In 1996 Lannan Foundation created a museum gift program, offering pieces from its collection of over 1,000 works of modern and contemporary art to U.S. museums and making these important works accessible to significantly larger and more diverse audiences. The program was designed to increase the exposure of, accessibility to, and scholarship on artists represented in the foundation’s holdings.
Between January 1996 and August 2000 over 1,000 drawings, paintings, photographs, prints, sculptures and video installations were given to 78 museums in twenty-six states, the District of Columbia, and Mexico. The gift program was designed to match works with institutions where the pieces would become an active part of the collection. In fall 2000 Lannan Foundation decided to sell a group of twenty-three works at auction at Sotheby’s to support ongoing acquisitions and projects in contemporary art.
Between 2000 and 2021, the Foundation continued to acquire and commission new work on a limited basis. Among these acquisitions are works by Guy Tillim, Victoria Sambunaris, Thomas Joshua Cooper, Fred Sandback, and Susan York. Recent gifts include donations of work by An-My Lê to the Art Institute of Chicago, On Kawara to Dia:Beacon, and Siah Armajani to the Walker Art Center.
In 2022, the foundation announced plans to close. At that time, the remaining art collection of 1600 works was gifted to 50+ institutions, completed in 2024.
Title | Artist | Recipient |
---|---|---|
#17-1964, 1964 John McLaughlin Medium: oil on canvas | John McLaughlin | Museum of Contemporary Art, Los Angeles |
#6-1969, 1969 John McLaughlin Medium: oil on canvas | John McLaughlin | Museum of Contemporary Art, Los Angeles |
'Part' dyptych, 1998 Iain Stewart Medium: Chromogenic prints | Iain Stewart | |
'Part' dyptych, 1998 Iain Stewart Medium: Chromogenic print | Iain Stewart | |
'Rhythm I', 1997 Iain Stewart Medium: Chromogenic print | Iain Stewart | |
'Rhythm II', 1997 Iain Stewart Medium: Chromogenic print | Iain Stewart | |
'Rhythm III', 1997 Iain Stewart Medium: Chromogenic print | Iain Stewart | |
(Christmas Card) Willy Weber Medium: paint, gold and silver leaf, blue pencil on paper | Willy Weber | |
(Christmas Card), 1979 Isaiah Zagar Medium: foil, plastic, cloth, pencil on cardboard | Isaiah Zagar | |
(Christmas Card), 1979 Y Kubelich Medium: Etching | Y Kubelich | |
(New Years Card) Fernando Zobel Medium: etching, ink | Fernando Zobel | |
-43 degree F / -41 degrees C, The Polar Plateau, The South Pole, Antarctica, 2007-2008 90 degrees S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
-43°F / -41.6°C, The Polar Plateau, The South Pole, Antarctica, 2007-2008, 90° S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
-43°F / -41.6°C, The Polar Plateau, The South Pole, Antarctica, 2007-2008, 90° S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
1 + 1 + 1, 1987 Alfredo Jaar Medium: 3 color transparancies, light boxes, gilded frames, mirrors | Alfredo Jaar | The Art Institute of Chicago |
10.80.60 Wallace Berman Medium: wood, plexibox with painted stone inside and metal chain | Wallace Berman | Museum of Contemporary Art, Los Angeles |
100 Aluminum Solid, 1964 Carl Andre Medium: aluminum blocks, 4 tiers of 25 (only 99) | Carl Andre | Museum of Contemporary Art, Los Angeles |
12, 1960 J. Jay Mcvicker Medium: acrylic on canvas | J. Jay Mcvicker | |
12:06, 1982 Peter Drake Medium: sanded ink on paper | Peter Drake | The William Benton Museum of Art, University of Connecticut |
12:07, 1982 Peter Drake Medium: sanded ink on paper | Peter Drake | The William Benton Museum of Art, University of Connecticut |
12:08, 1982 Peter Drake Medium: sanded ink on paper | Peter Drake | Carnegie Museum of Art |
17.3.92, 1992 Gerhard Richter Medium: paint on color photograph | Gerhard Richter | The Art Institute of Chicago |
19.3.92, 1992 Gerhard Richter Medium: paint on color photograph | Gerhard Richter | The Art Institute of Chicago |
1945 - 1982, 1982 E'wao Kagoshima Medium: acrylic, leopard skin, sumi ink | E'wao Kagoshima | Japanese American Cultural & Community Center |
1981-VIII, 1981 Edward Hendricks Medium: aluminum and stainless steel | Edward Hendricks | |
2 JAN. 1971 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
20.3.92, 1992 Gerhard Richter Medium: paint on color photograph | Gerhard Richter | The Art Institute of Chicago |
2200 Cube Displacement Ronald Mallory Medium: cubes floating in mercury in a frame | Ronald Mallory | |
26.JULI1976 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
27DEC.1978 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
28 DEC. 1972 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
29 Palms: Bivouac, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Colonel Greenwood, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Combat Operations Center Guard, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Combat Support Service Operations I, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Combat Support Service Operations II, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Corporal Hoepper, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Debriefing, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | |
29 Palms: Embassy Medevac, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Embassy Reinforcement I, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Embassy Reinforcement II, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Explosive Ordnance Disposal, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Force Recon, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Infantry Officers' Brief, 2003-2004 An-My Lê Medium: gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Infantry Platoon, Alpha Company, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Infantry Platoon, Attack, 2003-2004 An-My Lê Medium: gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Infantry Platoon, Camp, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Infantry Platoon, Machine Gunners, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Infantry Platoon, Retreat, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: LCAC (Landing Craft Air-Cushioned), 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Marine Palms, 2003-2004 An-My Lê Medium: gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Mechanized Assault, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
29 Palms: Mortar Impact, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | |
29 Palms: Night Operations I, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | |
29 Palms: Night Operations III, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
29 Palms: Night Operations IV, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Resupply Operations, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | |
29 Palms: Rocket-Propelled Grenade Ambush, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Security and Stability Operations, Graffitti I, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Security and Stability Operations, Graffitti II, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | |
29 Palms: Security and Stability Operations, Iraqi Police, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | |
29 Palms: Security and Stability Operations, Marines, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Security and Stabilization Operations, George Air Force Base, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms: Small Convoy Attack, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
29 Palms:Captain Folsom, 2003-2004 An-My Lê Medium: Gelatin silver print | An-My Lê | Museum of Contemporary Photography, Columbia College Chicago |
3 - Compartment Box Robert C. Fisher Medium: enamel on brass | Robert C. Fisher | |
3-DX Man 3, 1979 Jedd Garet Medium: acrylic and latex on wood | Jedd Garet | The William Benton Museum of Art, University of Connecticut |
33, 1961 Oli Sihvonen Medium: pen and ink on paper | Oli Sihvonen | Harwood Museum, University of New Mexico |
34 Blows, 1971 Joel Shapiro Medium: copper | Joel Shapiro | The Art Institute of Chicago |
3D B.C., 1976 David Bungay Medium: acrylic, Plexiglas on canvas | David Bungay | Oakland Museum of California |
44th Wire Piece, 1981 Richard Tuttle Medium: wire, template for pencil line | Richard Tuttle | Museum of Contemporary Art, Los Angeles |
4:24, 1965 David Novros Medium: acrylic on canvas | David Novros | Blanton Museum of Art, University of Texas, Austin |
4:32, 1965 David Novros Medium: vinyl lacquer on canvas | David Novros | Blanton Museum of Art, University of Texas, Austin |
5 APR. 68 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
5 Figures of Structure, 1987 Lawrence Weiner Medium: Script on wall | Lawrence Weiner | Dia Art Foundation |
7 Days of Hell, Baton Rouge River Shelter, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
7, 1957 Joe Testa-Secca Medium: acrylic on pressed wood | Joe Testa-Secca | |
9th Ward, New Orleans, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
A Beacon for Beacon / DIA High Noon on The Hudson River Beacon Landing, Beacon Dutchess County New York, USA 2000-2003 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Complete Set of Wallace Berman's Semina, 1988-1992 Wallace Berman Medium: Cardboard box | Wallace Berman | |
A Female Nude with Putti in a Landscape, (top), Portrait of a Woman in Profile, (bottom) Eugene Delacroix Medium: black lead | Eugene Delacroix | University of Michigan Museum of Art |
A Force-Eight gale, Storm Drenched, Estrecho de Magallanes – The Strait of Magellan, Cabo Froward, the Peninsula de Brunswick, Magallanes, Chile, 2006, The South-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
A Frog in its Liquidity, from Ingestion, 1982 Mike Kelley Medium: acrylic on paper | Mike Kelley | Museum of Contemporary Art, Los Angeles |
A group of immigrants walks toward the border west of Agua Prieta. Agua Prieta, Sonora, 2000 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
A Humble Collection of Simple Homes and the Indistinct Tales of Those Who Live Within Them, 2016 Samuel Ellvinger Medium: Paper, wood, resin & lights (using CR2032 batteries) | Samuel Ellvinger | |
A massive dump site in the Upper Altar Valley, Arizona; illegal immigrants meet representatives of their smugglers (coyotes) after a 40 mile walk through the desert; they are told to strip, dump their old clothes, packs and jugs of water, and put on new, Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
A Meeting of the Seas – The Meeting Point of The Atlantic Ocean and The Gulf of Mexico Zachary Taylor State Park Key West The Florida Keys Monroe County Florida U.S.A. North America 2009/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A New Student, LaLander, Afghanistan #21, 2003 Tony O'Brien Medium: Gelatin silver print | Tony O'Brien | Center for Creative Photography, University of Arizona |
A Nice Day for Mississippi, 2006 Evri Kwong Medium: Oil and Sharpie permanent marker on canvas | Evri Kwong | |
A Painting with Separate Parts which are Self Generating (Miami Postcard), 1974 Malcolm Morley Medium: oil on shaped canvas with fabric, shoes, clothes pins, blackboard, eraser, dominoes, wood stool & film of the creation of this work | Malcolm Morley | Museum of Contemporary Art, Los Angeles |
A peasant fighter of the Moro Islamic Liberation Front. Cotabato, Mindanao Island, the Philippines, 1999 Sebastiao Salgado Medium: Back and white photograph | Sebastiao Salgado | |
A Premonitional Work - Ice-embedded cinder dust Approaching the glacier field Breiðamerkurjökull Skaftafell Vatnajökull Austerland Iceland Europe 1987/2017 part 2 of a 4 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work - Ice-embedded cinder dust On the lower ice-wall of the glacier Breiðamerkurjökull Skaftafell Vatnajökull Austerland Iceland Europe 1987/2017 part 3 of a 4 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work - lava crevice Surtshellir Austerland Iceland Europe 1987/2017 part 1 of a 4 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work - The glacier summit - crevice Ice-embedded cinder dust Breiðamerkurjökull Skaftafell Vatnajökull Austerland Iceland Europe 1987/2017 part 4 of a 4 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, Buzzard's Bay-Looking Away S., S.W.-Towards More of the New World, Wings Neck Point, Barnstable County, Massachusetts, U.S.A., 2000/2001 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, Cape Cod Bay-Looking N.,N.E.-Towards the Old World, First Encounter Beach, Near Eastham, Cape Cod, Massachusetts, U.S.A., 2000/2001. (From the site the Pilgrim Settlers first Encountered Native Americans.) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, E., S.E.,-The Atlantic Ocean, Cape Race, No. 2, The Isle of Newfoundland, Canada, 1998-1999,( the site of the first land-based distress message to be received from the Titanic) In the week of the Spring Equinox Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
A Premonitional Work, Muskeget Sound and the North Atlantic Ocean, Looking N.,N.E.-Yet Again, Towards the Old World, From Sunset to Full Moonrise, Wasqae Point, Chappaquiddick Island, Martha's Vineyard, Massachusetts, U.S.A. 2000/2001. (The Southernmost Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, Nantucket Sound-Looking N.,N.E.-Again, Towards the Old World, Point Gammon, Great Island, Barnstable County, Massachusetts, U.S.A., 2000/2001 Thomas Joshua Cooper Medium: selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, Plymouth Bay-Looking N.,N.E.-Back, Towards the Old World, Just Below Plymouth Rock, Plymouth, Plymouth County, Massachusetts, U.S.A., 2000/2001. (The Pilgrim Fathers/Settlers finally landed the Mayflower around this spot, and, at Thomas Joshua Cooper Medium: selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | University of New Mexico Art Museum |
A Premonitional Work, Plymouth Sound-Looking S.,S.W.-Hopefully, Towards the New World, The Mayflower Steps, Plymouth, Cornwall, England, 1998/2001. (The Pilgrim Fathers/Settlers left England forever for the hope of new lives in the New World, on the Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | University of New Mexico Art Museum |
A Premonitional Work, The Atlantic Ocean, Cape Spear, New Foundland, Canada, 1998-2001, The East-most Point of North America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, The English Channel-Looking S.,S.W.-Towards the New World, Beachy Head, The South Downs, Sussex, England, 1997/2001 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, The North Atlantic Ocean-Looking N., N.E.-Towards the Old World, Rage Point, Cape Cod, Massachusetts, U.S.A., 2000/2001 (The Northernmost Point of Cape Cod) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Premonitional Work, Vineyard Sound-Looking N.,N.E.-Towards the Old World, Nobska Point, Near Woods Hole, Barnstable County, Massachusetts, U.S.A., 2000/2001. (Near the Southernmost Point of Cape Cod.) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatn prints | Thomas Joshua Cooper | |
A Rolling Stone Bart Soubry Medium: marble | Bart Soubry | Dennos Museum Center, Northwestern Michigan College |
A Swelling Is, 1956 John Battenberg Medium: Cast bronze | John Battenberg | |
A Thousand Times Phillip Smith Medium: pencil, pastel on paper | Phillip Smith | Whitney Museum of American Art |
A three-part Whirlpool work whirl - The Sea River - early afternoon The middle of the great Spring high tide The Gulf of Corryvreckan Carraig Mhór The Isle of Jura - Looking towards the Isle of Scabra Argyllshire Scotland U.K. Europe 1991/2018 Part 2 of a Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A three-part Whirlpool work whirl - The Sea River - early evening The great Spring high tide in full flood The Gulf of Corryvreckan Carraig Mhór The Isle of Jura - Looking towards the Isle of Scabra Argyllshire Scotland U.K. Europe 1991/2018 Part 3 of a 3 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A three-part Whirlpool work whirl - The Sea River - early morning The beginning of the great spring tide The Gulf of Corryvreckan Carraig Mhór The Isle of Jura - Looking towards the Isle of Scabra Argyllshire Scotland U.K. Europe 1991/2018 Part 1 of a 3 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A victim of war on Jade Maiwan Avenue. Kabul. Afghanistan, 1996 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | Denver Art Museum |
A Young Rice Field, Winters, California, 1978 Julie Bozzi Medium: tempera on paper | Julie Bozzi | Museum of Contemporary Art San Diego |
A-Ree-Dha, 1970 Natvar Bhavsar Medium: acrylic on canvas | Natvar Bhavsar | Dennos Museum Center, Northwestern Michigan College |
A.J. Verdelle, Readings and Conversations Author, 1998 Don Usner Medium: Black and white photograph | Don Usner | |
A.L. Kennedy, Readings & Conversations, 20 October 2010 Don Usner Medium: Archival pigment print on paper | Don Usner | |
A.S. Byatt, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
A.S. Byatt, Readings & Conversations, 15 March 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Abduction No. 1 (Humorous Abduction), 1961 Robert Goodnough Medium: oil on canvas | Robert Goodnough | Museum of Contemporary Art, Los Angeles |
Aberration #12, 2011 Adam Ekberg Medium: Archival inkjet print | Adam Ekberg | Museum of Fine Art Houston (MFAH) |
Above 76 Degrees North Jones Sound and Glacier Strait King Edward’s Point Ellesmere Island Queen Elizabeth Islands Nunavut Canada North America 2013/2016 The Southmost point of Ellesmere Island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Above 79 Degrees North Dobbin Bay at Nares Strait Ellesmere Island Queen Elizabeth Islands Nunavut Canada North America 2013/2016 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Above cloud cover on top of the cliff face, 1200 feet high, Smith Sound, Kap Alexander, Inglefield Land, Greenland, Denmark, 2007-2008, The West-most point of Greenland, 78° 10.191' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Absence Reveals Presence, 1979 Joseph Guy Medium: paper, graphite, acrylic | Joseph Guy | Blanton Museum of Art, University of Texas, Austin |
Abstract Figure, 1934 John Storrs Medium: bronze | John Storrs | Hirshhorn Museum and Sculpture Garden |
Abstract Painting, 1960-1965 Ad Reinhardt Medium: oil on canvas | Ad Reinhardt | The Art Institute of Chicago |
Abuction, 2007 Sarah Pickering Medium: Chromogenic development print photograph | Sarah Pickering | Museum of Fine Art Houston (MFAH) |
Accelerators, drawings # 1262, 1263, 1264 & 1265, 2014 James Drake Medium: Graphite and ink on book pages | James Drake | The Menil Collection |
Aching, 1981-1982 William Crozier Medium: cast bronze | William Crozier | Dennos Museum Center, Northwestern Michigan College |
Acrylic piece 2015-8 Hadi Tabatabai Medium: Acrylic paint on cast acrylic panel | Hadi Tabatabai | |
Acrylic piece 2015-9 Hadi Tabatabai Medium: Acrylic paint on cast acrylic panel | Hadi Tabatabai | |
Activated Painting with Blue, 1961 Clay Spohn Medium: oil on canvas | Clay Spohn | Oakland Museum of California |
Aerial photograph of “The City Complex” Showing Land Owned by Triple Aught Foundation in Garden Valley, Nevada, 2008 Michael Heizer Medium: Color photograph | Michael Heizer | Museum of Contemporary Photography, Columbia College Chicago |
Aerial photograph of “The City Complex” Showing Land Owned by Triple Aught Foundation in Garden Valley, Nevada, 2008 (Survey Image) Michael Heizer Medium: Color photograph | Michael Heizer | Museum of Contemporary Photography, Columbia College Chicago |
Aesthetic Outpost, 1982 Alex McFarlane Medium: milled graphite | Alex McFarlane | The William Benton Museum of Art, University of Connecticut |
Agapito Julio Zachrisson Medium: watercolor on paper | Julio Zachrisson | Godwin-Ternbach Museum, Queens College, City University of New York |
Agoraphobia, 1968 Gerald Gooch Medium: lithographs, etched Plexiglas, lighted aluminum box | Gerald Gooch | Oakland Museum of California |
Agression "Ammann" Bernhard Luginbuhl Medium: painted iron and steel | Bernhard Luginbuhl | Dennos Museum Center, Northwestern Michigan College |
Ah! Quel; beau jour Monsieur Guillotin [What a Beautiful Day Mister Guillotin], 1982 Jean Mathot Medium: cast bronze and steel with cable | Jean Mathot | Dennos Museum Center, Northwestern Michigan College |
Ahdaf Soueif, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Air, c. 2008 Erika Wanenmacher Medium: Watercolor on board | Erika Wanenmacher | |
Airport Reflection, 2004 David Marshall Medium: Fuji crystal archive photograph print | David Marshall | |
Alex, 1987 Chuck Close Medium: Polaroid photograph mounted on aluminum | Chuck Close | The Art Institute of Chicago |
Alex, 1991 Chuck Close Medium: woodcuts in colors | Chuck Close | The Art Institute of Chicago |
Alex, 1991 Chuck Close Medium: oil on canvas | Chuck Close | The Art Institute of Chicago |
Alex, 1992 Chuck Close Medium: woodcut in colors | Chuck Close | The Art Institute of Chicago |
Alex/Reduction Prints, 1991-93 Chuck Close Medium: screenprints on paper | Chuck Close | The Art Institute of Chicago |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alice's Adventures in Wonderland, 1969 Salvador Dali Medium: Portfolio with 12 illustrations and one colored etching | Salvador Dali | |
Alistair MacLeod, Readings & Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
All My Clothes, 1973 Charles Ray Medium: Kodachrome photographs mounted on board | Charles Ray | Museum of Contemporary Art, Los Angeles |
All Site Information Lost, Somewhere in The Mid Atlantic Ocean and the Caribbean Sea, An unidentified point, From an unknown Caribbean island, The Caribbean, 2007/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Allegory No.1 Ronald Morosan Medium: wood, acrylic, oil, pastel | Ronald Morosan | Sweeney Art Gallery, University of California, Riverside |
Alligator (Double Headed) Unknown Medium: copper, cut, hammered | Unknown | The Salvation Army |
Along the Bund, by the Huangpu River. Shanghai, China, 1998 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | University of New Mexico Art Museum |
Along the Frozen Rimtop of Horseshoe Falls - and the Frozen Niagara Falls Basin Niagara Falls Ontario Canada North America March 2015/2017 Only the fifth time in the last 125 years that Niagara Falls has frozen, with Laura Cooper. Part 2 of 3 part Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Along the Frozen Rimtop of Horseshoe Falls - The Niagara Falls Basin and the Niagara River Niagara Falls Ontario Canada North America March 2015/2017 Only the fifth time in the last 125 years that Niagara Falls has frozen, with Laura Cooper. Part 1 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Aluminum Chair, 1980-1981 Scott Burton Medium: aluminum, lacquer | Scott Burton | The Art Institute of Chicago |
Alutable, 1972 Mary Bauermeister Medium: gouache, ink on paper, pebbles, egg shells, lenses, in aluminum box | Mary Bauermeister | Carnegie Museum of Art |
Amazon Waterfall, 1971 Ann McCoy Medium: pencil on acrylic coated paper | Ann McCoy | Sweeney Art Gallery, University of California, Riverside |
America's Finest, 2005/2016 Evri Kwong Medium: Oil and Sharpie permanent marker on canvas | Evri Kwong | |
America, 1965 Dean Fleming Medium: acrylic on canvas | Dean Fleming | |
America, 1982-83 Martin Silverman Medium: polychromed bronze | Martin Silverman | Dennos Museum Center, Northwestern Michigan College |
American Bathers, 1962 Phyllis Yampolisky Medium: gouache, ink pen on paper | Phyllis Yampolisky | Carnegie Museum of Art |
American Costume, 1970 David Hammons Medium: oil, powdered pigment and fixative on paper | David Hammons | The Art Institute of Chicago |
America’s Finest, 2005 Evri Kwong Medium: Oil and Sharpie permanent marker on canvas | Evri Kwong | |
Amira Hass, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Amiri Baraka, Readings & Conversations, 9 May 2009 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Amy Goodman, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Amy Goodman, Readings and Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Amy Tan, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
An Indication Piece (message for Robert Frank and Richard Serra) The Mouth of the Maboi River - Looking Out Downstream Cape Breton Island, Novia Scotia, Canada, (Part 1, The top part, of a 2 part vertical work) 1999/2001 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
An Indication Piece (message for Robert Frank and Richard Serra), The Northumberland Strait, Green Point, Cape Breton Island, Nova Scotia, Canada 1999/2001 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece - The North Atlantic Ocean Signal Hill, near St. John’s, The Isle of Newfoundland, Canada 1998-2015 The site where Guglielmo Marconi received his first transatlantic wireless cable message from his Poldhu Wireless Station in Cornwall, Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
An Indication Piece The Gulf of St. Lawrence-Looking N., N.E. -Towards the Old World Cape St. Lawrence, Cape Breton Island Nova Scotia, Canada, (The Northwesternmost Point of Nova Scotia, and along the site of both Jacques Cartier's and Samuel de Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
An Indication Piece, Cabot Strait-Looking N.,N.E.-Towards the Old World, Cape North, Cape Breton Island, Nova Scotia, Canada, 1999/2001. (The Northeasternmost Point of Nova Scotia along the site of John Cabot's Canadian discoveries and explorations of the Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece, E., N.E., The North Atlantic Ocean Signal Hill St. John’s Newfoundland Canada, 1998/2015 North America The site where Guglielmo Marconi received his first transatlantic wireless message from his Poldhu Wireless Station, Cornwall, Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
An Indication Piece, E., S.E.-The Atlantic Ocean, Cape Race, No. 1, The Isle of Newfoundland, Canada, 1998-1999 (from the site of the most treacherous shipping lane in the area-the site of near 300 shipwrecks) In the week of the Spring Equinox Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece, Farthest South- The Atlantic Ocean, Cape Freels, Last Light, (the southernmost point of the Isle of Newfoundland) The Isle of Newfoundland, Canada, 1998-1999, In the week of the Spring Equinox Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece, S., S.E.- The Atlantic Ocean, Cape Pine, Twilight, The Isle of Newfoundland, Canada, 1998-1999, In the week of the Spring Equinox Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece, The Dover Strait-Looking S., S.W.-Towards the New World, North Foreland, Isle of Thanet, The Easternmost Point of the County of Kent, England, 1998/2001 (The lighthouse on this point ceased operations as the last-manned British Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece, The English Channel-Looking S., S.W.-Towards the New World, Rame Head (Number 2), Near Plymouth, Cornwall, England, 1998/2001, (The Last View of the English Coast that the Pilgrim Settlers would have seen upon their leave-taking from Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece, The North Atlantic Ocean-Looking N.,N.E.-Towards the Old World, Cape Sable, Cape Sable Island, Novia Scotia, Canada, 1999/2001. (The Southernmost Point of Novia Scotia. And the Point from which over 1,000 ships have been lost at sea, Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
An Indication Piece-The North Atlantic Ocean Cape Sable Cape Sable Island Shelburne County Nova Scotia Canada, 1999/2015 North America The south most point of the island of Nova Scotia - and the recorded start-point over which 1,000 ships have be lost at Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
An Indication – See Canyon, San Luis Obispo County, California 1969-1970, for The Lannan Foundation - with my gratitude and Appreciation ----Thank you! The picture that I acknowledge as my first real picture. I purposely set out to make this picture on Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Andrew Bacevich, Readings & Conversations, 21 April 2010 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Anechoic Chamber, 1974 Doug Wheeler Medium: colored pencils on graph paper | Doug Wheeler | San Francisco Museum of Modern Art |
Annapolis Strait very near Frobisher Bay East Bluff Meta Incognita Peninsula Baffin Island Nunavut Canada North America 2013/2016 The Southmost point of Baffin Island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Annie Proulx, Readings & Conversations, 4 June 2008 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Annunciation No. 2 Penance no. 3 , 1982 Manuel Neri Medium: enamel paint on cast bronze | Manuel Neri | Hirshhorn Museum and Sculpture Garden |
Annunciation, 1956 Salvador Dali Medium: gouache on paper | Salvador Dali | New Mexico Museum of Art |
Annunciation, 1957-1959 Wallace Berman Medium: oil on canvas | Wallace Berman | The Art Institute of Chicago |
Antennen [Antennas], 1957 Siegfried Klapper Medium: ink, gouache on paper | Siegfried Klapper | Milwaukee Art Museum |
Anti Catholic Painting, 1991 Manuel Ocampo Medium: oil on canvas | Manuel Ocampo | Museum of Contemporary Art, Los Angeles |
Anvil Rock slight wind - moving towards darkness - becalmed Estrecho de Magallanes/The Strait of Magellan Cabo Monmouth Isla Grande Tierra del Fuego Tierra del Fuego Chile South America, 2006/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Apparition, 2014 Pard Morrison Medium: Fired pigment on aluminum | Pard Morrison | |
Apple Tree Screen 12, 2012 Nancy Sutor Medium: Mixed Media | Nancy Sutor | |
Applegate, 1963 Lloyd Hamrol Medium: pencil on paper | Lloyd Hamrol | Western Gallery, Western Washington University |
Apples, 1980 Pär Gunnar Thelander Medium: bronze | Pär Gunnar Thelander | Dennos Museum Center, Northwestern Michigan College |
Apples, Pears, 1980 Malcolm Morley Medium: Watercolor on paper | Malcolm Morley | |
Approaching Nightfall - The Mid North Atlantic Ocean Punta Fariones (The North-most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
April 1977, 1977 Bill Jensen Medium: gouache and pastel on paper | Bill Jensen | Whitney Museum of American Art |
Aqua Regia, 1961 Geoffrey Bowman Medium: oil on canvas | Geoffrey Bowman | Oakland Museum of California |
AR-r-r OU-u-u-Ur-r Carl Apfelschnitt Medium: oil, roplex, acrisol, retarding medium, pigment, oil, canvas | Carl Apfelschnitt | |
Aral, 1970 Ken Showell Medium: acrylic on canvas | Ken Showell | Sweeney Art Gallery, University of California, Riverside |
Archipelago Number 1 Norskerenna, The North Sea and the Wick of Skaw Looking towards the Holm of Skaw The Island of Unst The Shetland Islands Scotland U.K., Europe 1989-2017 Near the Northmost point of the Shetland Islands and the Northmost point of the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
Archipelago Number 2 Norskerenna, The North Sea and the Wick of Skaw Looking towards the Holm of Skaw North Coos The Island of Unst The Shetland Islands Scotland U.K., Europe 1989-2017 Near the Northmost point of the Shetland Islands and the Northmost Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
Archipelago Number 3 Sumburgh Roost, the North Sea Sumburgh Head Dunrossness Shetland Mainland The Shetland Islands Scotland U.K., Europe 1989-2017 Near the Southmost point of the Shetland Islands. part 3 of 5-part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
Archipelago Number 4 The Sound and the North Atlantic Ocean The Point of Sensors at the Old Lighthouse Dennis Ness The Isle of North Ronaldsay The Orkney Islands Scotland U.K., Europe 1989-2017 The Northmost point of the Orkney Islands. part 4 of 5-part Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
Archipelago Number 5 Looking towards Scotland - The Pentland Firth The Wing Very near Brough Ness The Isle of South Ronaldsay The Orkney Islands Scotland U.K., Europe 1989-2017 The Southhmost point of the Orkney Islands. part 5 of 5-part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
Arctic moonlight Looking West The Labrador Sea Coopers Island Labrador Canada North America 2013/2018 With Greg Landreth and Oskar Strom. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Arctic twilight Looking East The Labrador Sea Coopers Island Labrador Canada North America 2013/2018 With Greg Landreth and Oskar Strom. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Arlequin Dormido [Sleepy Harlequin] Carmelo Gonzales Medium: wood engraving | Carmelo Gonzales | Godwin-Ternbach Museum, Queens College, City University of New York |
Armato Francesi [French Army], 1963 Franco Angeli Medium: oil and silk gauze over canvas | Franco Angeli | |
Artifacts (Anasazi Cliff Dwellings, Canyon de Chelly, Spacecraft in Perpetual Geosynchronous Orbit, 35,786 km Above Equator), 2010 Trevor Paglen Medium: Chromogenic print | Trevor Paglen | |
Artifacts (Anasazi Cliff Dwellings, Canyon de Chelly, Spacecraft in Perpetual Geosynchronous Orbit, 35,786 km Above Equator), 2010 Trevor Paglen Medium: chromogenic print | Trevor Paglen | |
Artillery, 2005 Sarah Pickering Medium: Lambda print photograph | Sarah Pickering | |
Arundhati Roy, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Arundhati Roy, Readings & Conversations, 24 March 2010 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Asymmetrical bar, deep, 2007 Susan York Medium: Solid graphite, with aluminum, brass, steel mount | Susan York | |
At St. Albans, 1954 Louis James Medium: oil on canvas | Louis James | House of Hope |
At sundown, hundreds of migrants march north in groups of twenty, hoping to cross the border. Each group is joined by a smuggler, whose identity is not revealed and who acts as a guide. Agua Prieta, Sonora, 2000 (from the special limited edition ‘Dreams & Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
At the Corral - Counting and Separating Reindeer, 2007 From the Series: Even and the Climate (Siberia) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | |
At the Corral - Nikolayev Matvey Gathering Reindeer. From 'Even and The Climate series', 2007 Subhankar Banerjee Medium: Digital chomogenic print face & mounted to Plexiglas | Subhankar Banerjee | |
At the Meeting of the Two Seas-The Beginnings of the Baltic, Grenen, Jutland, Denmark, 1998 (the northernmost point of Denmark) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Atlas Holding Up the Sky and Herakles Going, 1979 Milo Reice Medium: gouache on cardboard sections | Milo Reice | Zimmerli Art Museum, Rutgers University |
Atomic Fact, 1986 Joel Otterson Medium: cast bronze | Joel Otterson | Berkeley Art Museum, University of California, Berkeley |
Auftauchender Kopf [Emerging Head ], 1969 Siegfried Klapper Medium: pencil on paper | Siegfried Klapper | Milwaukee Art Museum |
Aurora John Marshall Medium: silver | John Marshall | Metal Museum |
Aurora, 1965 Leo Valledor Medium: acrylic on canvas | Leo Valledor | Oakland Museum of California |
Ausum, 1973 Agapito Miniucchi Medium: wood, steel | Agapito Miniucchi | Dennos Museum Center, Northwestern Michigan College |
Ave Maria Purisima (Enlightenment 8), 1983 Celia Munoz Medium: mixed media | Celia Munoz | Museum of Contemporary Art Chicago |
Avenue Patrice Lumumba: Administration building, Antsiranana, Madagascar, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Administration office, Department of Commerce, Antsiranana, Madagascar, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Apartment building, Avenue Bagamoyo, Beira, Mozambique, 2008 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Apartment building, Avenue Kwame Nkrumah, Maputo, Mozambique, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Apartment building, Beira, Mozambique, 2008 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Athénée Royal High School, Lumumbashi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Avenue Bagamoyo, Beira, Mozambique, 2008 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Bust of Agostinho Neto, Quibala, Angola, 2008 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: City Hall offices, Lubumbashi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: City Hall, Lubumbashi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | |
Avenue Patrice Lumumba: City Hall, Lubumbashi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Court records, Lubumbashi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Former bank building, Kolwezi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008 (diptych) Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008 (diptych) Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: High school, Lubumbashi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Library, sports club, Kolwezi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Likasi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Lubumbashi City Hall, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Old landline exchange, Post Office, Lubumbashi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Park in the centre of town, Gabela, Angola, 2008 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Post Office, Likasi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Private residence, Kolwezi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Typists, Likasi, DR Congo, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Avenue Patrice Lumumba: Wires linked to private generators, apartment block, Luanda, Angola, 2007 Guy Tillim Medium: Archival pigment ink print on cotton rag paper | Guy Tillim | Iziko Museums of South Africa |
Awaiting sunrise - early Spring Chinle Wash The Navajo Nation Indian Reservation Canon del Muerto/The Canyon of the Dead Canyon de Chelly National Monument Apache County Arizona U.S.A. North America 1994/2017 (with C.A.M.) part 1 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
A˙n Piensa, 1961 Rafael Coronel Medium: acrylic on masonite | Rafael Coronel | New Mexico Museum of Art |
B 2-5-8 (s), 1967 Sol LeWitt Medium: painted aluminum | Sol LeWitt | Museum of Contemporary Art, Los Angeles |
Baalbek, May 2016 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Babel Tower Fran Monchatre Medium: lead, mirrors, glass, paint, wood | Fran Monchatre | |
Back Porch with Picnic Table, 1985 Siah Armajani Medium: maple, cedar, pine, acrylic paint and stain, bronze and aluminum screen | Siah Armajani | Museum of Contemporary Art, Los Angeles |
Backpacks, jackets, shoes and gloves—on sale to immigrants in the main plaza. Altar, Sonora, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
Bagged Bag Series John Littleton & Kate Vogel | John Littleton & Kate Vogel | Palm Beach State College |
Bahamas Internet Cable System (BICS-1) NSA/GCHQ-Tapped Undersea Cable, Atlantic Ocean Trevor Paglen Medium: C-Print | Trevor Paglen | |
Baigneuses (recto and verso), 1934 Paul Delvaux Medium: pen, brush and black ink on paper | Paul Delvaux | University of Michigan Museum of Art |
Balance Akt [Balance Act], 1966 Bernhard Jaeger Medium: lithograph on paper | Bernhard Jaeger | House of Hope |
Balcon [Balcony], 1985 Gunther Rg Medium: tempera and watercolor on paper | Gunther Rg | Museum of Contemporary Art, Los Angeles |
Ballet Dancer, 1980 David Sharpe Medium: oil on canvas | David Sharpe | University of New Mexico Art Museum |
Barbute, 1987 Margaret Honda Medium: barbed wire, razor ribbon | Margaret Honda | Museum of Contemporary Art, Los Angeles |
Barque with Condor, 1984 Ann McCoy Medium: cast bronze | Ann McCoy | New Mexico Museum of Art |
Barque with Lion Goddess, 1985 Ann McCoy Medium: cast bronze | Ann McCoy | New Mexico Museum of Art |
Basel, November 2104 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Basket, 1977 Richard Artschwager Medium: acrylic on cellotex in artist's frame | Richard Artschwager | Museum of Contemporary Art San Diego |
Bathsheba I, 1959 Jules Olitski Medium: oil on canvas | Jules Olitski | University of Michigan Museum of Art |
Battle Cartoon, 1982 Tom Otterness Medium: painted cast hydrostone, with chalk | Tom Otterness | Wichita Art Museum |
Battle of the Sexes, 1963 Robert Goodnough Medium: acrylic on linen | Robert Goodnough | Zimmerli Art Museum, Rutgers University |
Battle Scene Eugene Delacroix Medium: gouache, graphite on paper | Eugene Delacroix | University of Michigan Museum of Art |
Beach of Silenus, 1964 Robert Thompson Medium: acrylic on paper | Robert Thompson | The Art Institute of Chicago |
