Medium: barbed wire, razor ribbon

Margaret HondaThe Museum of Contemporary Art, Los Angeles
Barque with Condor, 1984

Ann McCoy

Medium: cast bronze

Ann McCoyThe Museum of Fine Arts, Santa Fe
Barque with Lion Goddess, 1985

Ann McCoy

Medium: cast bronze

Ann McCoyThe Museum of Fine Arts, Santa Fe
Basel, November 2104

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Basket, 1977

Richard Artschwager

Medium: acrylic on cellotex in artist's frame

Richard ArtschwagerMuseum of Contemporary Art, San Diego
Bathsheba I, 1959

Jules Olitski

Medium: oil on canvas

Jules OlitskiUniversity of Michigan Museum of Art
Battle Cartoon, 1982

Tom Otterness

Medium: painted cast hydrostone, with chalk

Tom OtternessWichita Art Museum
Battle of the Sexes, 1963

Robert Goodnough

Medium: acrylic on linen

Robert GoodnoughZimmerli Art Museum, Rutgers University
Battle Scene

Eugene Delacroix

Medium: gouache, graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Beach of Silenus, 1964

Robert Thompson

Medium: acrylic on paper

Robert ThompsonThe Art Institute of Chicago
Bed, 1971

Karen Carson

Medium: crayon on paper

Karen CarsonGrunwald Center for the Graphic Arts, University of California, Los Angeles
Bed, Sierra del Rosario, Sonora, 2007

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Beer Cans, 1986

Tom Otterness

Medium: pen and black ink and pencil on paper

Tom OtternessWhitney Museum of American Art
Bei schˆnem Wetter [Nice Weather], 1969

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
Beirut, May 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Beluga Whale Hunt, 2007From the Series: Iñupiat and the Whales

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Beluga Whales with Calves, 2006From the Series: Oil and the Whales (Arctic Ocean)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Bergstadt [Mountains], 1964

Siegfried Klapper

Medium: graphite on paper

Siegfried KlapperCarnegie Art Museum
Bianco Grande [Big White], 1961

Franco Angeli

Medium: oil on canvas

Franco Angeli
Big Bend View from Terlingua, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Big Ellie, 1977

Rudy Autio

Medium: glazed stoneware

Rudy AutioTacoma Art Museum
Big Green Man

James Brown

Medium: acrylic on paper in artist's frame

James BrownRose Art Museum, Brandeis University
Billy Collins, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Billy Sunday, Seated c. 1913 (After Stearns Wildermuth & Stearns; Library of Congress), 2007

Mccallum & Tarry

Medium: Oil on canvas and toner on silk

Mccallum & Tarry
Binyavanga Wainaina, Readings & Conversations, 28 September 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Bio and Picture

Frederick Kiesler

Medium: photo-offset poster

Frederick KieslerGuggenheim Museum
Birds in a Molasses Tank, Rancho Pozo Nuevo, Sonora, 2008

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Birds, Janos, Chihuahua, 2007

Michael Berman

Medium: Carbon pigment print photograph

Michael Berman
Birds. Janos, Chihuahua, 2007

Michael Berman

Medium: Carbon pigment ink on etching paper

Michael Berman
Birth of an Island, 1983

Frederick Wight

Medium: oil on canvas

Frederick WightOakland Museum of California
Birth, 1963

Cheung Yee

Medium: aluminum on wood

Cheung YeeAsian American Arts Centre
Black and White

Salvatore Sirugo

Medium: oil on canvas

Salvatore SirugoZimmerli Art Museum, Rutgers University
Black Bird, 2008

Edward Ruscha

Medium: Ink on board

Edward Ruscha
Black Cat, 2012

Mary Bonkemeyer

Medium: Acrylic on canvas

Mary Bonkemeyer
Black Excursion No. 13, 1964

Louise Nevelson

Medium: wood, painted black formica

Louise NevelsonUniversity of Michigan Museum of Art
Black Horse on Yellow Ground, 1953

Marino Marini

Medium: gouache, graphite and oil on paper mounted on canvas

Marino MariniUniversity of Michigan Museum of Art
black on whitePrins Christian Sund and The North Atlantic OceanThe Eastern EntranceKong Frederik VI KystKangertittivaq/Greenland(Denmark)North America2008/2017With Jason Roberts.Just above the Southeast most point of Greenland.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Black Spot, 1982

James Brown

Medium: oil and enamel on canvas

James BrownUniversity of Michigan Museum of Art
Black Stripe

Lewis Harris

Medium: spray paint, pencil on paper

Lewis Harris
Black, White Gray, 1959

Gastone Novelli

Medium: oil on canvas

Gastone NovelliUniversity of Michigan Museum of Art
blasted and sunstruck- Looking towards the Head of Passes and The Mouths of the Mississippi RiverThe Mississippi River DeltaWell south of VenicePlaquemines ParishLouisianaU.S.A.North America2009/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Blessed Be The Lord, 1968

Henry Miller

Medium: Watercolor on paper

Henry Miller
blinding brightness -Hidden DangersBahía de Cochinos/Bay of PigsPlaya LargoMontanzanasCubaThe Greater AntillesLatin North America2007/2017 The site where Fidel Castro and his army crushed the American CIA - led Cuban exile counter-revolutionary

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
blinding brightness, Yankee Harbour, Greenwich Island, The South Shetland Islands,United Kingdom, Antarctica, 2008, 62° 32’ S

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Blizzard – The Spring Equinox At the Source of the Rio GrandeRio Grande National ForestThe Continental DivideSan Juan CountyColoradoU.S.A.North America1995/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Blown, 1973

Robert Arneson

Medium: glazed ceramic

Robert ArnesonHirshhorn Museum and Sculpture Garden
Blue Cactus

Kevin Kobus

Medium: acrylic, tacks on masonite

Kevin KobusDennos Museum Center, Northwestern Michigan College
Blue Chair, 1950

Milton Avery

Medium: ink and crayon on paper

Milton AveryThe Museum of Fine Arts, Santa Fe
Blue Sponge II, 1957

Yves Klein

Medium: painted sponge, mounted on iron rod in rock

Yves Klein
Blue Vine, 1981

Kevin Kobus

Medium: acrylic on carved wood

Kevin KobusDennos Museum Center, Northwestern Michigan College
Blueblood, 1988 (grey book)

James Turrell

Medium: Skyspace

James Turrell
Blumen [Flowers], 1993

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Boca Grande and Gulfo de Paria. The Gulf of Paria. Playa Mocurito, Macuro. Peninsula de Paria. Sucre, Venezuela 2005/2006. From the only Continental land-site that Christopher Columbus actually set foot on in the New World of The Americas and near

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Boceto, 1971

Jose Guinovart

Medium: oil on asbestos

Jose Guinovart
Body of Knowledge Drawing II, 1979

Gary Bower

Medium: pastel and charcoal on paper

Gary BowerCarnegie Art Museum
Bologne, avril 81, 1981

Therese Chotteau

Medium: watercolor, crayon on plaster

Therese Chotteau
Book Cover 4, 2012 (Brief Interviews with Hideous Men by David Foster Wallace)

Maryam Amiryani

Medium: Oil on linen

Maryam Amiryani
Book with Original Drawing

Robert Therrien

Robert Therrien
Book, 1974

Richard Tuttle

Medium: Unbound Addenda book

Richard Tuttle
Border Gate

Jaime Bailleres

Medium: photograph mounted Gator board

Jaime BailleresEl Paso Museum of Art
Border Patrol agents detain 80 illegal immigrants near Bisbee, Arizona, 2000

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Bouche Evier (S. 3fl), 1964 [Sink Mouth]

Marcel Duchamp

Medium: silver

Marcel DuchampUniversity of Michigan Museum of Art
Bowl of Cherries, 1962

Robert Irwin

Medium: oil on canvas

Robert IrwinThe Museum of Contemporary Art, Los Angeles
Box for Instruments (Shrine 7)

Dennis Evans

Medium: wood, lacquer, porcelain, brass, string, wax, copper

Dennis EvansTacoma Art Museum
Boy on Toy Horse, December 1981 - January 1982

Danato Mancini

Medium: charcoal on toned Arches paper

Danato ManciniBass Museum of Art
Boy with Stockings/Whiskey and Cigarette, 2008

Luke Batten & Jonathan Sadler

Medium: Archival inkjet print

Luke Batten & Jonathan Sadler
Bozzetto Radar, 1962

Arnaldo Pomodoro

Medium: bronze

Arnaldo PomodoroThe Indianapolis Art Center
Brant and Snow Geese with Chicks, 2006

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar Banerjee
Brazzaville, February 2013

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Breyten Breytenbach, Readings & Conversations, 18 November 2009

Don Usner

Medium: Archival pigment print on paper

Don Usner
Bridge, 1980

Rick Stich

Medium: egg tempera on canvas

Rick StichOakland Museum of California
Brienzersee, June 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
bright lifting fog - early morning Looking downstream - The Hudson RiverStorm King MountainOrange CountyNew York U.S.A., North America2000/2017The locus point for the Hudson River School of American Landscape Painting, which established the subject

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Bright Moonlight - The Caribbean Sea, Punta Ojo de Agua, Peninsula de la Guajira, Guajira, Colombia, 2005, The Northwest-most point of Continental South America

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Broken Spell 3, 1978

Gary Bower

Medium: oil on canvas

Gary Bower
Bronze Chair, 1975

Scott Burton

Medium: bronze

Scott BurtonThe Art Institute of Chicago
Brooklyn, April 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Busy Thoroughfare

Jean Watts

Medium: oil on panel

Jean WattsHouse of Hope
Butterflied, 1971-1973

George Apostu

Medium: wood

George ApostuDennos Museum Center, Northwestern Michigan College
C.D. Wright, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Cabeza

Arturo Potesta

Medium: watercolor and brush and black ink on paper

Arturo PotestaGodwin-Ternbach Museum, Queens College
Calamity Creek – The Source Stream of the Hudson River andThe Rising of the Hudson RiverNorth of NewcombEssex CountyNew YorkU.S.A.North America2000/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Calderall, 1965

Forrest Myers

Medium: mobile with Plexiglas, stainless steel, lacquer, epoxy, paint

Forrest Myers
Campbell McGrath, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Can't Stop Shaking, 1988

Nicholas Africano

Medium: oil and wax on canvas in artist's frame

Nicholas AfricanoPhoenix Art Museum
Canal de Yucatan y Mar Caribe / The Caribbean Sea, Punta Norte / North Point,Recinda del Rey / The King’s Bath, Isla MujerosQuintana Roo, The Yuctan Peninsula, Mexico, North America, 2007/2015, The North most point of the island.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Canal de Yucatán y Mar Caribe / The Caribbean SeaPunta Sud / South Point,Ixchel - Mayan Temple Lighthouse,Isla Mujeres / The Isle of Women,Quintana Roo, Yucatán Peninsula,Mexico, 2007/2014Very near the East-most point of all Mexico. One of the

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Candidates to illegal migration by the steel barrier built by the U.S.A. U.S.-Mexican border. Tijuana, Mexico, 1997

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
Candy

Tom Kiechle

Medium: assemblage

Tom KiechleOakland Museum of California
Cape Cod BayFirst Encounter BeachCape Cod National SeashoreEastham CountyMassachusettsU.S.A.2000/2015North AmericaThe site of the first recorded contact between the newly arrived Europeans and a Native American man called Squanto, from the Patuxet

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Cooper
Cape Dorset HarbourCape DorsetCape Dorset VillageFoxe PeninisulaBaffin IslandNunnuvutCanadaNorth America2013/2018With Greg Landreth and Oskar Strom.Cape Dorset is where the remains of the Thule (Tuniit, Dorset Culture) were discovered, who

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Capri, June 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Caribou Hunt - Charlie Swaney and Jimmy John, 2007 From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Caribou Hunt - Danney Gimmel and Rocky John, 2007 From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Caribou Hunt - Danney Gimmel, 2007From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Caribou Hunt - Jimmy John, 2007 From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Caribou Migration I, 2002Oil and the Caribou, Coleen River Valley

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar Banerjee
Caribou Near Kokolik River, 2006From the Series: Coal and the Caribou (Utukok RU)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Caribou Pass on Kongakudt River, 2002From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Caribou RunThe Strait of Belle IsleElijah Point,Cap Charles,Labrador, Canada 2014The Eastmost point of Continental Canada

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Caribou Tracks on Coal Seams, II, 2006

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar Banerjee
Caribou Tracks on Tundra, 2006

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar Banerjee
Caribou Tracks on Wetland II, 2006From the Series: Oil and the Geese (Teshekpuk LWL)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Carlos Fuentes, Readings & Conversations, 13 September 2001

Don Usner

Medium: Archival pigment print on paper

Don Usner
Carlos, 1979

John Ahearn

Medium: acrylic on cast plaster

John AhearnHirshhorn Museum and Sculpture Garden
Carnival Time, 1990

Mike Kelley

Medium: acrylic on masonite

Mike KelleyThe Detroit Institute of the Arts
Caryl Phillips, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Caryl Phillips, Readings & Conversations, 1 November 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Cast Form Type IV: 3479, 1980

Howard Tre

Medium: cast glass, copper

Howard TrePortland Art Museum
Cast Form Type VI: 1179, 1979

Howard Tre

Medium: cast glass

Howard TrePortland Art Museum
Cast Form Type VI: 2179, 1979

Howard Tre

Medium: cast glass

Howard TrePortland Art Museum
Cast Form Type VI: 4179, 1979

Howard Tre

Medium: cast glass

Howard TrePortland Art Museum
Cast Form Type VIII, 1979

Howard Tre

Medium: cast glass, copper

Howard TreUniversity of Michigan Museum of Art
Catso Blue, 1967 (projection materials)

James Turrell

Medium: Light projection, slide, dichroic filter, projector, ballast room installation

James Turrell
Catso Blue, 1967/1987 (grey book)

James Turrell

Medium: light projection GREY BOOK

James Turrell
Cavaliers

Murabito Murabito

Medium: pastel on paper

Murabito Murabito
Ce Qui Manque a Nous Tous [That Which We All Lack]

Man Ray

Medium: blown glass, clay, wood

Man RayUniversity of Michigan Museum of Art
Cell Dividing, 1982

Mike Kelley

Medium: acrylic on sheetmetal over wood

Mike KelleyThe Museum of Contemporary Art, Los Angeles
Center for Land Use Interpretation Archive Photo #301-5A

Unknown

Medium: Photograph

Unknown
Center of the Canadian ShieldHudson StraitCape WolstenholmePeninsula d’UngavaQuebecCanadaNorth America2013/2016The Northmost point of the Ungava Peninsula and in the centre of the Canadian Shield. The Canadian Shield is a large area of exposed

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas CooperLos Angeles County Museum of Art (LACMA)
Chalkboard, LaLander, Afghanistan #20, 2003

Tony O’brien

Medium: Gelatin silver print

Tony O’brien
Champigny, 1863

Camille Pissaro

Medium: recto: pen and ink and pencil; verso: graphite on paper

Camille PissaroUniversity of Michigan Museum of Art
Chanel de le Hella-West, Pointe de Corsen, Finisterre, Brittany, France, 2004, The West-most point of mainland France

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Charred Glass Slab, 2011

Munson Hunt

Medium: Kiln cast glass

Munson Hunt
Chat maitre-d'hotel: Version au plateau creux [Butler Cat: Version with Hollow Tray], c. 1967

Diego Giacometti

Medium: Bronze with patina

Diego Giacometti
Checkpoint. Hermosillo, Sonora, 2004

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Cheesecloth Piece, 1981

Jackie Winsor

Medium: wood, cheesecloth

Jackie WinsorMuseum of Contemporary Art, Chicago
Cherries in a Dish

Bradley Tomlin

Medium: pastel on paper

Bradley TomlinUniversity of Michigan Museum of Art
Chicago, April 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Chicken, 1948

Milton Avery

Medium: oil on canvas board

Milton AveryThe Museum of Fine Arts, Santa Fe
Chief with Cherries, Shaman, 1973

Jeff Way

Medium: oil on canvas

Jeff WayWilliam Benton Museum of Art, University of Connecticut
Child's Grave

Louis de Niverville

Medium: acrylic on canvas

Louis de NivervilleSweeney Art Gallery, University of California, Riverside
Children's Swimming Pool, 12 O'Clock Sunday Morning, 1971

Leon Kossoff

Medium: oil on canvas

Leon Kossoff
Children’s writers picturesRemembering Jim and Huck – Thinking about Mark TwainThe screened lower Mississippi RiverNear HannibalMark Twain CountryMarion CountyMissouriU.S.A.North America2010/2018With Denise Riebe.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Children’s writers picturesThinking of Laura, Sophie and Kate –The birthplace of Laura Ingles Wilder -author of “Little House on the Prairie” books“Lake” Pepin and the upper Mississippi RiverPepinPepin CountyWisconsinU.S.A.North

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Children’s writers picturesThinking or Sophie, Laura and Kate – “Anne of Green Gables” CountryThe Gulf of St. LawrenceOrby HeadNear CavendishQueen CountyPrince Edward IslandCanadaNorth America2013/2018With Oskar Strom.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Chimamanda Ngozi Adichie, Readings & Conversations, 28 September 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Chisos Mountains at Midday, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Chispas Quemenme! (Enlightenment 1), 1982-87

Celia Munoz

Medium: photograph, matchbook

Celia MunozMuseum of Contemporary Art, Chicago
Chris Hedges, Cultural Freedom, 17 May 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Chris Hedges, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Christ and Lazareth, 1955

Oliver Barrett

Medium: wood

Oliver BarrettPecos Benedictine Monastery
Christ's Crown, 1957

Mathias Goeritz

Medium: watercolor, pencil, felt pen on paper

Mathias GoeritzNational Autonomous University of Mexico
Christmas Card, 1974

Louis de Niverville

Medium: Collage

Louis de Niverville
Christo

Carmelo Gonzales

Medium: woodcut

Carmelo GonzalesGodwin-Ternbach Museum, Queens College
Christopher Columbus’ Second landing site in the New World - 17th October 1492. (No.2)The Mid-Atlantic OceanLong IslandThe BahamasThe Greater AntillesLatin North America2007/2018

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Chucky Boy Santa Monica, 1976

Scott Miller

Medium: oil on canvas

Scott MillerMuseum of Sex, New York, NY
Church Gate Station. Bombay, India, 1995

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
Cible, 1972

Vladimir Velickovic

Medium: oil on canvas

Vladimir VelickovicSweeney Art Gallery, University of California, Riverside
Cigarette, 2007

Sarah Pickering

Medium: Chromogenic development print photograph

Sarah Pickering
Cilia, 1983

Mel Kendrick

Medium: painted wood

Mel KendrickMilwaukee Art Museum
Cinder Cone, El Pinacate Lava Flow, Arizona, 2007

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Circua - Feb 16th, 1954

Joe Secca

Medium: gouache on paper

Joe Secca
City by Michael Heizer, (A)© Triple Aught Foundation, Photo: Tom Vinetz

Michael Heizer

Medium: Color photograph

Michael Heizer
City by Michael Heizer, (B) © Triple Aught Foundation, Photo: Tom Vinetz

Michael Heizer

Medium: Color photograph

Michael Heizer
City by Michael Heizer, (C) © Triple Aught Foundation, Photo: Tom Vinetz

Michael Heizer

Medium: Color photograph

Michael Heizer
City Center #8 Wood Family Fishing Bridge: Beloit, Wisconsin, 1997

Siah Armajani

Medium: Colored pencil on Mylar

Siah Armajani
City Center #9 Poetry Garden: Los Angeles, 1997

Siah Armajani

Medium: Colored pencil on Mylar

Siah Armajani
City Scene

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
City Scene, Halloween Night, 1960

Lester Johnson

Medium: oil on canvas

Lester JohnsonZimmerli Art Museum, Rutgers University
Claptrap Drawings, 1984-1985 (eighteen drawings)

Douglas MacWithey

Medium: graphite, masking taper and collage on paper

Douglas MacWitheyThe Museum of Fine Arts, Santa Fe
Cliff, 1963

Cheung Yee

Medium: aluminum on wood

Cheung YeeAsian American Arts Centre
Close Far Dunes, El Gran Desierto, Sonora, 2008

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Closed Mirror Square (Cayuga Slat Mine Project), 1969

Robert Smithson

Medium: Rock, salt, mirrors & glass

Robert SmithsonDia Art Foundation
Cloud Chamber, Utopian Landscape 4, 1988

Jim Shaw

Medium: pencil on paper

Jim ShawThe Museum of Contemporary Art, Los Angeles
Cloud Horizon - The Strait of Rio and the North Atlantic OceanLa PuntaMirador de Rio and Punta Farionesthe North-Most point of the Isle of LanzaroteThe Canary Islands, Spain2002/2014

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Clouded moonlight -The mid North Atlantic OceanCabo TrafalgarAndaluciaSpainEurope2003/3018Admiral Lord Nelson enjoyed a decisive victory over the Spanish Admiral Villeneuve off this cape to defeat the French Navy and help win the Napoleonic War

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Clouded Moonlight – The Caribbean Sea/ Mar CaribeMarant Point, St. Thomas,Jamaica, 2007/2014The East-most point of Jamaica

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Clouds and Chinati Peak, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Clown Beggars

Julian Cordona

Medium: photograph mounted Gator board

Julian CordonaEl Paso Museum of Art
Clown Torture, 1987

Bruce Nauman

Medium: four color video monitors, four speakers, four videotape players, two video projectors, four videotapes