Bed, 1971 Karen Carson Medium: crayon on paper | Karen Carson | Grunwald Center for the Graphic Arts, Hammer Museum, University of California, Los Angeles |
Bed, Sierra del Rosario, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Oklahoma City Museum of Art |
Beer Cans, 1986 Tom Otterness Medium: pen and black ink and pencil on paper | Tom Otterness | Whitney Museum of American Art |
Bei schˆnem Wetter [Nice Weather], 1969 Siegfried Klapper Medium: pencil on paper | Siegfried Klapper | Milwaukee Art Museum |
Beirut, May 2016 Teju Cole Medium: / | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Beirut, May 2016 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Beluga Whale Hunt, 2007 From the Series: Iñupiat and the Whales Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | Center for Creative Photography, University of Arizona |
Beluga Whales with Calves, 2006 From the Series: Oil and the Whales (Arctic Ocean) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | Center for Creative Photography, University of Arizona |
Bergstadt [Mountains], 1964 Siegfried Klapper Medium: graphite on paper | Siegfried Klapper | Carnegie Museum of Art |
Bianco Grande [Big White], 1961 Franco Angeli Medium: oil on canvas | Franco Angeli | |
Big Bend View from Terlingua, 1999 Richard Fenker Medium: Black and white photograph | Richard Fenker | |
Big Ellie, 1977 Rudy Autio Medium: glazed stoneware | Rudy Autio | Tacoma Art Museum |
Big Green Man James Brown Medium: acrylic on paper in artist's frame | James Brown | Rose Art Museum, Brandeis University |
Billy Collins, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Billy Sunday, Seated c. 1913 (After Stearns Wildermuth & Stearns; Library of Congress), 2007 McCallum & Tarry Medium: Oil on canvas and toner on silk | McCallum & Tarry | |
Binyavanga Wainaina, Readings & Conversations, 28 September 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Bio and Picture Frederick Kiesler Medium: photo-offset poster | Frederick Kiesler | Guggenheim Museum |
Birds in a Molasses Tank, Rancho Pozo Nuevo, Sonora, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Birds, Janos, Chihuahua, 2007 Michael P. Berman Medium: Carbon pigment print photograph | Michael P. Berman | |
Birds. Janos, Chihuahua, 2007 Michael P. Berman Medium: Carbon pigment ink on etching paper | Michael P. Berman | Center for Creative Photography, University of Arizona |
Birth of an Island, 1983 Frederick Wight Medium: oil on canvas | Frederick Wight | Oakland Museum of California |
Birth, 1963 Cheung Yee Medium: aluminum on wood | Cheung Yee | Asian American Arts Centre |
Black and White Salvatore Sirugo Medium: oil on canvas | Salvatore Sirugo | Zimmerli Art Museum, Rutgers University |
Black Bird, 2008 Edward Ruscha Medium: Ink on board | Edward Ruscha | |
Black Cat, 2012 Mary Bonkemeyer Medium: Acrylic on canvas | Mary Bonkemeyer | |
Black Excursion No. 13, 1964 Louise Nevelson Medium: wood, painted black formica | Louise Nevelson | University of Michigan Museum of Art |
Black Horse on Yellow Ground, 1953 Marino Marini Medium: gouache, graphite and oil on paper mounted on canvas | Marino Marini | University of Michigan Museum of Art |
black on white Prins Christian Sund and The North Atlantic Ocean The Eastern Entrance Kong Frederik VI Kyst Kangertittivaq/Greenland (Denmark) North America 2008/2017 With Jason Roberts. Just above the Southeast most point of Greenland. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Black Spot, 1982 James Brown Medium: oil and enamel on canvas | James Brown | University of Michigan Museum of Art |
Black Stripe Lewis Harris Medium: spray paint, pencil on paper | Lewis Harris | |
Black, White Gray, 1959 Gastone Novelli Medium: oil on canvas | Gastone Novelli | University of Michigan Museum of Art |
blasted and sunstruck- Looking towards the Head of Passes and The Mouths of the Mississippi River The Mississippi River Delta Well south of Venice Plaquemines Parish Louisiana U.S.A. North America 2009/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Blessed Be The Lord, 1968 Henry Miller Medium: Watercolor on paper | Henry Miller | Henry Miller Memorial Library |
blinding brightness - Hidden Dangers Bahía de Cochinos/Bay of Pigs Playa Largo Montanzanas Cuba The Greater Antilles Latin North America 2007/2017 The site where Fidel Castro and his army crushed the American CIA - led Cuban exile counter-revolutionary Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
blinding brightness, Yankee Harbour, Greenwich Island, The South Shetland Islands,United Kingdom, Antarctica, 2008, 62° 32’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Blizzard – The Spring Equinox At the Source of the Rio Grande Rio Grande National Forest The Continental Divide San Juan County Colorado U.S.A. North America 1995/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Blown, 1973 Robert Arneson Medium: glazed ceramic | Robert Arneson | Hirshhorn Museum and Sculpture Garden |
Blue Cactus Kevin Kobus Medium: acrylic, tacks on masonite | Kevin Kobus | Dennos Museum Center, Northwestern Michigan College |
Blue Chair, 1950 Milton Avery Medium: ink and crayon on paper | Milton Avery | New Mexico Museum of Art |
Blue Vine, 1981 Kevin Kobus Medium: acrylic on carved wood | Kevin Kobus | Dennos Museum Center, Northwestern Michigan College |
Blueblood, 1988 (grey book) James Turrell Medium: Skyspace | James Turrell | |
Blumen [Flowers], 1993 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Boca Grande and Gulfo de Paria. The Gulf of Paria. Playa Mocurito, Macuro. Peninsula de Paria. Sucre, Venezuela 2005/2006. From the only Continental land-site that Christopher Columbus actually set foot on in the New World of The Americas and near the Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Boceto, 1971 Jose Guinovart Medium: oil on asbestos | Jose Guinovart | |
Body of Knowledge Drawing II, 1979 Gary Bower Medium: pastel and charcoal on paper | Gary Bower | Carnegie Museum of Art |
Bologne, avril 81, 1981 Therese Chotteau Medium: watercolor, crayon on plaster | Therese Chotteau | |
Book Cover 4, 2012 (Brief Interviews with Hideous Men by David Foster Wallace) Maryam Amiryani Medium: Oil on linen | Maryam Amiryani | |
Book with Original Drawing Robert Therrien | Robert Therrien | |
Book, 1974 Richard Tuttle Medium: Unbound Addenda book | Richard Tuttle | |
Border Gate Jaime Bailleres Medium: photograph mounted Gator board | Jaime Bailleres | El Paso Museum of Art |
Border Patrol agents detain 80 illegal immigrants near Bisbee, Arizona, 2000 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Bouche Evier (S. 3fl), 1964 [Sink Mouth] Marcel Duchamp Medium: silver | Marcel Duchamp | University of Michigan Museum of Art |
Bowl of Cherries, 1962 Robert Irwin Medium: oil on canvas | Robert Irwin | Museum of Contemporary Art, Los Angeles |
Box for Instruments (Shrine 7) Dennis Evans Medium: wood, lacquer, porcelain, brass, string, wax, copper | Dennis Evans | Tacoma Art Museum |
Boy on Toy Horse, December 1981 - January 1982 Donato Mancini Medium: charcoal on toned Arches paper | Donato Mancini | Bass Museum of Art |
Boy with Stockings/Whiskey and Cigarette, 2008 Luke Batten & Jonathan Sadler Medium: Archival inkjet print | Luke Batten & Jonathan Sadler | Museum of Fine Art Houston (MFAH) |
Boy with Stockings/Whiskey and Cigarette, 2008 Luke Batten & Jonathan Sadler Medium: Archival inkjet print | Luke Batten & Jonathan Sadler | Museum of Fine Art Houston (MFAH) |
Bozzetto Radar, 1962 Arnaldo Pomodoro Medium: bronze | Arnaldo Pomodoro | Indianapolis Art Center |
Brant and Snow Geese with Chicks, 2006 Subhankar Banerjee Medium: Digital chromogenic print | Subhankar Banerjee | University of New Mexico Art Museum |
Brazzaville, February 2013 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Brazzaville, February 2013 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Breyten Breytenbach, Readings & Conversations, 18 November 2009 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Bridge, 1980 Rick Stich Medium: egg tempera on canvas | Rick Stich | Oakland Museum of California |
Brienzersee, June 2014 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
bright lifting fog - early morning Looking downstream - The Hudson River Storm King Mountain Orange County New York U.S.A., North America 2000/2017 The locus point for the Hudson River School of American Landscape Painting, which established the subject Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Bright Moonlight - The Caribbean Sea, Punta Ojo de Agua, Peninsula de la Guajira, Guajira, Colombia, 2005, The Northwest-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Broken Spell 3, 1978 Gary Bower Medium: oil on canvas | Gary Bower | |
Bronze Chair, 1975 Scott Burton Medium: bronze | Scott Burton | The Art Institute of Chicago |
Brooklyn, April 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Busy Thoroughfare Jean Watts Medium: oil on panel | Jean Watts | House of Hope |
Butterflied, 1971-1973 George Apostu Medium: wood | George Apostu | Dennos Museum Center, Northwestern Michigan College |
C.D. Wright, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Cabeza Arturo Potesta Medium: watercolor and brush and black ink on paper | Arturo Potesta | Godwin-Ternbach Museum, Queens College, City University of New York |
Calamity Creek – The Source Stream of the Hudson River and The Rising of the Hudson River North of Newcomb Essex County New York U.S.A. North America 2000/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Calderall, 1965 Forrest Myers Medium: mobile with Plexiglas, stainless steel, lacquer, epoxy, paint | Forrest Myers | |
Campbell McGrath, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Can't Stop Shaking, 1988 Nicolas Africano Medium: oil and wax on canvas in artist's frame | Nicolas Africano | Phoenix Art Museum |
Canal de Yucatán y Mar Caribe / The Caribbean Sea Punta Sud / South Point, Ixchel - Mayan Temple Lighthouse, Isla Mujeres / The Isle of Women, Quintana Roo, Yucatán Peninsula, Mexico, 2007/2014 Very near the East-most point of all Mexico. One of the great Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Canal de Yucatan y Mar Caribe / The Caribbean Sea, Punta Norte / North Point,Recinda del Rey / The King’s Bath, Isla Mujeros Quintana Roo, The Yuctan Peninsula, Mexico, North America, 2007/2015, The North most point of the island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Candidates to illegal migration by the steel barrier built by the U.S.A. U.S.-Mexican border. Tijuana, Mexico, 1997 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | Museo de las Americas |
Candy Tom Kiechle Medium: assemblage | Tom Kiechle | Oakland Museum of California |
Cape Cod Bay First Encounter Beach Cape Cod National Seashore Eastham County Massachusetts U.S.A. 2000/2015 North America The site of the first recorded contact between the newly arrived Europeans and a Native American man called Squanto, from the Patuxet Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
Cape Dorset Harbour Cape Dorset Cape Dorset Village Foxe Peninisula Baffin Island Nunnuvut Canada North America 2013/2018 With Greg Landreth and Oskar Strom. Cape Dorset is where the remains of the Thule (Tuniit, Dorset Culture) were discovered, who lived Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Capri, June 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Caribou Hunt - Charlie Swaney and Jimmy John, 2007 From the Series: Gwich'lin and the Caribou Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | University of New Mexico Art Museum |
Caribou Hunt - Danney Gimmel and Rocky John, 2007 From the Series: Gwich'lin and the Caribou Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | University of New Mexico Art Museum |
Caribou Hunt - Danney Gimmel, 2007 From the Series: Gwich'lin and the Caribou Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | University of New Mexico Art Museum |
Caribou Hunt - Jimmy John, 2007 From the Series: Gwich'lin and the Caribou Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | University of New Mexico Art Museum |
Caribou Migration I, 2002 Oil and the Caribou, Coleen River Valley Subhankar Banerjee Medium: Digital chromogenic print | Subhankar Banerjee | National Gallery of Art |
Caribou Near Kokolik River, 2006 From the Series: Coal and the Caribou (Utukok RU) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | North Dakota Museum of Art, University of North Dakota |
Caribou Pass on Kongakudt River, 2002 From the Series: Oil and The Caribou (Arctic NWR) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | |
Caribou Run The Strait of Belle Isle Elijah Point, Cap Charles, Labrador, Canada 2014 The Eastmost point of Continental Canada Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Caribou Tracks on Coal Seams, II, 2006 Subhankar Banerjee Medium: Digital chromogenic print | Subhankar Banerjee | National Gallery of Art |
Caribou Tracks on Tundra, 2006 Subhankar Banerjee Medium: Digital chromogenic print | Subhankar Banerjee | San Antonio Museum of Art |
Caribou Tracks on Wetland II, 2006 From the Series: Oil and the Geese (Teshekpuk LWL) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | Oklahoma City Museum of Art |
Carlos Fuentes, Readings & Conversations, 13 September 2001 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Carlos, 1979 John Ahearn Medium: acrylic on cast plaster | John Ahearn | Hirshhorn Museum and Sculpture Garden |
Carnival Time, 1990 Mike Kelley Medium: acrylic on masonite | Mike Kelley | Detroit Institute of Arts |
Caryl Phillips, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Caryl Phillips, Readings & Conversations, 1 November 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Cast Form Type IV: 3479, 1980 Howard Tre Medium: cast glass, copper | Howard Tre | Portland Art Museum |
Cast Form Type VI: 1179, 1979 Howard Tre Medium: cast glass | Howard Tre | Portland Art Museum |
Cast Form Type VI: 2179, 1979 Howard Tre Medium: cast glass | Howard Tre | Portland Art Museum |
Cast Form Type VI: 4179, 1979 Howard Tre Medium: cast glass | Howard Tre | Portland Art Museum |
Cast Form Type VIII, 1979 Howard Tre Medium: cast glass, copper | Howard Tre | University of Michigan Museum of Art |
Catso Blue, 1967 (projection materials) James Turrell Medium: Light projection, slide, dichroic filter, projector, ballast room installation | James Turrell | Dia Art Foundation |
Catso Blue, 1967/1987 (grey book) James Turrell Medium: light projection GREY BOOK | James Turrell | Dia Art Foundation |
Ce Qui Manque a Nous Tous [That Which We All Lack] Man Ray Medium: blown glass, clay, wood | Man Ray | University of Michigan Museum of Art |
Cell Dividing, 1982 Mike Kelley Medium: acrylic on sheetmetal over wood | Mike Kelley | Museum of Contemporary Art, Los Angeles |
Center for Land Use Interpretation Archive Photo #301-5A Unknown Medium: Photograph | Unknown | |
Center of the Canadian Shield Hudson Strait Cape Wolstenholme Peninsula d’Ungava Quebec Canada North America 2013/2016 The Northmost point of the Ungava Peninsula and in the centre of the Canadian Shield. The Canadian Shield is a large area of exposed Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Chalkboard, LaLander, Afghanistan #20, 2003 Tony O'Brien Medium: Gelatin silver print | Tony O'Brien | Center for Creative Photography, University of Arizona |
Champigny, 1863 Camille Pissaro Medium: recto: pen and ink and pencil; verso: graphite on paper | Camille Pissaro | University of Michigan Museum of Art |
Chanel de le Hella-West, Pointe de Corsen, Finisterre, Brittany, France, 2004, The West-most point of mainland France Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Charred Glass Slab, 2011 Munson Hunt Medium: Kiln cast glass | Munson Hunt | |
Chat maitre-d'hotel: Version au plateau creux [Butler Cat: Version with Hollow Tray], c. 1967 Diego Giacometti Medium: Bronze with patina | Diego Giacometti | |
Checkpoint. Hermosillo, Sonora, 2004 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Cheesecloth Piece, 1981 Jackie Winsor Medium: wood, cheesecloth | Jackie Winsor | Museum of Contemporary Art Chicago |
Cherries in a Dish Bradley Tomlin Medium: pastel on paper | Bradley Tomlin | University of Michigan Museum of Art |
Chicago, April 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | |
Chicken, 1948 Milton Avery Medium: oil on canvas board | Milton Avery | New Mexico Museum of Art |
Chief with Cherries, Shaman, 1973 Jeff Way Medium: oil on canvas | Jeff Way | The William Benton Museum of Art, University of Connecticut |
Child's Grave Louis de Niverville Medium: acrylic on canvas | Louis de Niverville | Sweeney Art Gallery, University of California, Riverside |
Children’s writers pictures Remembering Jim and Huck – Thinking about Mark Twain The screened lower Mississippi River Near Hannibal Mark Twain Country Marion County Missouri U.S.A. North America 2010/2018 With Denise Riebe. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Children’s writers pictures Thinking of Laura, Sophie and Kate – The birthplace of Laura Ingles Wilder - author of “Little House on the Prairie” books “Lake” Pepin and the upper Mississippi River Pepin Pepin County Wisconsin U.S.A. North America 2010/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Children’s writers pictures Thinking or Sophie, Laura and Kate – “Anne of Green Gables” Country The Gulf of St. Lawrence Orby Head Near Cavendish Queen County Prince Edward Island Canada North America 2013/2018 With Oskar Strom. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Chimamanda Ngozi Adichie, Readings & Conversations, 28 September 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Chisos Mountains at Midday, 1999 Richard Fenker Medium: Black and white photograph | Richard Fenker | |
Chispas Quemenme! (Enlightenment 1), 1982-87 Celia Munoz Medium: photograph, matchbook | Celia Munoz | Museum of Contemporary Art Chicago |
Chris Hedges, Cultural Freedom, 17 May 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Chris Hedges, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Christ and Lazareth, 1955 Oliver O'Connor Barrett Medium: wood | Oliver O'Connor Barrett | Pecos Benedictine Monastery, Our Lady of Guadalupe Abbey |
Christ's Crown, 1957 Mathias Goeritz Medium: watercolor, pencil, felt pen on paper | Mathias Goeritz | National Autonomous University of Mexico |
Christmas Card, 1974 Louis de Niverville Medium: Collage | Louis de Niverville | |
Christo Carmelo Gonzales Medium: woodcut | Carmelo Gonzales | Godwin-Ternbach Museum, Queens College, City University of New York |
Christopher Columbus’ Second landing site in the New World - 17th October 1492. (No.2) The Mid-Atlantic Ocean Long Island The Bahamas The Greater Antilles Latin North America 2007/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Chucky Boy Santa Monica, 1976 Scott Miller Medium: oil on canvas | Scott Miller | Museum of Sex |
Church Gate Station. Bombay, India, 1995 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | |
Cible, 1972 Vladimir Velickovic Medium: oil on canvas | Vladimir Velickovic | Sweeney Art Gallery, University of California, Riverside |
Cigarette, 2007 Sarah Pickering Medium: Chromogenic development print photograph | Sarah Pickering | |
Cilia, 1983 Mel Kendrick Medium: painted wood | Mel Kendrick | Milwaukee Art Museum |
Cinder Cone, El Pinacate Lava Flow, Arizona, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Center for Creative Photography, University of Arizona |
Circua - Feb 16th, 1954 Joe Testa-Secca Medium: gouache on paper | Joe Testa-Secca | |
City by Michael Heizer, (A)© Triple Aught Foundation, Photo: Tom Vinetz Michael Heizer Medium: Color photograph | Michael Heizer | Museum of Contemporary Photography, Columbia College Chicago |
City by Michael Heizer, (B) © Triple Aught Foundation, Photo: Tom Vinetz Michael Heizer Medium: Color photograph | Michael Heizer | Museum of Contemporary Photography, Columbia College Chicago |
City by Michael Heizer, (C) © Triple Aught Foundation, Photo: Tom Vinetz Michael Heizer Medium: Color photograph | Michael Heizer | |
City Center #8 Wood Family Fishing Bridge: Beloit, Wisconsin, 1997 Siah Armajani Medium: Colored pencil on Mylar | Siah Armajani | |
City Center #9 Poetry Garden: Los Angeles, 1997 Siah Armajani Medium: Colored pencil on Mylar | Siah Armajani | |
City Scene Paul Delvaux Medium: pen and ink on paper | Paul Delvaux | University of Michigan Museum of Art |
City Scene, Halloween Night, 1960 Lester Johnson Medium: oil on canvas | Lester Johnson | Zimmerli Art Museum, Rutgers University |
Claptrap Drawings, 1984-1985 (eighteen drawings) Douglas MacWithey Medium: graphite, masking taper and collage on paper | Douglas MacWithey | New Mexico Museum of Art |
Cliff, 1963 Cheung Yee Medium: aluminum on wood | Cheung Yee | Asian American Arts Centre |
Close Far Dunes, El Gran Desierto, Sonora, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Closed Mirror Square (Cayuga Slat Mine Project), 1969 Robert Smithson Medium: Rock, salt, mirrors & glass | Robert Smithson | Dia Art Foundation |
Cloud Chamber, Utopian Landscape 4, 1988 Jim Shaw Medium: pencil on paper | Jim Shaw | Museum of Contemporary Art, Los Angeles |
Cloud Horizon - The Strait of Rio and the North Atlantic Ocean La Punta Mirador de Rio and Punta Fariones the North-Most point of the Isle of Lanzarote The Canary Islands, Spain 2002/2014 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Clouded moonlight - The mid North Atlantic Ocean Cabo Trafalgar Andalucia Spain Europe 2003/3018 Admiral Lord Nelson enjoyed a decisive victory over the Spanish Admiral Villeneuve off this cape to defeat the French Navy and help win the Napoleonic War for Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Clouded Moonlight – The Caribbean Sea/ Mar Caribe Marant Point, St. Thomas, Jamaica, 2007/2014 The East-most point of Jamaica Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Clouds and Chinati Peak, 1999 Richard Fenker Medium: Black and white photograph | Richard Fenker | |
Clown Beggars Julian Cordona Medium: photograph mounted Gator board | Julian Cordona | El Paso Museum of Art |
Clown Torture, 1987 Bruce Nauman Medium: four color video monitors, four speakers, four videotape players, two video projectors, four videotapes | Bruce Nauman | The Art Institute of Chicago |
Clown, Elephant and Horse, 1957 Lucien Philippe Moretti Medium: pen and ink on paper | Lucien Philippe Moretti | Carnegie Museum of Art |
Clyde, 1981 John Ahearn Medium: acrylic on cast plaster | John Ahearn | Museum of Contemporary Art Chicago |
Code Names of the Surveillance State Trevor Paglen Medium: Three-channel HD video installation on TV monitors, looped, no sound | Trevor Paglen | |
Colonia Estrella del Poniente, Cuidad Juárez, Chihuahua, 2003, Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Color Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Commemorative Plaque, 1980 Tom Otterness Medium: cast plaster | Tom Otterness | Wichita Art Museum |
Composite Mythology 2, no date Jeremy Anderson Medium: wood, bronze, coconut shell, mirror | Jeremy Anderson | Oakland Museum of California |
Composition No. 84 Ferruccio Bortoluzzi Medium: oil, wood, iron, paint, collage | Ferruccio Bortoluzzi | |
Composition of Two Black Squares Susan York Medium: Solid graphite | Susan York | The Menil Collection |
Composition of Two Black Squares, 2018 Susan York Medium: Solid graphite | Susan York | The Menil Collection |
Composition, 1961 Mark Tobey Medium: tempera on paper mounted on canvas | Mark Tobey | Museum of Contemporary Art, Los Angeles |
Concave and Convex, 1968 Vjenceslav Richter Medium: aluminum with steel frame | Vjenceslav Richter | |
Concealment 1979, 1979 Joseph Guy Medium: acrylic, wax and graphite on paper | Joseph Guy | New Jersey State Museum |
Concert of Angels Variation, 1957 Jan Mueller Medium: oil on panel | Jan Mueller | Museum of Contemporary Art, Los Angeles |
Concilio del Louvre, 1961 Rafael Coronel Medium: acrylic on canvas | Rafael Coronel | Hirshhorn Museum and Sculpture Garden |
Coney Island Creek Remembering “The Warriors” Coney Island Creek Park Brooklyn, Kings County, Long Island, New York U.S.A. North America 2016/2017 “We figure when we see the ocean we’re home”. The Westmost point of Long Island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Parrish Art Museum |
Congo Democratic: A statue of Patrice Lumumba erected by Laurent Kabila and an unfinished tower built during the Mobutu years, look down on Jean-Pierre Bemba supporters as they make their way to a rally, Kinshasa, July 2006 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Congo Democratic: Lumumbiste Party supporters prepare for a meeting, pinning up pictures of Patrice Lumumba and their leader Antoine Gizenga, who was a deputy to Lumumba after the first elections in 1962 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Congo Democratic: Presidential candidate Jean-Pierre Bemba enters a stadium in central Kinshasa flanked by his bodyguards, July 2006 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Congo Democratic: Supporters of Jean-Pierre Bemba line the road as he walks to a rally from the airport, Kinshasa, July 2006 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Congo Democratic: Supporters of Jean-Pierre Bemba mock President Kabila, calling him an egg seller (in reference to Kabila’s statement that he could not take part in early election debates because he was balancing the delicate affairs of state on his Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Construction of Two Diagonal Lines, 1970/1973/1999 Fred Sandback Medium: graphite on paper | Fred Sandback | Dia Art Foundation |
Construction of Two Diagonal Lines, 1970/1973/1999 Fred Sandback Medium: Cardinal Red acrylic yarn | Fred Sandback | Dia Art Foundation |
Consuelo, 1989 Nicolas Africano Medium: cast glass, marble base, cloth | Nicolas Africano | Museum of Contemporary Art Chicago |
Contentment (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Cop Car, 1986 Tom Otterness Medium: graphite and watercolor on paper | Tom Otterness | Whitney Museum of American Art |
Coquina, circa 1973 Yasuo Mizui Medium: ink on paper | Yasuo Mizui | |
Corn Field with Sorghum Border, Sac Valley, August, 1979 Julie Bozzi Medium: tempera on paper | Julie Bozzi | Museum of Contemporary Art San Diego |
Cornel West, Readings & Conversations, 25 June 2003 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Cornelius Eady, Readings & Conversations, 15 November 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Cornell West, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Couple and Painting, Grooves Bar-Shanghai, 1998 Bertien Van Manen Medium: C-Print | Bertien Van Manen | |
Couple II, 1978-1982 Tom Otterness Medium: cast plaster | Tom Otterness | Wichita Art Museum |
Coupling III, 1980 Ginna Brand Medium: graphite, plaster on rice paper panels | Ginna Brand | |
Covered Box Unknown Medium: porcelain, glaze, paint with brass bale handles | Unknown | Carnegie Museum of Art |
Cozy Corner Lights, from the series Sound Affects, 2004 Christian Patterson Medium: Archival inkjet print | Christian Patterson | San Antonio Museum of Art |
Crackerjack Hustler: Suite 4, 1977 Inez Storer Medium: assemblage; wood, ostrich feathers, printed paper, paint | Inez Storer | Oakland Museum of California |
Craft Morphology Flow Chart, 1991 Mike Kelley Medium: 114 dolls, 60 B&W photographs,1 acrylic on paper drawing,13 folding banquet tables, 20 folding card tables | Mike Kelley | Museum of Contemporary Art Chicago |
Creation, (Six Days in the Life of God), 1974 Margaret Giles Medium: watercolor on paper | Margaret Giles | Palm Beach State College |
Crevasse [Crevice], 1982 Robert Cahay Medium: cast bronze | Robert Cahay | |
Cristo [Christ] Mirta Cerro Medium: oil on canvas board | Mirta Cerro | Pecos Benedictine Monastery, Our Lady of Guadalupe Abbey |
Cross Dominic di Mare Medium: mixed media | Dominic di Mare | Palm Beach State College |
Crossing, 2005 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Museo de las Americas |
Crossings, Vopoki Wash, Arizona, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Museo de las Americas |
Crow Fair, 1969-1970 Bay Horses and Women Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Corn Husk Bag Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Grand Entry Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Grandmother and Parade Corvette Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Hanover Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Nez Perce War Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Rez Hats Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Sunglasses Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Tube Socks Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Two Women and Child Parading Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Yakima Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crow Fair, 1969-1970 Yakima Youth Nation Activities Wendy Red Star Medium: Photographs in engraved aluminum portfolio | Wendy Red Star | |
Crucifixion Eugene Delacroix Medium: graphite on paper | Eugene Delacroix | University of Michigan Museum of Art |
Crucifixion I John Pearson Medium: wax, applied on wood | John Pearson | Oakland Museum of California |
Cuervo Looking North, Reserva de la Biosfera el Pinacate, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Cuervo Looking South, Reserva de la Biosfera el Pinacate, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Cup Unknown Medium: carved wood | Unknown | Carnegie Museum of Art |
Damaged Angel, Bay St. Louis, MISS, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Dance No. 1, 1982 Anita Steckel Medium: oil on canvas | Anita Steckel | University of New Mexico Art Museum |
Daniel Lemus, from Colima, Mexico and his newborn American son, Daniel Jr. Daniel works in a flower farm. Eureka, California, 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Daphne, 1959 George McNeil Medium: oil on canvas | George McNeil | Zimmerli Art Museum, Rutgers University |
Das Feuer (The Fire), 1982 Dieter Hacker Medium: oil on canvas | Dieter Hacker | Guggenheim Museum |
Das Kornfeld (The Wheatfield), 1983 Dieter Hacker Medium: oil on canvas | Dieter Hacker | Portland Art Museum |
Dave Eggers and Vendela Vida, Readings & Conversations Author, 2007 Don Usner Medium: Black and white photograph | Don Usner | |
Dave Eggers, Readings & Conversations, 25 April 2007 Don Usner Medium: Archival pigment print on paper | Don Usner | |
David Foster Wallace, Readings and Conversations Author, 2000 Don Usner Medium: Black and white photograph | Don Usner | |
David Norris, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
David, 1980 John Ahearn Medium: acrylic on cast plaster | John Ahearn | Museum of Contemporary Art, Los Angeles |
dawn darkness - The mouth of the Savannah River and The North Atlantic Ocean Tybee Beach Tybee Island Chatham County Georgia U.S.A. North America 2009/2017 With David Jeffery Cooper Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Dead Pinon Where Birds Gather in Autumn: On My Way to the Powerline, 2009 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | |
Death Angel II, 1979 Tom Otterness Medium: cast plaster | Tom Otterness | Wichita Art Museum |
Death Wish, 1958 Wallace Berman Medium: oil, graphite, charcoal on paper, mounted on canvas | Wallace Berman | Whitney Museum of American Art |
Deborah Eisenberg, Readings & Conversations Author, 2007 Don Usner Medium: Black and white photograph | Don Usner | |
Deborah Eisenberg, Readings & Conversations, 17 January 2007 Don Usner Medium: Archival pigment print on paper | Don Usner | |
December 2006, 2012 Renate Aller Medium: Archival pigment print photograph | Renate Aller | |
December 2008, 2012 Renate Aller Medium: Archival pigment print photograph | Renate Aller | Museum of Fine Art Houston (MFAH) |
Deep Sky Portfolio, 1987 James Turrell Medium: Aquatint on paper | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 James Turrell Medium: Aquatint on paper | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 James Turrell Medium: Aqautint on paper | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 James Turrell Medium: Aquatint on paper | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 James Turrell Medium: Aquatint on paper | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 James Turrell Medium: Aquatint on paper | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 James Turrell Medium: Aquatint on paper | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 (book) James Turrell Medium: Book by Mario Diacono | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Deep Sky Portfolio, 1987 (wooden box) James Turrell Medium: One wood box | James Turrell | Museum of Contemporary Photography, Columbia College Chicago |
Dejaune, 1979 Bram Bogart Medium: pigment on plaster | Bram Bogart | Dennos Museum Center, Northwestern Michigan College |
Denis Johnson, Readings & Conversations Author, 2007 Don Usner Medium: Black and white photograph | Don Usner | |
Denise Chavez, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Dennis O’Driscoll, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Departure Robert Hammond Medium: oil on canvas | Robert Hammond | |
Der Fuchs Beobachtet den Huhnerstall [The Fox Watches the Chicken Coop], 1983 Markus Luepertz Medium: oil on canvas | Markus Luepertz | Museum of Contemporary Art, Los Angeles |
Der Ritt An Die Weichel [Ride to the Vistula], 1976 Anselm Kiefer Medium: Oil on linen | Anselm Kiefer | |
Der Stein (The Stone), 2009 Neo Rauch Medium: Etching on handmade paper | Neo Rauch | |
Derek Walcott, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Des Saengers Fluch [Curse of the Singer], 1982 Martin Disler Medium: acrylic on cotton | Martin Disler | Guggenheim Museum |
Design for Proposed Sculpture Garden Wall, 1974 Richard Jackson Medium: acrylic, pencil on matboard | Richard Jackson | |
Desire Fulfilled (Tree of Life), 2014 Claudia X. Valdes Medium: Digital print on metallic paper | Claudia X. Valdes | Museo de las Americas |
Destruction of the Governor's House, 1982 John Hull Medium: acrylic on canvas | John Hull | University of New Mexico Art Museum |
Deux Femmes Nues [Two Nude Women] Paul Delvaux Medium: ink, colored pencil on paper | Paul Delvaux | University of Michigan Museum of Art |
Deux Fummes Nues, 1905 Pablo Picasso Medium: sepia ink on brown paper | Pablo Picasso | University of Michigan Museum of Art |
Device to Root Out Evil, 1997 Dennis Oppenheim Medium: Pencil, colored pencil, oil wash, oil pastel on watercolor paper | Dennis Oppenheim | Denver Art Museum |
Dia del Turismo en Cadiz [Day of Tourism in Cadiz], 1967 Juan Romero Medium: pen and ink on paper | Juan Romero | Godwin-Ternbach Museum, Queens College, City University of New York |
Diagram, September 1997 Eve Aschheim Medium: Charcoal, graphite and oil on canvas | Eve Aschheim | |
Diamond Sea, 1997 Doug Aitken Medium: installationl, 3 laser discs in 10 minute cycle, Duratrans, one linear version on laser disc | Doug Aitken | Museum of Contemporary Art Chicago |
Diaphragne No. 80 [Diagram No. 80], 1970 Jean Tinguely Medium: ink and aluminum on paper | Jean Tinguely | University of Michigan Museum of Art |
Diesel, Gila Bend, Arizona, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Oklahoma City Museum of Art |
Dinaw Mengestu, Readings & Conversations, 16 November 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Diodes, New Orleans, 2005 Chris Jordan Medium: Chromogenic print | Chris Jordan | |
Diplomatic Egg Case, 1969 Herbert Distel Medium: Leather attache case, velvet, 48 chromed eggs | Herbert Distel | Denver Art Museum |
Disembodied Militarism, 1988 six drawings Mike Kelley Medium: acrylic on paper | Mike Kelley | Museum of Contemporary Art Chicago |
Disputed Land Fall! Looking back towards the Old World, Long Bay and the Mid Atlantic Ocean, San Salvador Island (variant view), The Bahamas, The Caribbean, 2007/2015, Christopher Columbus’ first landing site in the New World, 12 October 1492. From Here, Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Divided - A Premonitional Work The North Atlantic Ocean Malin Head County Donegal The Republic of Ireland/Eire Europe 1986/2017 With Harry Kerr. The Northmost point of all Ireland. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
Dizzyland, 2006 Evri Kwong Medium: Oil and Sharpie permanent marker on canvas | Evri Kwong | |
Doll Lizbeth Stewart | Lizbeth Stewart | Palm Beach State College |
Don Quixote, 1956 Salvador Dali Medium: watercolor and brush and black ink on paper | Salvador Dali | New Mexico Museum of Art |
Dorothy Holloman-He Called My Name, 9th Ward, New Orleans, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Double Column, no. 2, 2019 Susan York Medium: Solid graphite | Susan York | The Menil Collection |
Double Knot Unknown Medium: marble, carved | Unknown | |
Double Pyramid, 1968 DeWain Valentine Medium: cast polyester resin | DeWain Valentine | The Honolulu Museum of Art Spalding House |
Double Show Window (Green), 1972 (S and B 47) Christo Javacheff Medium: two part - aluminum, Plexiglas, brown paper and painted wood | Christo Javacheff | Museum of Contemporary Art San Diego |
Double Show Window (Pink), 1972 (S and B 49) Christo Javacheff Medium: two part - aluminum, Plexiglas, painted wood with brown wrapping paper | Christo Javacheff | Museum of Contemporary Art San Diego |
Double Show Window (White), 1972 (S and B 48) Christo Javacheff Medium: two part - aluminum, Plexiglas, painted wood | Christo Javacheff | Museum of Contemporary Art San Diego |
Double Square, 1964 Neil Williams Medium: day glo on canvas | Neil Williams | Sweeney Art Gallery, University of California, Riverside |
Doulus Bay and Valentia Harbour Message for C.A.M. (Near the West-most point of The Island) Valentia Island County Kerry Ireland, 2002 [Shannon] Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Drawing for Blue and White Painting, 1975 Bill Jensen Medium: charcoal and graphite on vellum | Bill Jensen | Whitney Museum of American Art |
Drawing for Green and White Painting Bill Jensen Medium: charcoal and graphite on vellum | Bill Jensen | Carnegie Museum of Art |
Drawing for Magellan, 1978 Bill Jensen Medium: pastel and charcoal on paper | Bill Jensen | University of Michigan Museum of Art |
Drawing for Magellan, 1980 Bill Jensen Medium: graphite, egg tempera, charcoal and gouache on vellum | Bill Jensen | The Art Institute of Chicago |
Drawing for Shamen, 1975 Bill Jensen Medium: graphite and tempera on vellum | Bill Jensen | The Art Institute of Chicago |
Drawing for Wingtable, 1986 Mathieu Gregoire Medium: charcoal, pencil | Mathieu Gregoire | Oakland Museum of California |
Drawing No. 8 Sal Florio Medium: ink and pencil on matboard | Sal Florio | House of Hope |
Drawing of a Shell, 1953 James Walker Medium: ink and watercolor on paper | James Walker | |
Drawing of a Skull, 1953 James Walker Medium: acrylic, ink, pencil on paper | James Walker | |
Drawing Plans for Sculpture Lila Katzen Medium: pen and pencil on paper framed in colored Plexiglas | Lila Katzen | |
Drawing, 1970 David Diao Medium: sanded sandpaper in Plexiglas frame | David Diao | University of New Mexico Art Museum |
Dreaming the North Polar Winter Solstice, The Arctic Ocean, The North Pole, 2007-2008 ( a two-part work) 90 degrees N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Dreaming the Old Man The North Atlantic Ocean The Old Man of Hoy Above Rosa Head The Isle of Hoy The Orkney Islands Scotland U.K., Europe 1984/2017 (The first major sea picture that I ever made) Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Dreaming the South Polar Winter Solstice, The Arctic Ocean, The North Pole, 2007-2008, (a two-part work), 90° Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