Bruce NaumanThe Art Institute of Chicago
Clown, Elephant and Horse, 1957

Lucien Moretti

Medium: pen and ink on paper

Lucien MorettiCarnegie Art Museum
Clyde, 1981

John Ahearn

Medium: acrylic on cast plaster

John AhearnMuseum of Contemporary Art, Chicago
Code Names of the Surveillance State

Trevor Paglen

Medium: Three-channel HD video installation on TV monitors, looped, no sound

Trevor Paglen
Colonia Estrella del Poniente, Cuidad Juárez, Chihuahua, 2003,

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Color

Wallace Berman

Medium: Verifax collage

Wallace BermanThe Museum of Contemporary Art, Los Angeles
Commemorative Plaque, 1980

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Composite Mythology 2, no date

Jeremy Anderson

Medium: wood, bronze, coconut shell, mirror

Jeremy AndersonOakland Museum of California
Composition No. 84

Ferruccio Bortoluzzi

Medium: oil, wood, iron, paint, collage

Ferruccio Bortoluzzi
Composition of Two Black Squares

Susan York

Medium: Solid graphite

Susan York
Composition of Two Black Squares, 2018

Susan York

Medium: Solid graphite

Susan York
Composition, 1961

Mark Tobey

Medium: tempera on paper mounted on canvas

Mark TobeyThe Museum of Contemporary Art, Los Angeles
Concave and Convex, 1968

Vjenceslav Richter

Medium: aluminum with steel frame

Vjenceslav Richter
Concealment 1979, 1979

Joseph Guy

Medium: acrylic, wax and graphite on paper

Joseph GuyNew Jersey State Museum
Concert of Angels Variation, 1957

Jan Mueller

Medium: oil on panel

Jan MuellerThe Museum of Contemporary Art, Los Angeles
Concilio del Louvre, 1961

Rafael Coronel

Medium: acrylic on canvas

Rafael CoronelHirshhorn Museum and Sculpture Garden
Coney Island Creek Remembering “The Warriors” Coney Island Creek Park Brooklyn, Kings County, Long Island, New York U.S.A. North America 2016/2017 “We figure when we see the ocean we’re home”. The Westmost point of Long Island.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas CooperThe Parrish Art Museum
Congo Democratic: A statue of Patrice Lumumba erected by Laurent Kabila and an unfinished tower built during the Mobutu years, look down on Jean-Pierre Bemba supporters as they make their way to a rally, Kinshasa, July 2006

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy Tillim
Congo Democratic: Lumumbiste Party supporters prepare for a meeting, pinning up pictures of Patrice Lumumba and their leader Antoine Gizenga, who was a deputy to Lumumba after the first elections in 1962

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy Tillim
Congo Democratic: Presidential candidate Jean-Pierre Bemba enters a stadium in central Kinshasa flanked by his bodyguards, July 2006

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy Tillim
Congo Democratic: Supporters of Jean-Pierre Bemba line the road as he walks to a rally from the airport, Kinshasa, July 2006

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy Tillim
Congo Democratic: Supporters of Jean-Pierre Bemba mock President Kabila, calling him an egg seller (in reference to Kabila’s statement that he could not take part in early election debates because he was balancing the delicate affairs of state on his

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy Tillim
Construction of Two Diagonal Lines, 1970/1973/1999

Fred Sandback

Medium: graphite on paper

Fred Sandback
Consuelo, 1989

Nicholas Africano

Medium: cast glass, marble base, cloth

Nicholas AfricanoMuseum of Contemporary Art, Chicago
Contentment (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Cop Car, 1986

Tom Otterness

Medium: graphite and watercolor on paper

Tom OtternessWhitney Museum of American Art
Coquina, circa 1973

Yasuo Mizui

Medium: ink on paper

Yasuo Mizui
Corn Field with Sorghum Border, Sac Valley, August, 1979

Julie Bozzi

Medium: tempera on paper

Julie BozziMuseum of Contemporary Art, San Diego
Cornel West, Readings & Conversations, 25 June 2003

Don Usner

Medium: Archival pigment print on paper

Don Usner
Cornelius Eady, Readings & Conversations, 15 November 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Cornell West, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Couple and Painting, Grooves Bar-Shanghai, 1998

Bertien Van Manen

Medium: C-Print

Bertien Van Manen
Couple II, 1978-1982

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Coupling III, 1980

Ginna Brand

Medium: graphite, plaster on rice paper panels

Ginna Brand
Covered Box

Unknown

Medium: porcelain, glaze, paint with brass bale handles

UnknownCarnegie Art Museum
Cozy Corner Lights, from the series Sound Affects, 2004

Christian Patterson

Medium: Archival inkjet print

Christian Patterson
Crackerjack Hustler: Suite 4, 1977

Inez Storer

Medium: assemblage; wood, ostrich feathers, printed paper, paint

Inez StorerOakland Museum of California
Craft Morphology Flow Chart, 1991

Mike Kelley

Medium: 114 dolls, 60 B&W photographs,1 acrylic on paper drawing,13 folding banquet tables, 20 folding card tables

Mike KelleyMuseum of Contemporary Art, Chicago
Creation, (Six Days in the Life of God), 1974

Margaret Giles

Medium: watercolor on paper

Margaret Giles
Crevasse [Crevice], 1982

Robert Cahay

Medium: cast bronze

Robert Cahay
Cristo [Christ]

Mirta Cerro

Medium: oil on canvas board

Mirta CerroPecos Benedictine Monastery
Cronos, 1964

Isamu Noguchi

Medium: cast bronze with steel cable

Isamu Noguchi
Cross

Dominic di Mare

Medium: mixed media

Dominic di Mare
Crossing, 2005

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Crossings, Vopoki Wash, Arizona, 2008

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Crow Fair, 1969-1970 Corn Husk Bag

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Tube Socks

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Yakima

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Bay Horses and Women

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Grand Entry

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Grandmother and Parade Corvette

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Hanover

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Nez Perce War

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Rez Hats

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Sunglasses

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Two Women and Child Parading

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970Yakima Youth Nation Activities

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crucifixion

Eugene Delacroix

Medium: graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Crucifixion I

John Pearson

Medium: wax, applied on wood

John PearsonOakland Museum of California
Cuervo Looking North, Reserva de la Biosfera el Pinacate, Sonora, 2007

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Cuervo Looking South, Reserva de la Biosfera el Pinacate, Sonora, 2007

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Cup

Unknown

Medium: carved wood

UnknownCarnegie Art Museum
Damaged Angel, Bay St. Louis, MISS, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Dance No. 1, 1982

Anita Steckel

Medium: oil on canvas

Anita SteckelUniversity Art Museum, University of New Mexico
Daniel Lemus, from Colima, Mexico and his newborn American son, Daniel Jr. Daniel works in a flower farm. Eureka, California, 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Daphne, 1959

George McNeil

Medium: oil on canvas

George McNeilZimmerli Art Museum, Rutgers University
Das Feuer (The Fire), 1982

Dieter Hacker

Medium: oil on canvas

Dieter HackerGuggenheim Museum
Das Kornfeld (The Wheatfield), 1983

Dieter Hacker

Medium: oil on canvas

Dieter HackerPortland Art Museum
Dave Eggers and Vendela Vida, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Dave Eggers, Readings & Conversations, 25 April 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
David Foster Wallace, Readings and Conversations Author, 2000

Don Usner

Medium: Black and white photograph

Don Usner
David Norris, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
David, 1980

John Ahearn

Medium: acrylic on cast plaster

John AhearnThe Museum of Contemporary Art, Los Angeles
dawn darkness -The mouth of the Savannah River andThe North Atlantic OceanTybee BeachTybee IslandChatham CountyGeorgiaU.S.A.North America2009/2017 With David Jeffery Cooper

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Dead Pinon Where Birds Gather in Autumn: On My Way to the Powerline, 2009

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Death Angel II, 1979

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Death Wish, 1958

Wallace And Jay Berman And Defeo

Medium: oil, graphite, charcoal on paper, mounted on canvas

Wallace And Jay Berman And DefeoWhitney Museum of American Art
Deborah Eisenberg, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Deborah Eisenberg, Readings & Conversations, 17 January 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
December 2006, 2012

Renate Aller

Medium: Archival pigment print photograph

Renate Aller
December 2008, 2012

Renate Aller

Medium: Archival pigment print photograph

Renate Aller
Deep Sky Portfolio, 1987

James Turrell

Medium: Aquatint on paper

James Turrell
Deep Sky Portfolio, 1987 (book)

James Turrell

Medium: Book by Mario Diacono

James Turrell
Deep Sky Portfolio, 1987 (wooden box)

James Turrell

Medium: One wood box

James Turrell
Dejaune, 1979

Bram Bogart

Medium: pigment on plaster

Bram BogartDennos Museum Center, Northwestern Michigan College
Denis Johnson, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Denise Chavez, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Dennis O’Driscoll, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Departure

Robert Hammond

Medium: oil on canvas

Robert Hammond
Der Fuchs Beobachtet den Huhnerstall [The Fox Watches the Chicken Coop], 1983

Markus Luepertz

Medium: oil on canvas

Markus LuepertzThe Museum of Contemporary Art, Los Angeles
Der Ritt An Die Weichel [Ride to the Vistula], 1976

Anselm Kiefer

Medium: Oil on linen

Anselm Kiefer
Der Stein (The Stone), 2009

Neo Rauch

Medium: Etching on handmade paper

Neo Rauch
Derek Walcott, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Des Saengers Fluch [Curse of the Singer], 1982

Martin Disler

Medium: acrylic on cotton

Martin DislerGuggenheim Museum
Design for Proposed Sculpture Garden Wall, 1974

Richard Jackson

Medium: acrylic, pencil on matboard

Richard Jackson
Desire Fulfilled (Tree of Life), 2014

Claudia Valdes

Medium: Digital print on metallic paper

Claudia Valdes
Destruction of the Governor's House, 1982

John Hull

Medium: acrylic on canvas

John HullUniversity Art Museum, University of New Mexico
Deux Femmes Nues [Two Nude Women]

Paul Delvaux

Medium: ink, colored pencil on paper

Paul DelvauxUniversity of Michigan Museum of Art
Deux Fummes Nues, 1905

Pablo Picasso

Medium: sepia ink on brown paper

Pablo PicassoUniversity of Michigan Museum of Art
Device to Root Out Evil, 1997

Dennis Oppenheim

Medium: Pencil, colored pencil, oil wash, oil pastel on watercolor paper

Dennis OppenheimDenver Art Museum
Dia del Turismo en Cadiz [Day of Tourism in Cadiz], 1967

Juan Romero

Medium: pen and ink on paper

Juan RomeroGodwin-Ternbach Museum, Queens College
Diagram, September 1997

Eve Aschheim

Medium: Charcoal, graphite and oil on canvas

Eve Aschheim
Diamond Sea, 1997

Doug Aitken

Medium: installationl, 3 laser discs in 10 minute cycle, Duratrans, one linear version on laser disc

Doug AitkenMuseum of Contemporary Art, Chicago
Diaphragne No. 80 [Diagram No. 80], 1970

Jean Tinguely

Medium: ink and aluminum on paper

Jean TinguelyUniversity of Michigan Museum of Art
Diesel, Gila Bend, Arizona, 2007

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Dinaw Mengestu, Readings & Conversations, 16 November 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Diodes, New Orleans, 2005

Chris Jordan

Medium: Chromogenic print

Chris Jordan
Diplomatic Egg Case, 1969

Herbert Distel

Medium: Leather attache case, velvet, 48 chromed eggs

Herbert Distel
Disembodied Militarism, 1988 six drawings

Mike Kelley

Medium: acrylic on paper

Mike KelleyMuseum of Contemporary Art, Chicago
Disputed Land Fall! Looking back towards the Old World, Long Bay and the Mid Atlantic Ocean, San Salvador Island (variant view), The Bahamas, The Caribbean, 2007/2015, Christopher Columbus’ first landing site in the New World, 12 October 1492. From Here,

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Divided - A Premonitional WorkThe North Atlantic Ocean Malin HeadCounty DonegalThe Republic of Ireland/EireEurope1986/2017With Harry Kerr. The Northmost point of all Ireland.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Dizzyland, 2006

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
Doll

Lizbeth Stewart

Lizbeth Stewart
Don Quixote, 1956

Salvador Dali

Medium: watercolor and brush and black ink on paper

Salvador DaliThe Museum of Fine Arts, Santa Fe
Dorothy Holloman-He Called My Name, 9th Ward, New Orleans, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Double Column, no. 2, 2019

Susan York

Medium: Solid graphite

Susan York
Double Knot

Unknown

Medium: marble, carved

Unknown
Double Pyramid, 1968

de Wain Valentine

Medium: cast polyester resin

de Wain ValentineThe Contemporary Museum, Honolulu
Double Show Window (Green), 1972 (S and B 47)

Christo Javacheff

Medium: two part - aluminum, Plexiglas, brown paper and painted wood

Christo JavacheffMuseum of Contemporary Art, San Diego
Double Show Window (Pink), 1972 (S and B 49)

Christo Javacheff

Medium: two part - aluminum, Plexiglas, painted wood with brown wrapping paper

Christo JavacheffMuseum of Contemporary Art, San Diego
Double Show Window (White), 1972 (S and B 48)

Christo Javacheff

Medium: two part - aluminum, Plexiglas, painted wood

Christo JavacheffMuseum of Contemporary Art, San Diego
Double Square, 1964

Neil Williams

Medium: day glo on canvas

Neil WilliamsSweeney Art Gallery, University of California, Riverside
Doulus Bay and Valentia HarbourMessage for C.A.M.(Near the West-most point of The Island)Valentia IslandCounty KerryIreland, 2002[Shannon]

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Drawing for Blue and White Painting, 1975

Bill Jensen

Medium: charcoal and graphite on vellum

Bill JensenWhitney Museum of American Art
Drawing for Green and White Painting

Bill Jensen

Medium: charcoal and graphite on vellum

Bill JensenCarnegie Museum of Art
Drawing for Magellan, 1978

Bill Jensen

Medium: pastel and charcoal on paper

Bill JensenUniversity of Michigan Museum of Art
Drawing for Magellan, 1980

Bill Jensen

Medium: graphite, egg tempera, charcoal and gouache on vellum

Bill JensenThe Art Institute of Chicago
Drawing for Shamen, 1975

Bill Jensen

Medium: graphite and tempera on vellum

Bill JensenThe Art Institute of Chicago
Drawing for Wingtable, 1986

Mathieu Gregoire

Medium: charcoal, pencil

Mathieu GregoireOakland Museum of California
Drawing No. 8

Sal Florio

Medium: ink and pencil on matboard

Sal FlorioHouse of Hope
Drawing of a Shell, 1953

James Walker

Medium: ink and watercolor on paper

James Walker
Drawing of a Skull, 1953

James Walker

Medium: acrylic, ink, pencil on paper

James Walker
Drawing Plans for Sculpture

Lila Katzen

Medium: pen and pencil on paper framed in colored Plexiglas

Lila Katzen
Drawing, 1970

David Diao

Medium: sanded sandpaper in Plexiglas frame

David DiaoUniversity Art Museum, University of New Mexico
Dreaming the North Polar Winter Solstice, The Arctic Ocean, The North Pole, 2007-2008 ( a two-part work) 90 degrees N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Dreaming the Old ManThe North Atlantic OceanThe Old Man of HoyAbove Rosa HeadThe Isle of HoyThe Orkney IslandsScotlandU.K., Europe1984/2017(The first major sea picture that I ever made)

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Dreaming the South Polar Winter Solstice, The Arctic Ocean, The North Pole, 2007-2008, (a two-part work), 90°

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
drowned trees along The Mississippi - night timeThe upper Mississippi RiverCentral MinneapolisAt the University of Minnesota docksideMinneapolisHennepin CountyMinnesotaU.S.A.North America2010/2018With Denise Riebe.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along the Mississippi - The confluence of the Dubois River andThe Mississippi River (East Bank)Madison County, IllinoisU.S.A.North America2010/2017Lewis and Clark reputedly crossed the Mississippi River into the continental American

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along The Mississippi - The screened lower Mississippi River (West Bank) The Mississippi Delta jungle Well below Venice Plaquemines Parish Louisiana U.S.A. North America 2009/2018 With David Jeffery Cooper.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along the Mississippi - “Last Good byes” - The start point of the Trail of Tearsdrowning weeping willows On the Mississippi River (East Bank)Trail of Tears State ParkNear JacksonCape Girardeau County MississippiU.S.A.2010/2017 A

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along the Mississippi -Lake Chilcot Chilcot State Park Near Lake Village Chilcot County Arkansas U.S.A. North America 2010/2017Lake Chilcot is the site of Hernan de Soto’s death in 1542. In 1541 he became the first European to

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along the Mississippi -sunset - Lake Pontchartrain 
Near the lower Mississippi River (East Bank)Fontainbleau State ParkSt. Tammany Parish LouisianaU.S.A.2010/2017Lake Pontchartrain was originally called the “Wide Water” by local Native

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along The Mississippi -The Confluence of the Illinois and Mississippi Rivers(East Bank)Near GraftonJersey CountyIllinoisU.S.A.North America2010/2018With Denise Riebe.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along The Mississippi – late evening blossomThe Confluence of the Iowa and Mississippi Rivers(West Bank)New BostonMercer CountyIllinoisU.S.A.North America2010/2018With Denise Riebe.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along The Mississippi – sticky early morning river hazeThe Confluence of the Missouri and Mississippi Rivers(South Bank)Columbia BottomCharles CountyMissouriU.S.A.North America2010/2018With Denise Riebe.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
drowned trees along the Mississippi –The Beginning of the End -The start point of the Trail of TearsOn the Mississippi River (East Bank)Trail of Tears State Park Near JacksonCape Girardeau County MississippiU.S.A. 2010/2017 In January 1836,

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placecompletely sun-struck and blastedLooking towards the Head of Passes and the mouths of the MississippiThe lower Mississippi River (West

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placedrowning trees and brushThe confluence of the Illinois River and the upper Mississippi River (East Bank)Near GraftonJersey CountyIllinois,

Thomas Cooper

Medium: Black and white photographs mounted in a single frame

Thomas Cooper
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placedrowning trees – Looking West - towards Exile – and the so-called “Indian Nations”The East Bank or the lower Mississippi RiverTrail of

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placehigh wind – bright hot sun lapsing shore waves –Lake Chilcot at the lower Mississippi River (East Bank) Chilcot State ParkNear Lake

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placehot afternoon – drowning treesThe confluence of the Dubois and the lower Mississippi Rivers (East Bank)Madison County Illinois,

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placelast good byes – hidden dangersWeeping Willows on the Trail of TearsThe East Bank of the lower Mississippi RiverTrail of Tears State

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placelate afternoon – drowned trees Lake PontchartrainNear the lower Mississippi River (East Bank)Fontainbleau State Park St. Tammany

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placelate afternoon – drowned trees and bog cottonThe headwaters and source stream of the Mississippi River“the dark path is the river” Lake

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Drowned Trees along the MississippiFrom source to seaContinuing observations on an American history of placeRemembering my father’s tribal grand parentsThe Little Blue, near Big Cabin Creek and the Neosho River Mayes CountyOklahoma,

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Dulce Yolanda Gálvez, 19, from Jonacatepec, Morelos, tried to reunite with her parents and two brothers, who migrated to Minneapolis, Minnesota over an eight year period. Her aunt and cousin were in the same group attempting to cross through Las Chepas,

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Dusk -Near the Mouth of The Rio GrandeSouth Bay Tidal FlatsBoca Chica BeachCameron CountyTexasU.S.A.North America2009/2018With David Jeffery Cooper.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Dusk –The Caribbean Sea/ Mar CaribeNegril, Westmoreland,Jamaica 2007/2014The West-most point of Jamaica

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Dusk-Last Light Over Africa-The South Atlantic Ocean-Furthest Southwest, The Cape of Good Hope, #3, South Africa, 2004, The Southwest-most point of Continental Africa

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Dust Jacket, 1982

Allison Smith

Medium: Mixed media collage

Allison Smith
Dust, Dobros, Desert Flowers, 1987

Richard Long

Medium: Lithograph

Richard Long
Eamon Grennan, Readings & Conversations, 13 February 2008

Don Usner

Medium: Archival pigment print on paper

Don Usner
Early American, Apples & Grapes, 2008

Sharon Core

Medium: Chromogenic print

Sharon Core
Early American, Melon & Peas, 2009

Sharon Core

Medium: Chromogenic print

Sharon Core
Early American, Peaches, 2009

Sharon Core

Medium: Chromogenic print

Sharon Core
Early American, Wild Raspberries, 2008

Sharon Core

Medium: Chromogenic print

Sharon Core
Early Evening - Moonrise over Montauk The North Atlantic Ocean Montauk Point, “The End” East Hampton Township (South Fork), Suffolk County Long Island New York U.S.A. North America, 2016/2017 The Eastmost point of Long Island and the State of New