drowned trees along the Mississippi - Lake Chilcot Chilcot State Park Near Lake Village Chilcot County Arkansas U.S.A. North America 2010/2017 Lake Chilcot is the site of Hernan de Soto’s death in 1542. In 1541 he became the first European to discover the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along The Mississippi - night time The upper Mississippi River Central Minneapolis At the University of Minnesota dockside Minneapolis Hennepin County Minnesota U.S.A. North America 2010/2018 With Denise Riebe. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along the Mississippi - The confluence of the Dubois River and The Mississippi River (East Bank) Madison County, Illinois U.S.A. North America 2010/2017 Lewis and Clark reputedly crossed the Mississippi River into the continental American Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along The Mississippi - The Confluence of the Illinois and Mississippi Rivers (East Bank) Near Grafton Jersey County Illinois U.S.A. North America 2010/2018 With Denise Riebe. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along The Mississippi - The screened lower Mississippi River (West Bank) The Mississippi Delta jungle Well below Venice Plaquemines Parish Louisiana U.S.A. North America 2009/2018 With David Jeffery Cooper. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along the Mississippi - “Last Good byes” - The start point of the Trail of Tears drowning weeping willows On the Mississippi River (East Bank) Trail of Tears State Park Near Jackson Cape Girardeau County Mississippi U.S.A. 2010/2017 A start Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along the Mississippi -sunset - Lake Pontchartrain
Near the lower Mississippi River (East Bank) Fontainbleau State Park St. Tammany Parish Louisiana U.S.A. 2010/2017 Lake Pontchartrain was originally called the “Wide Water” by local Native Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place completely sun-struck and blasted Looking towards the Head of Passes and the mouths of the Mississippi The lower Mississippi River (West Bank) Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place drowning trees and brush The confluence of the Illinois River and the upper Mississippi River (East Bank) Near Grafton Jersey County Illinois, Thomas Joshua Cooper Medium: Black and white photographs mounted in a single frame | Thomas Joshua Cooper | |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place drowning trees – Looking West - towards Exile – and the so-called “Indian Nations” The East Bank or the lower Mississippi River Trail of Tears Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place high wind – bright hot sun lapsing shore waves – Lake Chilcot at the lower Mississippi River (East Bank) Chilcot State Park Near Lake Village Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place hot afternoon – drowning trees The confluence of the Dubois and the lower Mississippi Rivers (East Bank) Madison County Illinois, U.S.A. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place last good byes – hidden dangers Weeping Willows on the Trail of Tears The East Bank of the lower Mississippi River Trail of Tears State Park Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place late afternoon – drowned trees Lake Pontchartrain Near the lower Mississippi River (East Bank) Fontainbleau State Park St. Tammany Parish Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place late afternoon – drowned trees and bog cotton The headwaters and source stream of the Mississippi River “the dark path is the river” Lake Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place Remembering my father’s tribal grand parents The Little Blue, near Big Cabin Creek and the Neosho River Mayes County Oklahoma, U.S.A. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
drowned trees along The Mississippi – late evening blossom The Confluence of the Iowa and Mississippi Rivers (West Bank) New Boston Mercer County Illinois U.S.A. North America 2010/2018 With Denise Riebe. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along The Mississippi – sticky early morning river haze The Confluence of the Missouri and Mississippi Rivers (South Bank) Columbia Bottom Charles County Missouri U.S.A. North America 2010/2018 With Denise Riebe. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
drowned trees along the Mississippi – The Beginning of the End -The start point of the Trail of Tears On the Mississippi River (East Bank) Trail of Tears State Park Near Jackson Cape Girardeau County Mississippi U.S.A. 2010/2017 In January 1836, members Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Dulce Yolanda Gálvez, 19, from Jonacatepec, Morelos, tried to reunite with her parents and two brothers, who migrated to Minneapolis, Minnesota over an eight year period. Her aunt and cousin were in the same group attempting to cross through Las Chepas, Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
Dusk - Near the Mouth of The Rio Grande South Bay Tidal Flats Boca Chica Beach Cameron County Texas U.S.A. North America 2009/2018 With David Jeffery Cooper. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Dusk –The Caribbean Sea/ Mar Caribe Negril, Westmoreland, Jamaica 2007/2014 The West-most point of Jamaica Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Dusk-Last Light Over Africa-The South Atlantic Ocean-Furthest Southwest, The Cape of Good Hope, #3, South Africa, 2004, The Southwest-most point of Continental Africa Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Dust Jacket, 1982 Alexis Smith Medium: Mixed media collage | Alexis Smith | Amon Carter Museum of American Art |
Dust, Dobros, Desert Flowers, 1987 Richard Long Medium: Lithograph | Richard Long | National Gallery of Art |
Dust, Dobros, Desert Flowers, 1987 Richard Long Medium: Book with 6 etchings; pigments from Death Valley, California, word piece based on the artist's eight day solo walk in Joshua Tree National Monument, California, and a 45 rpm record with a musical piece based on this walk. | Richard Long | National Gallery of Art |
Eamon Grennan, Readings & Conversations, 13 February 2008 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Early American, Apples & Grapes, 2008 Sharon Core Medium: Chromogenic print | Sharon Core | |
Early American, Melon & Peas, 2009 Sharon Core Medium: Chromogenic print | Sharon Core | Amon Carter Museum of American Art |
Early American, Peaches, 2009 Sharon Core Medium: Chromogenic print | Sharon Core | |
Early American, Wild Raspberries, 2008 Sharon Core Medium: Chromogenic print | Sharon Core | Amon Carter Museum of American Art |
Early Evening - Moonrise over Montauk The North Atlantic Ocean Montauk Point, “The End” East Hampton Township (South Fork), Suffolk County Long Island New York U.S.A. North America, 2016/2017 The Eastmost point of Long Island and the State of New Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Parrish Art Museum |
early morning - rolling rapids looking upstream The upper Rio Grande Cochiti Pueblo Sandoval County New Mexico U.S.A. North America 2000/2017 (with C.A.M.) part 2 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Early morning - The Arctic Circle the Davis Strait Cape Dyer The Cumberland Peninsula The Eastmost point of Baffin Island Nunavut Canada North America 2013/2016 Island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
early morning Looking North - Heading towards the source - morning into the full force of the blizzard The Upper Rio Grande On the bridge crossing The Southern entrance of the Rio Grande Gorge Taos County New Mexico U.S.A. North America 1995/2017 At the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
early morning The mouth of Chesapeake Bay and The Mid Atlantic Ocean From the Chesapeake Bay Bridge Northampton County Virginia U.S.A. North America 2009/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
early morning The upper Rio Grande At the Northern entrance of The Rio Grande Gorge Costilla County Colorado U.S.A. North America 2000/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
early morning winter light Strait of Dover/Pas de Calais From the North Foreland Lighthouse Isle of Thanet Kent England U.K., Europe 1996/2017 The lighthouse at North Foreland was the last manned lighthouse in the U.K. The lighthouse had been constantly Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Early Site Plan & Section with White Bowl, 1992 James Turrell Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel | James Turrell | |
East-The Mid North Atlantic Ocean-East, Very near Faro Fontes Perreira da Malo, The Isle of Santo Antao, Ilhas Barlauznto, The Cape Verda Islands 2004, Near the East-most point of the Island Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Eastman Kodak Elite, 2019 Alison Rossiter Medium: Silver gelatin prints | Alison Rossiter | J. Paul Getty Museum |
Eavan Boland, Readings & Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
Echo II Joseph Guy Medium: acrylic, graphite, wood | Joseph Guy | Blanton Museum of Art, University of Texas, Austin |
Echo, 1979 Ralph Hilton Medium: oil on shaped panel | Ralph Hilton | The William Benton Museum of Art, University of Connecticut |
Eduardo Galeano and Sebastiao Salgado, Readings & Conversations, 3 November 2000 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Eduardo Galeano, Readings & Conversations, 31 May 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Eduardo Galeano, Readings and Conversations Author, 2000 Don Usner Medium: Black and white photograph | Don Usner | |
Edward Said, Readings & Conversations, 2 May 2002 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Edward Said, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Edwidge Danticat, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Eighteen assorted erotic scenes Chinese School Unknown Medium: silk, rice paper | Chinese School Unknown | |
Eis (1) [Ice], 1989 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Eis (2) [Ice], 1989 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Eis (3) [Ice], 1989 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Eis (4) [Ice], 1989 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
El Mono [The Monkey], 1961 Rafael Coronel Medium: acrylic on masonite | Rafael Coronel | New Mexico Museum of Art |
El Rio y El Atlantico La Punta, Mirador del Rio (Near the North-most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
EL-AR-ELA Carl Apfelschnitt Medium: roplex, acrisol, trinton, pigment, oil, varnish, gold on canvas | Carl Apfelschnitt | |
Elective Affinity, 1982 Richard Artschwager Medium: wood, oil, shellac, wire | Richard Artschwager | Museum of Contemporary Art San Diego |
Elena Poniatowska, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Elephants, 1956 Salvador Dali Medium: watercolor, brown and black ink and paper collage on board | Salvador Dali | New Mexico Museum of Art |
Ella y El (Referentes 1), 1988 Celia Munoz Medium: mixed media | Celia Munoz | Carnegie Museum of Art |
Elvis Presley Keith Haring Medium: sumi ink and gold paint on Elvis poster | Keith Haring | Museum of Contemporary Art San Diego |
Empty Horizon - High Noon La Gironde at The Bay of Bisque Pointe de Grave Medoc France Europe 1996/2017 With Catherine Alice Mooney The north most tip of the Medoc peninsula Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Endless House, Plans and Elevations Frederick Kiesler Medium: photo-offset poster | Frederick Kiesler | Guggenheim Museum |
Entrapment of Floyd Collins in Kentucky Grave Lynd Ward Medium: gouache | Lynd Ward | de Grummond Children's Literature Collection, The University of Southern Mississippi |
Epanchement Bernard Verhaeghe Medium: marble | Bernard Verhaeghe | Dennos Museum Center, Northwestern Michigan College |
Erasure -The beginning of conquest and destruction – Native America loses the European cultural battle El Golfo de México / The Gulf of Mexico La Playa de Chalchihuecan Veracruz Veracruz Mexico Latin North America 2007/2017 One of the several proposed Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Erotic Caricature Henri de Toulouse-Lautrec Medium: pencil on cloth | Henri de Toulouse-Lautrec | University of Michigan Museum of Art |
Erotic Scene Unknown Medium: porcelain | Unknown | Object not located in 1997 |
Eroticism with Autowreck, 1982 Kenneth Shorr Medium: Kodalith and acrylic on photograph | Kenneth Shorr | Center for Creative Photography, University of Arizona |
Espectro en el Espejo Metamorfisis, 1962 Manuel Rivera Medium: steel, wire, screen and dowels | Manuel Rivera | Godwin-Ternbach Museum, Queens College, City University of New York |
Espejo Homenaje a Jose Guerrero, 1969 Manuel Rivera Medium: wood, steel mesh, rods and wire, paint | Manuel Rivera | Godwin-Ternbach Museum, Queens College, City University of New York |
Estrecho de Magallanes-The Strait of Magellan. Cabo Fronard. Peninsula de Brunswick. Magallanes, Chile 2006. The South-most point of Continental South America. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Estrecho de Magallanes. The strait of Magellan and The South Atlantic Ocean. Punta Dungeness. Magallanes, Chile, 2006. Very near the Southeast-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Estrecho de Magallanes. The Strait of Magellan. Cabo San Isidro. Peninsula de Brunswick. Magallanes, Chile, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
ET, 1981 Gordon Moore Medium: acrylic, oil, wood on canvas | Gordon Moore | Sweeney Art Gallery, University of California, Riverside |
Etruscan pot Unknown | Unknown | Carnegie Museum of Art |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Eucalyptus #3, 1997 Jorge Pardo Medium: Monoprint | Jorge Pardo | Dia Art Foundation |
Evacuee from New Orleans, Baton Rouge River Shelter, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Evacuee Sleeping on Bus Ride to an Alexander, LA Shelter after the Storm, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Evening - Looking South towards Pelee Island and Middle Island -Lake Erie Point Pelee Tip Point Pelee National Park Essex Ontario Canada North America 2015/2016 The Southmost point of continental Canada. Indigenous people lived on Point Pelee from 4500 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Evening lull - Quietening storm El Segunda Angostura / The Second Entrance Estrecho de Magallanes/The Strait of Magellan Cabo San Vincente Isla Grande Tierra del Fuego Tierra del Fuego Chile South America, 2006/2017 The Northmost point of the island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Evening – Drowned trees and bog cotton (2) The Headwaters of the Mississippi River “the dark path is the river” Lake Itasca State Park, Clearwater County, Minnesota U.S.A. North America 2010/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Evening – The Caribbean Sea. Cabo San Roman, day four, Peninsula de Paraguaná, Falcón, Venezuela, 2005/2006. The Northeast-most point of Continental South America. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Evening-The Caribbean Sea, and Golfo de Venezeula, Cabo San Román (2), Peninsula de Paraguaná, Falcón, Venezuela, South America, 2005/2015, The Northeast-most point of South America. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Eviscerated Corpse, 1989 Mike Kelley Medium: cloth animals, found, stuffed and sewn | Mike Kelley | The Art Institute of Chicago |
Exotic Bird Unknown Medium: wood, carved, red and turquoise stones | Unknown | Carnegie Museum of Art |
Explosion at Sea, 1966 Vija Celmins Medium: oil on canvas | Vija Celmins | The Art Institute of Chicago |
Expulsion of Adam and Eve Eugene Delacroix Medium: graphite on paper | Eugene Delacroix | University of Michigan Museum of Art |
Extravagance, 1967 George McNeil Medium: oil on canvas | George McNeil | Springfield Museum of Art |
F House, 1987 Edward Ruscha Medium: oil on canvas | Edward Ruscha | The Art Institute of Chicago |
F-50, circa 1962 Salvatore Sirugo Medium: paint on paper | Salvatore Sirugo | Zimmerli Art Museum, Rutgers University |
F-60, circa 1962 Salvatore Sirugo Medium: paint on paper | Salvatore Sirugo | Zimmerli Art Museum, Rutgers University |
Face, 1980 Michael Tetherow Medium: acrylic on canvas | Michael Tetherow | Dennos Museum Center, Northwestern Michigan College |
Fading Light – High Wind Drowned trees and the bog cotton (1) The Headwaters of the Misssissippi River “the dark path is the river” Lake Itasca State Park, Clearwater County Minnesota U.S.A. North America 2010/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Fading Moonlight The lower Rio Grande Listening to “Brownsville Girl” The “Gateway” Bridge Brownsville Cameron County Texas U.S.A. North America 1996/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Fading Moonlight, Looking toward the Tropic of Cancer, The Gulf of Mexico,Tepehuajes, Tamaulipas, Mexico, North America, 2007/2015 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
fading twilight – hidden dangers Looking towards Fort Sumter, Charleston Harbor Sullivan’s Island, Charleston County, South Carolina, USA 2009/2014 Looking towards the site of the start of hostilities in the American Civil War 1861. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Fall - 1965 (or Summer Effulgence), 1965 Clay Spohn Medium: acrylic resin, oil on canvas | Clay Spohn | Oakland Museum of California |
Fallen Ordnance, Mohawk Valley, Arizona, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Falling Horseman, 1957-1958 Joe Testa-Secca Medium: oil on masonite | Joe Testa-Secca | |
Fallujah model, 2004-2005 Siah Armajani Medium: Basswood, plastic, copper wire, fabric | Siah Armajani | Museum of Contemporary Art, Los Angeles |
Fallujah, 2004-2005 Siah Armajani Medium: Glass, wood, copper, steel, rug, chair, table, fabric | Siah Armajani | Walker Art Center |
False Horizon - Lake Huron and Georgian Bay Great Lakes Horizon, No. 5. Big Tub Point Tobermory Bruce Peninsula Ontario Canada North America, 2015/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Farthest West – The Mid North Atlantic Ocean, Overlooking Fajã Grande,The Isle of Flowers/ Ilha das Flores, Regiões Autonomas Açores/Azores, Portugal. The West-most point of The Azorean Archipelago and of all Europe, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Fata Morgana II, 1965 Heinz Mach Medium: aluminum collage | Heinz Mach | Milwaukee Art Museum |
Father and Son, LaLander, Afghanistan, 2003 Tony O'Brien Medium: Gelatin silver print | Tony O'Brien | Oklahoma City Museum of Art |
Father Daughter, 1979 Tom Otterness Medium: cast plaster | Tom Otterness | Wichita Art Museum |
Fatman, 1985 Tom Otterness Medium: graphite and ink on paper | Tom Otterness | Whitney Museum of American Art |
Feb. 1976, 1975-1976 Bill Jensen Medium: gouache on paper | Bill Jensen | Whitney Museum of American Art |
FEB.14,1967 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
FEB.19,1975 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
Feelings, 1978 Carol Forget Medium: leather, plastic, paper, straight pins mirror, felt with Plexiglas cover | Carol Forget | Fresno Metropolitan Museum of Art and Science |
Felicitas Ruiz Ramos, 88, stands in front of the house built by her son Gerardo Pérez Ruiz, who lives in the United States. San Andrés Ixtlahuaca, Oaxaca, 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Female Figure Unknown Medium: wood, carved | Unknown | Object not located in 1997 |
Female Figure Unknown Medium: bronze, cast | Unknown | Carnegie Museum of Art |
Female Head Joseph Glasco Medium: ink and oil on paper | Joseph Glasco | Blanton Museum of Art, University of Texas, Austin |
Female Icarus, 1917 John Storrs Medium: etching on paper | John Storrs | The Art Institute of Chicago |
Feminie Landscape I, 1980 Jerry Brane Medium: oil, rayon on canvas | Jerry Brane | Oakland Museum of California |
Femme au Mirroir, 1905 Pablo Picasso Medium: pen and black ink and watercolor on paper | Pablo Picasso | University of Michigan Museum of Art |
Femme sur la Plage [Woman at the Beach] Paul Delvaux Medium: pen and ink on paper | Paul Delvaux | University of Michigan Museum of Art |
Femme [Woman] Paul Delvaux Medium: pen and charcoal on paper | Paul Delvaux | University of Michigan Museum of Art |
Figura [Figure], 1955 Lopez Dirube Medium: lithograph on paper | Lopez Dirube | Godwin-Ternbach Museum, Queens College, City University of New York |
Figure 626 George Constant Medium: watercolor on paper | George Constant | Sweeney Art Gallery, University of California, Riverside |
Figure with Tear and Arrow and Bozzetto of Figure with Tear, 1982 Sandro Chia Medium: bronze | Sandro Chia | Milwaukee Art Museum |
Figure with Tear and Bozzetto of Figure with Tear and Arrow, 1982 Sandro Chia Medium: bronze | Sandro Chia | Milwaukee Art Museum |
Figure, 1946 Isamu Noguchi Medium: four elements, Georgia marble | Isamu Noguchi | The Art Institute of Chicago |
Figure, 1957 Corrado Di Marca-Relli Medium: oil on canvas collage on canvas | Corrado Di Marca-Relli | Museum of Contemporary Art, Los Angeles |
Figure, 1976 Lin Emery Medium: cast bronze | Lin Emery | Farnsworth Art Museum |
Fiidjii, 1981 Ulrik Samuelson Medium: plastic, glass, silk, ink, wood | Ulrik Samuelson | |
Fire Engine Red, 1967-68 Dorothea Rockburne Medium: acrylic on aluminum | Dorothea Rockburne | University of Michigan Museum of Art |
Firebird Raceway, Emmett, ID, 1984/2010 Ron Jude Medium: Pigment-based inkjet print on fiber | Ron Jude | |
First Foot – midnight, The Arctic Circle, At the River Tornea, North – Border Crossings, The Midnight Sun on Mid-Summer’s Night, The Swedish / Finnish Border, 1997-2008, (a two-part work), The Summer Solstice, 66º 33’ N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
First Foot – ten minutes after midnight The Arctic Circle At the River Tornea North – Border Crossings The Midnight Sun on Mid-Summer’s Night The Swedish / Finnish Border, 1997-2008 (a two-part work) The Summer Solstice 66º 33’ N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
First light – Rising Sea Fog The Mid Atlantic Ocean Cape Canaveral The Canaveral Peninsula Merritt Island Bravara County Florida U.S.A. North America 2009/2015 The site of the first successful manned space flight to the moon by Neil Armstrong, Buzz Aldrin Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
First light – The Source Stream of The Mississippi River leaving Lake Itasca The man-made artificial barrier marking the source stream of the Mississippi River Lake Itasca State Park Clearwater County Minnesota U.S.A. North America 2010/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
First Light-South, Southwest-The South Atlantic Ocean-The Indian Ocean, Cape Point, #2, South Africa 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Fish, 1981 Michael Vesser Medium: graphite, ink, oil, tape on paper | Michael Vesser | House of Hope |
Fleeing From a Force Eight Gale, Looking West at The South Pacific Ocean from Estrecho de Magallanes - The Strait of Magellan, Observation Island, three miles East of the Capes Magellanes, Chile, 2006, Looking towards Cabo Pilar and Cabo Deseado – Cape Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling, 1987 Edward Ruscha Medium: Etching | Edward Ruscha | |
Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling, 1987 Edward Ruscha Medium: Book with eight etchings and signature page | Edward Ruscha | |
Floating Column (from 3 Columns), 2008 Susan York Medium: Solid Graphite | Susan York | Denver Art Museum |
Flooded Farmland, Forked Island, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | |
Fluffy Dreams Lewis Harris Medium: watercolor, oil stick, collage | Lewis Harris | |
Fly, 1986 Tom Otterness Medium: colored inks and pencil on paper | Tom Otterness | Whitney Museum of American Art |
Fohn, 1978 Stephen Mueller Medium: acrylic on canvas | Stephen Mueller | Sweeney Art Gallery, University of California, Riverside |
Food for the Journey, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | J. Paul Getty Museum |
Foot Table Pedro Friedeberg Medium: gilded wood, glass | Pedro Friedeberg | Philadelphia Museum of Art |
Forked tree capturing the Sun Bailey Creek Lassen Volcanic National Park Shasta County California U.S.A. North America 1984/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Form 101-A Tom Markusen | Tom Markusen | Palm Beach State College |
Fort Pierce, Fla. Indian Mound, or remains of old fort, 2000 Miles Coolidge Medium: Offset lithograph mounted on aluminum | Miles Coolidge | |
Fort Worth, January 2016 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Forum 3, 1959 Joe Testa-Secca Medium: oil on masonite | Joe Testa-Secca | |
Four chairs Diego Giacometti Medium: bronze | Diego Giacometti | Philadelphia Museum of Art |
Four Potential Bluebird Homes: On My Way to the Powerline, 2009 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | |
Four White Stones, 1987 Rolf Julius Medium: speakers, marble blocks, walkman, wire, audio tape | Rolf Julius | Museum of Contemporary Art, North Miami |
Fourteen Delevantians Count Them All Some are Diminutive Some are Tall But all of them Live on a Silver Wall Sidney Delevante Medium: ink, silverleaf on masonite | Sidney Delevante | Dennos Museum Center, Northwestern Michigan College |
Frank X Walker, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Frau Wolleh mit Kindern [Mrs. Wolleh with Children], 1968 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Frau, die Treppe herabgehend [Woman Descending the Staircase], 1965 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Freak (3-D Cap), 1967 Richard Allen Medium: oil, metal, plastic ping pong ball | Richard Allen | Oakland Museum of California |
Freedom Day - Table Bay Looking towards Cape Town - and Remembering Robben Island South Africa 2004/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Freedom Day - Table Bay Looking towards Cape Town - and Remembering Robben Island South Africa 2004/2018 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Freezing Fog - Looking towards the River Thames The River Rhine Estuary and The North Sea, Hoek van Holland / The Hook of Holland Holland, 2000-2002 -- nearly white -- Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
freezing fog, The Arctic Ocean, sea ice, melt lakes and sestrugi, The North Pole, 2007-2008, 90º N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
freezing fog, The British Channel, The Arctic Ocean, Looking towards Champa Island, Zemly Frantsa-Josifa / Franz-Josef Land, Russia, 2007-2008, The Southern region of The Franz-Josef Land Archipelago, 80° 37.765' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Freezing Rain at Midnight-The Barents Sea-North-day two, Nordkapp/North Cape, Norway 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Fritto Misto, 1990 (grey book) James Turrell Medium: Light projection GREY BOOK | James Turrell | |
Frogman, 1982 E'wao Kagoshima Medium: sumi ink, acrylic, newspaper on paper | E'wao Kagoshima | Asian American Arts Centre |
from "aestheticized disaster series", 1992 Jim Shaw Medium: all: graphite on paper | Jim Shaw | Museum of Contemporary Art Chicago |
From A Premonitinoal Work, Acknabreck, Argyllshire, Scotland, 1991 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
From Marfa to Presidio Via the Grid, 2003-2004 (Part 2) Downtown Marfa Substation Rackstraw Downes Medium: Oil on canvas | Rackstraw Downes | Museum of Fine Art Houston (MFAH) |
From Marfa to Presidio Via the Grid, 2003-2004 (Part 3) On a Ranch Between Marfa and Shafter, with the Cienega and Bryant Ranch Substations in the Distance Rackstraw Downes Medium: Oil on canvas | Rackstraw Downes | Museum of Fine Art Houston (MFAH) |
From Marfa to Presidio Via the Grid, 2003-2004 (Part 4) Substation on a Ridge in the Shafter Mountains Rackstraw Downes Medium: Oil on canvas | Rackstraw Downes | Museum of Fine Art Houston (MFAH) |
From Marfa to Presidio Via the Grid, 2003-2004 (Part 5) Presidio Substation, the Sierra de la Santa Cruz in the Distance Rackstraw Downes Medium: Oil on canvas | Rackstraw Downes | Museum of Fine Art Houston (MFAH) |
From Marfa to Presidio Via the Grid, 2003-2004 (Part1) Marfa, Alamito Creek Substation Rackstraw Downes Medium: Oil on canvas | Rackstraw Downes | Museum of Fine Art Houston (MFAH) |
From Table to Tableau Ronald Morosan Medium: painted wood | Ronald Morosan | |
From the Morning, 1995 Iain Stewart Medium: Chromogenic print | Iain Stewart | |
From three boulders - white, grey, black black ice - frozen boulder MacGregor Strait and Labrador Sea Lecase Point Cape Chidley Killing Island Quebec Canada North America 2013/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
From three boulders - white, grey, black Mythic Stone shining grey boulder (message to E.S. Curtis) late afternoon - ice cracked Loch Katrine The Trossachs Loch Lomond and the Trossachs National Park Stirlingshire Scotland U.K. Europe 1983/2018 Most Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
from two trees - cold, hot A Premonitional Work - Frozen tree - Winter into Spring early morning - New Year’s Day (Message for M.M.) Glasgow Wilderness Plantation The City of Glasgow Scotland U.K. Europe 1987/2018 With Catherine Alice Mooney The Northmost Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
from two trees - cold, hot Scorched date palms - Spring into Summer Along the lower Rio Grande - The Hot Springs Big Bend National Park Brewster County Texas U.S.A. North America 1996/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Frozen Lake Ontario - Winter Mist - At the emptying point of the Niagara River into Lake Ontario Great Lakes Horizon, No. 2. Niagara-on-the-Lake Ontario Canada U.S.A. North America, 2015/2017 With Laura Cooper Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Fuel Air Explosion, 2005 Sarah Pickering Medium: Lambda print photograph | Sarah Pickering | J. Paul Getty Museum |
Fuga de la Noche [Fugue of the Night] Count de Quintanilla Medium: oil, varnish on canvas | Count de Quintanilla | |
Furthest East- The Atlantic Ocean, Cape Spear (with whales) The Isle of Newfoundland, Canada, 1998-1999 (the easternmost point of continental North America) In the week of the spring equinox Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest North -The Mid North Atlantic Ocean Faro de Alegranza, Punta Delgada (The North-most Island in the Canarian Archipelago. The East-most point of the island and near the North-most point) Lanzarote The Carnary Islands, Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Furthest North, The Barents Sea, Knivkjelodden, Finmark, Norway, 2003-2008, The North-most point of Continental Europe, 70° 11.080” N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Furthest North--The Mediterranean Sea, Ras Angela, #4, Tunisia, 2004. The North-most point of Continental Africa. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Furthest North-The Mid North Atlantic Ocean, Punta Gorda, The Isle of Graciosa (The North-most point of the island) Lanzarote The Canary Islands Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest Northwest-The Mid North Atlantic Ocean-The Strait of Gibraltar, Cap Spartel, Morocco 2003-2004, the Northwest-most point of Continental Africa Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest South - The Indian Ocean - High Tide, Cape Agulhas, #4 South Africa, 2004 The South-most point of Continental Africa Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest South - The Indian Ocean - Low Tide Cape Agulhas, #3 South Africa 2004 The South-most point of Continental Africa Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest South - The Indian Ocean - Low Tide Cape Agulhas, #3 South Africa 2004 The South-most point of Continental Africa. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest South-The Strait of Gibraltar, Punta Maroqui o de Tarifa, Spain, 2003-2004, The Southmost point of Continental Europe Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest West - Looking West towards the New World Sunburst - Storm Clearing - Calm The Mid-Atlantic Ocean Above Ponta do Sol Ilha Santo Antão Cape Verde / The Republic of Cape Verde Africa 2004/2018 The Westmostpoint of the Cape Verde Islands, and the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Furthest West Looking West -Towards the New World The Mid-Atlantic Ocean Ponta Delgada Ilha das Flores The Island of Flowers The Azores Archipelago Portugal Europe 2004/2018 The West most point of the Azores, and the West most point of all Europe. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Furthest West The Mid Atlantic Ocean-, Overlooking Tarifel de Monte Trigo and Ponte Chao de Mangrade, The Isle of Santo Antão, Ilhas de Barlevento, The Cape Verde Islands, 2004, The West-most point of The Cape Verde Islands and of all Africa Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Furthest West-The Mid Atlantic Ocean, Pointe des Almadies, The Cape Verde Peninsula, Senegal 2004, The West-most point of Continental Africa Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Futura Break Car, 1980 Henry Chalfant Medium: color photograph | Henry Chalfant | Center for Creative Photography, University of Arizona |
Galactascope #3 Gross/Astrakan Medium: light projection | Gross/Astrakan | Palm Beach State College |
Galerie Maeght, 1956 After Georges Braque Medium: lithograph in colors | After Georges Braque | University of Michigan Museum of Art |
Gardiners Bay Orient Point Orient Southold Township (North Fork), Suffolk County Long Island New York U.S.A. North America, 2016/2017 The Northmost point of Long Island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Parrish Art Museum |
Gary Snyder, Readings & Conversations, 23 May 2007 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Gary Snyder, Readings and Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Gathering Storm over Santa Elena Canyon and the Mesa de Anguila, 1999 Richard Fenker Medium: Black and white photograph | Richard Fenker | |
Gator Guard, Cameron Parish after Rita, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Geboorte Van Een Adersoortige Vorm [Birth of Another Kind of Form], 1979 Lieven Debrabandere Medium: marble | Lieven Debrabandere | Dennos Museum Center, Northwestern Michigan College |
Geese and Tracks, 2006 From the Series: Oil and the Geese (Teshekpuk LWL) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | |
Gemini, 1965 Leo Valledor Medium: acrylic on canvas | Leo Valledor | Oakland Museum of California |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: Photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: Photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: Photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
General Site Plan Roden Crater, 1986 James Turrell Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels | James Turrell | Museum of Fine Art Houston (MFAH) |
Generator, 1968 Bridget Riley Medium: acrylic on canvas | Bridget Riley | Museum of Contemporary Art, Los Angeles |
Genuine Imitation, 2018 Ted Larsen Medium: Salvage steel, marine - grade plywood, silicone, vulcanized rubber, hardware & chemicals | Ted Larsen | |
George Saunders, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Giacomo Expelled from the Temple, 1976-1978 Julian Schnabel Medium: oil on canvas unframed | Julian Schnabel | Museum of Contemporary Art, Los Angeles |
Giallo Rosso [Yellow Red], 1963 Franco Angeli Medium: oil on canvas | Franco Angeli | |
Gibbous moon, 1982 Frederick Wight Medium: oil on canvas | Frederick Wight | Oakland Museum of California |
Gilbert Sorrentino, Readings & Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
Girl By Water, 1980 Wonsook Kim Medium: charcoal, ink on paper stretched around board | Wonsook Kim | Carnegie Museum of Art |
Glacier, 1980 John Marshall Medium: sterling silver, acrylic, copper, wood, acrylic | John Marshall | Metal Museum |
Gladys Mario Garcia Medium: wood, slate, paint, hemp, metal, paper, nails, plastic, tape | Mario Garcia | University of New Mexico Art Museum |
Glaring Hot Mid-Day Sun. The Caribbean Sea. Oostpunt-Punt Kanon. The Island of Curaçao. The Netherlands Antilles. The Netherlands, 2005/2006. The East-most point and very near the South-most point of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Goathead. October 2005. Marfa, Texas, 2005 Allison V. Smith Medium: Chromogenic print | Allison V. Smith | |
God Be with You, New Orleans, 9th Ward, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Gold Diptych 7, 1979 Patrick Scott Medium: Gold leaf and tempera on unprimed canvas mounted on wood | Patrick Scott | |
Gold Diptych 7, 1979 Patrick Scott Medium: Gold leaf and tempera on unprimed canvas mounted on wood | Patrick Scott | |
Gold Knot 1, 1985 Sherrie Levine Medium: acrylic paint on plywood, artist's frame | Sherrie Levine | Museum of Contemporary Art Chicago |
Gold Painting 7/90, 1990 Patrick Scott Medium: Gold leaf and tempera on unprimed canvas | Patrick Scott | Center for Economic Research and Social Change |
Gold Painting, 1979 Patrick Scott Medium: Gold leaf and tempera on unprimed canvas | Patrick Scott | |
Gold Painting, n.d. Patrick Scott Medium: Gold leaf and tempera on unprimed canvas | Patrick Scott | Center for Economic Research and Social Change |
Golden Calf, 1982 Ronnie Cutrone Medium: acrylic on cotton bunting | Ronnie Cutrone | Museum of Contemporary Art San Diego |
Golfo de Mexico / Gulf of Mexico Canal de Yucatan/ Yucatan Canal Cabo Cotoche, Quintana Roo, Yucatan Peninsula, Mexico, 2007/2014 The East-most point of mainland Mexico Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Golfo de Mexico/The Gulf of Mexico, El Palmar, Yucatán, The Yucatán Peninsula, Mexico, North America, 2007/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Good Boy Bad Boy, 1985 Bruce Nauman Medium: video tapes, tape decks, monitors | Bruce Nauman | The Art Institute of Chicago |
Gore Vidal, Readings & Conversations Author, 2007 Don Usner Medium: Black and white photograph | Don Usner | |
Gore Vidal, Readings & Conversations, 9 May 2007 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Grand Sillon, 1982 Robert Cahay Medium: cast bronze | Robert Cahay | |
Gras auf D‰chern [Grass on Roofs], 1969 Siegfried Klapper Medium: pencil on paper | Siegfried Klapper | Milwaukee Art Museum |
Gravel Mirrors with Cracks and Dust, 1968 Robert Smithson Medium: Gravel, mirror | Robert Smithson | Dia Art Foundation |
gray on black Kangertittivag/Hungerfjord at Denmark Strait and Greenland Strait Uunarteq/Kap Tobin Sermersooq/ Scoresby Sound Ittoqqortoormiit/Jameson Land Kangertittivaq/Greenland (Denmark) North America 2008/2017 The Northern Entrance point to Hall Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Gray/Black Panel, 2013 Tom Miller Medium: Acrylic and graphite on paper | Tom Miller | |
Greaves, 1987 Margaret Honda Medium: barbed wire and annealed wire | Margaret Honda | Museum of Contemporary Art, Los Angeles |
Green and Red Modulations with Illuminations, no date Clay Spohn Medium: acrylic on canvas | Clay Spohn | Oakland Museum of California |
Green Bay at Lake Michigan North of Green Bay Brown County Wisconsin U.S.A. North America 2015/2017 With Oskar Strom. The Westmost point of the lake. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Green Eyes, 1956 Kurt Ingermann Medium: oil on masonite | Kurt Ingermann | House of Hope |
Green Lips, 1973 George McNeil Medium: oil on canvas | George McNeil | Farnsworth Art Museum |
Grey and Blue Fence Skewed on Two Yellows, 1998 Kate Shepherd Medium: Oil on two wood panels | Kate Shepherd | Denver Art Museum |
Grey and Blue Fence Skewed on Two Yellows, 1998 Kate Shepherd Medium: Oil on two wood panels | Kate Shepherd | Denver Art Museum |
Grosse Wolke [Big Cloud], 1965 Gunther Uecker Medium: paint and nails on canvas and particle board | Gunther Uecker | Museum of Contemporary Art, Los Angeles |
Ground #30, 1994 Uta Barth Medium: Color photograph on Sintra panel | Uta Barth | |
Ground #78, 1997 Uta Barth Medium: Color photograph on Sintra panel | Uta Barth | Museum of Contemporary Art San Diego |
Group Soup, 1966 Anita Steckel Medium: felt pen, ink on paper | Anita Steckel | Museum of Sex |
Grout Piece #16, 2008 Hadi Tabatabai Medium: Grout, styrene and wood | Hadi Tabatabai | |
Grout Piece #16, 2008 Hadi Tabatabai Medium: Grout, styrene and wood | Hadi Tabatabai | |
Grout Piece #18, 2008 Hadi Tabatabai Medium: Basswood, grout, and gesso on plywood | Hadi Tabatabai | Asian Art Museum |
Grout Piece #18, 2008 Hadi Tabatabai Medium: Basswood, grout, and gesso on plywood | Hadi Tabatabai | Asian Art Museum |
Grout Piece #19, 2008 Hadi Tabatabai Medium: Basswood, grout, and gesso on plywood | Hadi Tabatabai | |
Grout Piece #19, 2008 Hadi Tabatabai Medium: Basswood, grout, and gesso on plywood | Hadi Tabatabai | |