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas CooperThe Parrish Art Museum
early morning - rolling rapidslooking upstreamThe upper Rio GrandeCochiti PuebloSandoval CountyNew MexicoU.S.A.North America2000/2017(with C.A.M.)part 2 of a 2 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Early morning - The Arctic Circlethe Davis StraitCape DyerThe Cumberland PeninsulaThe Eastmost point of Baffin IslandNunavut CanadaNorth America2013/2016 Island.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas CooperLos Angeles County Museum of Art (LACMA)
early morning winter lightStrait of Dover/Pas de CalaisFrom the North Foreland LighthouseIsle of ThanetKentEnglandU.K., Europe1996/2017The lighthouse at North Foreland was the last manned lighthouse in the U.K. The lighthouse had been constantly

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
early morningLooking North - Heading towards the source -morning into the full force of the blizzardThe Upper Rio GrandeOn the bridge crossingThe Southern entrance of the Rio Grande GorgeTaos CountyNew MexicoU.S.A.North America 1995/2017At the

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
early morningThe mouth of Chesapeake Bay andThe Mid Atlantic OceanFrom the Chesapeake Bay BridgeNorthampton CountyVirginiaU.S.A.North America2009/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
early morningThe upper Rio GrandeAt the Northern entrance of The Rio Grande GorgeCostilla CountyColoradoU.S.A.North America 2000/2017

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Early Site Plan & Section with White Bowl, 1992

James Turrell

Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel

James Turrell
East-The Mid North Atlantic Ocean-East, Very near Faro Fontes Perreira da Malo, The Isle of Santo Antao, Ilhas Barlauznto, The Cape Verda Islands 2004, Near the East-most point of the Island

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Eastman Kodak Elite, 2019

Alison Rossiter

Medium: Silver gelatin prints

Alison Rossiter
Eavan Boland, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Echo II

Joseph Guy

Medium: acrylic, graphite, wood

Joseph GuyBlanton Museum of Art, University of Texas, Austin
Echo, 1979

Ralph Hilton

Medium: oil on shaped panel

Ralph HiltonWilliam Benton Museum of Art, University of Connecticut
Eduardo Galeano and Sebastiao Salgado, Readings & Conversations, 3 November 2000

Don Usner

Medium: Archival pigment print on paper

Don Usner
Eduardo Galeano, Readings & Conversations, 31 May 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Eduardo Galeano, Readings and Conversations Author, 2000

Don Usner

Medium: Black and white photograph

Don Usner
Edward Said, Readings & Conversations, 2 May 2002

Don Usner

Medium: Archival pigment print on paper

Don Usner
Edward Said, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Edwidge Danticat, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Eighteen assorted erotic scenes

Chinese School Unknown

Medium: silk, rice paper

Chinese School Unknown
Eis (1) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Eis (2) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Eis (3) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Eis (4) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
El Mono [The Monkey], 1961

Rafael Coronel

Medium: acrylic on masonite

Rafael CoronelThe Museum of Fine Arts, Santa Fe
El Rio y El AtlanticoLa Punta, Mirador del Rio(Near the North-most point of The Island) The Isle of LanzaroteThe Canary IslandsSpain, 2002

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
EL-AR-ELA

Carl Apfelschnitt

Medium: roplex, acrisol, trinton, pigment, oil, varnish, gold on canvas

Carl Apfelschnitt
Elective Affinity, 1982

Richard Artschwager

Medium: wood, oil, shellac, wire

Richard ArtschwagerMuseum of Contemporary Art, San Diego
Elena Poniatowska, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Elephants, 1956

Salvador Dali

Medium: watercolor, brown and black ink and paper collage on board

Salvador DaliThe Museum of Fine Arts, Santa Fe
Ella y El (Referentes 1), 1988

Celia Munoz

Medium: mixed media

Celia MunozCarnegie Museum of Art
Elvis Presley

Keith Haring

Medium: sumi ink and gold paint on Elvis poster

Keith HaringMuseum of Contemporary Art, San Diego
Empty Horizon - High NoonLa Gironde atThe Bay of BisquePointe de GraveMedocFranceEurope1996/2017With Catherine Alice MooneyThe north most tip of the Medoc peninsula

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Endless House, Plans and Elevations

Frederick Kiesler

Medium: photo-offset poster

Frederick KieslerGuggenheim Museum
Entrapment of Floyd Collins in Kentucky Grave

Lynd Ward

Medium: gouache

Lynd WardUniversity of Southern Mississippi, de Grummond Collection
Epanchement

Bernard Verhaeghe

Medium: marble

Bernard VerhaegheDennos Museum Center, Northwestern Michigan College
Erasure -The beginning of conquest and destruction –Native America loses the European cultural battle El Golfo de México / The Gulf of MexicoLa Playa de ChalchihuecanVeracruzVeracruzMexicoLatin North America2007/2017 One of the several proposed

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Erotic Caricature

Henri de Toulouse-Lautrec

Medium: pencil on cloth

Henri de Toulouse-LautrecUniversity of Michigan Museum of Art
Erotic Scene

Unknown

Medium: porcelain

Unknown
Eroticism with Autowreck, 1982

Kenneth Shorr

Medium: Kodalith and acrylic on photograph

Kenneth ShorrCenter for Creative Photography, University of Arizona
Espectro en el Espejo Metamorfisis, 1962

Manuel Rivera

Medium: steel, wire, screen and dowels

Manuel RiveraGodwin-Ternbach Museum, Queens College
Espejo Homenaje a Jose Guerrero, 1969

Manuel Rivera

Medium: wood, steel mesh, rods and wire, paint

Manuel RiveraGodwin-Ternbach Museum, Queens College
Estrecho de Magallanes-The Strait of Magellan. Cabo Fronard. Peninsula de Brunswick. Magallanes, Chile 2006. The South-most point of Continental South America.

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Estrecho de Magallanes. The strait of Magellan and The South Atlantic Ocean. Punta Dungeness. Magallanes, Chile, 2006. Very near the Southeast-most point of Continental South America

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Estrecho de Magallanes. The Strait of Magellan. Cabo San Isidro. Peninsula de Brunswick. Magallanes, Chile, 2006

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
ET, 1981

Gordon Moore

Medium: acrylic, oil, wood on canvas

Gordon MooreSweeney Art Gallery, University of California, Riverside
Etruscan pot

Unknown

UnknownCarnegie Art Museum
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge Pardo
Evacuee from New Orleans, Baton Rouge River Shelter, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Evacuee Sleeping on Bus Ride to an Alexander, LA Shelter after the Storm, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Evening - Looking South towards Pelee Island and Middle Island -Lake EriePoint Pelee TipPoint Pelee National ParkEssexOntario Canada North America2015/2016The Southmost point of continental Canada. Indigenous people lived on Point Pelee from 4500

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Cooper
Evening lull - Quietening stormEl Segunda Angostura / The Second EntranceEstrecho de Magallanes/The Strait of MagellanCabo San VincenteIsla Grande Tierra del FuegoTierra del FuegoChileSouth America,2006/2017 The Northmost point of the island.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Evening – Drowned trees and bog cotton (2)The Headwaters of the Mississippi River“the dark path is the river”Lake Itasca State Park,Clearwater County, MinnesotaU.S.A.North America2010/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Evening – The Caribbean Sea. Cabo San Roman, day four, Peninsula de Paraguaná, Falcón, Venezuela, 2005/2006. The Northeast-most point of Continental South America.

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Evening-The Caribbean Sea, and Golfo de Venezeula, Cabo San Román (2), Peninsula de Paraguaná, Falcón, Venezuela, South America, 2005/2015, The Northeast-most point of South America.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Eviscerated Corpse, 1989

Mike Kelley

Medium: cloth animals, found, stuffed and sewn

Mike KelleyThe Art Institute of Chicago
Exotic Bird

Unknown

Medium: wood, carved, red and turquoise stones

UnknownCarnegie Art Museum
Explosion at Sea, 1966

Vija Celmins

Medium: oil on canvas

Vija CelminsThe Art Institute of Chicago
Expulsion of Adam and Eve

Eugene Delacroix

Medium: graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Extravagance, 1967

George McNeil

Medium: oil on canvas

George McNeilSpringfield Museum of Art
F House, 1987

Edward Ruscha

Medium: oil on canvas

Edward RuschaThe Art Institute of Chicago
F-50, circa 1962

Salvatore Sirugo

Medium: paint on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
F-60, circa 1962

Salvatore Sirugo

Medium: paint on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
Face, 1980

Michael Tetherow

Medium: acrylic on canvas

Michael TetherowDennos Museum Center, Northwestern Michigan College
Fading Light – High WindDrowned trees and the bog cotton (1)The Headwaters of the Misssissippi River“the dark path is the river”Lake Itasca State Park,Clearwater CountyMinnesotaU.S.A.North America2010/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Fading Moonlight, Looking toward the Tropic of Cancer, The Gulf of Mexico,Tepehuajes, Tamaulipas, Mexico, North America, 2007/2015

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Fading MoonlightThe lower Rio GrandeListening to “Brownsville Girl”The “Gateway” BridgeBrownsvilleCameron CountyTexasU.S.A.North America1996/2018

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
fading twilight – hidden dangers Looking towards Fort Sumter,Charleston HarborSullivan’s Island,Charleston County, South Carolina, USA2009/2014Looking towards the site of the start of hostilities in the American Civil War 1861.

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Fall - 1965 (or Summer Effulgence), 1965

Clay Spohn

Medium: acrylic resin, oil on canvas

Clay SpohnOakland Museum of California
Fallen Ordnance, Mohawk Valley, Arizona, 2007

Michael Berman

Medium: Carbon pigment photograph

Michael Berman
Falling Horseman, 1957-1958

Joe Secca

Medium: oil on masonite

Joe Secca
Fallujah model, 2004-2005

Siah Armajani

Medium: Basswood, plastic, copper wire, fabric

Siah Armajani
Fallujah, 2004-2005

Siah Armajani

Medium: Glass, wood, copper, steel, rug, chair, table, fabric

Siah ArmajaniWalker Art Center
False Horizon - Lake Huron and Georgian Bay Great Lakes Horizon, No. 5. Big Tub Point Tobermory Bruce Peninsula Ontario Canada North America, 2015/2017

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Farthest West – The Mid North Atlantic Ocean, Overlooking Fajã Grande,The Isle of Flowers/ Ilha das Flores, Regiões Autonomas Açores/Azores, Portugal. The West-most point of The Azorean Archipelago and of all Europe, 2004

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Fata Morgana II, 1965

Heinz Mach

Medium: aluminum collage

Heinz MachMilwaukee Art Museum
Father and Son, LaLander, Afghanistan, 2003

Tony O’brien

Medium: Gelatin silver print

Tony O’brien
Father Daughter, 1979

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Fatman, 1985

Tom Otterness

Medium: graphite and ink on paper

Tom OtternessWhitney Museum of American Art
Feb. 1976, 1975-1976

Bill Jensen

Medium: gouache on paper

Bill JensenWhitney Museum of American Art
FEB.14,1967

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
FEB.19,1975

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
Feelings, 1978

Carol Forget

Medium: leather, plastic, paper, straight pins mirror, felt with Plexiglas cover

Carol ForgetFresno Metropolitan Museum
Felicitas Ruiz Ramos, 88, stands in front of the house built by her son Gerardo Pérez Ruiz, who lives in the United States. San Andrés Ixtlahuaca, Oaxaca, 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Female Figure

Unknown

Medium: wood, carved

Unknown
Female Head

Joseph Glasco

Medium: ink and oil on paper

Joseph GlascoBlanton Museum of Art, University of Texas, Austin
Female Icarus, 1917

John Storrs

Medium: etching on paper

John StorrsThe Art Institute of Chicago
Feminie Landscape I, 1980

Jerry Brane

Medium: oil, rayon on canvas

Jerry BraneOakland Museum of California
Femme au Mirroir, 1905

Pablo Picasso

Medium: pen and black ink and watercolor on paper

Pablo PicassoUniversity of Michigan Museum of Art
Femme sur la Plage [Woman at the Beach]

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Femme [Woman]

Paul Delvaux

Medium: pen and charcoal on paper

Paul DelvauxUniversity of Michigan Museum of Art
Figura [Figure], 1955

Lopez Dirube

Medium: lithograph on paper

Lopez DirubeGodwin-Ternbach Museum, Queens College
Figure 626

George Constant

Medium: watercolor on paper

George ConstantSweeney Art Gallery, University of California, Riverside
Figure with Tear and Arrow and Bozzetto of Figure with Tear, 1982

Sandro Chia

Medium: bronze

Sandro ChiaMilwaukee Art Museum
Figure with Tear and Bozzetto of Figure with Tear and Arrow, 1982

Sandro Chia

Medium: bronze

Sandro ChiaMilwaukee Art Museum
Figure, 1946

Isamu Noguchi

Medium: four elements, Georgia marble

Isamu NoguchiThe Art Institute of Chicago
Figure, 1957

Corrado Di Marca-Relli

Medium: oil on canvas collage on canvas

Corrado Di Marca-RelliThe Museum of Contemporary Art, Los Angeles
Figure, 1976

Lin Emery

Medium: cast bronze

Lin EmeryFarnsworth Art Museum
Fiidjii, 1981

Ulrik Samuelson

Medium: plastic, glass, silk, ink, wood

Ulrik Samuelson
Fire Engine Red, 1967-68

Dorothea Rockburne

Medium: acrylic on aluminum

Dorothea RockburneUniversity of Michigan Museum of Art
Firebird Raceway, Emmett, ID, 1984/2010

Ron Jude

Medium: Pigment-based inkjet print on fiber

Ron Jude
First Foot – midnight, The Arctic Circle, At the River Tornea, North – Border Crossings, The Midnight Sun on Mid-Summer’s Night, The Swedish / Finnish Border, 1997-2008, (a two-part work), The Summer Solstice, 66º 33’ N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
First Foot – ten minutes after midnightThe Arctic CircleAt the River TorneaNorth – Border CrossingsThe Midnight Sun on Mid-Summer’s NightThe Swedish / Finnish Border, 1997-2008(a two-part work)The Summer Solstice66º 33’ N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
First light – Rising Sea Fog The Mid Atlantic OceanCape CanaveralThe Canaveral PeninsulaMerritt Island Bravara CountyFlorida U.S.A.North America2009/2015The site of the first successful manned space flight to the moon by Neil Armstrong, Buzz

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
First light – The Source Stream ofThe Mississippi River leaving Lake ItascaThe man-made artificial barriermarking the source stream of the Mississippi RiverLake Itasca State ParkClearwater CountyMinnesotaU.S.A.North America2010/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
First Light-South, Southwest-The South Atlantic Ocean-The Indian Ocean, Cape Point, #2, South Africa 2004

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Fish, 1981

Michael Vesser

Medium: graphite, ink, oil, tape on paper

Michael VesserHouse of Hope
Fleeing From a Force Eight Gale, Looking West at The South Pacific Ocean from Estrecho de Magallanes - The Strait of Magellan, Observation Island, three miles East of the Capes Magellanes, Chile, 2006, Looking towards Cabo Pilar and Cabo Deseado – Cape

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling, 1987

Edward Ruscha

Medium: Etching

Edward Ruscha
Floating Column (from 3 Columns), 2008

Susan York

Medium: Solid Graphite

Susan York
Flooded Farmland, Forked Island, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Fluffy Dreams

Lewis Harris

Medium: watercolor, oil stick, collage

Lewis Harris
Fly, 1986

Tom Otterness

Medium: colored inks and pencil on paper

Tom OtternessWhitney Museum of American Art
Fohn, 1978

Stephen Mueller

Medium: acrylic on canvas

Stephen MuellerSweeney Art Gallery, University of California, Riverside
Food for the Journey, 2005

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Foot Table

Pedro Friedeberg

Medium: gilded wood, glass

Pedro FriedebergPhiladelphia Museum of Art
For Pearl, 1970

Brice Marden

Medium: oil and wax on canvas (three panels)

Brice Marden
Forked tree capturing the SunBailey CreekLassen Volcanic National ParkShasta CountyCaliforniaU.S.A.North America1984/2017

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Form 101-A

Tom Markusen

Tom Markusen
Fort Pierce, Fla. Indian Mound, or remains of old fort, 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Fort Worth, January 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Forum 3, 1959

Joe Secca

Medium: oil on masonite

Joe Secca
Four chairs

Diego Giacometti

Medium: bronze

Diego GiacomettiPhiladelphia Museum of Art
Four Potential Bluebird Homes: On My Way to the Powerline, 2009

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Four White Stones, 1987

Rolf Julius

Medium: speakers, marble blocks, walkman, wire, audio tape

Rolf JuliusMuseum of Contemporary Art, North Miami
Fourteen Delevantians Count Them All Some are Diminutive Some are Tall But all of them Live on a Silver Wall

Sidney Delevante

Medium: ink, silverleaf on masonite

Sidney DelevanteDennos Museum Center, Northwestern Michigan College
Frank X Walker, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Frau Wolleh mit Kindern [Mrs. Wolleh with Children], 1968

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Frau, die Treppe herabgehend [Woman Descending the Staircase], 1965

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Freak (3-D Cap), 1967

Richard Allen

Medium: oil, metal, plastic ping pong ball

Richard AllenOakland Museum of California
Freedom Day - Table BayLooking towards Cape Town - and RememberingRobben IslandSouth Africa2004/2018

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Freezing Fog - Looking towards the River ThamesThe River Rhine Estuary and The North Sea, Hoek van Holland / The Hook of Holland Holland, 2000-2002 -- nearly white --

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
freezing fog, The Arctic Ocean, sea ice, melt lakes and sestrugi, The North Pole, 2007-2008, 90º N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
freezing fog, The British Channel, The Arctic Ocean, Looking towards Champa Island, Zemly Frantsa-Josifa / Franz-Josef Land, Russia, 2007-2008, The Southern region of The Franz-Josef Land Archipelago, 80° 37.765' N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Freezing Rain at Midnight-The Barents Sea-North-day two, Nordkapp/North Cape, Norway 2003-2004

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Fritto Misto, 1990 (grey book)

James Turrell

Medium: Light projection GREY BOOK

James Turrell
Frogman, 1982

E'wao Kagoshima

Medium: sumi ink, acrylic, newspaper on paper

E'wao KagoshimaAsian American Arts Centre
from "aestheticized disaster series", 1992

Jim Shaw

Medium: all: graphite on paper

Jim ShawMuseum of Contemporary Art, Chicago
From A Premonitinoal Work, Acknabreck, Argyllshire, Scotland, 1991

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
From Marfa to Presidio Via the Grid, 2003-2004 (Part 2) Downtown Marfa Substation

Rackstraw Downes

Medium: Oil on canvas

Rackstraw Downes
From Marfa to Presidio Via the Grid, 2003-2004 (Part 3) On a Ranch Between Marfa and Shafter, with the Cienega and Bryant Ranch Substations in the Distance

Rackstraw Downes

Medium: Oil on canvas

Rackstraw Downes
From Marfa to Presidio Via the Grid, 2003-2004 (Part 4) Substation on a Ridge in the Shafter Mountains

Rackstraw Downes

Medium: Oil on canvas

Rackstraw Downes
From Marfa to Presidio Via the Grid, 2003-2004 (Part 5) Presidio Substation, the Sierra de la Santa Cruz in the Distance

Rackstraw Downes

Medium: Oil on canvas

Rackstraw Downes
From Marfa to Presidio Via the Grid, 2003-2004 (Part1) Marfa, Alamito Creek Substation

Rackstraw Downes

Medium: Oil on canvas

Rackstraw Downes
From Table to Tableau

Ronald Morosan

Medium: painted wood

Ronald Morosan
From the Morning, 1995

Iain Stewart

Medium: Chromogenic print

Iain Stewart
From three boulders - white, grey, blackblack ice - frozen boulderMacGregor Strait and Labrador SeaLecase PointCape ChidleyKilling IslandQuebecCanadaNorth America2013/2018

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
From three boulders - white, grey, blackMythic Stoneshining grey boulder(message to E.S. Curtis)late afternoon - ice crackedLoch KatrineThe TrossachsLoch Lomond and the Trossachs National ParkStirlingshireScotlandU.K.Europe1983/2018Most

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
from two trees - cold, hotA Premonitional Work -Frozen tree - Winter into Springearly morning - New Year’s Day(Message for M.M.)Glasgow Wilderness PlantationThe City of GlasgowScotlandU.K.Europe1987/2018With Catherine Alice MooneyThe

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
from two trees - cold, hotScorched date palms - Spring into SummerAlong the lower Rio Grande -The Hot SpringsBig Bend National ParkBrewster CountyTexasU.S.A.North America1996/2018

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Frozen Lake Ontario - Winter Mist - At the emptying point of the Niagara River into Lake Ontario Great Lakes Horizon, No. 2. Niagara-on-the-Lake Ontario Canada U.S.A. North America, 2015/2017 With Laura Cooper

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Fuel Air Explosion, 2005

Sarah Pickering

Medium: Lambda print photograph

Sarah Pickering
Fuga de la Noche [Fugue of the Night]

Count de Quintanilla

Medium: oil, varnish on canvas

Count de Quintanilla
Furthest East- The Atlantic Ocean, Cape Spear (with whales) The Isle of Newfoundland, Canada, 1998-1999 (the easternmost point of continental North America) In the week of the spring equinox

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest North -The Mid North Atlantic OceanFaro de Alegranza, Punta Delgada(The North-most Island in the Canarian Archipelago. The East-most point of the island and near the North-most point)LanzaroteThe Carnary Islands, Spain, 2002

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Furthest North, The Barents Sea, Knivkjelodden, Finmark, Norway, 2003-2008, The North-most point of Continental Europe, 70° 11.080” N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Furthest North--The Mediterranean Sea, Ras Angela, #4, Tunisia, 2004. The North-most point of Continental Africa.