Grout Piece #21, 2008 Hadi Tabatabai Medium: Basswood, grout, and gesso on plywood | Hadi Tabatabai | Asian Art Museum |
Grout Piece #21, 2008 Hadi Tabatabai Medium: Basswood, grout, and gesso on plywood | Hadi Tabatabai | Asian Art Museum |
Growth of an Island, 1983 Frederick Wight Medium: oil on canvas | Frederick Wight | Oakland Museum of California |
Guadalupe, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Denver Art Museum |
Guardians Gathering (inspired by Brice Marden),Galisteo Creek, Galisteo, New Mexico, U.S.A. 2000 For the Lannan Foundation with Kate's and my very real gratitude! Thank You! Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Ha, Ha, Ha, Ha, 1989 Nicolas Africano Medium: offset lithograph | Nicolas Africano | Museum of Contemporary Art San Diego |
Half Truths and Empty Truths Robert Marx Medium: etching, color, aquatint, drypoint | Robert Marx | Dennos Museum Center, Northwestern Michigan College |
Halloween, 1980 Donato Mancini Medium: oil wash on arches paper | Donato Mancini | Bass Museum of Art |
Halluzinose Und Signale, 1968 Walter Stohrer Medium: colored crayons, gouache, acrylic and paper collage on paper | Walter Stohrer | Portland Art Museum |
Hammer, 1983 Helmut Middendorf Medium: acrylic and pigment on canvas | Helmut Middendorf | Guggenheim Museum |
Hammering Man at 2,683,117, 1977-1980 Jonathan Borofsky Medium: painted wood and metal with motor and cables | Jonathan Borofsky | The Art Institute of Chicago |
Hand Chairs Pedro Friedeberg Medium: gilded wood | Pedro Friedeberg | Philadelphia Museum of Art |
Hand of Doom, 1980 Henry Chalfant Medium: color photograph | Henry Chalfant | Center for Creative Photography, University of Arizona |
Hans Magnus Enzensberger, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Happiness (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Happy New Year [card], 1969-1970 Chris Wilmarth Medium: Dry pigment spray on paper | Chris Wilmarth | |
Hassayampa Plain, Oct 31, 1996 5:49PM Richard Misrach Medium: unique chromogenic dye coupler print | Richard Misrach | National Gallery of Art |
Hatshepsut Box, 1986 Mathieu Gregoire Medium: Formica, plywood | Mathieu Gregoire | Oakland Museum of California |
He turned round and round, 1989 Nicolas Africano Medium: oil and wax on canvas in artist's frame | Nicolas Africano | Museum of Contemporary Art, Los Angeles |
Head Unknown Medium: agate, carved with plinth | Unknown | |
Head Painting, 1981 E'wao Kagoshima Medium: oil, hair, sand, wood, glass, grain on canvas | E'wao Kagoshima | Asian American Arts Centre |
Head Painting, 1981 E'wao Kagoshima Medium: oil on canvas | E'wao Kagoshima | Asian American Arts Centre |
Head Painting, 1981 E'wao Kagoshima Medium: wax, hair, oil on canvas | E'wao Kagoshima | Asian American Arts Centre |
Headlight Child No. 3, 1980 Marjorie Nodelman Medium: acrylic, oil on canvas | Marjorie Nodelman | Oakland Museum of California |
Heal and Rest, 1992 Willie Cole Medium: painted wood, steam iron handles and electrical cords and plugs | Willie Cole | Museum of Contemporary Art Chicago |
Heart of the River, 1980-1981 Guy Goodwin Medium: oil, metal, plywood | Guy Goodwin | |
Heart, 1986 Tom Otterness Medium: pen and ink on paper | Tom Otterness | Whitney Museum of American Art |
Height, 1958-1959 Jack Tworkov Medium: oil on canvas | Jack Tworkov | The Art Institute of Chicago |
Hello Pat, 1974 Isaiah Zagar Medium: woodcut and colored crayons on paper | Isaiah Zagar | |
Helmut, from Hand Series No. 2 John Wofford Medium: aluminum | John Wofford | |
Help Ma, 1979 Chris Burden Medium: colored felt-tip pens, colored pencils, black and white photos and cardboard mounted on paper | Chris Burden | Museum of Contemporary Art Chicago |
Hera Clifford Rainey Medium: marble, glass, cast, cut, bronze, wire | Clifford Rainey | |
Hermelando Ramírez died after a tree crushed him, October 21, 2006, while on the job for a logging company in Eureka, California. Tierra Blanca, Oaxaca, 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Hermes Pablo Serrano Medium: bronze | Pablo Serrano | Godwin-Ternbach Museum, Queens College, City University of New York |
Heru Ta Ta F Carl Apfelschnitt Medium: roplex, acrisol, triton-retarding medium, pigment on canvas | Carl Apfelschnitt | |
Hide and Seek with the Man in the Moon for Children Wendy Vanderbilt Medium: acrylic on canvas | Wendy Vanderbilt | |
High Noon - The Caribbean Sea, Cabo San Roman, day two, Peninsula de Paraguaná, Falcón, Venezuela, 2005, The Northeast-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Highland Shield Unknown Medium: ? | Unknown | |
Hills of the Savannah Howard Thomas Medium: ink and watercolor on paper | Howard Thomas | Harn Museum of Art, University of Florida |
Hinewirangi Kohu Morgan, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Ho Chi Minh City, Vietnam, 1995 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | University of New Mexico Art Museum |
hole, Cornice Channel, Skua Island – Looking towards Galindez Island, The Argentine Islands,Wilhelm Archipelago, Graham Land, Antarctica, 2008, On the site of the discovery of the hole in The Earth’s ozone layer. This site is very near the oldest research Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Holy Land, 1989 Mitchell Syrop Medium: photo offset poster on canvas - unframed | Mitchell Syrop | Museum of Contemporary Art San Diego |
Homage to Artie, 1965 Wallace Berman Medium: Verifax collage and gouache | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Hombre Corriendo [Running Man], 1971 Enrique Vara Medium: pencil on paper | Enrique Vara | Godwin-Ternbach Museum, Queens College, City University of New York |
Home Before Dark, 2001 James Westwater Medium: Acrylic and found objects on plywood box | James Westwater | |
Home for Gray Ghosts, 1981 Leo Rabkin Medium: wood, Fresnell lens, metal, plastic, acrylic | Leo Rabkin | New Jersey State Museum |
Homme Au Chapeau [Man with Hat], 1963 Alex Kosta Medium: bronze | Alex Kosta | Carnegie Museum of Art |
Homme et Trois Femmes [Man and Three Women] Paul Delvaux Medium: ink, pencil on paper | Paul Delvaux | University of Michigan Museum of Art |
Homunculus, 1970 Bernhard Jaeger Medium: lithograph on paper | Bernhard Jaeger | |
Horse's Head Unknown Medium: wood | Unknown | Carnegie Museum of Art |
Hot and squinting light - Thinking about Cormac McCarthy "The Big Hill" The Rio Grande Overview Near Lajitas Big Bend National Park Brewster County, Texas U.S.A. North America 1996/2017 part 1 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Hot and squinting light - Thinking about Cormac McCarthy "The Big Hill" The Rio Grande Overview Near Lajitas Big Bend National Park Brewster County, Texas U.S.A. North America 1996/2017 part 2 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
hot, sweaty, dusty and spiked - Remembering Paul Strand Looking towards Macuro At the beginning of the The New World Gulfo de Paria Boca Grande and Bocas del Dragón Isla de Pato Sucre State Venezuela South America 2003/2017 It is reported that Christopher Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
hovering freezing fog, The Arctic Ocean, sea ice, sestrugi and melt lakes, The North Pole, 2007-2008, 90º N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
How a Table Works, 1986 Charles Ray Medium: steel with metal box, thermos, plastic cup, terra cotta pot with synthetic plant, painted metal can | Charles Ray | Museum of Contemporary Art, Los Angeles |
Howard Zinn and Anthony Arnove, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Howard Zinn and Patrick Lannan, Readings & Conversations, 26 April 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Hudson Strait and Ungava Bay Cap Hopes Advance Peninsula d’Ungava Quebec Canada North America 2013/2016 The Northmost point of the Mouth of Ungava Bay Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Hudson Strait Point Ivujivik Peninsula de Ungava Quebec Canada North America 2013/2016 The Eastmost point of Hudson Bay and the Southmost entrance point to Hudson Bay. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Huge wind - Lake Ontario Sackets Harbor Jefferson County New York U.S.A. North America, 2015/2017 The Eastmost point of the U.S. side of the Great Lakes and of Lake Ontario. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Hulula Okpila Delta II, 2006 From the Series: Oil and The Caribou (Arctic NWR) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | |
Hulula Okpila Delta III, 2006 From the Series: Oil and The Caribou (Arctic NWR) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | |
Hurricane Thunderhead, Looking towards the New World, Boca Grande, Bocas del Dragón / The Dragon’s Mouths, the Gulf of Paria and the Caribbean Sea, La Lue Point, Chacachacare Island, Looking at Promotaro de Paria and the Peninsula de Paria, The Isle of Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Hurricane warnings, The Serpent’s Mouth and the Gulf of Paria, Icacos Point Saint Patrick County, The Isle of Trinidad, The Caribbean, 2005/2015, The South-most point of the island and all the Caribbean Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Hybrid Casco/G.E., 1992 Willie Cole Medium: Casco and G.E. electric irons | Willie Cole | Museum of Contemporary Art Chicago |
Hypnotic Flight, 1986 Kathy Muehlemann Medium: oil on linen | Kathy Muehlemann | The Honolulu Museum of Art Spalding House |
I Have a dream, St. Roch, New Orleans, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
I'm not stopping, 1977 Jim Nutt Medium: etching on paper | Jim Nutt | Carnegie Museum of Art |
I, Shtetle, 1982 Irving Petlin Medium: oil on canvas | Irving Petlin | Museum of Contemporary Art, Los Angeles |
I-95 North to Rhode Island, 1998 Christina Hejtmanek Medium: Chromogenic print | Christina Hejtmanek | Center for Creative Photography, University of Arizona |
Iceberg 1, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 10, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 11, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 12, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 13, Disco Bay, Greenland, 1986 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 14, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 15, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 16, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 17, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 18, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 19, Disco Bay, Greenland, 1986 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 2, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 20, Disco Bay, Greenland, 1986 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 21, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 22, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 3, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 4, Disco Bay, Greenland, 1986 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 5, Disco Bay, Greenland, 1986 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 6, Disco Bay, Greenland, 1989 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 7, Disco Bay, Greenland, 1986 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 8, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
Iceberg 9, Disco Bay, Greenland, 1988 Lynn Davis Medium: gelatin silver print | Lynn Davis | Museum of Contemporary Art Chicago |
iceberg field from an iceberg summit Jakobshavens IsWord Disko Bay Illulissat / Jakobshavens Isbras Kittaa Greenland, Denmark, 2007-2008 69° 12.008' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
icenest The Greenland Sea The Barents Sea Fluglehuken / Bird Point Prins Karls Foreland Svalbard, Norway, 2004-2008 The West-most point of The Svalbard Archipelago 78° 54.226' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Ich - Eierkopf [I - Egghead], 1970 Bernhard Jaeger Medium: lithograph on paper | Bernhard Jaeger | Carnegie Museum of Art |
Icon of St. John the Baptist's Burial, with Christ Emanuel above, no date 18th Century Russian Icon Medium: tempera on panel and gold ground | 18th Century Russian Icon | Pecos Benedictine Monastery, Our Lady of Guadalupe Abbey |
Imagine Hell, St. Roch, New Orleans, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Immediately upon arriving on the Mississippi Gulf Coast from Beaumont, Texas, 13 roofing workers are employed to fix an apartment complex at W. Pine and Hill, in Gulfport. There is one Honduran in the group; the rest are from San Luis Potosí, in Central Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Immigrant rescued after eight days in the desert by residents of Arivaca, Arizona. He was taken to the Ark of the Covenant shelter, built near Arivaca by the “No More Deaths” movement. Arivaca, Arizona, 2004 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museum of Contemporary Art, Los Angeles |
In a crowd, 2012 Patrick Oliphant Medium: Ink and watercolor on board | Patrick Oliphant | |
In Balance, 1961 Hans Hofmann Medium: oil on canvasboard | Hans Hofmann | University of Michigan Museum of Art |
In Lovely Blueness, 1955-1956 Sam Francis Medium: oil on canvas | Sam Francis | The Art Institute of Chicago |
In the Can, 1986 Mitchell Syrop | Mitchell Syrop | International Center of Photography |
In the Love of Geometry's Fountain, 1980 Alan Saret Medium: nickel wire | Alan Saret | Museum of Contemporary Art, Los Angeles |
Inasmuch As It Is Always Already Taking Place, 1990 Gary Hill Medium: video screens, with speakers, amplifiers in niche | Gary Hill | The Art Institute of Chicago |
Incontro Al Limite, 1959 Gio Pomodoro Medium: bronze | Gio Pomodoro | University of New Mexico Art Museum |
Indian Mound, Franklin, N.C., 2000 Miles Coolidge Medium: Offset lithograph mounted on aluminum | Miles Coolidge | |
Indian Mound, National Cemetary, Vicksburg, Miss., 2000 Miles Coolidge Medium: Offset lithograph mounted on aluminum | Miles Coolidge | |
Indian Mounds, St. Paul, Minn., 2000 Miles Coolidge Medium: Offset lithograph mounted on aluminum | Miles Coolidge | |
Infant Jesus of Prague, Plaquemines Parish, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Inner Sea, 1981 Mira Schor Medium: gouache, pastel on rice paper | Mira Schor | University of New Mexico Art Museum |
Innocent Happiness (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Innocent Living (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Innocent Love (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Insane Authority-Portrait of Dr. Caligari, 1980 Julian Schnabel Medium: oil and cowhide on velvet | Julian Schnabel | Hirshhorn Museum and Sculpture Garden |
Insect Face, 1981-1982 Mike Kelley Medium: acrylic on sheetmetal over wood | Mike Kelley | Museum of Contemporary Art, Los Angeles |
Inside - The Big Wave. Looking towards Africa. The Mid Atlantic Ocean, Galera Point, # 3,St. David, The Island of Trinidad, 2005, The Northeast-most point and very near the North-most point of the Island Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Inside Outside John Marshall Medium: electro formed silver, acrylic, light fluorescent | John Marshall | Metal Museum |
Insurance Job, 2007 Sarah Pickering Medium: Chromogenic development print photograph | Sarah Pickering | |
Intermezzo, 1986-1987 Stephen Spretnjak Medium: paint on wood veneer over wood support | Stephen Spretnjak | Dennos Museum Center, Northwestern Michigan College |
Interruption In a Field, 1986 Vernon Fisher Medium: acrylic and oil on canvas | Vernon Fisher | The Art Institute of Chicago |
Inverse: Antechamber, 1986 Cheryl Goldsleger Medium: oil, wax, pigment on paper | Cheryl Goldsleger | Ackland Art Museum, University of North Carolina at Chapel Hill |
Inversion, 1985 Cheryl Goldsleger Medium: graphite on paper | Cheryl Goldsleger | Ackland Art Museum, University of North Carolina at Chapel Hill |
Invisible Hands, 2014 Pard Morrison Medium: Fired pigment on aluminum | Pard Morrison | |
Iron Plating 697 June Schwarcz Medium: electroplated enamel on copper | June Schwarcz | The Honolulu Museum of Art Spalding House |
Isabelle Allende, Readings & Conversations, 24 September 2008 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Isfiorden Longyearbean Spitzbergen, Adventdalen Svalbard, Norway, 2008 78° 15.141' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Istuction con Cuadrants, 1971 colored paper collage on paper 14 1/8 x 14 1/8 inches Gerardo Delgado Medium: colored paper collage on paper | Gerardo Delgado | Godwin-Ternbach Museum, Queens College, City University of New York |
IX, 1963 Georgean Evans Medium: oil on canvas | Georgean Evans | |
Ixchal, 1958 Guillermo Meza Medium: oil on canvas | Guillermo Meza | Godwin-Ternbach Museum, Queens College, City University of New York |
J.M. Coetzee, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Jack, 1983 Ira Richer Medium: enamel on formica and wood | Ira Richer | Dennos Museum Center, Northwestern Michigan College |
James Joyce, 1937 Josef Breitenbach Medium: Black and white photograph | Josef Breitenbach | Black Mountain College Museum + Arts Center |
Japanese gong Unknown | Unknown | Palm Beach State College |
Japanese Plate, 1977 Harry Roseman Medium: painted aluminum | Harry Roseman | New Mexico Museum of Art |
Japanese Rice Pounder Unknown | Unknown | USC Pacific Asia Museum |
Jay Wright, Readings and Conversations Author, 1999 Don Usner Medium: Black and white photograph | Don Usner | |
Jayne, 1965 Al Brunelle Medium: rhinestones on paper mounted on wood cubes | Al Brunelle | |
Jeremy Scahill, Cultural Freedom, 2 February 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Jesus at Devastated Holy Beach, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Jhumpa Lahiri, Readings & Conversations, 15 April 2009 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Jim Harrison and Ted Kooser, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Jim Harrison and Ted Kooser, Readings & Conversations, 10 January 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Jim Harrison, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Jimmy Frías, age 17 months, U.S. citizen. His father is a soldier serving in Iraq. Phoenix, Arizona, 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museum of Fine Art Houston (MFAH) |
Jimmy Santiago Baca, Readings & Conversations, 15 September 2010 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Joe Sacco, Readings & Conversations, 18 May 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
John Cohen's Comet, from 1, 1966 Edwin Ruda Medium: acrylic on shaped canvas | Edwin Ruda | Dennos Museum Center, Northwestern Michigan College |
John D’Agata, Readings & Conversations, 16 February 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
John McGahern, Readings & Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
John McGahern, Readings & Conversations, 7 April 2004 Don Usner Medium: Archival pigment print on paper | Don Usner | |
John McPhee, Readings & Conversations, 10 November 2010 Don Usner Medium: Archival pigment print on paper | Don Usner | |
John Nichols, Readings & Conversations, 3 October 2007 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Joy Harjo, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Joy Harjo, Readings & Conversations, 12 October 2005 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Joyce Carol Oates, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Jo’burg: Al’s Tower, a block of flats on Harrow Road, Berea, overlooking the Ponte building, 2004 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | |
Jo’burg: Cape Agulhas, Esselen Street, Hillbrow, 2004 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Jo’burg: Manhattan Court, Plein Street, 2004 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Jo’burg: San Jose, Olivia Street, Berea, 2004 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Jo’burg: The view from the top of the Mariston Hotel looking south, 2004 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Juggler's Debt, 1970 Jake Berthot Medium: acrylic on shaped canvas | Jake Berthot | University of Michigan Museum of Art |
Juggler, 1982-1983 Martin Silverman Medium: bronze, polychromed | Martin Silverman | University of New Mexico Art Museum |
Julia Caldera searches for her daughter, María Elena. In the background are the hills where Liliana Holguin’s body was dumped. Ciudad Juárez, Chihuahua, 2000 Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
JUNE16,1966 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
Jungle Nymph, 1979 Jerry Brane Medium: oil on canvas | Jerry Brane | Carnegie Museum of Art |
Junot Diaz, Readings & Conversations, 21 January 2009 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Just before day break The Mid Atlantic Ocean Cape Hatteras Cape Hatteras National Seashore Dare County North Carolina U.S.A. North America 2009/2015 The Southeast most point of Continental U.S.A. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Kangertittivaq / Scoresbysud, The Denmark Strait, Kangikajik / Kap Brewster, 6pm same day, Liverpool Land, Tunu / Ost / East, Kalaalit Nuneat/Groønland/Greenland, 2007-2008 (a two-part work), From the longest fjord in The World, 70° 09.097' N (part 2, The Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Kangertittivaq / Scoresbysund Uunarteq / Kap Tobin Liverpool Land, Tunu / Ost / East Greenland, Denmark, 2007-2008 From the longest Word in the world 70° 24.641' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Kangertittivaq / Scoresbysund, The Denmark Strait, Kangikajik / Kap Brewster, 6am, Liverpool Land, Tunu / Ost / East, Kalaalit Nuneat/Groønland/Greenland, 2007-2008 (a two-part work), From the longest fjord in The World, 70° 09.097' N (Part one - The Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Kasegaluk Lagoon and Chukchi Sea I, 2006 From the Series: Oil and the Whales (Arctic Ocean) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | |
Kay Ryan, Readings & Conversations, 13 April 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Kerze [Candle], 1982 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Key Box, 1963 Joe Tilson Medium: copper, paint on wood | Joe Tilson | University of Michigan Museum of Art |
King of the Castle Louis de Niverville Medium: acrylic on canvas | Louis de Niverville | |
Kitty Hawk Kill Devil Hills Bodie Island The Wright Brothers National Monument Dare County North Carolina U.S.A. North America 2009/2015 The site of the first successful manned aeroplane flight accomplished by the Wright Brothers on 17 December 1903. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Kleine Landschaft am Meer [Little Landscape by the Sea], 1969 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
KNOUN d2, 2007 Christine Corday Medium: Charcoal on newsprint | Christine Corday | |
Known and Unknown Tracks From 'Oil and The Geese' series, 2006 Subhankar Banerjee Medium: Digital chromogenic print face & mounted to Plexiglas | Subhankar Banerjee | University of New Mexico Art Museum |
Koan Box-Blue Green/Warm Gray, 2004-2007 Lawrence Fodor Medium: Oil, wax, alkyd, 18k white gold and silver on cigar box | Lawrence Fodor | |
Koan Box-Blue Violet/Yellow Ochre, 2004-2007 Lawrence Fodor Medium: Oil, wax, alkyd, 18k gold on cigar box | Lawrence Fodor | |
Koan Box-Gold/Blue-Green, 2005-2007 Lawrence Fodor Medium: Oil, wax, alkyd on cigar box with 24kt. gold | Lawrence Fodor | |
Koan Box-Gray/Blue Violet/Yellow Ochre Line, 2005-2008 Lawrence Fodor Medium: Oil, wax, alkyd,18k gold on cigar box | Lawrence Fodor | |
Koan Box-Green Violet, 2005-2007 Lawrence Fodor Medium: Oil, wax, alkyd on cigar box with 24kt. gold | Lawrence Fodor | |
Koan Box-Green/Red Violet, 2004-2007 Lawrence Fodor Medium: Oil, wax, alkyd, 22k gold on cigar box | Lawrence Fodor | |
Koan Box-Grey Green/Violet, 2005-2008 Lawrence Fodor Medium: Oil, wax, alkyd, 18k gold on cigar box | Lawrence Fodor | |
Koan Box-Red Orange/Gray Green, 2005-2007 Lawrence Fodor Medium: Oil, wax, alkyd, 22k gold on cigar box | Lawrence Fodor | |
Koan Box-Red Orange/Yellow Green, 2005-2008 Lawrence Fodor Medium: Oil, wax, alkyd, 22k gold on cigar box | Lawrence Fodor | |
Koan Box-Red Violet/Sienna, 2005-2008 Lawrence Fodor Medium: Oil, wax, alkyd, 22k gold on cigar box | Lawrence Fodor | |
Koan Box-Sienna/Yellow, 2005-2007 Lawrence Fodor Medium: Oil, wax, alkyd, 22k yellow gold on cigar box | Lawrence Fodor | |
Koan Box-The End of the Moon, 2005-2009 Lawrence Fodor Medium: Oil, wax, alkyd and 23 kt gold on wood cigar box with enclosed objects | Lawrence Fodor | |
Koan Panel, Blue-Green/Orange, 2006-2008 Lawrence Fodor Medium: Oil, wax, alkyd and 22kt. gold on wood panel | Lawrence Fodor | |
Kopf [Head], 1968 Bernhard Jaeger Medium: lithograph on paper | Bernhard Jaeger | Carnegie Museum of Art |
Kouros Harold Olejarz Medium: wood | Harold Olejarz | Dennos Museum Center, Northwestern Michigan College |
Ku, 1981 Gordon Moore Medium: acrylic, oil, wood on canvas | Gordon Moore | Sweeney Art Gallery, University of California, Riverside |
Kulturgeschichte 1880-1983, 1980-83 [Cultural History] Hanne Darboven Medium: 1590 sheets and 19 sculpture objects | Hanne Darboven | Dia Art Foundation |
L Green, 1961 Kenneth Price Medium: painted stoneware and wood base with screws | Kenneth Price | Museum of Contemporary Art, Los Angeles |
L'Eglise de Beauche (W. 115) Maurice de Vlaminck Medium: drypoint, 1926 lower right signed in pencil | Maurice de Vlaminck | University of Michigan Museum of Art |
L'homme lisant [Man Reading] Paul Delvaux Medium: pen and ink and watercolor on paper | Paul Delvaux | University of Michigan Museum of Art |
L'Oiseau Prisonnier [Inprisoned Bird], 1958 Emile Gilioli Medium: glass | Emile Gilioli | Dennos Museum Center, Northwestern Michigan College |
La Baie d’Audierne and La Mer Iroise - Empty Horizon Pointe du Raz Cornouaille Finistère Brittany France Europe 2004/2017 With Andrew Lee Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
La Busqueda, Bogotá, Colombia, 1969 Ray Witlin Medium: Black and White photograph | Ray Witlin | |
La Familia, 1961 Rafael Coronel Medium: acrylic on masonite | Rafael Coronel | New Mexico Museum of Art |
La Fortune (After Man Ray: 1), 1990 Sherrie Levine Medium: felt, mahogany, billiard balls | Sherrie Levine | San Francisco Museum of Modern Art |
La Honey (Enlightenment 9), 1983 Celia Munoz Medium: mixed media | Celia Munoz | New Mexico Museum of Art |
La Palma Del Martir , 1956 Mathias Goeritz Medium: watercolor on paper | Mathias Goeritz | National Autonomous University of Mexico |
La Representation [The Representation], 1967 Vladimir Velickovic Medium: oil on canvas | Vladimir Velickovic | |
La Tempestad (Enlightenment 10), 1985 Celia Munoz Medium: two black and white photographs with mirror in artist's frame | Celia Munoz | New Mexico Museum of Art |
La Valse des Lapins [The Waltz of Rabbits] [W. 138], 1895 Henri de Toulouse-Lautrec Medium: lithograph | Henri de Toulouse-Lautrec | Krannert Art Museum, University of Illinois Urbana-Champaign |
La Villa Lointaine, 1956 Antonio Bandeira Medium: oil on canvas | Antonio Bandeira | Godwin-Ternbach Museum, Queens College, City University of New York |
La Vittoria, 1970 Jean Tinguely Medium: felt pen, colored pencils on paper | Jean Tinguely | University of Michigan Museum of Art |
Lady Man, 2018 Ted Larsen Medium: Salvage steel, marine - grade plywood, silicone, vulcanized rubber, hardware & chemicals | Ted Larsen | |
Lake Erie Very near Ruggles Beach Erie County Ohio U.S.A. North America, 2015/2017 The Southmost point of all the Great Lakes, and of Lake Erie. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Lake Michigan Great Lakes Horizon No. 4. Marquette Park Gary, Lake County Indiana U.S.A. North America, 2015/2017 Southmost point of Lake Michigan Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Lake Ontario Everett Park Kingston Frontenac Ontario Canada North America, 2015/2017 The Eastmost point of all the Great Lakes, and very near the Northeast point of Lake Ontario. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Lake Superior Great Lakes Horizon, No. 3. Very near Copper Harbor Keweenaw County The Upper Peninsula Michigan U.S.A. North America, 2015/2017 The Northmost mainland U.S. point of the Great Lakes, and of Lake Superior. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Lake Superior Very near Copper Harbor Keweenaw County The Upper Peninsula Michigan U.S.A. North America, 2015/2017 The Northmost mainland U.S. point of the Great Lakes, and of Lake Superior. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Lake Superior Very near Kama Bay Thunder Bay Regional Province Ontario Canada North America, 2010/2017 The Northmost point of all the Great Lakes, and of Lake Superior. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Lake Superior Picture Rocks National Lakeshore Alger County Michigan U.S.A. North America 2015/2017 With Oskar Strom. The Southmost point of the lake. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Land Fall! Bonavista Bay and The North Atlantic Ocean Cape Bonavista Bonavista Peninsula Newfoundland Canada, 1998/2015 North America The site that John Cabot first made Land Fall in the New World for the English on 24 June 1498. It was here, and then, Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
Land-escape 30, from Land escape series, 1967 Richard Allen Medium: oil, plastic, leather, yarn, metal hook | Richard Allen | Oakland Museum of California |
Land-escape Series 1, from Land escape series, 1967 Richard Allen Medium: oil, nails, canvas | Richard Allen | Oakland Museum of California |
Land-escape Series 10, from Land escape series, 1967 Richard Allen Medium: oil, metal tacks, balloon, on canvas | Richard Allen | Oakland Museum of California |
Land-escape Series 16, from Land escape series, 1967 Richard Allen Medium: oil, canvas, epoxy, rubber headed tacks, glue, nails | Richard Allen | Henry Miller Memorial Library |
Land-escape Series 18, from Land escape series, 1966 Richard Allen Medium: oil, canvas, epoxy, rubber headed tacks, nylon cord | Richard Allen | Oakland Museum of California |
Land-escape Series 29, from Land escape series, 1967 Richard Allen Medium: oil on canvas | Richard Allen | Oakland Museum of California |
Land-escape Series 33, from land-escape series, 1967 Richard Allen Medium: oil on canvas | Richard Allen | Oakland Museum of California |
Landfall and the New Found Land, N.E.-The Atlantic Ocean,Cape Buena Vista, The Isle of Newfoundland, Canada, 1998-1999 (the landfall of John Cabat's discovery of the New World for the English) In the week of the Spring Equinox Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Landfall-Vinland-Near Farthest North iceflow along the Atlantic, L'Anse aux Meadows(from the site of Lief Ericson's first camp in the New World-Vinland) The Isle of Newfoundland, Canada, 1998-1999, On the day of the Spring Equinox Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Landmine, 2005 Sarah Pickering Medium: Lambda print photograph | Sarah Pickering | |
Landscape John Marshall Medium: sterling silver, plinth, glass | John Marshall | Metal Museum |
Landscape Drawing, 1976 Alfred Wonderlick Medium: photo offset print | Alfred Wonderlick | Jersey City Museum |
Landscape, 1958 J Lecour Medium: oil on canvas | J Lecour | House of Hope |
Large Russian Landscape Henry Orlik Medium: acrylic on canvas | Henry Orlik | House of Hope |
Last Light - The Mid Atlantic Ocean, Kitridge Point, St. Philip, The Island of Barbados, 2005, The East-most point of the Island and of all The Caribbean Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Last Light – Mar Caribe /The Caribbean Sea Niquero, Granma, Cuba, 2007/2014 The South-most point of Cuba Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Last Light – The Mid North Atlantic Ocean Walker Cay, The Bahamas, 2007/2014 North-most point of all the Bahamans and all of the Caribbean Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Last Light, Autumn, Along the Pecos River, The Pecos National Wilderness Area, Near Windy Bridge, San Miguel County, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Last Light, Boca de la Serpiente - The Serpent's Mouth and The Columbus Channel, Icacos Point, St. Patrick, The Island of Trinidad, 2005, The South-most point of the Island and of all The Caribbean Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
last light, Lemaire Channel, “Landruk Point”, Graham Coast, Graham Land, The Antarctic Peninsula Antarctica, 2008, The newly proposed and named, Northwest-most point of Continental, Antarctica, 65° 04’ 0”’ S / 63° 55’5”W Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
last light, shifting ice – sudden danger - Garlache Strait at Orlean’s Strait Cape Herschel from “LISA" Rock Davis Coast, Graham Land, The Antarctic Peninsula Antarctica, 2008, Cape Hershell 64° 04' S “LISA" Rock, Laura - Indigo - Sophie - Alice Rock, is Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Last Light-Looking towards Florida Estrechos de Florida/The straits of Florida y Canal/Channel de San Nicolas, Punta Rincón Francés, Varadero, Peninsula de Hicacos, Matanzas, Cuba, 2007/2014 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Last Light-Moving Towards Darkness. Estrecho de Magallanes-The Strait of Magellan. Cabo Momouth. Isla Grande Tierra del Fuego. Tierra del Fuego, Chile 2006. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Last Light-The Caribbean Sea. Jones Point, Isla Providencia. Colombia, 2005. Near the north-most point of all South America. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Last Light-The Mid Atlantic Ocean-North, Chā de Igrejā, The Isle of Santo Antão, Ilhas de Barlavento, The Cape Verde Islands, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Last Light.The South Atlantic Ocean, Punta Santa Maria. Rocha, Uruguay, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
late afternoon - rolling rapids looking upstream The upper Rio Grande The San Ildefonso Pueblo Santa Fe County New Mexico U.S.A. North America 2000/2017 (with C.A.M.) part 1 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Late Afternoon Heat - The Caribbean Sea, Punta Gallinas, # 5, Peninsula de la Guajira, Guajira, Colombia, 2005, The North-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
late afternoon Looking South - Returning from the source (one week later) After the blizzard’s end The upper Rio Grande On the bridge crossing The Southern entrance of the Rio Grande Gorge Taos County New Mexico U.S.A. North America 1995/2017 At the end Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
late afternoon quiet - Old Man’s Beard The Source of the River Thames - Thameshead Near Coates Gloucestershire England U.K., Europe 1998/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
late afternoon sea fog Looking Inshore - Towards the Greenwich 0° Meridian The mouth of the River Humber - low tide Spurn Head The East Riding of Yorkshire England U.K. Europe 2016/2018 With Andrew Lee. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Late Afternoon Storm Silence, Picinguaba Bay and the South Atlantic Ocean. Ponte de Cruz, Picinguaba, São Paolo, Brazil, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
late afternoon The English Channel/La Manche Rame Head Cornwall England U.K., Europe 1998/2017 Most likely the last English landsite that the migrating Pilgrims saw of the English coastline as they left Plymouth in 1620 for the New World of North Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Late Evening. The Mid Atlantic Ocean. South Point, Christ Church, The Island of Barbados, 2005. The South-most point of The Island Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
late night - last light The beginnings of the Baltic Sea Skagerrak and Kattegat Grenen Nordjylland Denmark Europe 1998/2017 Denmark’s Northmost point, where the two seas, Skagerrak and Kattegat, collide at the entry of the Baltic Sea. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Late summer - last light - Looking towards Scotland The Firth of Lorne and The North Atlantic Ocean Near Oban Argyllshire Scotland United Kingdom Europe 1987/2016 The first picture of ‘The Atlas Project’. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | National Library and Galleries of Scotland |
late XVI century Tabriz School Unknown | Tabriz School Unknown | Carnegie Museum of Art |
Lawrence Ferlinghetti, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Le Manteau [The Cape], 1973 Barbara Riboud Medium: bronze, hemp, copper on base | Barbara Riboud | Studio Museum in Harlem |
Le MarchÈ [The Market], 1955 Jean Leon Jansem Medium: oil on canvas | Jean Leon Jansem | Dennos Museum Center, Northwestern Michigan College |
Le Voyage [The Voyage] Alex Kosta Medium: bronze | Alex Kosta | Carnegie Museum of Art |
Lead Drawing 3, 1973-1975 Richard Fleischner Medium: cast lead | Richard Fleischner | Museum of Contemporary Art San Diego |
Lead Drawing 4, 1973-1975 Richard Fleischner Medium: cast lead | Richard Fleischner | Museum of Contemporary Art San Diego |
Lead Drawing 8, 1973-1975 Richard Fleischner Medium: cast lead | Richard Fleischner | Museum of Contemporary Art San Diego |
Lead Drawing 9, 1973-1975 Richard Fleischner Medium: cast lead | Richard Fleischner | Museum of Contemporary Art San Diego |
Leaning Mirror, 1969 Robert Smithson Medium: Sand and two mirrors | Robert Smithson | Dia Art Foundation |
Learning to Drive a Dennett, 1823 Henry Alken Medium: etching in colors | Henry Alken | National Sporting Library & Museum |
Leaving the Homeland Onward bound into Exile Skrolsvik and Breiðafjörður Öndverðarnes Snæfellsnes Snæfellsnesssýsla Vesturland Iceland Europe 2013/2017 A possible final view of “home” for Erik the Red, (Erik Thorvalsson), as he left Iceland, under exile Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Left or Standing. Standing or Left Standing, 1971/1999 Bruce Nauman Medium: Wallboard, yellow fluorescent lights, incandescent lights, video | Bruce Nauman | Dia Art Foundation |
Lena, 1981 Mira Schor Medium: gouache, pastel on rice paper | Mira Schor | Carnegie Museum of Art |
Lensic Theatre Marquee, Readings & Conversations, 10 November 1999 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Lensic Theatre, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Leopold and Mobutu: Left: Bronze leopards guard the entrance to Mobutu’s palace at Gbadolite, September 2003. Right: The gardens commissioned by King Leopold II at the Central African Museum, Brussels, January 2004. Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Leopold and Mobutu: Left: The Congo Star which adorned the Congolese flag during the Leopold era, photographed at the Military Museum in Brussels, January 2004. When Laurent Kabila displaced Mobutu Sese Seko during the first Congo War of 1996, he replaced Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Leopold and Mobutu: On the road between Bikoro and Mbandaka on the Congo River, September 2003 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Leopold and Mobutu: The looted remains of Mobutu Sese Seko’s residence at Gbadolite, September 2003 Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Leopold and Mobutu: The remains of Mobutu Sese Seko’s palace at Gbadolite. Mobutu began work here among his kin in the 1970s, and in later years retreated to this residence for long periods. He built an international airport nearby, and would receive Guy Tillim Medium: Archival pigment ink on 300g cotton paper | Guy Tillim | Iziko Museums of South Africa |
Les Amours du PoËte [Loves of the Poet] Paul Delvaux Medium: pen and ink on paper | Paul Delvaux | University of Michigan Museum of Art |
Leslie Marmon Silko, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Leslie Marmon Silko, Readings & Conversations, 12 October 2005 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Letter from Great China Isamu Noguchi Medium: Pen on paper | Isamu Noguchi | |
Lewis Lapham, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Like Soft Dreams, 1967 Richard Allen Medium: oil, ink, plastic, ping pong ball | Richard Allen | Oakland Museum of California |
Linda, 1980 John Ahearn Medium: acrylic on cast plaster | John Ahearn | Studio Museum in Harlem |
Linda/Eye Series IV, 1977 Chuck Close Medium: watercolor on five sheets of paper | Chuck Close | The Art Institute of Chicago |
Linh Dihn, Readings & Conversations, 27 February 2008 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Lion Nursing Cubs Eugene Delacroix Medium: graphite on paper | Eugene Delacroix | University of Michigan Museum of Art |
Lioness and Child Tom Otterness Medium: cast plaster | Tom Otterness | Wichita Art Museum |
Lit-cage et son paravent [Bed-Cage and Screens] Max Ernst Medium: bed with headboard and moveable gates made of African walnut and brass rods; telephone; two tinted swivel mirrors with offset lithograph printed in colors and signed with initials; tree branch of carved and painted alder wood; cloth covered platform; matt | Max Ernst | Philadelphia Museum of Art |
Little Known Artifacts Collected from the British Museum, 1977 Inez Storer Medium: assemblage of wood, ceramic, plastic, paper, photographs and polyester resin | Inez Storer | Oakland Museum of California |
LLANO, 1976 David Bungay Medium: acrylic, Plexiglas on canvas | David Bungay | Oakland Museum of California |
Lois-Ann Yamanaka, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Longhorn, 1981 Mary Ann Warner Medium: oil pastel | Mary Ann Warner | House of Hope |
Looking at the Head of Passes and the Mouth of the Mississippi River The Mississippi River Delta Plaguemines Parish Louisiana U.S.A., 2009/2015 North America One of the two great American rivers to flow into the Gulf of Mexico, (the Rio Grande being the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
Looking back - towards Iceland Skarosvik and Breiðafjörður Onaperoarnes Snæfellsnes Iceland/Europe 2013/2016 Very possibly the last sight of Iceland seen by Erik the Red as he left Iceland, by sea, in 982 CE from his farm, as a result of his three year Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Looking back - Towards The Old World - The Gulf of St. Lawrence Miscou Light Miscue Island Gloucester County New Brunswick Canada North America 2013/2016 The Northmost point of Miscou Island Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Looking back towards The Old World The North entrance to the Gulf of St. Lawrence Cap Whittle, Île du Lac, Quebec, Canada, 2014/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
looking back, The Arctic Ocean, sea ice, The North Pole, 2007-2008, (a two-part work), 90º N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking back, towards Ireland The Mid Atlantic Ocean Punta Prieta, The Isle of Lanzerote, Canary Islands, Spain 2002/2014 The East most point of Lanzerote, and all of the Canary Islands A possible landing site of St. Brendan, who has often been credited Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Looking East towards the old world, The Caribbean Sea, Buccaneer Point, Isla Santa Catalina Colombia, 2005. Very near the north-most part of all South America. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking East-Sun Struck. Segunda Angostura-The Second Entrance, Estrecho de Magellanes-The Strait of Magellan. Cabo San Vicente. Isla Grande Tierra del Fuego. Tierra del Fuego, Chile 2006. The Northwest-most part of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking into The Polar Sunset - The Arctic Circle - Repulse Bay Natchik Point Repulse Bay Nunavut Canada North America 2013/2016 Looking into the Polar sunset on the Arctic Circle at the Northmost point of Hudson Bay Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Looking North - The Caribbean Sea, McKellar Point, Isla Santa Catalina, Colombia, 2005, Very near the North-most point of all South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking North, Golfo de Paria - The Gulf of Paria , Boca Grande and Bocas del Dragón – The Dragon’s Mouths, Isla Patos – Goose Island, Near Peninsula de Paria and The Island of Trinidad, Sucre, Venezuela, 2005 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
looking North, The Arctic Ocean, sea ice, 2007-2008, (a two-part work), 89º N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Looking Northeast - Afternoon Gathering thunderstorm El Primera Angostura/ The First Entrance Estrecho de Magallanes/The Strait of Magellan Near Punta Delgado Magellanes Chile South America 2006/2012 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking off-shore - Towards the Greenwich Meridian The 0° Meridian Longitude The North Sea Flamborough Head The East Riding of Yorkshire England U.K. Europe 2016/2017 With Andrew Lee. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking South at The Tropic of Capricorn. Ubatuba Bay at The Mouth of the Rio Grande. Ubatuba. São Paolo, Brazil, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking toward Antarctica - Drake Passage Cabo de Hornos /Cape Horn, #1, Isla Hornos, Islas Hermite Antártica Chilena Chile, 2006 Very near the South-Most Point of All South America. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Looking toward Antarctica and Dreaming--The Drake Passage Cabo de Hornos/Cape Horn, #1, Isla Hornos, Islas Hermite Antártica Chilena Chile South America 2006/2017 Very near the South-most point of all South America. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Looking toward Antarctica and Dreaming--The Drake Passage Cabo de Hornos/Cape Horn, #1, Isla Hornos, Islas Hermite Antártica Chilena Chile South America 2006/2017 Very near the South-most point of all South America. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking towards Africa – Mar de las Salmas and The Mid North Ocean Punta de los Saltos The Isle of El Hierro The Canary Islands Spain Europe 2002/2015 The Southmost point of El Hierro and all the Canary Islands. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Africa, The South Atlantic Ocean and , The Mar de Fora - The Outside Sea, Ponta da Pedra Alta - Point of the High Rock, Ilha Fernando de Noronha Pernambuco, Brazil, 2006, Near the East-most point of all South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking towards Africa, The South Atlantic Ocean, Cabo de San Roque, Rio Grande do Norte, Brazil, South America, 2006/2015, The closest continental point in South America to Africa. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Africa, “The Corner of the Continent”, The South Atlantic Ocean,Ponta do Calcanhar, Rio Grande del Norte, Brazil, South America, 2006/2015. The main sea currents shift north to south at this point in South America. This is the site where Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Africa. The South Atlantic Ocean. Cabo de San Roque. Rio Grande do Norte Brazil, 2006. The closest point of Continental America to Africa. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Looking towards America, Boca del Rio Bravo / The Mouth of the Rio Bravo and the Gulf of Mexico, Tamaulipas, Mexico Frontera, The Mexico/Texas Border, Mexico, North America, 2007/2015. The Northeast most point of Mexico. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Arctic Canada Early evening - Nuupikera and The Davis Strait Nuuk Nunavut Arctic Greenland Europe/North America 2008/2016 Nuuk is the capital of Greenland, founded by the Danes in 1728 and called Godt-Haab until 1 May 1979. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Looking towards Cabo de Honduras, Mar Caribe / The Caribbean Sea, West End Point, Isla Guanaja, Islas de la Bahia, Honduras, Central America, 2007/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Cape Queen Foxe Basin and Foxe Channel from Schooner Cove The Foxe Peninsula Baffin Island Nunnuvut Canada North America 2013/2018 The Southwest most point of Baffin Island. (Picture flaw is part of the picture.) With Oskar Strom. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Cuba-Last light The Straits of Florida and the Gulf of Mexico Key West, The Florida Keys Monroe County, Florida, USA 2009/2014 The South-most point of continental U.S.A. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | Center for Creative Photography, University of Arizona |
Looking towards Darien, Bahia de Panama and El Océano Pacifico, Punta Chame, Panama, Panama, Central America, 2007/2015, Near the site from which Vasco Núñez de Balboa became the first European to see the Pacific Ocean in 1513. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards deep South, The South Atlantic Ocean and The Strait of Magellan, Cabo Virgenes, Santa Cruz, Argentina, 2006, The Southeast-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking towards Guantanamo Bay Bahía de Santiago de Cuba Santiago de Cuba Santiago de Cuba Cuba The Greater Antilles Latin North America 2007/2017 I was absolutely prohibited from approaching any closer to Guantanamo Bay than Santiago de Cuba. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Hudson Bay Foxe Channel Mill Island Nunnuvut Canada North America 2013/2018 With Greg Landreth and Oskar Strom. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Mexico - and Invasion Bahía de Casilde Near Ciudad Trinidad The Ancón Peninsula Santi Spirtus Cuba The Greater Antilles Latin North America 2007/2017 The launch site for Hernan Cortés’ Invasion of Mexico in February 1519. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Mexico, Boca Chica con las aves / Little Mouth with birds, The Mouth of the Rio Grande and the Gulf of Mexico, Cameron County, Texas, The Texas / Mexico Border, U.S.A., North America, 1996/2015. Made on the day after Cinco de Mayo and the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards Scotland The North Atlantic Ocean Cape Breton Cape Breton Island Nova Scotia Canada North America 1999/2016 The Eastmost point of Cape Breton Island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Looking towards Scotland, Darien and Caledonia - Failure and annihilation, Bahía Escocesa, Puerto Escocés, San Blas Tribal Territory, Panama, Central America, 2007/2015. “Caledonia” was the site of the “disaster of Darien scheme”, Scotland’s only attempt Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Looking towards The Classical World of Africa, The South Atlantic Ocean, Ponta do Seixas, Paraiba, Brazil, 2006, The East-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking towards the Gulf, Boca Chica / Little Mouth, The Mouth of the Rio Grande and the Gulf of Mexico, Cameron County, Texas, The Texas / Mexico Border, U.S.A., North America, 1996/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards the New World - Northumberland Strait at George’s Bay Cape George Antigonish County Nova Scotia Canada North America 2013/2016 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Looking towards the Old World Bahía de Baracoa Brace Guantanamo Cuba The Greater Antilles Latin North America 2007/2017 From the site of the first European village established in the New World by Christopher Columbus, and from the exact recorded site Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking Towards the Old World The Atlantic Ocean West Quoddy Head, Maine, U.S.A. 1996 (The Easternmost point of Continental America) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking Towards the Old World, Furthest East-The Atlantic Ocean, The Bay of Fundy, West Quoddy Head (the easternmost point of Continental U.S.A.) Maine, U.S.A., 1996-1999 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking towards the Old World, The South Atlantic Ocean, Porto Seguro, Bahia, Brazil, South America, 2006/2015, Reaching this site in 1500, Pedro Álvarez Cabral is credited for being the first European to discover Brazil. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards the River Rhine thick, impenetrable sea fog - afternoon The River Thames at the Thames Estuary And the Mouth of the River Medway at the North Sea Above Sheerness Isle of Sheppey Kent England U.K., Europe 1998/2017 Before the European Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking towards the River Thames fog horizon The River Maas and the North Sea (one of the four mouths of the River Rhine) The Hook of Holland, Hoek van Holland Zuid-Holland The Netherlands Europe 2000/2017 Before the European Continental break in Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Looking West towards The Continent. The South Atlantic Ocean and the Mar de Dentro – The Island Sea. Miranda de Baia do Sancho – Sanch Bay. Ilha Fernando de Noronha. Pernambuco, Brazil, 2006. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Looking West- The Yucatan Channel Estrescho de Yucatan / The Strait of Yucatan Cabo San Antonio, Peninsula de Guanahacabibes, Pinar del Rio, Cuba, 2007/2012 The West-most point of Cuba and of all the Caribbean Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Looking West-Departing Thunderstorm. Primera Angostura-The First Entrance. Estrecho de Magallanes. The Strait of Magellan. Near Punta Delgada. Magallanes, Chile, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Lorrie Moore, Readings & Conversations, 19 January 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Los Angeles, Night, Untitled / River Stars, 2005 Michael Light Medium: Pigment print | Michael Light | Oakland Museum of California |
Los Dos Soles [The Two Suns], 1961 Carlos Merida Medium: on paper | Carlos Merida | Godwin-Ternbach Museum, Queens College, City University of New York |
Lote Bravo Jaime Bailleres Medium: photograph mounted Gator board | Jaime Bailleres | El Paso Museum of Art |
Lotus, 1962 Mark Disuvero Medium: gold plated brass | Mark Disuvero | Berkeley Art Museum, University of California, Berkeley |
Louise Erdrich, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Love (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Love Fleeing Slavery, 1982 Dianne Blell Medium: cibachrome photograph in artist's frame | Dianne Blell | Center for Creative Photography, University of Arizona |
Low Piece (Bench) Scott Burton Medium: Himalayan blue granite | Scott Burton | The Art Institute of Chicago |
Lucille Clifton, Readings and Conversations Author, 1999 Don Usner Medium: Black and white photograph | Don Usner | |
Luis Alberto Urrea, Readings & Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
Lux: Metropolis 35° 10’N 136° 50’E (Nagoya), 2005-2008 Christina Seely Medium: Digital C-Print | Christina Seely | Center for Creative Photography, University of Arizona |
MacDougal Crater, Reserva de la Biosfera el Pinacate, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Macho Peak Looking North. Pinto Ranch, Texas, 2007 Michael P. Berman Medium: Carbon pigment ink on etching paper | Michael P. Berman | |
Macquette for Alex, 1987 Chuck Close Medium: Polaroid photograph with tape and ink mounted on foamcore | Chuck Close | The Art Institute of Chicago |
Magnet, 1989 Lisa Hoke Medium: cast iron, with steel wire | Lisa Hoke | Whitney Museum of American Art |
Mahmoud Darwish, Readings & Conversations, 28 April 2002 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Malibu, 1965 Dean Fleming Medium: acrylic on canvas | Dean Fleming | |
Man and Angel (Red), 1980 Tom Otterness Medium: painted cast plaster | Tom Otterness | Wichita Art Museum |
Man and Angel II, 1981 Tom Otterness Medium: cast plaster | Tom Otterness | Wichita Art Museum |
Man, Rock and Ship, 1980 Richard Bosman Medium: oil on canvas | Richard Bosman | University of Michigan Museum of Art |
Mandarin with Courtesan, n.d. Oriental Unknown Medium: ceramic tile | Oriental Unknown | Museum of Sex |
Manmade II, 1982 Frederick Wight Medium: acrylic on canvas | Frederick Wight | Oakland Museum of California |
Mann mit Muetze [Man with Cap], 1968 Siegfried Klapper Medium: etching on paper | Siegfried Klapper | Milwaukee Art Museum |
Manny, 1982-83 Rigoberto Torres Medium: painted plaster cast, steel sword, velvet sheath | Rigoberto Torres | Studio Museum in Harlem |
Many Dead Piñons: On My Way to the Railroad, 2009 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | |
Map of Broken Glass (Atlantis), 1969 Robert Smithson Medium: Glass | Robert Smithson | Dia Art Foundation |
Mapping Spaces, 1987 James Turrell Medium: Etching | James Turrell | |
Mapping Spaces, 1987 James Turrell Medium: Etching | James Turrell | Amon Carter Museum of American Art |
Mapping Spaces, 1987 James Turrell Medium: Etching | James Turrell | Sheldon Art Association |
Mapping Spaces, 1987/88 James Turrell Medium: Etching | James Turrell | University of New Mexico Art Museum |
Mapping Spaces, 1987/88 James Turrell Medium: Etching | James Turrell | |
Mapping The Studio 1 (Fat Chance John Cage) Bruce Nauman Medium: 7 green/gray monochrome video projections and multiple audio tracks | Bruce Nauman | Dia Art Foundation |
Mapping The Studio 1 (Fat Chance John Cage) Bruce Nauman Medium: 7 green/gray monochrome video projections and multiple audio tracks | Bruce Nauman | Dia Art Foundation |
Mapping The Studio 1 (Fat Chance John Cage) Bruce Nauman Medium: 7 green/gray monochrome video projections and multiple audio tracks | Bruce Nauman | Dia Art Foundation |
Mapping The Studio 1 (Fat Chance John Cage) Bruce Nauman Medium: 7 green/gray monochrome video projections and multiple audio tracks | Bruce Nauman | Dia Art Foundation |
Mapping The Studio 1 (Fat Chance John Cage) Bruce Nauman Medium: 7 green/gray monochrome video projections and multiple audio tracks | Bruce Nauman | Dia Art Foundation |
Mapping The Studio 1 (Fat Chance John Cage) Bruce Nauman Medium: 7 green/gray monochrome video projections and multiple audio tracks | Bruce Nauman | Dia Art Foundation |
Mapping The Studio 1 (Fat Chance John Cage), 2001 Bruce Nauman Medium: 7 green/gray monochrome video projections and multiple audio tracks | Bruce Nauman | Dia Art Foundation |
Mar Caribe /The Caribbean Sea and Boca de Coca Segovia Punta Gracias a Dios Frontera Honduras y Nicaragua Central America Latin North America 2007/2017 With James Goller Christopher Columbus named this point in relief and gratitude, “Cape Thank God”, for Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Mar Caribe/The Carribean Sea, Cabo Tiburon, La Miel, San Blas, Panama, 2007/2014 The Panama- Colombia border and East-most point of Panama and of all Central America Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Mar de Las Calmas / The Sea of Calms and The Mid North Atlantic Ocean Punta de los Saltos The Isle of El Hierro The Canary Islands (The South-most point of the Canary Islands) Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
MAR.24,1974 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
March 2006, 2012 Renate Aller Medium: Archival pigment print photograph | Renate Aller | San Antonio Museum of Art |
March in Hammock, 1961 Milton Avery Medium: oil and graphite on canvas | Milton Avery | University of Michigan Museum of Art |
Margaret Atwood, Readings & Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
Maria, 1981 John Ahearn Medium: acrylic on cast plaster | John Ahearn | Studio Museum in Harlem |
Marilyn Monroe, 1981 Keith Haring Medium: sumi ink on Marilyn Monroe poster | Keith Haring | University of Michigan Museum of Art |
Marine, 1924 Leon Spilliaert Medium: watercolor on paper | Leon Spilliaert | Portland Art Museum |
Marine, 1976-1981 David Bungay Medium: acrylic, Plexiglas on canvas | David Bungay | Oakland Museum of California |
Mario Vargas Llosa, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Mario Vargas Llosa, Readings & Conversations, 5 April 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Mark, 1972-1973 Bill Bollinger Medium: cast iron | Bill Bollinger | Dennos Museum Center, Northwestern Michigan College |
Marsh Rose, 1981 Bob Saltzman Medium: color photograph | Bob Saltzman | House of Hope |
Martoc, 1955 James Brooks Medium: oil on canvas | James Brooks | University of Michigan Museum of Art |
Mary Oliver, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Mask Third Act, from Theatre Series, 1980 Gary Hall Medium: acrylic on canvas | Gary Hall | Carnegie Museum of Art |
Massachusetts Bay - looking towards Boston East Point Nahant Massachusetts U.S.A., North America 2009/2017 Massachusetts Bay was first colonised by English Puritans at Salem, from 1628-1691. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Master Drawings, drawings #1243, 1244 & 1245, 2013 James Drake Medium: Graphite, ink and book covers on paper, triptych | James Drake | The Menil Collection |
Mausolus, 1975 George McNeil Medium: oil on canvas | George McNeil | Rose Art Museum, Brandeis University |
MAY 25, 1970 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
McMinnville, April 2016 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Memorabellious, 1967 Donald Kaufman Medium: acrylic on canvas | Donald Kaufman | Oakland Museum of California |
Mercenaries I, 1979 Leon Golub Medium: acrylic on unstretched linen | Leon Golub | Museum of Contemporary Art Chicago |
Mermaid Paul Delvaux Medium: pen and ink on paper | Paul Delvaux | University of Michigan Museum of Art |
Metamorfosis (Espejo en Cruz), 1963 Manuel Rivera Medium: wood, copper plate, steel mesh, rods and wire | Manuel Rivera | Godwin-Ternbach Museum, Queens College, City University of New York |
Metasigne III pour un Plumage [Metasign III for a Plumage] Jacques Brown Medium: oil on velvet | Jacques Brown | |
Michael Cunningham, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Michael McClure Poem Wallace Berman Medium: photograph, paint | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Michael McClure Poem Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Michael Ondaatje, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Michelle Alexander, Cultural Freedom, 12 September 2012 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Midday Sun-The Gulf of Venezuela and Boca de la Barra. Isla San Carlos. North of Maracaibo. Zulia, Venezuela, 2005/2006. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
midnight The Mouth of the River Tornea The Gulf of Bothnia East – Looking towards Finland Haparanda, Norrbotten Sweden, 1997-2008 65° 49.062' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
midnight The Tornea Estuary / Skomkarfjärd The Gulf of Bothnia West – Looking towards Sweden Röytta, Lappi Finland, 1997-2008 65° 45.323' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
midnight – freezing fog The Barents Sea – day two Nordkapp / North Cape Finnmark Norway, 2003-2008 (a three-part work) 71° 10.210' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
midnight – freezing rain The Barents Sea – day one Nordkapp / North Cape Finnmark Norway, 2003-2008 (a three-part work) 71° 10.210' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Midnight — Freezing Rain — North — The Berents Sea — day one Nordkapp / North Cape Norway 2003-2004 (part 1, The left-hand part, of a 3 part work) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Midnight, Freezing Fog, North, The Barents Sea, day three, Nordkapp/North Cape, Norway 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Midnight, high beams, 21 minutes, four friends and Jack Chaleur Bay and The Gulf of St. Lawrence Maisonette Gloucester County New Brunswick Canada North America 2013/2016 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Mikado, Lannan Foundation Santa Fe, 1999 Fred Sandback Medium: graphite on paper | Fred Sandback | Dia Art Foundation |
Milan, July 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
mile high ice cloud, The Greenland Sea, Nordostrundingen, Kronprins Christian Land, Greenland, Denmark, 2007-2008, The East-most point of Greenland, 81° 27.385' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Center for Creative Photography, University of Arizona |
Mind Furniture, 1965 Charles Hinman Medium: acrylic emulsion on shaped canvas | Charles Hinman | |
Ministry of Salvation, 1982 Alex McFarlane Medium: milled graphite | Alex McFarlane | The William Benton Museum of Art, University of Connecticut |
Minuteman Guadalupe Morfín, a first-generation American citizen from California, at her post along the Border Highway near Naco, Arizona. Her father immigrated to the U.S. from México during the Bracero program. Naco, Arizona, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Minuteman patrols receive instructions on the rules of engagement at morning orientation near Palominas Trading Post before traveling to border watch stations. Palominas, Arizona, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Mirror Composition 3 Sari Dienes Medium: mirrors, glass ball, painted wood | Sari Dienes | Sweeney Art Gallery, University of California, Riverside |
Mirror of Mazda, 1961 William Scharf Medium: crayon, watercolor on paper | William Scharf | Dennos Museum Center, Northwestern Michigan College |
Mitchell with Kertess Quote, 2011 Patrick McFarlin Medium: graphite on Bristol board | Patrick McFarlin | |
Mixed #1 Richard Fenker Medium: Digital photograph | Richard Fenker | |
Mixed Marks, Grid and Ink Blot, 2004 Pat Steir Medium: Color water bite and spit aquatints with soft ground etching | Pat Steir | University of New Mexico Art Museum |
Mixed Marks, Rorshach with Red Rectangle, 2004 Pat Steir Medium: Color sugar lift and spit bite aquatints with soft ground etching and drypoint | Pat Steir | University of New Mexico Art Museum |
Model for Fourth Bridge, 1974-1975 Siah Armajani Medium: painted balsa wood, hinges, handle | Siah Armajani | Museum of Contemporary Art Chicago |
Model for Gazebo for One Anarchist: Luigi Galleani, 1991 Siah Armajani Medium: painted balsa wood | Siah Armajani | Walker Art Center |
Model for The Poetry Garden, 1991-92 Siah Armajani Medium: various materials | Siah Armajani | Beloit College |
Monkey's Ass, 1981-1982 Mike Kelley Medium: acrylic on sheetmetal over wood | Mike Kelley | Museum of Contemporary Art, Los Angeles |
Monks Mound, Collinsville, Ill., 2000 Miles Coolidge Medium: Offset lithograph mounted on aluminum | Miles Coolidge | |
Monstera Deliciosa [Delicious Monster], 1979 Marc Van Der Marck Medium: twenty one panels graphite on silver print | Marc Van Der Marck | Center for Creative Photography, University of Arizona |
Moon Goloph, 1963 John Grillo Medium: oil on canvas | John Grillo | The Isamu Noguchi Foundation and Garden Museum |
Moon Landing, 1970 Willy Weber Medium: stainless steel | Willy Weber | Dennos Museum Center, Northwestern Michigan College |
Moon Window, 1990 Patrick Scott Medium: Palladium leaf and tempera on unprimed canvas | Patrick Scott | |
Moonlight-The Mid Atlantic Ocean, Cape Manuel, Dakar The South-most Point of The Cape Verde Peninsula Senegal, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Moonrise Over “The End of the World”- Furthest West - The Mid North Atlantic Ocean “The Lighthouse at The End of The World”, Faro Orchilla The Isle of El Hierro The Canary Islands (Near the West-most point of the entire Canarian Archipelago and the Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Moonrise, Burro Mesa and the Chisos Mountains, 1999 Richard Fenker Medium: Black and white photograph | Richard Fenker | |
Morpheus No. 2, 1985-1986 Kathy Muehlemann Medium: oil on linen | Kathy Muehlemann | Museum of Contemporary Art, North Miami |
Mosque of Istiqlal. Jakarta, 1996 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | Center for Creative Photography, University of Arizona |
mosquito swarm - Canadian Shield boulder The Hudson Strait Cape de Nouvelle Peninsula d'Ungava Quebec Canada North America 2015/2018 With Oskar Strom. The Ungava Peninsula is a part of the Canadian Shield (also called the Laurentian Plateau). It is a Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Mother and Child, 1930 (text, 1938) Isamu Noguchi Medium: Ink on paper | Isamu Noguchi | The Isamu Noguchi Foundation and Garden Museum |
Motherwell with Statement to Congress, 2011 Patrick McFarlin Medium: graphite on clay board | Patrick McFarlin | |
Mound of Skulls, Utopian Landscape 5, 1988 Jim Shaw Medium: pencil on paper | Jim Shaw | Museum of Contemporary Art, Los Angeles |
Mountain Isometric Section B, 1970 Will Insley Medium: ink | Will Insley | Indianapolis Museum of Art |
Mourad, French Algerian, (France), 2015 Muslim Youth Counselor Held: 2 years, 8 months, 1 day Transferred: July 26, 2005 Charges: Never filed in the U.S. Upon return to France, was charged, tried and convicted. Served another year and a half in prison. Debi Cornwall Medium: Chromogenic print from digital image | Debi Cornwall | |
Movietime, 1968 David Diao Medium: acrylic on canvas | David Diao | University of New Mexico Art Museum |
Mrienda Nudista Carmelo Gonzales Medium: woodcut | Carmelo Gonzales | Godwin-Ternbach Museum, Queens College, City University of New York |
Mujer en la Luna, 1962 Gaston Orellana Medium: gouache and colored chalks on paper | Gaston Orellana | Godwin-Ternbach Museum, Queens College, City University of New York |
Mumified Tree, 1983 Carl Apfelschnitt Medium: white gold and lime on birch tree | Carl Apfelschnitt | University of New Mexico Art Museum |
Mund [Mouth], 1963 Gerhard Richter Medium: oil on canvas | Gerhard Richter | The Art Institute of Chicago |
Muottas Muragi, July 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Mutation 575, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 587, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 591, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 593, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 595, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 599, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 703, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 705, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mutation 707, 2011 Pard Morrison Medium: Enamel on acrylic | Pard Morrison | |
Mystery Cheung Yee Medium: aluminum on wood | Cheung Yee | Carnegie Museum of Art |
Mystique, 1957 Orville Bulman Medium: oil on masonite | Orville Bulman | |
Mythic Stone stream smoothed Tribal purification site Message to E.S. Curtis Yurok Tribal Territory Humboldt County California U.S.A. North America 1983/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Mythology, 1977 Farrell Brickhouse Medium: three panels, oil on wood | Farrell Brickhouse | The William Benton Museum of Art, University of Connecticut |
N for Nigger Z for Zorro, 1979 Chris Burden Medium: colored felt-tip pens, wire and paper collage on paper | Chris Burden | Museum of Contemporary Art, Los Angeles |
Nadine Gordimer, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Nail Finger, 1974 Scott Miller Medium: collage, paint on canvas | Scott Miller | Museum of Sex |
Nana Niki de Saint Phalle Medium: acrylic on plaster | Niki de Saint Phalle | New Mexico Museum of Art |
Naomi Klein, Cultural Freedom, 12 December 2007 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Naomi Shihab Nye, Readings and Conversations Author, 2000 Don Usner Medium: Black and white photograph | Don Usner | |
Napoleon Standing Next to Chair, 1970 Larry Rivers Medium: patent leather, felt, plastic, wool and spray paint on canvas | Larry Rivers | University of Michigan Museum of Art |
National Day of Action for Immigrants’ Rights rally. Phoenix, Arizona, 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
National Memorial Cemetery of the Pacific, Honolulu, HI, 2013 Jay Turner Frey Seawell Medium: Archival pigment print | Jay Turner Frey Seawell | |
Natural Occurrences Transformed into Miraculous Events Sidney Delevante Medium: oil, goldleaf, gesso on wood | Sidney Delevante | Dennos Museum Center, Northwestern Michigan College |
Navidad a La Astrea, 1962 Mario Yrissary Medium: oil and paper collage on canvasboard | Mario Yrissary | |
Near the Dead Piñon Where Birds Gather in Autumn (I), 2008 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | |
Near the Dead Piñon Where Birds Gather in Autumn (II), 2008 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | |
Near the Dead Piñon Where Birds Gather in Autumn (III), 2008 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | Museum of Contemporary Photography, Columbia College Chicago |
Near the East-most Point -- Dublin Bay and The Irish Sea 40’ - Men Sandy Cove, Dún Laoghaire Dublin Ireland, 2002-2003 [Irish Sea] (This was James Joyce's favorite bathing place in Ireland) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
NEF, 1981 Gordon Moore Medium: acrylic, oil, wood on canvas | Gordon Moore | Sweeney Art Gallery, University of California, Riverside |
Neun Objekte [Nine Objects], 1968 (B.20) Gerhard Richter Medium: signed and dated in pencil | Gerhard Richter | The Art Institute of Chicago |
New Hoover Celebrity III, 1980 Jeff Koons Medium: vacuum cleaner, Plexiglas tubes, flourescent lights | Jeff Koons | Museum of Contemporary Art, Los Angeles |
New Standard (white), 2012 Tom Miller Medium: Acrylic on paper | Tom Miller | |
New York City, 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
New York City, 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
New York City, 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
New York City, May 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Nicholson Baker, Readings & Conversations, 19 January 2010 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Night Mosaic Henry Botkin Medium: oil on panel | Henry Botkin | Carnegie Museum of Art |
Night Sherbet, 1969 Lynda Benglis Medium: polyurethane foam | Lynda Benglis | Museum of Contemporary Art, Los Angeles |
Night Sky 4, 1992 Vija Celmins Medium: oil on canvas mounted on panel | Vija Celmins | Museum of Contemporary Art, Los Angeles |
Night Split, 1980 Jerry Brane Medium: oil on canvas | Jerry Brane | Oakland Museum of California |
Night, 1936-1938 Robert Schuppner Medium: oil on paper | Robert Schuppner | Carnegie Museum of Art |
No Li me Tangere, 1966 Steve Vasey Medium: acrylic on canvas | Steve Vasey | |
No More Utopias, circa 1980 Donald Harvey Medium: wood, black and white photograph on acrylic covered foam board, chalk, light fixture, wax house | Donald Harvey | |
No title (snowman), 1987 Robert Therrien Medium: Cast bronze | Robert Therrien | Denver Art Museum |
No, 1991 Charles Ray Medium: color photograph in artist's frame | Charles Ray | Museum of Contemporary Art, Los Angeles |
No. 172 Décembre 2003 - Janvier, 2004 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Parrish Art Museum |
No. 283, Février-Mars, 2004 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Museum of Fine Art Houston (MFAH) |
No. 290, février -mars 2005 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Los Angeles County Museum of Art (LACMA) |
No. 322, Avril-Mai, 2005 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | The Art Institute of Chicago |
No. 349, Novembre-Décembre, 2005 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Smithsonian American Art Museum (SAAM) |
No. 351, Novembre-Décembre, 2005 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Smithsonian American Art Museum (SAAM) |
No. 354, Novembre-Décembre, 2005 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Smithsonian American Art Museum (SAAM) |
No. 357, Décembre 2005-Janvier 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | The Art Institute of Chicago |
No. 358, Décembre 2005-Janvier 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | The Art Institute of Chicago |
No. 360, Janvier-Février, 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Parrish Art Museum |
No. 362, Janvier-Mars, 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Smithsonian American Art Museum (SAAM) |
No. 365, Février - Mars 2006, 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Parrish Art Museum |
No. 37 - 38, Aout, 1982/1997 Jean-Luc Mylayne Medium: Two color photographs mounted back to back on aluminum under Plexiglas encased in a freestanding wooden frame | Jean-Luc Mylayne | University of New Mexico Art Museum |
No. 374, mars-avril, 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | National Gallery of Art |
No. 376, Avril-Mai, 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Museum of Fine Art Houston (MFAH) |
No. 40, 1971 Jose Sierra Medium: ink wash on paper | Jose Sierra | Godwin-Ternbach Museum, Queens College, City University of New York |
No. 400, avril-mai, 2006 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Los Angeles County Museum of Art (LACMA) |
No. 413, décembre 2006- février 2007, part one of a four part piece Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Los Angeles County Museum of Art (LACMA) |
No. 414, décembre 2006- février 2007, part two of a four part piece Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Los Angeles County Museum of Art (LACMA) |
No. 415, décembre 2006- février 2007 , part three of a four part piece Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Los Angeles County Museum of Art (LACMA) |
No. 416, , décembre 2006- février 2007, part four of a four part piece Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Los Angeles County Museum of Art (LACMA) |
No. 51 Juillet - Août , 1980 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Parrish Art Museum |
No. 86 Mai Juin Juillet, 1981 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | The Art Institute of Chicago |
No. B4 Novembre- Décembre 2000, - Janvier, 2001 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | Museum of Fine Art Houston (MFAH) |
No. B7 novembre-décembre 2000, Janvier 2001 Jean-Luc Mylayne Medium: Chromogenic print | Jean-Luc Mylayne | The Art Institute of Chicago |
No. PO-65, Face to Face, avril mai 2001 Jean-Luc Mylayne Medium: Chromogenic transparency print mounted between Altuglass | Jean-Luc Mylayne | University of New Mexico Art Museum |
Noam Chomsky, Readings & Conversations, 26 January 2005 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Nocturne, 1956 Antonio Bandeira Medium: oil on canvas | Antonio Bandeira | Godwin-Ternbach Museum, Queens College, City University of New York |
North of 80° - Looking Towards Furthest North, Europe - The North Polar Sea, Nordkapp/North Cape, Chermsideøya/Cermside Island, The Svalbard Archipelago, Svalbard, Norway, 2004, The North-most point of all Europe Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
North! The First Landing Site The North Atlantic Ocean Afternoon drifting fog- The Spring Equinoxal Ice flow L’Anse aux Meadows L’Anse aux Meadows Natural Historic Site The Northern Peninsula The North most point of the Isle of Newfoundland - and the site Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
North, 2006 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
North, East, South, West, 1967/2002 Michael Heizer Medium: Cor-ten steel | Michael Heizer | Dia Art Foundation |
North-most point--The North Atlantic Ocean Malin Head, No. 3 County Donegal Ireland, 1992-2003 (The North-most point of Ireland) [Malin] Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Notations on Gazebos (W), 1991 Siah Armajani Medium: painted balsa wood, on cardboard | Siah Armajani | Walker Art Center |
Notations on Gazebos (X), 1991 Siah Armajani Medium: painted balsa wood, on cardboard | Siah Armajani | Walker Art Center |
NOV. 20, 1969 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
November 2005, 2012 Renate Aller Medium: Archival pigment print photograph | Renate Aller | |
NSA-Tapped Fiber Optic Cable Landing Site, Morro Bay, California, United States, 2015 Trevor Paglen Medium: C-Print | Trevor Paglen | |
NSA-Tapped Fiber Optic Cable Landing Site, Morro Bay, California, United States, 2015 (Map Image) Trevor Paglen Medium: Mixed media and navigational chart | Trevor Paglen | |
Nude on Divan, 1948 Paul Delvaux Medium: ink on paper | Paul Delvaux | University of Michigan Museum of Art |
Nude on Red Rug, 1961 Milton Avery Medium: oil on canvas board | Milton Avery | New Mexico Museum of Art |
Nude, 1953 Joseph Glasco Medium: ink, oil on paper | Joseph Glasco | Blanton Museum of Art, University of Texas, Austin |
Nude, 1956 Milton Avery Medium: felt tip pen on paper | Milton Avery | University of Michigan Museum of Art |
Nude, 1958 Gandy Brodie Medium: oil on canvas | Gandy Brodie | University of New Mexico Art Museum |
Nude, 1960 T. Verries Medium: ink monotype on paper | T. Verries | Museum of Sex |
Nude, 1961 John Frank Medium: felt pen on paper | John Frank | |
Number 14, 1977-78 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Museum of Contemporary Art, Los Angeles |
Number 17, 1978 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Museum of Contemporary Art, Los Angeles |
Number 18, 1978 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Museum of Contemporary Art, Los Angeles |
Number 62, 1987 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Carnegie Museum of Art |
Number 67, 1987, 1987 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Museum of Contemporary Art San Diego |