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Furthest North-The Mid North Atlantic Ocean, Punta Gorda, The Isle of Graciosa (The North-most point of the island)LanzaroteThe Canary IslandsSpain, 2002

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest Northwest-The Mid North Atlantic Ocean-The Strait of Gibraltar, Cap Spartel, Morocco 2003-2004, the Northwest-most point of Continental Africa

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest South - The Indian Ocean - High Tide,Cape Agulhas, #4South Africa, 2004The South-most point of Continental Africa

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest South - The Indian Ocean - Low TideCape Agulhas, #3South Africa 2004The South-most point of Continental Africa

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest South - The Indian Ocean - Low TideCape Agulhas, #3South Africa 2004The South-most point of Continental Africa.

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest South-The Strait of Gibraltar, Punta Maroqui o de Tarifa, Spain, 2003-2004, The Southmost point of Continental Europe

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest West - Looking West towards the New World Sunburst - Storm Clearing - CalmThe Mid-Atlantic OceanAbove Ponta do SolIlha Santo AntãoCape Verde / The Republic of Cape VerdeAfrica2004/2018The Westmostpoint of the Cape Verde Islands, and

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Furthest West The Mid Atlantic Ocean-, Overlooking Tarifel de Monte Trigo and Ponte Chao de Mangrade, The Isle of Santo Antão, Ilhas de Barlevento, The Cape Verde Islands, 2004, The West-most point of The Cape Verde Islands and of all Africa

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Furthest West-The Mid Atlantic Ocean, Pointe des Almadies, The Cape Verde Peninsula, Senegal 2004, The West-most point of Continental Africa

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Furthest WestLooking West -Towards the New WorldThe Mid-Atlantic OceanPonta DelgadaIlha das FloresThe Island of FlowersThe Azores ArchipelagoPortugalEurope2004/2018The West most point of the Azores, and the West most point of all Europe.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Futura Break Car, 1980

Henry Chalfant

Medium: color photograph

Henry ChalfantCenter for Creative Photography, University of Arizona
Galactascope #3

Gross/Astrakan

Medium: light projection

Gross/Astrakan
Galerie Maeght, 1956

After George Braque

Medium: lithograph in colors

After George Braque University of Michigan Museum of Art
Gardiners Bay Orient Point Orient Southold Township (North Fork), Suffolk County Long Island New York U.S.A. North America, 2016/2017 The Northmost point of Long Island.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas CooperThe Parrish Art Museum
Gary Snyder, Readings & Conversations, 23 May 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
Gary Snyder, Readings and Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Gathering Storm over Santa Elena Canyon and the Mesa de Anguila, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Gator Guard, Cameron Parish after Rita, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Geboorte Van Een Adersoortige Vorm [Birth of Another Kind of Form], 1979

Lieven Debrabandere

Medium: marble

Lieven DebrabandereDennos Museum Center, Northwestern Michigan College
Geese and Tracks, 2006From the Series: Oil and the Geese (Teshekpuk LWL)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Gemini, 1965

Leo Valledor

Medium: acrylic on canvas

Leo ValledorOakland Museum of California
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James Turrell
Generator, 1968

Bridget Riley

Medium: acrylic on canvas

Bridget RileyThe Museum of Contemporary Art, Los Angeles
Genuine Imitation, 2018

Ted Larsen

Medium: Salvage steel, marine - grade plywood, silicone, vulcanized rubber, hardware & chemicals

Ted Larsen
George Saunders, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Giacomo Expelled from the Temple, 1976-1978

Julian Schnabel

Medium: oil on canvas unframed

Julian SchnabelThe Museum of Contemporary Art, Los Angeles
Giallo Rosso [Yellow Red], 1963

Franco Angeli

Medium: oil on canvas

Franco Angeli
Gibbous moon, 1982

Frederick Wight

Medium: oil on canvas

Frederick WightOakland Museum of California
Gilbert Sorrentino, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Girl By Water, 1980

Wonsook Kim

Medium: charcoal, ink on paper stretched around board

Wonsook KimCarnegie Art Museum
Glacier, 1980

John Marshall

Medium: sterling silver, acrylic, copper, wood, acrylic

John MarshallNational Ornamental Metal Museum
Gladys

Mario Garcia

Medium: wood, slate, paint, hemp, metal, paper, nails, plastic, tape

Mario GarciaUniversity Art Museum, University of New Mexico
Glaring Hot Mid-Day Sun. The Caribbean Sea. Oostpunt-Punt Kanon. The Island of Curaçao. The Netherlands Antilles. The Netherlands, 2005/2006. The East-most point and very near the South-most point of The Island.

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Goathead. October 2005. Marfa, Texas, 2005

Allison Smith

Medium: Chromogenic print

Allison Smith
God Be with You, New Orleans, 9th Ward, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Gold Diptych 7, 1979

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas mounted on wood

Patrick Scott
Gold Knot 1, 1985

Sherrie Levine

Medium: acrylic paint on plywood, artist's frame

Sherrie LevineMuseum of Contemporary Art, Chicago
Gold Painting 7/90, 1990

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas

Patrick Scott
Gold Painting, 1979

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas

Patrick Scott
Gold Painting, n.d.

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas

Patrick Scott
Golden Calf, 1982

Ronnie Cutrone

Medium: acrylic on cotton bunting

Ronnie CutroneMuseum of Contemporary Art, San Diego
Golfo de Mexico / Gulf of MexicoCanal de Yucatan/ Yucatan CanalCabo Cotoche, Quintana Roo,Yucatan Peninsula,Mexico, 2007/2014The East-most point of mainland Mexico

Thomas Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Cooper
Golfo de Mexico/The Gulf of Mexico, El Palmar, Yucatán, The Yucatán Peninsula, Mexico, North America, 2007/2015

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Good Boy Bad Boy, 1985

Bruce Nauman

Medium: video tapes, tape decks, monitors

Bruce NaumanThe Art Institute of Chicago
Gore Vidal, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Gore Vidal, Readings & Conversations, 9 May 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
Grand Sillon, 1982

Robert Cahay

Medium: cast bronze

Robert Cahay
Gras auf D‰chern [Grass on Roofs], 1969

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
Gravel Mirrors with Cracks and Dust, 1968

Robert Smithson

Medium: Gravel, mirror

Robert SmithsonDia Art Foundation
gray on blackKangertittivag/Hungerfjord atDenmark Strait and Greenland StraitUunarteq/Kap TobinSermersooq/ Scoresby SoundIttoqqortoormiit/Jameson LandKangertittivaq/Greenland(Denmark)North America2008/2017 The Northern Entrance point to Hall

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Gray/Black Panel, 2013

Tom Miller

Medium: Acrylic and graphite on paper

Tom Miller
Greaves, 1987

Margaret Honda

Medium: barbed wire and annealed wire

Margaret HondaThe Museum of Contemporary Art, Los Angeles
Green and Red Modulations with Illuminations, no date

Clay Spohn

Medium: acrylic on canvas

Clay SpohnOakland Museum of California
Green Bay at Lake MichiganNorth of Green BayBrown CountyWisconsinU.S.A.North America2015/2017With Oskar Strom.The Westmost point of the lake.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Green Eyes, 1956

Kurt Ingermann

Medium: oil on masonite

Kurt IngermannHouse of Hope
Green Horses, 1988

Bruce Nauman

Medium: Two videotapes and one chair

Bruce Nauman
Green Lips, 1973

George McNeil

Medium: oil on canvas

George McNeilFarnsworth Art Museum
Grey and Blue Fence Skewed on Two Yellows, 1998

Kate Shepherd

Medium: Oil on two wood panels

Kate Shepherd
Grosse Wolke [Big Cloud], 1965

Gunther Uecker

Medium: paint and nails on canvas and particle board

Gunther UeckerThe Museum of Contemporary Art, Los Angeles
Ground #30, 1994

Uta Barth

Medium: Color photograph on Sintra panel

Uta Barth
Ground #78, 1997

Uta Barth

Medium: Color photograph on Sintra panel

Uta Barth
Group Soup, 1966

Anita Steckel

Medium: felt pen, ink on paper

Anita SteckelMuseum of Sex, New York, NY
Grout Piece #16, 2008

Hadi Tabatabai

Medium: Grout, styrene and wood

Hadi Tabatabai
Grout Piece #18, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi Tabatabai
Grout Piece #19, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi Tabatabai
Grout Piece #21, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi Tabatabai
Growth of an Island, 1983

Frederick Wight

Medium: oil on canvas

Frederick WightOakland Museum of California
Guadalupe, 2005

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Guardians Gathering (inspired by Brice Marden),Galisteo Creek, Galisteo, New Mexico, U.S.A. 2000For the Lannan Foundationwith Kate's and my very real gratitude!Thank You!

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Ha, Ha, Ha, Ha, 1989

Nicholas Africano

Medium: offset lithograph

Nicholas AfricanoMuseum of Contemporary Art, San Diego
Half Truths and Empty Truths

Robert Marx

Medium: etching, color, aquatint, drypoint

Robert MarxDennos Museum Center, Northwestern Michigan College
Halloween, 1980

Danato Mancini

Medium: oil wash on arches paper

Danato ManciniBass Museum of Art
Halluzinose Und Signale, 1968

Walter Stohrer

Medium: colored crayons, gouache, acrylic and paper collage on paper

Walter StohrerPortland Art Museum
Hammer, 1983

Helmut Middendorf

Medium: acrylic and pigment on canvas

Helmut MiddendorfGuggenheim Museum
Hammering Man at 2,683,117, 1977-1980

Jonathan Borofsky

Medium: painted wood and metal with motor and cables

Jonathan BorofskyThe Art Institute of Chicago
Hand Chairs

Pedro Friedeberg

Medium: gilded wood

Pedro FriedebergPhiladelphia Museum of Art
Hand of Doom, 1980

Henry Chalfant

Medium: color photograph

Henry ChalfantCenter for Creative Photography, University of Arizona
Hans Magnus Enzensberger, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Happiness (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Happy New Year [card], 1969-1970