Number 77, 1988 John M. Miller Medium: magna, graphite on canvas | John M. Miller | San Francisco Museum of Modern Art |
Number 81, 1989 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Museum of Contemporary Art San Diego |
Ocotillo Wall, Ejido, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Denver Art Museum |
OCT.13,1973 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
Octagonal Based Table, 1981 Wendell Castle Medium: Birdseye maple, Gabon ebony inlay | Wendell Castle | Spencer Museum of Art, University of Kansas |
October 2009, 2012 (Diptych part one) Renate Aller Medium: Archival pigment print photograph | Renate Aller | Center for Creative Photography, University of Arizona |
October 2009, 2012 (Diptych part two) Renate Aller Medium: Archival pigment print photograph | Renate Aller | Center for Creative Photography, University of Arizona |
Ofelia Zepeda, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
Off the Coast, 1969 Ronnie Landfield Medium: acrylic on canvas | Ronnie Landfield | University of New Mexico Art Museum |
Offload, LCACs and Tank, California, 2006 From Events Ashore An-My Lê Medium: Archival inkjet print mounted on Dibond | An-My Lê | |
oh! my goodness (no no), 1977 Jim Nutt Medium: etching on paper | Jim Nutt | Carnegie Museum of Art |
Old Man-New Times, Kabul, Afghanistan, 2003 Tony O'Brien Medium: Gelatin silver print | Tony O'Brien | Oklahoma City Museum of Art |
Oliver Sacks, Readings & Conversations Author, 2007 Don Usner Medium: Black and white photograph | Don Usner | |
On the Frozen Rimtop of Horseshoe Falls - Looking into the Frozen Niagara Falls Basin and the Niagara River Niagara Falls Ontario Canada North America March 2015/2017 Only the fifth time in the last 125 years that Niagara Falls has frozen, with Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
On TV, 1978 Kim MacConnel Medium: acrylic on silk damask, gauze and cotton fabric | Kim MacConnel | Whitney Museum of American Art |
One Admission Free, 1982 E'wao Kagoshima Medium: oil on canvas | E'wao Kagoshima | Asian American Arts Centre |
One For You, 2007 Evri Kwong Medium: Dry point with rainbow rollup on Rivers BFK paper | Evri Kwong | Museum of Fine Art Houston (MFAH) |
Onnagatta Sees Monkey, 1982 Stephen Mueller Medium: acrylic and raw pigment on canvas | Stephen Mueller | Portland Art Museum |
Open Center Rising Alan Saret Medium: copper wire | Alan Saret | University of Michigan Museum of Art |
Open Door, El Nido, Chihuahua, 2008 Michael P. Berman Medium: Carbon pigment ink on etching paper | Michael P. Berman | North Dakota Museum of Art, University of North Dakota |
Open Lying Box, Same Deep Purple, 1999 Kate Shepherd Medium: Graphite transfer on screen print | Kate Shepherd | Sheldon Art Association |
Open No. 80, 2010 Patrick McFarlin Medium: oil on Bristol board | Patrick McFarlin | |
Open Valley, 1956 Paul Jenkins Medium: oil on canvas | Paul Jenkins | Butler Institute of American Art |
Optimum 350 (tent) Bill Moss Medium: white canvas, 17 metal poles | Bill Moss | |
Oración, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | J. Paul Getty Museum |
Orange #3 Richard Fenker Medium: Digital photograph | Richard Fenker | |
Ordinary Smallage Steven Sorman Medium: paper collage on okawara paper | Steven Sorman | University of Michigan Museum of Art |
Original Crater Contours in Pale Grey, 1992 James Turrell Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel | James Turrell | Museum of Fine Art Houston (MFAH) |
Original Crater Contours in White, 1992 James Turrell Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel | James Turrell | National Gallery of Art |
Osiris Egyptian Unknown Medium: wood, Ptolemaic period, 304-30 B.C. | Egyptian Unknown | Carnegie Museum of Art |
Oslofiorden West – Looking towards Norway Near Revholmen, Vesteroy Norway, 1997-2008 58° 59.319' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Overheard: The Conversation, 1991 Ellen Phelan Medium: oil on linen | Ellen Phelan | San Francisco Museum of Modern Art |
Owl Unknown Medium: serpentine, carved | Unknown | The Salvation Army |
Packed vans arrive at the border town of Sásabe from Altar, Sonora. Estimates of the number of people crossing through the area vary from 1000 to 3000 daily, depending on the season. Sásabe, Sonora, 2003 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Denver Art Museum |
Page Book of Heads, 19481 E'wao Kagoshima Medium: Mixed media on wood | E'wao Kagoshima | Asian American Arts Centre |
Painting Four Tom Holste Medium: cast Rhoplex mounted on plywood | Tom Holste | Oakland Museum of California |
Paisaje, 1969 Isabel Quintanilla Medium: graphite on paper | Isabel Quintanilla | Godwin-Ternbach Museum, Queens College, City University of New York |
Pale Over Rich Orange, Arched Transparent Standing Box, 1999 Kate Shepherd Medium: Graphite transfer on screen print | Kate Shepherd | Museum of Fine Art Houston (MFAH) |
Pale Screens 2 (singles 5 & 6), 2015 Per Kesselmar Medium: Oil on Steel | Per Kesselmar | |
Pale Screens 2 (singles 5 & 6), 2015 Per Kesselmar Medium: Oil on Steel | Per Kesselmar | |
Palm Trees, 1988 John Baldessari Medium: black and white photographs | John Baldessari | Museum of Contemporary Art, North Miami |
Pantille, 1964 Mario Yrissary Medium: Oil on canvas | Mario Yrissary | Denver Art Museum |
Parade Wagon, 1966 Walter Bengtsson Medium: silver and enamel | Walter Bengtsson | |
Park Place Position, 1962 Marty Greenbaum Medium: Book: crayon, watercolor, thread, decals, Scotch tape, paper | Marty Greenbaum | School of the Art Institute of Chicago |
Partita, 1959 George McNeil Medium: oil on canvas | George McNeil | Butler Institute of American Art |
Pascua, 2013 Renate Aller Medium: Vintage handbound book in a custom box | Renate Aller | Center for Creative Photography, University of Arizona |
Paseo de los Vientos and Paseo du Vent /The Windward Passage Punta Maisi, Maisi, Guantanamo, Cuba, 2007/2014 The East-most point of Cuba Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Passe a la Normandie and the North Atlantic Ocean Cap a Gordon Ile aux Marins/ The Isle of the Mariners Ile St. Pierre The Territorial Collective of St. Pierre and Miquelon France, 2011/2015 North America (The last picture I was able to make after my Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
Pastoral, 1978 Rodney Ripps Medium: oil, wax, wood, cloth | Rodney Ripps | University of New Mexico Art Museum |
Path 95, 1995 Iain Stewart Medium: Chromogenic print | Iain Stewart | |
Patrick Lannan and Cornell West, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Patterns Red Swirl, 1965 Wendy Vanderbilt Medium: acrylic on canvas | Wendy Vanderbilt | Dennos Museum Center, Northwestern Michigan College |
Paula Flores, mother of 17-year-old Sagrario González who was murdered in April 1998. On February 18, 2005, state police arrested José Luis Hernández Flores, a friend of Sagrario’s brother, and charged him with homicide. Hernández told the police that he Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
Paysage, 1982 Robert Cahay Medium: cast bronze | Robert Cahay | |
Peace (from Devil Drawings), 1982 Chris Burden Medium: black and white photographs, Polaroids red cellophane, newspaper and cigarette wrapper on paper | Chris Burden | Museum of Contemporary Art, Los Angeles |
Pegasus at the Circus, 1974 Michael McClard Medium: rhoplex, knit nylon, tempera painted plaster | Michael McClard | Object not located in 1997 |
Perfect Happiness (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Perseus Slaying Medusa/Nubia Mythological Series 8, 1979 Milo Reice Medium: gouache on cardboard sections | Milo Reice | Carnegie Museum of Art |
Personal Salvation (Enlightenment 5), 1986 Celia Munoz Medium: colored photographs, paper | Celia Munoz | New Mexico Museum of Art |
Perspective Study, 1986 Tom Otterness Medium: graphite and color crayon on paper | Tom Otterness | Whitney Museum of American Art |
Peter Matthiessen, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Phalanx, 1987 Margaret Honda Medium: barbed wire | Margaret Honda | Museum of Contemporary Art, Los Angeles |
Pheasant Hunt (After Kessel), c. 2008 David Marshall Medium: Graphite, ink, and collage on plexi-glass | David Marshall | |
Phoenix I, 1982 E'wao Kagoshima Medium: acrylic, sumi ink, goldleaf on paper | E'wao Kagoshima | Asian American Arts Centre |
Phototransformation (10/25/73), 1973 Lucas Samaras Medium: SX 70 Polaroid | Lucas Samaras | The Art Institute of Chicago |
Phototransformation (4/4/76), 1976 Lucas Samaras Medium: SX 70 Polaroid | Lucas Samaras | The Art Institute of Chicago |
Phototransformation (7/31/76), 1976 Lucas Samaras Medium: SX 70 Polaroid | Lucas Samaras | The Art Institute of Chicago |
Pick, Bottle and Alcohol, 1979 Chris Burden Medium: mixed media | Chris Burden | Museum of Contemporary Art Chicago |
Picnic, 1969 Robert Goodnough Medium: oil on wood | Robert Goodnough | Springfield Museum of Art |
Pier Series I, 1959 Robert Irwin Medium: oil on canvas | Robert Irwin | Museum of Contemporary Art, Los Angeles |
Pink Blouse, 1961 Milton Avery Medium: oil on canvas board | Milton Avery | New Mexico Museum of Art |
Pink Cat Piero Aversa Medium: pastel on paper | Piero Aversa | House of Hope |
Pink Torso, 1982 Luis Frangella Medium: vinyl paint on vinyl | Luis Frangella | Blanton Museum of Art, University of Texas, Austin |
Pink Yellow Blue, circa 1967 David Novros Medium: acrylic on canvas | David Novros | Museum of Contemporary Art, Los Angeles |
Pink, 1972 Tom Wudl Medium: acrylic, gold leaf on perforated newspaper | Tom Wudl | Oakland Museum of California |
Pitasch, November 2014 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Plain of Jars, Utopian, Landscape 2, 1988 Jim Shaw Medium: pencil on paper | Jim Shaw | Museum of Contemporary Art, Los Angeles |
Plank Piece, 1973, 1989 Charles Ray Medium: two black and white photographs, mounted on rag board | Charles Ray | Museum of Contemporary Art, Los Angeles |
Plates (14), 1978 Peter Voulkos Medium: fourteen glazed ceramic plates | Peter Voulkos | New Mexico Museum of Art |
Plowing and Sowing, 1979 Jerry Brane Medium: acrylic, collage on canvas | Jerry Brane | Oakland Museum of California |
Plymouth Bay Standing above Plymouth Rock looking out to sea Plymouth Rock Beach Plymouth Plymouth County Massachusetts U.S.A., 2000/2015 - part 2 of a 2 part work North America The Pilgrims first migrated from Plymouth, England to here, via Provincetown, Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | National Library and Galleries of Scotland |
PoÍme d’Amour, 1991 Nicolas Africano Medium: oil and wax on canvas - unframed | Nicolas Africano | Museum of Contemporary Art San Diego |
Point - Point Counterpoint, 1987-1988 Jake Berthot Medium: oil on linen in artist's frame | Jake Berthot | Rose Art Museum, Brandeis University |
point of no return, The North Atlantic Ocean, Nunap Isua / Kap Farvel / Cape Farewell, Kong Frederik IX Land, Greenland, Denmark, 2008,The South-most point of Greenland, 59° 46.881' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
point of no return, The North Atlantic Ocean, Nunap Isua / Kap Farvel / Cape Farewell,Kong Frederik IX Land, Greenland, Denmark, 2008, The South-most point of Greenland, 59° 46.881' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Polar Bear shelter - late afternoon Fisher Strait at Evans Strait Cape Pembroke Coats Island Nunavut Canada North America 2013/2018 The last inhabitant. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Polaris Over Lake Mead, Mar 14, 1997 11:56PM 4:15 AM Richard Misrach Medium: chromogenic dye coupler print | Richard Misrach | National Gallery of Art |
Pole-walkin, 2014 M. Oliver Medium: Mixed media | M. Oliver | |
Pool and Palms, Gila Bend, Arizona, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Denver Art Museum |
Porcelain Corner, 2004 Susan York Medium: Porcelain, aluminum | Susan York | Museum of Fine Art Houston (MFAH) |
Porno Gastone Novelli Medium: plastic filaments, pencil, glue, rubber band on paper | Gastone Novelli | University of New Mexico Art Museum |
Port Charcot Booth Island Graham Land Antarctica, 2008 65°14.1' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Porta (Door), 1980 Mimmo Paladino Medium: papier m‚che, pigment, acrylic paint on canvas | Mimmo Paladino | |
Portfolio Cover Sheet (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
Porto das Eiras (The North-most point of The Island) The Isle of Porto Santo The Madeiran Archipelago Portugal, 2002 This island was Christopher Columbus' home-base of preference during The great sea-faring Era of Exploration. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Portrait of a Young Woman in a Fur Robe After Rubens, 1982 Dianne Blell Medium: cibachrome photograph with artist's frame | Dianne Blell | Center for Creative Photography, University of Arizona |
Portrait of Carl Sandburg, 1953 William Smith Medium: Lithograph, stone | William Smith | University of Illinois Rare Book & Manuscript Library |
Portrait of Dorian Gray, 1989 Buzz Spector Medium: Altered book with ink | Buzz Spector | National Gallery of Art |
Portrait of Franz Joseph, 1962 John Wesley Medium: enamel on canvas | John Wesley | Museum of Contemporary Art, Los Angeles |
Portrait of Jamie Ostos Unknown Medium: photograph | Unknown | Object not located in 1997 |
Portrait of the Artist and His Mother, 1987 John Boskovich Medium: gelatin silver prints, gouache on paper, oil on canvas and brass plaque in artist's frame | John Boskovich | Museum of Contemporary Art San Diego |
Portrait the Famille, 1962 Louis Pons Medium: ink on paper | Louis Pons | Carnegie Museum of Art |
Positive Site Plan I, 1992 James Turrell Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel | James Turrell | Museum of Fine Art Houston (MFAH) |
Postcard Untitled, 1959 Wallace Berman Medium: photo montage and stamps on postcard | Wallace Berman | Whitney Museum of American Art |
Practice Inverts Theory, 1988 Mitchell Syrop Medium: oil on black and white photomural | Mitchell Syrop | Museum of Contemporary Art San Diego |
Prayer Rug with Arrow to Mecca, Camp Echo, 2015 From the series "Gitmo at Home, Gitmo at Play", Welcome to Camp America Project Debi Cornwall Medium: Chromogenic print from medium-format negative, hand developed on site under watch of military censors | Debi Cornwall | |
Prayers of Steel Carl Sandburg Medium: Ink on paper, matted | Carl Sandburg | University of Illinois Rare Book & Manuscript Library |
Pre-Historic Mound, Dis. 1772. Moundsville, W. Va., 2000 Miles Coolidge Medium: Offset lithograph mounted on aluminum | Miles Coolidge | |
Predator's View, Sierra Pinacate, Sonora, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Pregnant Lady on Beach Hana Geber Medium: silver | Hana Geber | Carnegie Museum of Art |
Prehistoric Mound at Marietta, O., 2000 Miles Coolidge Medium: Gelatin silver print mounted on aluminum | Miles Coolidge | Museum of Contemporary Photography, Columbia College Chicago |
Primal Light Yantra, 1969 Barbara Schenk Medium: watercolor, pencil on paper | Barbara Schenk | |
Primitive Lady, 1976 George McNeil Medium: oil on canvas | George McNeil | University of New Mexico Art Museum |
Prins Christian Sund The North Atlantic Ocean The Irminger Sea The Eastern Entry Kong Frederik IX Land Greenland, Denmark, 2007-2008 60° 05.630' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Prison Dream, 1965 Mark Disuvero Medium: stainless steel | Mark Disuvero | Museum of Contemporary Art, Los Angeles |
Prix Fixe, 1981 E'wao Kagoshima Medium: oil, hair, wood on canvas | E'wao Kagoshima | Asian American Arts Centre |
Profil de Femme, 1905 Pablo Picasso Medium: graphite on paper | Pablo Picasso | University of Michigan Museum of Art |
Project for a New Escutcheon, 1968 Willy Weber Medium: chrome plated steel | Willy Weber | Dennos Museum Center, Northwestern Michigan College |
Project, 1986 Greg Colson Medium: oil, pencil on wood with metal | Greg Colson | Museum of Contemporary Art San Diego |
Prometheus, 1959 Richard Lytle Medium: oil on canvas | Richard Lytle | University of New Mexico Art Museum |
Proofs with Notes for the Series: Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place, 2010/2014 Thomas Joshua Cooper | Thomas Joshua Cooper | |
Prophet, 1942 Henry Botkin Medium: oil on canvas, mounted on board | Henry Botkin | Carnegie Museum of Art |
Provincetown Drawing 1962 #9, 1962 Edward Corbett Medium: craypas on paper | Edward Corbett | Farnsworth Art Museum |
Provincetown Harbor Provincetown Cape Cod National Seashore Provincetown County Massachusetts U.S.A., 2000/2015 North America The site of the Pilgrim Fathers’ first landing in the New World on 9 November 1620. They sailed on the 6th September 1680 on the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
Provincetown Harbour and Cape Cod Bay Long Point Cape Cod National Seashore Provincetown County Massachusetts U.S.A. 2000/2015 North America The end point of the Hook of Cape Cod. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
Pullen, 1967 (grey book) James Turrell Medium: Light projection GREY BOOK | James Turrell | University of New Mexico Art Museum |
Putting Pilly to Sleep, 2006 Evri Kwong Medium: Oil and Sharpie permanent marker on canvas | Evri Kwong | University of New Mexico Art Museum |
Quai de Bercy (M. 93), 1954 Marc Chagall Medium: Lithograph on canvas | Marc Chagall | Blanton Museum of Art, University of Texas, Austin |
Quarter Moon Clark Murry Medium: painted, waxed and welded steel | Clark Murry | |
Queen Jane, 1966 Edwin Ruda Medium: acrylic on shaped canvas | Edwin Ruda | |
Queen Victoria Chair, 1977 Robert Wilson Medium: wood, lead, brass, electric lights | Robert Wilson | Philadelphia Museum of Art |
Queen Victoria Chair, 1977 Robert Wilson Medium: wood, lead, brass, electric lights | Robert Wilson | Philadelphia Museum of Art |
Quick, 1980 Henry Chalfant Medium: color photograph | Henry Chalfant | Center for Creative Photography, University of Arizona |
Quincey Troupe, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
R-35, circa 1962 Salvatore Sirugo Medium: paint on paper | Salvatore Sirugo | Zimmerli Art Museum, Rutgers University |
R.N., 1980 Paul Knotter Medium: acrylic on canvas with rubber, wood and photograph attached | Paul Knotter | Oakland Museum of California |
Radar N.3, 1962 Arnaldo Pomodoro Medium: bronze | Arnaldo Pomodoro | Indianapolis Art Center |
Rain Shadow, The Beagle Canal. Punta Davison. Isla Grande Tierra del Fuego. Tierra del Fuego, Argentina, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Rancho Uno Grasslands. Janos, Chihuahua, 2007 Michael P. Berman Medium: Carbon pigment ink on etching paper | Michael P. Berman | Center for Creative Photography, University of Arizona |
Ratbastard 1, 1958 Bruce Conner Medium: mixed media | Bruce Conner | Walker Art Center |
Ratbastard 2, 1958 Bruce Conner Medium: mixed media | Bruce Conner | Walker Art Center |
Reaper Drone (Indian Springs, NV; Distance-2 miles) Trevor Paglen Medium: chromogenic print | Trevor Paglen | Museum of Fine Art Houston (MFAH) |
Reaper in the Sun Trevor Paglen Medium: chromogenic print | Trevor Paglen | |
Reciprocal Relation III, IV, 1969 Alfred Jensen Medium: oil on two attached canvases | Alfred Jensen | Museum of Contemporary Art, Los Angeles |
Reciprocal Relation, Per I, II, 1969 Alfred Jensen Medium: two attached canvases oil on canvas | Alfred Jensen | The Art Institute of Chicago |
Reclining Nude Paul Delvaux Medium: pen and ink on paper mounted on board | Paul Delvaux | University of Michigan Museum of Art |
Recurrent Violet, 1977 Robin Tichane Medium: watercolor, ink and gouache on paper | Robin Tichane | Rose Art Museum, Brandeis University |
Red Bar Blues, 1979 Jack Chevalier Medium: Balsa wood, oil on paper | Jack Chevalier | Tacoma Art Museum |
Red Fisherman, 1950 Milton Avery Medium: Gouache and graphite on paper | Milton Avery | Sheldon Art Association |
Red Half, 1981 Mira Schor Medium: gouache, pastel on rice paper | Mira Schor | Carnegie Museum of Art |
Red Hills, 1953 Milton Avery Medium: oil on canvas board | Milton Avery | Museum of Contemporary Art Chicago |
Red Landscape XXXV, 1975, 1975 Roman Artymowski Medium: watercolor, collage on paper | Roman Artymowski | Object not located in 1997 |
Red Passion, 1977 Bill Jensen Medium: gouache and pastel on paper | Bill Jensen | University of Michigan Museum of Art |
Red Peanut, 1980 John Ahearn Medium: acrylic on cast plaster | John Ahearn | The Art Institute of Chicago |
Red Project, 1986 Greg Colson Medium: oil, pencil on tile | Greg Colson | Museum of Contemporary Art San Diego |
Red Rock, 1990 Jim Shaw Medium: pencil on paper | Jim Shaw | Museum of Contemporary Art, Los Angeles |
Red Wing, 1965 Leo Valledor Medium: acrylic on shaped canvas | Leo Valledor | Oakland Museum of California |
Red, 1962 Kenneth Price Medium: painted stoneware, wood | Kenneth Price | Museum of Contemporary Art, Los Angeles |
Red, Yellow, Orange Unknown Medium: acrylic, wood, canvas | Unknown | |
Red/Dark Red Cross, 2014 Glen Hanson Medium: Glass beads on brain-tanned deer hide | Glen Hanson | |
refuge, The Bransfield Strait, Neptune’s Window at the crater wall edge, Deception Island, The South Shetland Islands, (United Kingdom), Antarctica, 2008, 62° 59 S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Refugees from the Bosnian enclave of Bihac squat the destroyed houses of Turanj. Krajina, Croatian territory occupied by the Serbs, 1994 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | J. Paul Getty Museum |
Relicario #1, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #100, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #102, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #104, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #106, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #111, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #112, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #116, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #117, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #119, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #12, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #120, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #122, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #125, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #13, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #131, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #134, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #136, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #138, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #14, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #140, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #142, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #146, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #148, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #150, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #159, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #16, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #165, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #28, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #31, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #41, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #45, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #46, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #47, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #50, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #51, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #52, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #54, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #55, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #59, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #6, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #60, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #62, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #7, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #72, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #74, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #75, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #76, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #82, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #85, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #87, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #88, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #90, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario #98, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicario, #8, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relicarios #123, 2011 Erika Diettes Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn | Erika Diettes | Museo de las Americas |
Relics from Two Vatican Performances, 1992 Jeffrey Vallance Medium: espresso coffee on Italian silk, paper document | Jeffrey Vallance | Museum of Contemporary Art, Los Angeles |
Remainders: Novel, Sculpture, Film, 1991 Allen Ruppersberg Medium: 128 bound books with jackets, five cardboard cartons, wood table, signed paper bookmark | Allen Ruppersberg | The Art Institute of Chicago |
Remembering Edward Western at Point Lobos Looking towards Thunder Cape Perry’s Bay Lake Superior The Sea Lion Sleeping Giant Provincial Park Thunder Bay Regional Province Ontario Canada North America 2010/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Remembering my Father’s tribal grandparents - The Little blue - Near Big Cabin Creek and The Nesho River The Cherokee Nation Mays County Oklahoma U.S.A. North America 2003/2017 Remembering my great grandparents ‘Coon’ Conrad Horace Cooper (1853-1896) and Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Remembering My Father’s Tribal Grandparents, On the Little Blue, Southwest of the Unita Homestead, The Cherokee Nation, Mayes County, Oklahoma, U.S.A., 2003/2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Remembering Paul Strand The Mouth of the St. Lawrence River (1) Cap-des-Rosiers The Gaspé Peninsula Quebec Canada North America 2013/2016 The historic South Boundary point of the Mouth of the St. Lawrence River, set in the 18th century. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Remembering the Old Man Three Texas Waves - Echoing Wave The Gulf of Mexico South Padre Island Cameron County Texas U.S.A. North America 2009/2017 With David Jeffery Cooper Part 3 of a 3 part work The Southmost point of the island, and the Southeast most Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Reminiscence of Suzie, 1957 Richard Stankiewicz Medium: iron, steel | Richard Stankiewicz | Hirshhorn Museum and Sculpture Garden |
Reptiles and Prey, 1986 Tom Otterness Medium: ink, watercolor and graphite on paper | Tom Otterness | Whitney Museum of American Art |
Reshaped Crater in White, 1992 James Turrell Medium: mylar, beeswax, emulsion, ink, liquitex, wax pastel | James Turrell | |
Restoration Piece 1, 1975 Italo Scanga Medium: plaster, wood, glass, acrylic, bone | Italo Scanga | Museum of Contemporary Art San Diego |
Resurrection on Bedrock Beach, 1982 Kenny Scharf Medium: acrylic on Datsun hood | Kenny Scharf | Museum of Contemporary Art San Diego |
Riaz Martin Chirino Medium: painted iron | Martin Chirino | |
Ride’m Cowboy, 2006 Evri Kwong Medium: Oil and Sharpie permanent marker on canvas | Evri Kwong | |
Ridge, Sierra del Rosario, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Center for Creative Photography, University of Arizona |
Rikki Ducornet, Readings & Conversations Author, 2005 Don Usner Medium: Black and white photograph | Don Usner | |
rising freezing fog, The Arctic Ocean, sea ice, Sestrugi and Melt Lakes, The North Pole, 2007-2008, 90º N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Rita Dove, Readings & Conversations Author, 2003 Don Usner Medium: Black and white photograph | Don Usner | |
Rita Dove, Readings & Conversations, 5 November 2003 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Rivaz, October 2014 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | |
Roanoke Sound, Roanoke Island, Dare County, North Carolina, USA 2009/2014 The “lost colony’ site on Roanoke Island (1583-1606) Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Robert Hass, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Robert, Baton Rouge River Shelter, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
Rockfish Kimire Newcomb Medium: glass | Kimire Newcomb | |
Roden Crater Shaping (Model), 1976 James Turrell Medium: Masonite | James Turrell | University of New Mexico Art Museum |
Rodeo, 1971 Brice Marden Medium: oil and wax on canvas | Brice Marden | The Art Institute of Chicago |
rolling freezing fog, The Arctic Ocean, sea ice, sestrugi and melt lakes, The North Pole, 2007-2008, 90º N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Romanzof Mountains, 2002 From the Series: Oil and The Caribou (Arctic NWR) Subhankar Banerjee Medium: Ultrachrome Print | Subhankar Banerjee | |
Rome, April 2016 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Ross Welcome Sound at Frozen Strait Cape Frigid an unnamed island Nunavut Canada North America 2013/2016 The Northmost point of the north most major island in Hudson Bay. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Rotating Circle, 1988 Charles Ray Medium: electric motor | Charles Ray | Museum of Contemporary Art, Los Angeles |
Rote Felsen [Red Cliffs], 1966-69 Siegfried Klapper Medium: pencil on paper | Siegfried Klapper | Milwaukee Art Museum |
Rubble, Sierra Pinacate, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Russian Haystacks, 1971 Henry Orlik Medium: acrylic on canvas | Henry Orlik | House of Hope |
Rwandan refugee camp of Benako, Tanzania, 1994 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | Museum of Fine Art Houston (MFAH) |
Sade Robert Hammond Medium: oil on canvas | Robert Hammond | |
safe harbour Ardley Cove King George Island The South Shetland Islands, United Kingdom Antarctica, 2008 62° 12.1’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Saint Moritz, July 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Salerno Balcony, 1956 Kurt Ingermann Medium: oil on board | Kurt Ingermann | House of Hope |
Salman Rushdie, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Salman Rushdie, Readings & Conversations, 5 October 2005 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Salt Run Anastasia Island, St. Augustine, St Johns County, Florida, USA 2009/2014 From a site very near to where Pedro Menendez de Aviles founded the town of St. Augustine in 1565. St. Augustine is the oldest continuously occupied settlement in U.S.A. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Salt, Steel, and Tar. Cornudas Mountains, New Mexico, 2008 Michael P. Berman Medium: Carbon pigment ink on etching paper | Michael P. Berman | Denver Art Museum |
Salt/Garnet/Nickel, 2004 Gloria Graham Medium: Graphite on velum (3 sheets) | Gloria Graham | |
San Giorgio Venice, 1982 Janice Biala Medium: oil on canvas | Janice Biala | Carnegie Museum of Art |
Sandy Hook Bay and Lower New York Harbor Sandy Hook Point Monmouth County New Jersey U.S.A., 2009/2015 North America Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | Parrish Art Museum |
Santa Fe Railyard, 2014 Christy Hengst Medium: Porcelain with cobalt serigraphy | Christy Hengst | |
Sapoe 2, 2012 Pascal Pierme Medium: Watercolor and acrylic | Pascal Pierme | |
Sasabe, September 2011 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Saturn Devouring Its Young, from Ingestion, 1982 Mike Kelley Medium: acrylic on paper | Mike Kelley | Museum of Contemporary Art, Los Angeles |
Saturn in Its Ring, from Ingestion, 1982 Mike Kelley Medium: acrylic on paper | Mike Kelley | Museum of Contemporary Art, Los Angeles |
Scaffolded Landscape Larry Tate Medium: bronze, brass, wood, wire | Larry Tate | |
ScËne de Plage [Beach Scene] Paul Delvaux Medium: pen and ink on paper | Paul Delvaux | University of Michigan Museum of Art |
School Room, LaLander, Afghanistan #20, 2003 Tony O'Brien Medium: Gelatin silver print | Tony O'Brien | Center for Creative Photography, University of Arizona |
Schreitende Figur [Figure in Stride], 1970 Horst Antes Medium: lithograph in colors | Horst Antes | Milwaukee Art Museum |
Scotia - The Swelling of the Sea-The North Atlantic Ocean Cape Wrath Sutherland Scotland The United Kingdom Europe 2013/2015 The Northwest- most point of Mainland Great Britain The only British mainland site from which there is a direct and uninterrupted Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Scott Russell Sanders, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Scroll Drawing, circa 1959 Julius Schmidt Medium: work on paper | Julius Schmidt | |
Sculpture Limestone Stele 115 Unknown Medium: limestone | Unknown | Carnegie Museum of Art |
Sculptured Rainbow to Walk Through Frederick Kiesler Medium: photo-offset poster | Frederick Kiesler | Guggenheim Museum |
Sea Fog –Looking West, The Mouth of the River Guadalquivir – The Mid North Atlantic Ocean, San Lúcer de Barameda, Spain, 2003/2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Sea Fog, The Mid North Atlantic Ocean and Caldeirão-North, Ilha do Corvo/The Isle of Corvo, Regiōes Autonomas/ Açores/, Portugal, 2004, The North-most point of The Azorean Archipelago Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
Sea of Lights, 1974 Ann McCoy Medium: pencil on acrylic coated paper, mounted on canvas | Ann McCoy | New Mexico Museum of Art |
Seamus Heaney, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Seascape (I), from "New York Ten" (C. 34) Roy Lichtenstein Medium: screenprint in colors, 1964 signed in ink | Roy Lichtenstein | University of Michigan Museum of Art |
Seated Figure, 1950 Joseph Glasco Medium: pen and black ink on paper | Joseph Glasco | Blanton Museum of Art, University of Texas, Austin |
Seated Nude Unknown Medium: watercolor, ink. charcoal, conte crayon | Unknown | |
Sebastiao Salgado, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Seben Weisse Musiknester [Seven White Music Nests], 1988 Rolf Julius Medium: 7 speakers, wire, audio tape, cassette deck, amplifier | Rolf Julius | Museum of Contemporary Art, North Miami |
Second Poem Piece, 1969 Bruce Nauman Medium: inscribed and stamped steel | Bruce Nauman | The Art Institute of Chicago |
Seedlings, El Gran Desierto, Sonora, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Seeing for Oneself, June 2 - July 2, 1988 James Coleman Medium: 3 slide carousels, two audio cassette tapes, one slide box | James Coleman | Museum of Contemporary Art, Los Angeles |
Sei ShonagÚn, 1980 Stephen Mueller Medium: acrylic, raw pigment on canvas | Stephen Mueller | Sweeney Art Gallery, University of California, Riverside |
Self Portrait Bradley Tomlin Medium: graphite on paper | Bradley Tomlin | University of Michigan Museum of Art |
Self-Portrait, 1921 John Yeats Medium: Pencil on paper | John Yeats | |
Self-Portrait, 1957 Jack Tworkov Medium: graphite on paper | Jack Tworkov | University of Michigan Museum of Art |
Self-Portrait, 1999 Chuck Close Medium: Daguerreotype | Chuck Close | Center for Creative Photography, University of Arizona |
Self-Portraits, 1974 Blythe Bohnen Medium: all: silver gelatin developed-out prints | Blythe Bohnen | Center for Creative Photography, University of Arizona |
Senckenberg Study, 1991 Tom Otterness Medium: pen and colored inks on vellum | Tom Otterness | Whitney Museum of American Art |
separating sea fog - late summer evening The English Channel / La Manche Beachy Head Sussex England U.K., Europe 2016/2017 Beachy Head is the highest chalk sea cliff in Britain, at its highest point it is 162 meters above sea level. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
SEPT.12,1977 On Kawara Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping | On Kawara | Dia Art Foundation |
Sequel, 1967-68 Eva Hesse Medium: latex in 91 spheres and one latex sheet | Eva Hesse | The Art Institute of Chicago |
Serenity, c. 2008 Mary Lacaff Medium: Oil stick on board | Mary Lacaff | |
settling freezing fog, The Arctic Ocean, sea ice, sestrugi and melt lakes, The North Pole, 2007-2008, 90º N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Seven, 1980 Don Hazlitt Medium: oil, papier m‚che, peanut shell, modeling paste on cardboard | Don Hazlitt | Oakland Museum of California |
severe storm warning The Drake Passage Cabo de Hornos / Cape Horn, Isla Hornos /The Island of Horn Islas Hermite, Antartica Chilena Chile, 2006-2008 Very near the South-most point of all South America 59° 59’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Seymour Hersh, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Shadow, Cabeza Prieta National Wildlife Refuge, Arizona, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Center for Creative Photography, University of Arizona |
Shadowed Bowl in Grey, 1992 James Turrell Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel | James Turrell | University of New Mexico Art Museum |
Shalom, 1967 Kosso Eloul Medium: Screenprint on paper | Kosso Eloul | University of New Mexico Art Museum |
Sheenjek River II, 2006 From the Series: Oil and The Caribou (Arctic NWR) Subhankar Banerjee Medium: Digital Chromogenic Print | Subhankar Banerjee | |
Sheet of Seven Studies Paul Delvaux Medium: pen and ink on paper | Paul Delvaux | University of Michigan Museum of Art |
Shine Phone Afro Drum Sing, 1969 Alan Shields Medium: acrylic on canvas | Alan Shields | Rose Art Museum, Brandeis University |
Shipwreck, 1980 Richard Bosman Medium: oil on canvas | Richard Bosman | University of Michigan Museum of Art |
Shoshone Fall Rimtop- Last light - Last View The Snake River Basin - Message to Timothy H. O’Sullivan On the Jerome and Twin Falls County borderline Idaho U.S.A. North America 2003/2017 In the nineteenth century Shoshone Falls was called “the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls at High Noon and the Snake River Basin - Message to Timothy H. O’Sullivan On the Jerome and Twin Falls County borderline Idaho U.S.A. North America 2003/2017 In the nineteenth century Shoshone Falls was called “the Niagara of the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls Rim Top- Late afternoon - First View The Snake River Basin - Message to Timothy H. O’Sullivan On the Jerome and Twin Falls County borderline Idaho U.S.A. North America 2003/2017 In the nineteenth century Shoshone Falls was called Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls- Broken Boulder- Along The Snake River, Pillar Falls Canyon, Jerome County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: A Premonitional Work, Gullfoss (Golden Falls), Iceland, 1987 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
Shoshone Falls: A Premonitional Work, message to Timothy H. O’Sullivan, Gullfoss (Golden Falls), Iceland, 1987, Part 1 of a 2 part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
Shoshone Falls: A Premonitional Work, message to Timothy H. O’Sullivan, Gullfoss (Golden Falls), Iceland, 1987, Part 2 of a 2 part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
Shoshone Falls: Early Evening, Shoshone Falls, From the Floor of the Snake River Basin, The Jerome and Twin Falls County Borderline, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: Early Morning, Shoshone Falls, From the Floor of the Snake River Basin, The Jerome and Twin Falls County Borderline, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: High Noon, Binding Light and Heat, Boulder and The Snake River, Pillar Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: High Noon, Boulder with Wave Water Mark, Along the Snake River (Thinking About Hokusai), Pillar Falls Canyon, Jerome County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: High Noon, Shoshone Falls, From the Floor of the Snake River Basin, The Jerome and Twin Falls County Borderline, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: Lingering Twilight, The First View, Shoshone Falls, Centre Rim Top, The Snake River Basin, The Twin Falls and The Jerome County Borderline, Idaho, USA, 2003-2004. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: Mythic Stone, A Premonitional Work, message to Timothy H. O’Sullivan, Gullfoss (Golden Falls), Iceland, 1987 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
Shoshone Falls: Pillar Rock and The Snake River, Pillar Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: Riolite Rocks, Shoshone Falls, The Snake River Basin, The East Bank Rim Top, Twin Falls County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: Shoshone Falls and The Snake River Basin, The East Bank Rim Top, Jerome County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: Shoshone Falls and The Snake River Basin, The West Bank Rim Top, Jerome County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: Sudden Nightfall, The Last View, Shoshone Falls, Centre Rim Top, The Snake River Basin, The Twin Falls and The Jerome County Borderline, Idaho, USA, 2003-2004. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: The Snake River, Cauldron Linn, No. 2, Jerome County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: The Snake River, Pillar Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: The Snake River, “The Fullel”, No. 3, Pillar Falls, Twin Falls County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: The Snake River, “The Funnel”, No. 1, Piller Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: “Bridal Falls”, Shoshone Falls, The Snake River Basin, The West Bank Floor, Jerome County, Idaho, USA, 2003-2004, Part 2 of a 2 part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Shoshone Falls: “Bridal Falls”, Shoshone Falls, The Snake River Basin, The West Bank Rim Top, Jerome County, Idaho, USA, 2003-2004, Part 1 of a 2 part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Show Window I, 1982 E'wao Kagoshima Medium: gouache, pastel on paper | E'wao Kagoshima | Asian American Arts Centre |
Shula, 1970 Richard Van Buren Medium: three parts fiberglass, polyester resin plaster, charcoal, graphite, brass | Richard Van Buren | |
Silent Series 19 (Black Piece 2) Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Silent Series 24 (Black Piece 1) Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Silent Series 25 (Black Piece 3) Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Silver Bowl with Ladles John Marshall Medium: acrylic, silver | John Marshall | Metal Museum |
Simboli, 1962 Franco Angeli Medium: oil on canvas | Franco Angeli | University of New Mexico Art Museum |
Simon Ortiz, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Sin Caballo [Without Horse], 1963 Joe Testa-Secca Medium: acrylic on canvas | Joe Testa-Secca | University of Tampa |
Sisters of Sagrario González and friends of her church choir. Ciudad Juárez, Chihuahua, 1998 Julián Cardona Medium: Gelatin silver print | Julián Cardona | J. Paul Getty Museum |
Sitting Woman Hana Geber Medium: bronze | Hana Geber | Carnegie Museum of Art |
Sixto Méndez Goyazo, 14, from Chiapas, has never attended school. He is illiterate, knows nothing of the U.S., nor where he is going to be taken to work after crossing the border at Sásabe. Sixto travels with his 32-year-old uncle Felipe Coyazo, a peasant Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museum of Fine Art Houston (MFAH) |
Sketch Book William Fielding Medium: Pen, ink and graphite, paper, stamp collage | William Fielding | |
Sketchbook, 1958 Peter Forakis Medium: crayons and graphite on paper | Peter Forakis | Jersey City Museum |
Sketches,1951 Milton Avery Medium: felt tip pen on ground wood paper | Milton Avery | University of Michigan Museum of Art |
Sky Box, 1967 Douglas Edge Medium: acrylic on cast resin, walnut box | Douglas Edge | Museum of Contemporary Art San Diego |
Sky Wall Will Insley Medium: acrylic on masonite | Will Insley | Indianapolis Museum of Art |
Skylight Series Howard Jones Medium: paper | Howard Jones | Palm Beach State College |
slippery rocks The Antarctic Sound Cape Dubouzet Trinity Peninsula, Graham Land The Antarctic Peninsula Antarctica, 2008 The Northeast-most point of Continental Antarctica 63° 16’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
small rapids on the Rio Bravo Looking North - at America - Borderland The outskirts of El Paso at Casa de Adobe The Mexican, Texas and New Mexican border Chihuahua State Mexico Latin North America 2000/2017 With Catherine Alice Mooney Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Small Wars (fallen tree), 1999-2002 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
Small Wars (lesson), 1999-2002 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
Small Wars (sniper #2), 1999-2002 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
Smaller Dish, 1985 Edward Ruscha Medium: dry pigment on paper | Edward Ruscha | The Art Institute of Chicago |
Smoke Break, Camp America, 2014 From the series "Gitmo at Home, Gitmo at Play", Welcome to Camp America Project Debi Cornwall Medium: Chromogenic print from digital image | Debi Cornwall | |
Snake Woman Triptych, 1981 Donato Mancini Medium: gouache on arches paper | Donato Mancini | Bass Museum of Art |
Snug Harbor, Metal Duct Work in G Attic, 2001 Rackstraw Downes Medium: Oil on canvas (4 part painting) | Rackstraw Downes | |
Snug Harbor, Metal Duct Work in G Attic, 2001 Rackstraw Downes Medium: Oil on canvas (4 part painting) | Rackstraw Downes | |
Snug Harbor, Metal Duct Work in G Attic, 2001 Rackstraw Downes Medium: Oil on canvas (4 part painting) | Rackstraw Downes | |
Snug Harbor, Metal Duct Work in G Attic, 2001 Rackstraw Downes Medium: Oil on canvas (4 part painting) | Rackstraw Downes | |
Soaking - Wet Snowfall - The South Atlantic Ocean and The Argentine Sea Cabo del Espiritu Santo, The Northeast-most point of Isla Grande de Tierra del Fuego On the border between Chile and Argentina, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Soft Rain-Last Light. The Lake of Maracaibo, Barancas, Zulia, Venezuela, 2005/2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Solar Echo I, 1978 Bennett Janssen Medium: etched brass gong in wooden frame with mallet | Bennett Janssen | Carnegie Museum of Art |
Soldier of Fortunes 2, 2014 John Andolsek Medium: Oil on Masonite | John Andolsek | |
Sole Line on Top, Thin Standing Box, Browns, 1999 Kate Shepherd Medium: Oil on panels | Kate Shepherd | |
Solet Triangle Lewis Harris Medium: watercolor, pencil | Lewis Harris | Dennos Museum Center, Northwestern Michigan College |
Solitude, 1953 Kurt Ingermann Medium: oil on board | Kurt Ingermann | House of Hope |
Somewhere Around Bakersfield, 1980 Pierre Picot Medium: acrylic on cardboard | Pierre Picot | University of New Mexico Art Museum |
Sommeil Bleu [Blue Sleep], 1972 William Scharf Medium: acrylic on particle board | William Scharf | Zimmerli Art Museum, Rutgers University |
Somnen V [The Sleep V], 1981 Marie-Louise de Geer Bergenstrahle Medium: gouache on silk in artist's frame | Marie-Louise de Geer Bergenstrahle | House of Hope |
Son of the Sheik, 1963 Bruce Conner Medium: nylon stocking, nylon net, beads, lace straw assemblage on masonite | Bruce Conner | Walker Art Center |
Sorcerer, 1960 William Wiley Medium: oil on canvas | William Wiley | San Francisco Museum of Modern Art |
Sorelle (Sisters), 1955 Gustavo Foppiani Medium: paper and oil on wood | Gustavo Foppiani | Carnegie Museum of Art |
South - The Indian Ocean, Strais Point / Ostrich Point #1, Near Arniston, South Africa 2004-2005 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
South - The Mid Atlantic Ocean, Cape Manuel, Dakar, The Cape Verde Peninsula, Senegal, 2004, The South-most point of the Cape Verde Peninsula Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
South America Circle, 1981 Bruce Nauman Medium: Steel, cast iron, cable | Bruce Nauman | Dia Art Foundation |
South, 2006 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
South, The South Atlantic Ocean, Danger Point, South Africa, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
South-Most-The English Channel-Bumble Rock, Lizard Point, Cornwall, England, 1999-2001, The Southernmost point of mainland Britain Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
South-The Straight of Gibraltar, Punta de Carnero, Spain, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Specialty Item for Robbing a Fruit Stand, 1976 Robert Levin Medium: blown and moulded glass, woven wool | Robert Levin | Whatcom Museum |
Spectator Sport, 1982 Stephen Mueller Medium: acrylic, raw pigment on canvas | Stephen Mueller | The William Benton Museum of Art, University of Connecticut |
Spike Drivers Blues, 1976 Chuck Wiley Medium: wood, glass, wire, nails, castors, photograph paint | Chuck Wiley | Oakland Museum of California |
Spirit Lake, 1980 Rick Stich Medium: egg tempera on canvas | Rick Stich | Carnegie Museum of Art |
Sponge, 1963 Claes Oldenburg Medium: painted plaster | Claes Oldenburg | Museum of Contemporary Art, Los Angeles |
Spoof-Tavern Club-Martinized Venus Ivan Albright Medium: four panel screen - oil on plywood joined with hinges | Ivan Albright | University of Michigan Museum of Art |
Spook Planes, 1979 Chris Burden Medium: decals, postcard and newspaper on paper | Chris Burden | Museum of Contemporary Art Chicago |
Spoon Standing Figure Unknown Medium: wood, carved | Unknown | Carnegie Museum of Art |
Spoonbill, 2003 Emi Winter Medium: Oil on masonite | Emi Winter | University of New Mexico Art Museum |
Spouted Vessel Unknown Medium: marble, carved | Unknown | Object not located in 1997 |
SPQR, 1963 Franco Angeli Medium: oil on canvas | Franco Angeli | Fresno Metropolitan Museum of Art and Science |
Spread, 1987 Peter Shelton Medium: silica bronze | Peter Shelton | Henry Art Gallery, University of Washington |
Spur, 2005 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | University of New Mexico Art Museum |
Spur, Barry M. Goldwater Range, Arizona, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | University of New Mexico Art Museum |
Spuyten Duyvil Creek at Muscota Marsh – Looking towards the Hudson River Inwood Hill Park Inwood Manhattan Manhattan Island New York County New York U.S.A., North America 2016/2017 Very near the supposed site of the ‘sale’ of Manhattan Island to the Dutch Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Spy Kit, 1979 Chris Burden Medium: mixed media | Chris Burden | Museum of Contemporary Art Chicago |
Spyglass (Film Images 1960-76) Robert Whitman Medium: Four 16mm film loops transferred to DVD, color, silent; 4 projectors, 4 screens, 4 mirrors | Robert Whitman | Dia Art Foundation |
Square Table Diego Giacometti Medium: bronze, glass | Diego Giacometti | Philadelphia Museum of Art |
St. John the Baptist Day. Lamont, California, 2006 Fiesta patronal de San Juan Bautista. Lamont, California, 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | J. Paul Getty Museum |
St. Vincent de Paul Records, 1975 Stella Waitzkin Medium: polyester resin | Stella Waitzkin | |
Stacked Pyramid, 1972 Jackie Ferrara Medium: cotton batting with glue over wood | Jackie Ferrara | Museum of Contemporary Art Chicago |
Stadtteil [City Section], 1969 Siegfried Klapper Medium: pencil on paper | Siegfried Klapper | Milwaukee Art Museum |
staggering heat - midday The lower Rio Grande At the New Mexico/Texas Border Doña Ana County New Mexico/Texas U.S.A. North America 2000/2018 With Catherine Alice Mooney. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Stairway, 1973 Jackie Ferrara Medium: cotton batting with glue over cardboard | Jackie Ferrara | Museum of Contemporary Art Chicago |
Stanza del-Amore #5, 2019 Stuart Arends Medium: Oil on wood | Stuart Arends | |
Stanza dell’Amore 24, 2006 Stuart Arends Medium: Oil and wax on wood | Stuart Arends | |
Steinlandschaft [Stone Landscape], 1969 Nikolaus Stortenbecker Medium: screenprint on paper | Nikolaus Stortenbecker | Carnegie Museum of Art |
Stepping Out, 1983 William Taggart Medium: acrylic, foam, canvas | William Taggart | Dennos Museum Center, Northwestern Michigan College |
Sticks, Stones, Bones, 1982 Louise Hoeschen Medium: oil on canvas | Louise Hoeschen | Tacoma Art Museum |
Stiff Box 12, 1971 Lucas Samaras Medium: Core Ten steel | Lucas Samaras | University of Michigan Museum of Art |
Still Life, Plate, Bottle and Pears Seymour Remenick Medium: oil on wood | Seymour Remenick | House of Hope |
Still Water (The River Thames for Example), 1999 Image A Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image B Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image C Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image D Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image E Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image F Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image G Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image H Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image I (Letter I) Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image J Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image K Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image L Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image M Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image N Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
Still Water (The River Thames for Example), 1999 Image O Roni Horn Medium: Offset lithograph on uncoated paper | Roni Horn | Fondation Beyeler |
storm - Force 7 Gale The Celtic Sea and The North Atlantic Ocean Cape Cornwall Cornwall England U.K., Europe 2002/2017 Cape Cornwall is believed to be the Westmost point of Cornwall. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Storm Over Kasegaluk Lagoon, 2006 Subhankar Banerjee Medium: Digital chromogenic print | Subhankar Banerjee | San Antonio Museum of Art |
Storm. Chinati Grasslands, Marfa, Texas, 2007 Michael P. Berman Medium: Carbon pigment ink on etching paper | Michael P. Berman | Center for Creative Photography, University of Arizona |
Straight lines, approximately one inch long, drawn at random, within a square using four direction of line, 1) vertical 2) horizontal 3) diagonal, left to right 4) diagonal, right to left and all combinations of those lines, c. 1971 Sol LeWitt Medium: Etching on paper | Sol LeWitt | |
Straight lines, approximately one inch long, drawn at randowm, within a square using four direction of line, 1) vertical 2) horizontal 3) diagonal, left to right 4) diagonal, right to left and all combinations of those lines, c. 1971 Sol LeWitt Medium: Etching on paper | Sol LeWitt | |
Stranded (Gestrondet), 1982 Horst H÷Dicke Medium: acrylic on canvas | Horst H÷Dicke | Rose Art Museum, Brandeis University |
stranded icebergs, ice boulders, Disko Bay and Baffin Bay, Illulissat / Jakobshavens Isbras, Kittaa, Greenland, Denmark, 2008, 69° 11.478' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Strange Lady, 1976 Irene Jones Medium: acrylic, stone, paper in wood box with glass | Irene Jones | Palm Beach State College |
Strangler Hunt Grows, 1979 Chris Burden Medium: newspaper, postcard, black and white photograph, mask and patch on paper | Chris Burden | Museum of Contemporary Art Chicago |
Street Door and Green Sweep, 1979 Bill Thurman Medium: encaustic, newspaper on wood, yarn, string | Bill Thurman | Sweeney Art Gallery, University of California, Riverside |
Street Singers, 1957 Hana Geber Medium: brass | Hana Geber | Carnegie Museum of Art |
Stretch, 1987 Peter Shelton Medium: brass | Peter Shelton | Henry Art Gallery, University of Washington |
Structure 6, 1983 Howard Tre Medium: cast glass, copper | Howard Tre | Phoenix Art Museum |
Structure Poking its Eyes Out Resting on Exposed Kidney, 1997 Dennis Oppenheim Medium: Pencil, colored pencil, oil wash, oil pastel on watercolor paper dry mounted on museum board | Dennis Oppenheim | Denver Art Museum |
Stuart Dybek, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Studio Still Life, 1972 Harry Roseman Medium: cast bronze with grey patina | Harry Roseman | Museum of Contemporary Art San Diego |
Study 2, 1988 Carlos Alfonzo Medium: gouache on BFK Rives paper | Carlos Alfonzo | Hirshhorn Museum and Sculpture Garden |
Study for "Lana Baja" (English version), 1988 Celia Munoz Medium: felt pen on paper | Celia Munoz | Museum of Contemporary Art San Diego |
Study for "Lana Sube" (Spanish version), 1988 Celia Munoz Medium: felt pen on paper | Celia Munoz | Museum of Contemporary Art San Diego |
Study for Cunt (with Hair and Lips), 1964 Tom Wesselman Medium: glue, hair and enamel on wood | Tom Wesselman | University of Michigan Museum of Art |
Study for Dawn, Leaving Santa Fe, 1999/01 Christina Hejtmanek Medium: Chromogenic print | Christina Hejtmanek | Center for Creative Photography, University of Arizona |
Study for Earthwork Proposal, 1969 Robert Smithson Medium: pencil, ink, crayon on paper mounted | Robert Smithson | The Art Institute of Chicago |
Study for Gray Black White Red Wall, 2014 Tom Miller Medium: Acrylic and graphite on paper | Tom Miller | |
Study for Holograms, 1970 Bruce Nauman Medium: screenprints on Kromelote paper | Bruce Nauman | The Art Institute of Chicago |
Study for Perdido en el Mar, 1987 Vernon Fisher Medium: gouache and white chalk on paper | Vernon Fisher | Hirshhorn Museum and Sculpture Garden |
Study for Perdido en el Mar, 1987 Vernon Fisher Medium: gouache and white chalk on paper | Vernon Fisher | Hirshhorn Museum and Sculpture Garden |
Study for Spread, 1987 Peter Shelton Medium: graphite on vellum | Peter Shelton | Henry Art Gallery, University of Washington |
Study for Stretch, 1987 Peter Shelton Medium: graphite on vellum | Peter Shelton | Henry Art Gallery, University of Washington |
Study for the Last Supper Eugene Delacroix Medium: pen and brown ink on paper | Eugene Delacroix | University of Michigan Museum of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: lithograph on yellow paper | Fred Sandback | National Gallery of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: lithograph on yellow paper | Fred Sandback | National Gallery of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: lithograph on yellow paper | Fred Sandback | National Gallery of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: lithograph on yellow paper | Fred Sandback | National Gallery of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: lithograph on yellow paper | Fred Sandback | National Gallery of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: lithograph on yellow paper | Fred Sandback | National Gallery of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: ithograph on yellow paper | Fred Sandback | National Gallery of Art |
Study of Installation--Gallerie Heiner Friedrich, 1971 Fred Sandback Medium: lithograph on yellow paper | Fred Sandback | National Gallery of Art |
Sudarios #2 Erika Diettes Medium: Digital photograph on silk | Erika Diettes | San Antonio Museum of Art |
Sudarios #3 Erika Diettes Medium: Digital photograph on silk | Erika Diettes | Center for Creative Photography, University of Arizona |
Sudden Nightfall - The Mid North Atlantic Ocean Cabo Girau -- The Southwest Coast (The second highest sea-cliff in Europe - 580m) The Isle of Madeira Portugal, 2002 -- almost black -- Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
sudden nightfall with comet rail - The North Atlantic Ocean Cabo Girão Isle of Madeira The Maderian Archipelago Portugal Europe 2002/2017 The 8th highest sea cliff in Europe at 589 meters high. The highest sea cliff in Europe is Hornelen, Norway at 860 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Sudden nightfall, The Lake of the Woods American Point, Penasse Island, The Northwest Angle Lake of the Woods County, Minnesota, U.S.A. 2010/2014 The North-most point of Continental U.S.A. The only part of Continental U.S.A. to extend North of the 49th Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Sudden Summer Snowstorm. The South Atlantic Ocean and Mar Argentino – The Argentinian Sea. Cabo Espíritu Santo. Isla Grande Tierra del Fuego on the border between Chile and Argentina, 2006. The Northeast-most point of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Summer Open with Mediterranean Blue, 2010 Patrick McFarlin Medium: oil on Bristol board | Patrick McFarlin | |
Summer, 1957 Frank Lobdell Medium: oil on canvas | Frank Lobdell | San Francisco Museum of Modern Art |
Sun-Moon, 1962 Mathias Goeritz Medium: wood, silver and gold leaf | Mathias Goeritz | National Autonomous University of Mexico |
Sun-Moon, 1981-1982 Mathias Goeritz Medium: aluminum, paint | Mathias Goeritz | National Autonomous University of Mexico |
sunrise - early Spring Chinle Wash The Navajo Nation Indian Reservation Canon del Muerto/The Canyon of the Dead Canyon de Chelly National Monument Apache County Arizona U.S.A. North America 1994/2017 (with C.A.M.) part 2 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Sunset at Gloucester Seymour Remenick Medium: oil on panel | Seymour Remenick | Springfield Museum of Art |
Sunset with watermark – The Eastern Entrance to the St. Lawrence River La Côte-de-Beaupré Île d'Orléans Canada North America 2015/2018 With Oskar Strom. The Northmost point of the island and the last Canadian picture to be made for “The Atlas”. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Super Sunday, 2006 Evri Kwong Medium: Oil and Sharpie permanent marker on canvas | Evri Kwong | |
Susan Sontag, Readings & Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
Susan Walked In, 1972 Chris Wilmarth Medium: acidized glass, bronze, steel wire | Chris Wilmarth | Hirshhorn Museum and Sculpture Garden |
Suspended Gate, 1973 Ovidiu Maitec Medium: walnut | Ovidiu Maitec | Dennos Museum Center, Northwestern Michigan College |
Sustalek, 1960 Maurice Sievan Medium: Oil on canvas | Maurice Sievan | Denver Art Museum |
swamp everywhere - The unlikely beginning Mar Caribe/ The Caribbean Sea The Granma Revolutionary Landing Site Las Cayhuelas Playa Los Coloradas Niquero Granma Cuba The Greater Antilles Latin North America 2007/2017 The surprise launch site of Fidel Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
swamped and scattered, Looking North - The Southern Ocean and The Drake Passage Cape Lookout, the South-Most point of Elephant Island The South Shetland Islands United Kingdom, Antarctica 61° 17’ S, 2008 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Swaylay, 1970 Jake Berthot Medium: acrylic on canvas | Jake Berthot | Rose Art Museum, Brandeis University |
T.C. Boyle, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
T.C. Boyle, Readings & Conversations, 10 May 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Tabernacle, 1981-1982 Mattie Berhang Medium: found plastic, metal objects, nylon fishing line | Mattie Berhang | |
Table with Pink Tablecloth, 1964 Richard Artschwager Medium: Formica on wood | Richard Artschwager | The Art Institute of Chicago |
Tables (First Draft), 1986 Tom Otterness Medium: graphite and black ink and watercolor on paper | Tom Otterness | Whitney Museum of American Art |
Tables (Reptiles), 1986 Tom Otterness Medium: ink on paper | Tom Otterness | Whitney Museum of American Art |
Tables (Schematic), 1986 Tom Otterness Medium: graphite and colored inks on paper | Tom Otterness | Whitney Museum of American Art |
Tabletop, 1989 Charles Ray Medium: wood table with ceramic plate, metal canister, plastic bowl, tumbler, aluminum shaker, terra cotta pot, plant, motor | Charles Ray | Museum of Contemporary Art, Los Angeles |
Tall Ships, 1992 Gary Hill Medium: twelve 16 channel video installation in corridor | Gary Hill | Henry Art Gallery, University of Washington |
Tanagram I, 2004 Patrick Scott Medium: Carborundum print with gold leaf on paper | Patrick Scott | |
Tanagram II, 2004 Patrick Scott Medium: Carborundum print with gold leaf on paper | Patrick Scott | Center for Economic Research and Social Change |
Tariq Ali & Avi Lewis, Cultural Freedom, 26 Ocotber 2011 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Tariq Ali, Readings & Conversations Author, 2002 Don Usner Medium: Black and white photograph | Don Usner | |
Tatsunokuchi: Face of the Universe, 1980 Andrea Kovacs Medium: photo-mosaic mounted on plywood with Plexiglas | Andrea Kovacs | Center for Creative Photography, University of Arizona |
Tea Time, Logar, Afghanistan, 2003 Tony O'Brien Medium: Gelatin silver print | Tony O'Brien | Center for Creative Photography, University of Arizona |
Tear, 1959 Wallace Berman Medium: graphite, canvas mounted on board | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Teeth, 2014 M. Oliver Medium: Mixed media | M. Oliver | |
Telegraph office. Immigrants line up to receive money from relatives in the United States to pay for the remainder of their journey. Altar, Sonora, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Center for Creative Photography, University of Arizona |
Telstar, 1962 Robert Goodnough Medium: oil on canvas | Robert Goodnough | Rose Art Museum, Brandeis University |
Ten Days, 1971 (L.20) Brice Marden Medium: etchings, signed and dated in pencil | Brice Marden | The Art Institute of Chicago |
Ten Ways to Look at the Desert, 1962 Peter Forakis Medium: oil on canvas | Peter Forakis | |
Terpsichore, 1963 George McNeil Medium: oil on canvas | George McNeil | University of New Mexico Art Museum |
Terrance Hayes, Readings & Conversations Author, 2006 Don Usner Medium: Black and white photograph | Don Usner | |
Terrance Hayes, Readings & Conversations, 15 November 2006 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Terry Tempest Williams, Readings & Conversations, 30 May 2007 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Test-Tube Book Kay Hines Medium: Plexiglass, glass, cork, paper and acetate, ink, paint, pencil | Kay Hines | Fresno Metropolitan Museum of Art and Science |
Tete a Tete, 1936-1941 John Storrs Medium: bronze | John Storrs | Hirshhorn Museum and Sculpture Garden |
Thai pot Unknown | Unknown | Carnegie Museum of Art |
The Acroatic Rectangle, Per. XIII, 1967 Alfred Jensen Medium: oil on canvas | Alfred Jensen | The Art Institute of Chicago |
The American Way, 1965 Richard Artschwager Medium: Acrylic on cellotex in artist's frame | Richard Artschwager | |
The Arctic Ocean, glacial ice and sea ice, Inuit Qeqertaat / Kaffeklubben / Coffee Club Island, Johannes V. Jenson Land, Greenland, Denmark, 2008, The designated North-most land-point in all the world, 83º 39.823’ N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Arctic Ocean, sea ice and sestrugi, Kap Morris Jesup, Johannes V. Jenson Land, Greenland, Denmark, 2008, The North-most point of Greenland, The North-most major landmass in the world, 83º 37’650”N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Aromatic Landscape, 1979 Gary Stephan Medium: acrylic on canvas | Gary Stephan | Sweeney Art Gallery, University of California, Riverside |
The Autumn Equinox - Forbes Sound and Ungava Bay Cap William-Smith Quebec Canada North America 2013/2016 The Southmost entrance point to Ungava Bay Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
The Autumn Equinox - MacGregor Strait and The Labrador Sea Lecage Point Cape Chidley Killiniq Island Quebec Canada North America 2013/2016 Cape Chidley was discovered by English explorer John Davis on 1 August 1587, but was named after his explorer Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
The Baltic Sea The Gulf of Finland South – Looking towards Russia Tulbiniemi Tulludden Hanko, Etela-Suomi Finland, 2007-2008 The Southwest-most point of Finland 59° 48.559' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Barents Sea-North - 71º 10' 21", Nordkapp / North Cape, Norway, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Bay of Biscay at La Gironde Pointe de Grave Near Bordeaux, The Aquataine Coast France, 1996-2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Bay of Corozol at the Bay of Chetumal Bahia Corozol Bahia de Chetumal, and very near the mouth of the River Hondo, Corozal, Belize, 2007/2014 The North-most point of Belize and of all Central America Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
The Bay of God’s Mercy Cape Low Southampton Island Nunavut Canada North America 2013/2016 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
The Beach at Night, 1962 Robert Goodnough Medium: Oil on wood | Robert Goodnough | Denver Art Museum |
The Beagle Canal Our “Punta Final” Near Puerto Williams, Isla Navarino Antartica Chilena Chile, 2008 Very near the South-most settlement with a permanent population in the world 54°56.09' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Beagle Canal Punta Fortuna, Puerto Harberton, Isla Grande Tierra del Fuego Tierra del Fuego Argentina, 2006-2008 54°52.51' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The beginning of Exile – The Haukadalsvatn River Very near Eiriksstadir At the top of the Snæfellsnes Peninsula Snæfellsnessyla Vesterland Iceland Europe 2007/2018 With Jason Roberts Eric the Red left his nearby farm from here to start his exile from Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Beginning of New Worlds, The South Atlantic Ocean, Cabo de Santo Agostinho, Pernambuco, Brazil, South America, 2006/2015. It is from this site that paleogeologists have determined that the prehistoric super continent of Gondwana broke up to form the Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
The Big Wheel, 1979 Chris Burden Medium: iron, cast, two motorcycles, wood, steel | Chris Burden | Museum of Contemporary Art, Los Angeles |
The Blue Loop, 1980 Franklyn Liegel Medium: acrylic, collage and staining on paper | Franklyn Liegel | Carnegie Museum of Art |
The Book of Life, 1990 Jim Shaw Medium: embossed leather bound book, pen, glass bottle | Jim Shaw | Museum of Contemporary Art, Los Angeles |
The Braille Book Carol Forget Medium: wood, paper, rubber, nylon | Carol Forget | Sweeney Art Gallery, University of California, Riverside |
The Bridge Book, 1991, Bridge with its Own Shadows (from The Bridge Book) Siah Armajani Medium: book of seven woodblock prints, with text, published by the Walker Art Center, Minneapolis, ed. 8/10 Bridge with its Own Shadows (from The Bridge Book), 1991 numbered 7/12 signed and dated in pencil woodblock print (unbound) ed. 7/10 | Siah Armajani | Nelson-Atkins Museum of Art |
The British Channel Champa Island Zemly Frantsa-Josifa / Franz-Josef Land Russia, 2007-2008 The Southern region of The Franz-Josef Land Archipelago 80° 37.765' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The British Channel Champa Island Zemly Frantsa-Josifa / Franz-Josef Land Russia, 2007-2008 The Southern region of The Franz-Josef Land Archipelago 80° 37.765' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Canadian and Western Entrance to The St. Lawrence River Wolfe Island Frontenac County Ontario Canada North America 2015/2018 With Oskar Strom. The Northmost point of the island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Caribbean Sea, Cabo de la Vela, Peninsula de la Guajira, Colombia, 2005. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Caribbean Sea, Iguana Point, # 2, St. John, The Island of Tobago, 2005, Very near the North-most point of the Island Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Caribbean Sea. Boca Kanoa, The Spelonk Lighthouse, The Island of Bonaire. The Netherlands Antilles, The Netherlands, 2005/2006. Very near the East-most part of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Caribbean Sea. Cabo los Muertos. Peninsula de la Guajira, Guajira, Colombia, 2005/2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Caribbean Sea. Colorado Point-Punta Basora. The Island of Aruba. The Netherlands, 2005/2006. Very near the South-most point of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Caribbean Sea. Columbus Point, St. Patrick. The Island of Tobago, 2005/2006. The South-most point of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Caribbean Sea. Iguana Point, #3, St. John. The Island of Tobago, 2005/2006. Very near the North-most point of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Caribbean Sea. Punta Gallinas, #8. Peninsula de la Guajira, Guajira,Colombia, 2005/2006. The North-most point of Continental South America Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Celtic Sea - Totality - The Full Solar Eclipse The Edge of Land’s End Cornwall England Great Britain, 1999/2015 Europe The West-most point of England and the Southwest most point of mainland Britain. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Celtic World, No. 1-At the End of the World- South-The Little Minch, The Isle of Harris-The Western Isles (The Outer Hebrides) Scotland, 1994 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Celtic World, No. 1-At the End of the World- West-The Atlantic Ocean, The Isle of Lewis, The Western Isles (Outer Hebrides) Scotland, 1994 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Celtic World, No. 1-At the End of the World-East-The North Minch, The Isle of Lewis-The Western Isles (The Outer Hebrides) Scotland, 1994 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Celtic World, No. 1-At the End of the World-North-The Atlantic Ocean, The Butt of Lewis-The Isle of Lewis, The Western Isles-(The Outer Hebrides), Scotland, 1994 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Changing Guard, 1964 Jean Tinguely Medium: stickers, pen, graphite, ink, stencils on paper | Jean Tinguely | University of Michigan Museum of Art |
The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Center for Creative Photography, University of Arizona |
The Creation of Woman, 1979 Milo Reice Medium: gouache, collage | Milo Reice | Museum of Sex |
The Cross [La Cruz], 1956 Mathias Goeritz Medium: watercolor on paper | Mathias Goeritz | National Autonomous University of Mexico |
The Crucified, 1955 Mathias Goeritz Medium: wood | Mathias Goeritz | National Autonomous University of Mexico |
The Davis Strait Brattahlid Qassiarsuk Greenland, 2008/2015 Europe Erik the Red’s arrival point in Greenland in his exile from Iceland and Leif Eriksson’s exact leaving point from Greenland, at the start of his great sea journey to what is now the North Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The Davis Strait Hvalsey/ Qaqortoq Kujalleq Greenland Europe North America 2008/2016 The site in Southwest Greenland of the last European marriage performed and recorded in Greenland, in 1408 CE- before they had to evacuate this island due to extreme cold Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
The Direct Hit William Gambini Medium: oil on board | William Gambini | Carnegie Museum of Art |
The Edge of the Celtic World - Number 1 early morning calm Loch Crinan and the Sound of Jura Rabba na Momes Argyllshire Scotland U.K., Europe 1994-2017 A major exit point for the Celtic diaspora fleeing Scotland and the Vikings. part 1 of 5-part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Edge of the Celtic World - Number 2 late evening calm The Little Minch Very near Renish Point The Isle of Harris The Western Isles - The Outer Hebrides Scotland U.K., Europe 1994-2017 The Southmost point of the Isle of Harris. part 2 of 5-part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Edge of the Celtic World - Number 3 early morning squall The North Atlantic Ocean Tiumpan Head The Eye Peninsula The Isle of Lewis The Western Isles - The Outer Hebrides Scotland U.K., Europe 1994-2017 The Eastmost point of the Isle of Lewis. part 3 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Edge of the Celtic World - Number 4 thin mist - late afternoon The North Atlantic Ocean Near Hushinish Point The Isle of Harris The Western Isles - The Outer Hebrides Scotland U.K, Europe 1994-2017 The Westmost point of the Isle of Harris. part 4 of Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Edge of the Celtic World - Number 5 clearing storm - late afternoon The North Atlantic Ocean The Butt of Lewis The Isle of Lewis The Western Isles - The Outer Hebrides Scotland U.K., Europe 1994-2017 The Northmost point of the Isle of Lewis. part 5 of Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The English Channel (La Manche) St. Catherine’s Point The Isle of Wight England The United Kingdom Europe 2002/2015 The Southmost point of the island Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The English Doves - The Black Dove (message to Timothy H. O’Sullivan) Pike’s Pool The River Dove Beresford Dale Derbyshire England U.K. Europe 1986/2017 With Paul Hill. Very near the site along the River Dove that Sir Isaac Walton wrote “The Compleat Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The English Doves - The Gray Dove (message to Timothy H. O’Sullivan) The River Dove Beresford Dale Derbyshire England U.K. Europe 1994/2017 With Paul Hill. Very near the site along the River Dove that Sir Isaac Walton wrote “The Compleat Angler”, first Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Enterprise Hills, The Continental Ice Shelf, Windy Hill Pass, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Equator - 0 Degree Latitude at The Mouth of the Rio Amazona and an unnamed, stream and The South Atlantic Ocean Flechal/Vulture Beach Ilha Mexiana Para State Brazil, 2006/2015 South America The only land-based site on the Equator at the Mouth of Rio Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The Eyes, 1958 Wallace Berman Medium: graphite on paper mounted on canvas | Wallace Berman | Whitney Museum of American Art |
The Fall, 1979 Robert Longo Medium: cast Hydrastone, laquered wood | Robert Longo | Portland Art Museum |
The Family Gheorghe Calinesti Medium: wood | Gheorghe Calinesti | Dennos Museum Center, Northwestern Michigan College |
The Fire, 1956 Mathias Goeritz Medium: watercolor, pencil, felt pen on paper | Mathias Goeritz | National Autonomous University of Mexico |
The Forest of the Cedars of God, May 2016 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
The founding of Veracruz Bahía de Campeche and El Gulfo de Mexico/ The Gulf of Mexico Veracruz Veracruz Mexico Latin North America 2007/2017 Hernan Cortés founded Veracruz, the first European town in the Latin New World on 18th May 1519. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Freeze John Marshall Medium: sterling silver, acrylic, fluorescent light | John Marshall | Metal Museum |
The Frozen Niagara River -Leaving Lake Erie Great Lakes Horizon, No. 1. Old Fort Erie Ontario Canada North America 2015/2017 With Laura Cooper Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Gay Cafe George Grosz Medium: watercolor, ink on paper | George Grosz | University of Michigan Museum of Art |
The Glistening Hudson River Chelsea Piers New York City Manhattan Island New York County New York U.S.A. North America 2016/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Great River, Snow Storm-Life Line, Rio Grande River Crossings, The Rio Grande-Looking North, Bridge Street, Albuquerque, New Mexico, 1995 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | University of New Mexico Art Museum |
The Great River, Snow Storm-Life Line, Rio Grande River Crossings, The Source of the Rio Grande, Mineral County, Colorado, USA, 1995 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | University of New Mexico Art Museum |
The Great River-Rio Grande River Crossings-The Source to the Sea, Boca Chica/Little Mouth, The Mouth of the Rio Grande (The Day After Cinco de Mayo) at the Gulf of Mexico, The Texas and Mexico Borders, 1996 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | University of New Mexico Art Museum |
The Green Beast and the Maiden, 1976 Norris Embry Medium: colored chalks and oil on canvasboard | Norris Embry | Zimmerli Art Museum, Rutgers University |