Chris Wilmarth

Medium: Dry pigment spray on paper

Chris Wilmarth
Hassayampa Plain, Oct 31, 1996 5:49PM

Richard Misrach

Medium: unique chromogenic dye coupler print

Richard MisrachNational Gallery of Art
Hatshepsut Box, 1986

Mathieu Gregoire

Medium: Formica, plywood

Mathieu GregoireOakland Museum of California
He turned round and round, 1989

Nicholas Africano

Medium: oil and wax on canvas in artist's frame

Nicholas AfricanoThe Museum of Contemporary Art, Los Angeles
Head

Unknown

Medium: agate, carved with plinth

Unknown
Head Painting, 1981

E'wao Kagoshima

Medium: wax, hair, oil on canvas

E'wao KagoshimaAsian American Arts Centre
Headlight Child No. 3, 1980

Marjorie Nodleman

Medium: acrylic, oil on canvas

Marjorie NodlemanOakland Museum of California
Heal and Rest, 1992

Willie Cole

Medium: painted wood, steam iron handles and electrical cords and plugs

Willie ColeMuseum of Contemporary Art, Chicago
Heart of the River, 1980-1981

Guy Goodwin

Medium: oil, metal, plywood

Guy Goodwin
Heart, 1986

Tom Otterness

Medium: pen and ink on paper

Tom OtternessWhitney Museum of American Art
Height, 1958-1959

Jack Tworkov

Medium: oil on canvas

Jack TworkovThe Art Institute of Chicago
Hello Pat, 1974

Isaiah Zagar

Medium: woodcut and colored crayons on paper

Isaiah Zagar
Helmut, from Hand Series No. 2

John Wofford

Medium: aluminum

John Wofford
Help Ma, 1979

Chris Burden

Medium: colored felt-tip pens, colored pencils, black and white photos and cardboard mounted on paper

Chris BurdenMuseum of Contemporary Art, Chicago
Hera

Clifford Rainey

Medium: marble, glass, cast, cut, bronze, wire

Clifford Rainey
Hermelando Ramírez died after a tree crushed him, October 21, 2006, while on the job for a logging company in Eureka, California. Tierra Blanca, Oaxaca, 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Hermes

Pablo Serrano

Medium: bronze

Pablo SerranoGodwin-Ternbach Museum, Queens College
Heru Ta Ta F

Carl Apfelschnitt

Medium: roplex, acrisol, triton-retarding medium, pigment on canvas

Carl Apfelschnitt
Hide and Seek with the Man in the Moon for Children

Wendy Vanderbilt

Medium: acrylic on canvas

Wendy Vanderbilt
High Noon - The Caribbean Sea, Cabo San Roman, day two, Peninsula de Paraguaná, Falcón, Venezuela, 2005, The Northeast-most point of Continental South America

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas CooperLos Angeles County Museum of Art (LACMA)
Highland Shield

Unknown

Medium: ?

Unknown
Hills of the Savannah

Howard Thomas

Medium: ink and watercolor on paper

Howard ThomasHarn Museum of Art, University of Florida
Hinewirangi Kohu Morgan, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Ho Chi Minh City, Vietnam, 1995

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
hole, Cornice Channel, Skua Island – Looking towards Galindez Island, The Argentine Islands,Wilhelm Archipelago, Graham Land, Antarctica, 2008, On the site of the discovery of the hole in The Earth’s ozone layer. This site is very near the oldest research

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Holy Land, 1989

Mitchell Syrop

Medium: photo offset poster on canvas - unframed

Mitchell SyropMuseum of Contemporary Art, San Diego
Homage to Artie, 1965

Wallace Berman

Medium: Verifax collage and gouache

Wallace BermanThe Museum of Contemporary Art, Los Angeles
Hombre Corriendo [Running Man], 1971

Enrique Vara

Medium: pencil on paper

Enrique VaraGodwin-Ternbach Museum, Queens College
Home Before Dark, 2001

James Westwater

Medium: Acrylic and found objects on plywood box

James Westwater
Home for Gray Ghosts, 1981

Leo Rabkin

Medium: wood, Fresnell lens, metal, plastic, acrylic

Leo RabkinNew Jersey State Museum
Homme Au Chapeau [Man with Hat], 1963

Alex Kosta

Medium: bronze

Alex KostaCarnegie Art Museum
Homme et Trois Femmes [Man and Three Women]

Paul Delvaux

Medium: ink, pencil on paper

Paul DelvauxUniversity of Michigan Museum of Art
Homunculus, 1970

Bernhard Jaeger

Medium: lithograph on paper

Bernhard Jaeger
Horse's Head

Unknown

Medium: wood

UnknownCarnegie Art Museum
Hot and squinting light - Thinking about Cormac McCarthy"The Big Hill"The Rio Grande OverviewNear LajitasBig Bend National ParkBrewster County, TexasU.S.A. North America1996/2017part 1 of a 2 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Hot and squinting light - Thinking about Cormac McCarthy"The Big Hill"The Rio Grande OverviewNear LajitasBig Bend National ParkBrewster County, TexasU.S.A. North America1996/2017part 2 of a 2 part work

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
hot, sweaty, dusty and spiked - Remembering Paul StrandLooking towards MacuroAt the beginning of the The New WorldGulfo de PariaBoca Grande and Bocas del DragónIsla de PatoSucre StateVenezuela South America2003/2017It is reported that

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
hovering freezing fog, The Arctic Ocean, sea ice, sestrugi and melt lakes, The North Pole, 2007-2008, 90º N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
How a Table Works, 1986

Charles Ray

Medium: steel with metal box, thermos, plastic cup, terra cotta pot with synthetic plant, painted metal can

Charles RayThe Museum of Contemporary Art, Los Angeles
Howard Zinn and Anthony Arnove, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Howard Zinn and Patrick Lannan, Readings & Conversations, 26 April 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Hudson Strait andUngava BayCap Hopes AdvancePeninsula d’UngavaQuebecCanadaNorth America2013/2016The Northmost point of the Mouth of Ungava Bay

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Cooper
Hudson StraitPoint IvujivikPeninsula de UngavaQuebecCanadaNorth America2013/2016The Eastmost point of Hudson Bay and the Southmost entrance point to Hudson Bay.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Cooper
Huge wind - Lake Ontario Sackets Harbor Jefferson County New York U.S.A. North America, 2015/2017 The Eastmost point of the U.S. side of the Great Lakes and of Lake Ontario.

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Hulula Okpila Delta II, 2006From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Hulula Okpila Delta III, 2006From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Hurricane Thunderhead, Looking towards the New World, Boca Grande, Bocas del Dragón / The Dragon’s Mouths, the Gulf of Paria and the Caribbean Sea, La Lue Point, Chacachacare Island, Looking at Promotaro de Paria and the Peninsula de Paria, The Isle of

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Hurricane warnings, The Serpent’s Mouth and the Gulf of Paria, Icacos PointSaint Patrick County, The Isle of Trinidad, The Caribbean, 2005/2015, The South-most point of the island and all the Caribbean

Thomas Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Cooper
Hybrid Casco/G.E., 1992

Willie Cole

Medium: Casco and G.E. electric irons

Willie ColeMuseum of Contemporary Art, Chicago
Hypnotic Flight, 1986

Kathy Muehlemann

Medium: oil on linen

Kathy MuehlemannThe Contemporary Museum, Honolulu
I Have a dream, St. Roch, New Orleans, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
I'm not stopping, 1977

Jim Nutt

Medium: etching on paper

Jim NuttCarnegie Museum of Art
I, Shtetle, 1982

Irving Petlin

Medium: oil on canvas

Irving PetlinThe Museum of Contemporary Art, Los Angeles
I-95 North to Rhode Island, 1998

Christina Hejtmanek

Medium: Chromogenic print

Christina Hejtmanek
Iceberg 1, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 10, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 11, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 12, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 13, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 14, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 15, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 16, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 17, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 18, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 19, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 2, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 20, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 21, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 22, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 3, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 4, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 5, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 6, Disco Bay, Greenland, 1989

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 7, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 8, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
Iceberg 9, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art, Chicago
iceberg field from an iceberg summitJakobshavens IsWordDisko BayIllulissat / Jakobshavens IsbrasKittaaGreenland, Denmark, 2007-200869° 12.008' N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
icenestThe Greenland SeaThe Barents SeaFluglehuken / Bird PointPrins Karls ForelandSvalbard, Norway, 2004-2008The West-most point ofThe Svalbard Archipelago78° 54.226' N

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Ich - Eierkopf [I - Egghead], 1970

Bernhard Jaeger

Medium: lithograph on paper

Bernhard JaegerCarnegie Art Museum
Icon of St. John the Baptist's Burial, with Christ Emanuel above, no date

Medium: tempera on panel and gold ground

Pecos Benedictine Monastery
Imagine Hell, St. Roch, New Orleans, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Immediately upon arriving on the Mississippi Gulf Coast from Beaumont, Texas, 13 roofing workers are employed to fix an apartment complex at W. Pine and Hill, in Gulfport. There is one Honduran in the group; the rest are from San Luis Potosí, in Central

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Immigrant rescued after eight days in the desert by residents of Arivaca, Arizona. He was taken to the Ark of the Covenant shelter, built near Arivaca by the “No More Deaths” movement. Arivaca, Arizona, 2004

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
In a crowd, 2012

Patrick Oliphant

Medium: Ink and watercolor on board

Patrick Oliphant
In Balance, 1961

Hans Hofmann

Medium: oil on canvasboard

Hans HofmannUniversity of Michigan Museum of Art
In Lovely Blueness, 1955-1956

Sam Francis

Medium: oil on canvas

Sam FrancisThe Art Institute of Chicago
In the Can, 1986

Mitchell Syrop

Mitchell SyropInternational Center of Photography
In the Love of Geometry's Fountain, 1980

Alan Saret

Medium: nickel wire

Alan SaretThe Museum of Contemporary Art, Los Angeles
Inasmuch As It Is Always Already Taking Place, 1990

Gary Hill

Medium: video screens, with speakers, amplifiers in niche

Gary HillThe Art Institute of Chicago
Incontro Al Limite, 1959

Gio Pomodoro

Medium: bronze

Gio PomodoroUniversity Art Museum, University of New Mexico
Indian Mound, Franklin, N.C., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Indian Mound, National Cemetary, Vicksburg, Miss., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Indian Mounds, St. Paul, Minn., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Infant Jesus of Prague, Plaquemines Parish, 2005

Debbie Caffery

Medium: Gelatin silver print

Debbie Caffery
Inner Sea, 1981

Mira Schor

Medium: gouache, pastel on rice paper

Mira SchorUniversity Art Museum, University of New Mexico
Innocent Happiness (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Innocent Living (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Innocent Love (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Insane Authority-Portrait of Dr. Caligari, 1980

Julian Schnabel

Medium: oil and cowhide on velvet

Julian SchnabelHirshhorn Museum and Sculpture Garden
Insect Face, 1981-1982

Mike Kelley

Medium: acrylic on sheetmetal over wood

Mike KelleyThe Museum of Contemporary Art, Los Angeles
Inside - The Big Wave. Looking towards Africa. The Mid Atlantic Ocean, Galera Point, # 3,St. David, The Island of Trinidad, 2005, The Northeast-most point and very near the North-most point of the Island

Thomas Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Cooper
Inside Outside

John Marshall

Medium: electro formed silver, acrylic, light fluorescent

John MarshallNational Ornamental Metal Museum
Insurance Job, 2007

Sarah Pickering

Medium: Chromogenic development print photograph

Sarah Pickering