The Greenland Sea Kap Patrick Brooke Shannon Island Dronning Margrethe II Land Greenland, Denmark, 2007-2008 The South-most point of the Island 76° 00.950' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Greenwich Meridian - 0° Longitude- No. 1 The English Channel - Rolling Fog - Looking towards France Peacehaven East Sussex England United Kingdom Europe, 2016/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Greenwich Meridian - 0° Longitude- No. 2 The River Thames - Late Summer Evening Sun Burnt- High Tide London England United Kingdom Europe, 2016/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Greenwich Meridian - 0° Longitude- No. 3 Dense Afternoon Sea Fog The North Sea Tunstall East Riding of Yorkshire England United Kingdom Europe, 2016/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Greenwich Meridian - The 0° Meridian Longitude - Looking south - Towards the Greenwich Royal Observatory The Royal Observatory Greenwich Park Greenwich The Royal Borough of Greenwich London England U.K. Europe 2016/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Gulf of Mexico Cape San Blas (from the shoreside fortification) Gulf County Florida U.S.A. North America 2009/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Gulf of Mexico Grand Isle Jefferson County Louisiana U.S.A., 2009/2015 North America Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The Gulf of Paria, Playa Macurito, Macuro, Sucre, Venezuela, South America, 2005/2015. The only confirmed site in the continental New World of South America that Christopher Columbus actually set foot on, 4 August 1498. From here he “took possession of Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Gulf of Saint Lawrence and George’s Bay Cape George Antigonish County Nova Scotia Canada North America 2013/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Gulf of Tunis and The Mediterranean Sea-Northeast, The Summit of Cap Bon, #4, Tunisia, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Gulf of Tunis-Northeast, Near El Haqueria (the ancient sea quarry of Carthage), Tunisia, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Happy Man, 1955 Jean Dubuffet Medium: watercolor and paper collage on paper | Jean Dubuffet | Museum of Contemporary Art Chicago |
The historic inner, lower, southern mouth of The St. Lawrence River Cap-de-la-Madeleine Gaspé Peninsula Canada North America 2013/2018 With Oskar Strom. Very near the Northmost point of the peninsula. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The House of Blue Light, 1983 Gregory Grenon Medium: oil, acrylic fiber on Plexiglas and wood | Gregory Grenon | Tacoma Art Museum |
The Hudson River - Looking towards Manhattan Island (and the George Washington Bridge) Fort Lee Historic Park Bergen County New Jersey U.S.A., North America 2016/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The installation "37.1 cont.", 1993 Tom Miller Medium: variable | Tom Miller | Museum of Contemporary Art, Los Angeles |
The installation "37.1 cont.", 1993 Miroslaw Balka Medium: variable | Miroslaw Balka | Museum of Contemporary Art, Los Angeles |
The installation "37.1 cont.", 1993 Miroslaw Balka Medium: variable | Miroslaw Balka | Museum of Contemporary Art, Los Angeles |
The installation "37.1 cont.", 1993 Miroslaw Balka Medium: variable | Miroslaw Balka | Museum of Contemporary Art, Los Angeles |
The installation "37.1 cont.", 1993 Miroslaw Balka Medium: variable | Miroslaw Balka | Museum of Contemporary Art, Los Angeles |
The installation "37.1 cont.", 1993 Miroslaw Balka Medium: variable | Miroslaw Balka | Museum of Contemporary Art, Los Angeles |
The Irish Sea Great Ormes Head (2) Conwy Wales The United Kingdom Europe 1992/2015 The Northmost point of mainland Wales Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The James River and The Thorofare Black Point, Jamestowne Island James City County, Virginia, U.S.A. 2009/2014 The site of the first successful English colony in America (1607) Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
The Last Judgement, 1955 - 1959 Frederick Kiesler Medium: bronze, aluminum, pewter, transparent plastic, goldleaf and steel chains, enamel painted wood and masonite panels and wood and aluminum suspended canopy | Frederick Kiesler | Guggenheim Museum |
The Last Supper on 8 Brave Peas, 1979 Maurie Kerrigan Medium: carved and painted wooden table and chair | Maurie Kerrigan | Sweeney Art Gallery, University of California, Riverside |
The Life and Opinions of Tristram Shandy, Gentleman, 1988 John Baldessari Medium: Set of thirty-nine photo-collages in three volumes with text | John Baldessari | |
The Lighthouse Series, 1999 Olafur Eliasson Medium: Color photographs | Olafur Eliasson | |
The Living Moment, 1961 Clay Spohn Medium: oil on canvas | Clay Spohn | Oakland Museum of California |
The Massachusetts Dog of The North Atlantic Basin Halibut Point Cape Ann Cape Ann State Park Rockport County Massachusetts U.S.A. 2009/2015 North America The Northeast most point of Continental U.S.A. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The Mediterranean Sea-Near North-most, Cap Blanc, #4, Tunisia , 2004. Very near the North-most point of Africa. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mediterranean Sea-North, Cap Blanc, #1, Tunisia 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mediterranean Sea-North, Cap Blanc, #2,Tunisia, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mediterranean Sea-North, “Little” Cap Blanc, Tunisia, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mediterranean Sea-North, “Little” Ras Angela, #2,Tunisia, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid Atlantic Ocean and The Canal de São Vicente-South , Overlooking Ponta Cães dos Fortes, The Isle of Santo Antão, Ilhas de Barlavento, The Cape Verde Islands, 2004, The South-most point of the island Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid Atlantic Ocean, Cruzinha de Garça, The Isle of Santo Antão, Ilhas de Barlavento, The Cape Verde Islands, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid Atlantic Ocean. Gafeta Point, #4, St. David. The Island of Trinidad, 2005/2006. The Northeast-most point and very near the North-most point of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Key Largo The Florida Keys Monroe County Florida U.S.A. North America 2009/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Location Uncertain Possibly near Punta Prieta (Near the East most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Near Ponta do Tristão (Near the North-most point of The Island) The Isle of Madeira Portugal, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Near Punto Ginés (The West-most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Ponta da Cruz (The South-most point of The Island) The Isle of Madeira Portugal, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Ponta de Gaivotes The Isle of Madeira (The East-most point of The Island) Portugal, 2002-2003 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Porto da Calheta (The South-most point of The Island) The Madeiran Archipelago Portugal, 2002 This island was Christopher Columbus' home-base of preference during The great sea-faring Era of Exploration. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Porto Moniz (near the North-most point of The Island) The Isle of Madeira Portugal 2002 (part 2, The bottom part, of a 2-part vertical work) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Porto Moniz (Near the North-most point of The Island) The Isle of Madeira Portugal, 2002 (part 1, The top part, of a 2-part vertical work) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Punta de la Calera (The West-most point of The Island) The Isle of La Gomera The Canary Islands Spain, 2002 Very probably The last Old World Land-Fall seen by Columbus and his men in their Westward Sailing on their first Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Punta de San Cristobal - Looking across at Tenerife, (The East-most point of the Island) The Isle of La Gomera The Canary Islands, Spain, 2002 From this site Christopher Columbus and his crew set sail for the first time for Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Mid North Atlantic Ocean Punta del Papagayo (The South-most point of The Island) The Isle of Lanzarote Canary Islands Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean Punta Norte (The North-most point of The Island) The Isle of El Hierro The Canary Islands Spain, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean St. Catherine’s Point, St. George Parish, Bermuda, 2007/2014 The North-most point of Bermuda Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean, Cabo de Santa Maria / Cape Santa Maria (2), Long Island, The Bahamas, The Caribbean, 2007/2015, The site of Christopher Columbus’ second landing site in the New World, 17 October 1492. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean, Lin de Guenth, Ponta do Sol, The Isle of Santa Antão, Ilhas de Barlevento, The Cape Verde Islands, 2004, The North-most point of The Cape Verde Islands Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid North Atlantic Ocean-South, South West. Cabo Trafalgfar, Spain. 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mid-North Atlantic Ocean, Ilha do Corvo / The Isle of Corvo, Regioes Autonomas Acores / The Azores, Portugal 2004. The North-most point of the Azorean Archipelago Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Midnight Sun - The Barents Sea – day three - Nordkapp / North Cape, Finnmark, Norway. 2003-2008 ( a three-part work) 71 degrees 10.210’ N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Mocking of Christ Eugene Delacroix Medium: graphite on paper | Eugene Delacroix | University of Michigan Museum of Art |
The Mocking of Christ Eugene Delacroix Medium: graphite on paper | Eugene Delacroix | University of Michigan Museum of Art |
The mouth of an unnamed stream and the South Atlantic Ocean, Praia / Beach de Pacuiba, Ilhabella / Beautiful Island, São Paulo, Brazil, South America, 2006/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Mouth of the Cooper River Charleston Harbor Mount Pleasant Charleston County South Carolina U.S.A. North America 2009/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Mouth of the Nipigon River and Nipigon Bay at Lake Superior Red Rock Thunder Bay Regional Province Ontario Canada North America, 2010/2017 The Headwaters and Lake Head of the Great Lakes Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Mouth of the Potomac River and Chesapeake Bay Point Lookout St. Mary’s County Maryland U.S.A. North America 2009/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Mouth of the Rio de la Plata The Port of Isla Martin Garcia Isla Martin Garcia Provence de Buenos Aires Argentina, 2006/2015 South America One of the three great South American Rivers to flow into the South Atlantic Ocean. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The Mouth of the Rivière-Saint-Jean and The Mouth of the St. Lawrence River (3) Rivière-Saint-Jean Quebec Canada North America 2013/2016 The historic North Boundary of the Mouth of the St. Lawrence River, set in the 18th century. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
The Mouth of the St. Lawrence River (2) Pointe de l’Ouest/ West Point Anticosti Island Quebec Canada North America 2013/2016 The historic Middle Point of the Mouth of the St. Lawrence River, set in the 18th century. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
The Mouth of the Stetrin River and Englishman’s Bay. St. John, The Island of Tobago, 2005/2006. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The mouth of the York River, At Chesapeake Bay The Yorktown Battle Site, York County, Virginia, U.S.A., 2009/2014, The site of General George Washington’s defeat of the English General Earl Cornwallis and the victory that won the Revolutionary War for Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | Center for Creative Photography, University of Arizona |
The Museum of Post Modern Art, 1982 Alex McFarlane Medium: milled graphite | Alex McFarlane | The William Benton Museum of Art, University of Connecticut |
The New Dispensation, 2005 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Blanton Museum of Art, University of Texas, Austin |
the nominal three (to William of Ockham), 1963 Dan Flavin Medium: Six flourescent cool white light fixtures | Dan Flavin | Dia Art Foundation |
The North Atlantic Ocean Akraberg The Island of Suduroy The Faroe Islands Denmark, 2007-2008 The South-most point of The Faroe Islands 61° 23.471' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The North Atlantic Ocean Cabo Finisterra / Cabo Fisterra, Costa da Morte Galicia Spain, 2002 (Near the West-most point of mainland Spain) (From This Point, The End of The World, The Apostle, St. James, almost certainly completed his pilgrimage from the Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The North Atlantic Ocean Cabo Finisterre / Cabo Fistera (Near The West-most point of The Country) Costa Da Morte Galicia Spain, 2002 (part 1, The left-hand part, of a 2 part work) From The Holy Land - to The End of the Land, Along The Pilgrim's Path of Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The North Atlantic Ocean Cabo Finisterre / Cabo Fistera (Near The West-most point of The Country) Costa Da Morte Galicia Spain, 2002 (part 2, The right-hand part, of a 2 part work) From The Holy Land - to The End of the Land, Along The Pilgrim's Path of Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The North Atlantic Ocean Cape Race The Avalon Peninsula Newfoundland Canada, 1998/2015 North America The site of the first land-base to receive the May Day distress signal from RMS Titanic 15 April 1912. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The North Atlantic Ocean Dunmore Head County Kerry Ireland Europe 2002/2015 The Westmost point of all Ireland Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The North Atlantic Ocean Home Strand Beach Labrador Canada, 2011/2015 North America Very probably the site mentioned in both Saga of Eric the Red and Vinland Saga as the first Continental Canadian site of Viking settlement in the New World. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The North Atlantic Ocean Race Point Cape Cod National Seashore Provincetown County Massachusetts U.S.A. 2000/2015 North America The North most point of Cape Cod. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The North Atlantic Ocean Siasconset Nantucket Island Nantucket County Massachusetts U.S.A., 2009/2015 North America The east most point of the island Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The North Atlantic Ocean The Denmark Strait Looking towards Greenland Bjargtangar, Vestur-Bardastrandarsysla Vestfirdir Iceland, 2007-2008 The West-most point of Iceland 65° 30.291' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The North Atlantic Ocean, Kötlugrunn, Looking towards The New Lands, Dyrhólaey, Myrdalur, Suderland, Iceland, 2007-2008, The South-most point of Iceland, 63° 24.085' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The North Atlantic Ocean, On Enniberg Summit The Island of Vidoy The Faroe Islands, Denmark, The North-most point of The Faroe Islands, 62° 22.993' N 2007/2008 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The North Channel and The North Atlantic Ocean Benbane Head County Antrim Northern Ireland The United Kingdom Europe 2013/2015 The Northmost point of Northern Ireland Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The North Channel Burr point The Ards Peninsula County Down Northern Ireland The United Kingdom Europe 2013/2015 The Eastmost point of all Ireland. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The North Sea - late evening downpour Ness Point Lowestoft Suffolk England U.K., Europe 2016/2017 The Eastmost point of the U.K. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The North-most Point of Ireland The North Atlantic Ocean Malin Head, County Donegal Ireland, 1986-2002 (The North-most point of mainland Ireland) [Malin] Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The North-most--The Atlantic Ocean, Strathy Point, Sutherland, Scotland, 1991-2001. The North-most point of mainland Great Britain. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Other Vietnam Memorial, 1991 Chris Burden Medium: steel, aluminum, etched annodized copper plates | Chris Burden | Museum of Contemporary Art Chicago |
The Pacific Ocean/El Océano Pacifico, Punta Marieto, Peninsula de Azuero, Herreia, Panama, Central America, 2007/2015, The South most point of all Central America. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Phoenix (II), 1982 E'wao Kagoshima Medium: mixed media on paper | E'wao Kagoshima | Asian American Arts Centre |
The Pillar of Hercules, The Strait of Gibraltar, Looking towards Africa, Punta Europa, Gibraltar, The United Kingdom, 2003-2004, The European Pillars of Hercules Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Pillar of Hercules, The Strait of Gibraltar, Punta Almina, Ceuta, Spain, 2003-2004, The African Pillars of Hercules Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Pillar of Hercules, The Strait of Gibraltar, Punta Grande Europa, Gibraltar, The United Kingdom, 2003-2004, The European Pillars of Hercules Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Pillars of Hercules - Looking towards Africa The Strait of Gibraltar Punta Europa Gibraltar U.K. Europe 2003/2017 One of the two European “Pillars of Hercules”. Part 2 of a 3-part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Pillars of Hercules - Looking towards Africa The Strait of Gibraltar Punta Grande Europa Gibraltar U.K. Europe 2003/2017 One of the two European “Pillars of Hercules”. Part 1 of a 3-part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Pillars of Hercules Looking towards Europe The Strait of Gibraltar Punta Almina Ceuta Spain Africa 2003/2017 The African “Pillar of Hercules”. Part 3 of a 3 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Pilots, 1979 Robert Longo Medium: lacquered wood over cast aluminum | Robert Longo | Portland Art Museum |
The Poetry Garden, 1992 Siah Armajani Medium: courtyard installation: benches, central flower bed, granite stone, gates, trees, grass, paved walkways | Siah Armajani | Beloit College |
The Potomac River - looking down river Mount Vernon, Fairfax County, Virginia, USA 2009/2014 Looking towards the arterial edge of America – east-southeast from George Washington’s home (1754-1799), on the Potomac River. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
The Privet, 1997 John Chamberlain Medium: Painted mild steel and chromium plated steel | John Chamberlain | Dia Art Foundation |
The Rio Grande The mouth of Boquillas Canyon The Big Bend of The Rio Grande Big Bend National Park Brewster County Texas U.S.A., 1996/2015 - part 2 of a 2-part work North America The Southwest most point of the Continental U.S.A. lies at the apex between Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The Rio Grande The mouth of St. Elena Canyon The Big Bend of The Rio Grande Big Bend National Park Brewster County Texas U.S.A., 1996/2015 - part 1 of a 2-part work North America The Southwest most point of the Continental U.S.A. lies at the apex between Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | |
The Rio Orinoco Estuary and the Gulf of Paria at Boca Grande y Boca del Dragón Punta Narzona Promontario Paria Peninsula de Paria Venezuela, 2005/2015 South America A site on the Mouth of the Rio Orinoco, one of the three great South American Rivers to Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | University of New Mexico Art Museum |
The Road to Lanado, 1972 Donald Cole Medium: sand, tire marks, metal, paint, appliques on canvas | Donald Cole | Portland Art Museum |
The Royal Game Verne Funk Medium: glazed ceramic, acrylic paint, Plexiglas case | Verne Funk | |
The Second of Four Chrome Yellow Diagonals, Lannan Foundation Santa Fe, 1999 Fred Sandback Medium: graphite on paper | Fred Sandback | Dia Art Foundation |
The Shadow Variation, 1958 Jan Mueller Medium: pastel and crayon on paper | Jan Mueller | Museum of Contemporary Art, Los Angeles |
The Shoreline Seymour Remenick Medium: oil on panel | Seymour Remenick | Springfield Museum of Art |
The South Atlantic Ocean and Bowl Bay, New Island, The Falkland Islands - Islas Malvinas, The United Kingdom, 2006, The Southwest-most point and very near the West-most point of the Islands Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The South Atlantic Ocean at The Indian Ocean-South, Quoin Point, South Africa, 2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The South Atlantic Ocean, Cape Pembroke, East Falkland Island, The Falkland Islands - Islas Malvinas, The United Kingdom, 2006, The East-most point of the Islands Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The South Atlantic Ocean-Furthest Southwest, The Cape of Good Hope, #2, South Africa, 2004. The Southwest-most point of Continental Africa. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The South Atlantic Ocean. Cape Dolphin. East Falkland Island-Islas Malvinas. The United Kingdom, 2006. Very near The North-most point of The Islands. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The South Atlantic Ocean. Ponta do Calcanhar - "The Corner of the Continent”. Rio Grande do Norte. Brazil, 2006. The Continental South American directional shift of wind currents occurs at this point. The “Bulge of Brazil”, where the wind no longer moves Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The South Atlantic Ocean. Ponta Jose Ignacías. Maldonado, Uruguay, 2006 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The South Atlantic Ocean. Ponte Copacabana. Copacabana Beach. Rio de Janiero, Brazil. 2006 (Part 2, the right-hand part, of a 2 part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
The South Atlantic Ocean. Punta de Arpoador-Harpooneer Point. Ipanema Beach. Rio de Janiero, Brazil, 2006. (Part 1, the left-hand part, of a 2 part work) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
The South Atlantic Ocean. Rockhopper Point. Sea Lion Island. The Falkland Islands-Islas Malvinas. The United Kingdom, 2006. Very near the South-most Point of The Islands. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The South-most Point-The North Atlantic Ocean Mizen head, No. 2 County Cork Ireland, 2002-2003 (The South-most point of Ireland) [Fastnet] Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The South-most Point-The North Atlantic Ocean, Mizen Head, County Cork, Ireland, (The South-most point of mainland Ireland) [Fastnet] 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The St. Lawrence River from an unnamed point Near Gros Marne The Gaspé Peninsula Quebec Canada North America 2013/2016 The Northmost point of Gaspé Peninsula Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
The Storm, 1982 Helmut Middendorf Medium: acrylic on canvas | Helmut Middendorf | Portland Art Museum |
The Story of Calvin Stroller Michael Train Medium: three drawings, pen and ink on paper | Michael Train | |
The Strait of Magellan and the South Atlantic Ocean, Punta Dungeness, Magellanes y Antártica Chilena, Chile, South America, 2006/2015, The southeast most point of mainland Chile. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Street Called Straight, 1970 Harvey Quaytman Medium: acrylic on canvas | Harvey Quaytman | Berkeley Art Museum, University of California, Berkeley |
The Superior Entry - Rising Lake Fog Lake Superior Superior Douglas County Wisconsin U.S.A. North America, 2010/2017 Very near the Westmost point of all the Great Lakes, and of Lake Superior. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea Looking West- The North Channel The Mull of Kintyre (from the lighthouse cliff edge) Argyllshire Scotland The United Kingdom Europe 2013/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Swelling of the Sea The Solway Firth Burrow Head Dumfries and Galloway Scotland U.K., Europe 1990/2017 One of the four Southmost points of Scotland Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Swelling of the Sea – Sun Lit Sea Fog Looking West – towards America and the New World The North Atlantic Ocean From the top of the Mistress Stone The Isle of St. Kilda Outer Hebrides Scotland The United Kingdom Europe 2008/2015 The Westmost point of Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Swelling of the Sea, The Atlantic Ocean, Point Ardnamurchan, Scotland, 1990, West. Western-most point of mainland Britain, looking toward the new world, The Absolute Bastard!!! Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Swelling of the Sea, The North Sea, Buchan Ness, Grampian Region (Buchan), Scotland, 1990, East, part two, the righthand part of a two-part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Swelling of the Sea, The North Sea, Duncansby Head, Caithness, Scotland, 1990, North, part two, the righthand side of a two-part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea, The Pentland Firth, Dunnet Head, Caithness, Scotland, 1990, North Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea, The Solway Firth, The Mull of Galloway, Scotland, 1990, South Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea,The Atlantic Ocean, Ferid Head, Sutherland, Scotland, 1990, North Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea,The Irish Sea, The Mull of Galloway, Scotland, 1990, South Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea,The North Sea, (Thistle Door), Duncansby Head, Caithness, Scotland, 1990, North Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea,The North Sea, Peterhead, Grampian Region (Buchan), Scotland, 1990, East, part one, the lefthand part of a two-part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The Swelling of the Sea,The Pentland Firth, Duncansby Head, Caithness, Scotland, 1990, North, part one, lefthand part of a two-part work Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Swelling of the Sea,The River Tweed at the North Sea,, Berwick-Upon-Tweed, Old Berwickshire, Scotland, 1990, South Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The Tables, 1986-87 Tom Otterness Medium: Core Ten steel, bronze | Tom Otterness | Whitney Museum of American Art |
The takeover by landless peasants of the Giacometti plantation. State of Parana, Brazil, 1996 Sebastiao Salgado Medium: Black and white photograph | Sebastiao Salgado | Museo de las Americas |
The Thaw, 1981 John Marshall Medium: sterling silver, acrylic, flourescent lights on wood base | John Marshall | Metal Museum |
The Thirty Identities of Dr. Pagolo Orsini Sidney Delevante Medium: ink, silverleaf, watercolor, tape | Sidney Delevante | Jersey City Museum |
The Three Graces, 1980 John Obuck Medium: acrylic, wood and Plexiglas, canvas | John Obuck | New Jersey State Museum |
The Three Great Rivers. Sunrise on the Equator-Zeroº degrees latitude - “The River Sea” at The Mouths of El Rio Amazanas – The Amazon River, The mouth of an unnamed stream and The South Atlantic Ocean. Vulture Beach, Ilha Mexicana, Para, Brazil, 2006, Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
The Three Great Rivers. Wind whipped. Looking towards Delta Amacuro-The Orinoco Delta. Gulfo de Paria, Boca Grande and Boca del Dragon-The Dragon's Mouths. Punta Piedras, Promontano de Paria, Peninsula de Paria, Sucre, Venezuela, 2005/2006. During the Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
The Three Great Rivers.Thick Early Morning River Mist. The confluence of the Rio de la Plata. Isla Martín Garcia, Buenos Aires, Argentina, 2006. At the rising of the World’s widest river. (part 3, right hand part, of a 3 part work) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
The Three Sails, The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Center for Creative Photography, University of Arizona |
The top of the Baltic – looking south The top of The Gulf of Bothnia at the entrance to the Tornea River Estuary and Skomakarfjard. Röyttä Lappi/Lapland Finland Europe 1997/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
The Unconscious, 1952 Dino Predonzani Medium: oil on canvas | Dino Predonzani | |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Unfolding Center, 2010-2013 Susan York Medium: Graphite on paper | Susan York | University of New Mexico Art Museum |
The Upper Hand, 1982 Lance Kiland Medium: oil and wax on canvas | Lance Kiland | Minnesota Museum of American Art |
The Ventriloquist, 1981 Rex Lau Medium: oil on canvas | Rex Lau | Zimmerli Art Museum, Rutgers University |
The Virgin's Dream, 1972 Pat Steir Medium: Oil and pencil on canvas | Pat Steir | |
The Wall Next Door, 1959 Sartoris Medium: paint on plaster | Sartoris | |
The Wandering - From one Circle to another The Antarctic Circle Looking North High Noon at Crystal Sound Bragg Island Graham Land Antarctic Penninsula Antarctica 2008/2017 With Gregg Landreth Part 2 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | University of New Mexico Art Museum |
The Wandering - From one Circle to another The Arctic Circle- Looking South Midnight at the Davis Strait Near Illilleq Dronning Ingrid Land Kangertittivaq/Greenland (Denmark) North America 2008/2017 With Jason Roberts Part 1 of a 2 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | University of New Mexico Art Museum |
The Wandering, from One Circle to Another Part 2-Midday Sun looking towards the deep South The Antarctic Circle Crystal Sound Bragg Island Bisco Islands, Graham Land Antarctica, 2008 66° 29.0’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Wandering, from One Circle to Another, Part One - Looking South Sudden darkness, Midnight - Just above the Arctic Circle The Davis Strait Sisimiut King Frederik IX Land Greenland, Denmark 66° 55.412' N 2008 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The Waterfall Project, Niagara Falls, Canada/USA, 2007 Olivo Barbieri Medium: Inkjet print on archival paper | Olivo Barbieri | Center for Creative Photography, University of Arizona |
The Winter Solstice - The Sound The Mayflower Steps Plymouth Devon England Great Britain,1998/2015 - part 1 of a 2 part work Europe The Pilgrim Fathers left from here on the Mayflower for their great voyage to America and the New World on 6th September Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin prints | Thomas Joshua Cooper | National Library and Galleries of Scotland |
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Cape-Portugal, 1994, Punta de Sagres (The Sacred Place) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes- Portugal, Cabo Carvoeiro 1994 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994, Cabo de Sao Vicente (6 am the first day), (The Southwestern-most point of Continental Europe) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994, Cabo Espichel Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994, Cabo Espichel Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994-Cabo de Sao Vicente (6am the next day), The Southwest-most point of Continental Europe Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994-Cabo Roca (6am) Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The World's Edge, Remembering Magellan-The North Atlantic Ocean, Five Capes - Cabo de São Vicente Portugal, 1994 (midnight) The Southwest-Most point of Continental Europe Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The World’s Edge -The North Atlantic Ocean and Brandon Bay Brandon Point County Kerry, Ireland, 2002/2014 From this point Saint Brandon The Navigator began his great sixth-century sea voyages of pilgrimage and monastic exploration that, in part, led to Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
The “Pendulum Branch” The Greenwich Meridian- 0° Longitude (No.2) The Royal Observatory Greenwich Greenwich Park The Royal Borough of Greenwich London England U.K. Europe 2016/2018 With Andrew Lee. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Theatre, 1981 Luc Degryse Medium: graphite on paper | Luc Degryse | Dennos Museum Center, Northwestern Michigan College |
Thick Fog - Looking Toward the Rhine River, The Mouths of The Rivers Thames and Medway The Thames Estuary and The North Sea Sheerness, Isle of Sheppey England, 1998 - 2002 -- light grey -- Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Thin Red Line, 1967 Robert Whitman | Robert Whitman | Dia Art Foundation |
Thinking about my brother David, Rio Dulce / Sweet River, La Boca del Canon / The Mouth of the Canyon, Livingston, Izabal, Guatemala, Central America, 2007/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Thinking of Sophie The ancient oak forrest At Balnakailly Burn very near Balnakailly Bay The Kyles of Bute The Isle of Bute Argyllshire Scotland U.K. Europe 2002/2017 With Sophie Alice Cooper Very near the Northmost point of the island. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Third War Dreams George Fullard Medium: painted paper, cork, plaster, wood, metal frame, wheels | George Fullard | Object not located in 1997 |
This is Just a Test, 1972 William Wiley Medium: acrylic on canvas, leather, wire and wood | William Wiley | Museum of Contemporary Art Chicago |
This Object Does Not Exist *See Notes Thomas Joshua Cooper | Thomas Joshua Cooper | |
Thom Wheeler Box, 1976 Thom Wheeler Medium: wood, aluminum, brass, stone, metal | Thom Wheeler | Fresno Metropolitan Museum of Art and Science |
Thomas Lynch, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Thread Painting #2, 2004 Hadi Tabatabai Medium: Wood, thread, paint | Hadi Tabatabai | |
Thread Painting #2, 2004 Hadi Tabatabai Medium: Wood, thread, paint | Hadi Tabatabai | |
Thread Painting #28, 2009 Hadi Tabatabai Medium: Wood, thread, and acrylic paint | Hadi Tabatabai | |
Three boulders - white, grey and black white hot - burning boulder High noon The Snake River Basin Pillar Falls Canyon Twin Falls County Idaho U.S.A. North America 2003/3018 With Toby Jurovics. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Three Heads, 1960 Lester Johnson Medium: oil on canvas | Lester Johnson | Rose Art Museum, Brandeis University |
Three Nudes, 1957 Jan Mueller Medium: oil on panel | Jan Mueller | Museum of Contemporary Art, Los Angeles |
Three Red Paintings, 1988 John Baldessari Medium: vinyl paint on three black and white photographs | John Baldessari | Museum of Contemporary Art, North Miami |
Three Texas Waves - Erasing Wave Corpus Christi Bay Indian Point Portland Neucas County Texas U.S.A. North America 2009/2017 With David Jeffery Cooper Part 2 of a 3 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Three Texas Waves - Rolling Wave Galveston Bay and The Gulf of Mexico Fort Travis Galveston County Texas U.S.A. North America 2009/2017 With David Jeffery Cooper Part 1 of a 3 part work Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Throwaway Gene Hedge Medium: collage | Gene Hedge | |
Thrust Joe Testa-Secca Medium: acrylic on paper | Joe Testa-Secca | Tampa Museum of Art |
Thunder Bay Port Lockroy Weincke Island, Palmer Archipelago Graham Land Antarctica, 2008 Very near Base A, the second oldest research site in Antarctica 64° 49’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Tie design, 1951 Salvador Dali Medium: gouache on matboard | Salvador Dali | The Museum at the Fashion Institute of Technology |
Tiered Circle, 1973 Jackie Ferrara Medium: cotton batting with glue over canvas and plaster | Jackie Ferrara | Museum of Contemporary Art Chicago |
Tigran the Great, 1980 Zadick Zadikian Medium: 22 karat gold leaf over cast plaster | Zadick Zadikian | |
Time Bomb, 1963 Tony Delap Medium: painted wood, glass, paper | Tony Delap | Oakland Museum of California |
Time Colums Howard Jones Medium: paper | Howard Jones | Palm Beach State College |
Time Diffusion Sculpture Terry Wilcox Medium: copper, zinc, marble | Terry Wilcox | Dennos Museum Center, Northwestern Michigan College |
Time Heals, 1982 Keith Milow Medium: oil, iron and copper powder on canvas | Keith Milow | Pecos Benedictine Monastery, Our Lady of Guadalupe Abbey |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010 Martha Hughes Medium: Acrylic on panel | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 1 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 10 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 11 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 12 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 13 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 14 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 15 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 16 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 2 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 3 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 4 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 5 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 6 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 7 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 8 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 9 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (Sept 30 2013) Martha Hughes Medium: Watercolor on paper | Martha Hughes | |
Tin, Monreal Well. Arizona, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Tipped Vase, 1978 Jerry Brane Medium: oil on canvas | Jerry Brane | Carnegie Museum of Art |
Tivoli, March 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Tivoli, March 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Tivoli, March 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
To and From Damascus, 1975 Norris Embry Medium: oil on canvasboard | Norris Embry | Zimmerli Art Museum, Rutgers University |
To Benjamin B., 1980 Howard Tre Medium: cast glass, copper | Howard Tre | University of Michigan Museum of Art |
To Fritz Lang, 1970 Ralph Humphrey Medium: acrylic on shaped canvas | Ralph Humphrey | Carnegie Museum of Art |
Together A17, January, February, March, 2007 Jean-Luc Mylayne Medium: C-Print | Jean-Luc Mylayne | University of New Mexico Art Museum |
Tomb For My Duck, Bruce Tony Costanzo Medium: sheet lead, Kennedy 50 cent pieces over wood | Tony Costanzo | |
Toncan, 1961 Mark Disuvero Medium: wood, steel | Mark Disuvero | The Menil Collection |
Toni Morrison, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Toothbrush Birthday Tom Kiechle Medium: assemblage with wood, wax, toothbrushes, plastic wire, yarn, lace | Tom Kiechle | Oakland Museum of California |
Tornado Generator Linda Threadgill Medium: sterling silver, copper, brass, plastic, silk, silver | Linda Threadgill | Racine Art Museum, Charles A. Wustum Museum of Fine Arts |
Torrential Warm Rain at the mouth of an unnamed stream and the South Atlantic Ocean. Praia de Pacuiba. Ilhabela-Beautiful Island. São Paolo, Brazil, 2006. Very near The North-most point of The Island. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Torso, 1969 Von Breitlung Medium: ink, watercolor on paper | Von Breitlung | |
tossed and tumbled, The Antarctic Sound, Cape Dubouzet, Trinity Peninsula, Graham Land, The Antarctic Peninsula, Antarctica, 2008, The Northeast-most point of Continental Antarctica, 63° 16’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Totem S Mubayi Medium: carved serpentine | S Mubayi | The Salvation Army |
Track and Field: Drawing from the Arena, 2003 Cassandra Jones Medium: Chromira print | Cassandra Jones | |
Track and Field: Drawing from the Arena, 2003 Cassandra Jones Medium: Chromira print | Cassandra Jones | |
Transfixed, 1974 Chris Burden Medium: lithograph in colors | Chris Burden | Museum of Contemporary Art, Los Angeles |
Tree Branches + A Roundness of Fog Wendy Vanderbilt Medium: India ink on illustration board | Wendy Vanderbilt | |
Tree, Davis Plane, Arizona, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Triad, 1960 Robert M. Fisher Medium: cast bronze, Plexiglas | Robert M. Fisher | Carnegie Museum of Art |
Trinity Site, 2013 Joanne Lefrak Medium: Scratched Plexiglas and shadow | Joanne Lefrak | Denver Art Museum |
Trinity: Box with Dot, 1999 Kate Shepherd Medium: Set of three etchings with hard ground and soft ground printed on Somerset velvet paper | Kate Shepherd | Sheldon Art Association |
Trinity: Long Flower Box, 1999 Kate Shepherd Medium: Set of three etchings with hard ground and soft ground printed on Somerset velvet paper | Kate Shepherd | Sheldon Art Association |
Trinity: Tall Box Leaning, 1999 Kate Shepherd Medium: Set of three etchings with hard ground and soft ground printed on Somerset velvet paper | Kate Shepherd | Sheldon Art Association |
Trio, 1976 Norris Embry Medium: oil and colored chalks on canvasboard | Norris Embry | Sweeney Art Gallery, University of California, Riverside |
Trip, 1958 John Altoon Medium: oil on canvas | John Altoon | Museum of Contemporary Art, Los Angeles |
Triptych, 1962 Richard Artschwager Medium: wood, Formica | Richard Artschwager | Museum of Contemporary Art Chicago |
Tristan's Night, 1958 Budd Hopkins Medium: oil on canvas | Budd Hopkins | Jersey City Museum |
Trophies, 1976 Robert Arneson Medium: glazed ceramic | Robert Arneson | Carnegie Museum of Art |
Truncated Pyramid I, 1973 Jackie Ferrara Medium: cotton batting with glue over cardboard | Jackie Ferrara | Museum of Contemporary Art Chicago |
Truncated Pyramid II, 1973 Jackie Ferrara Medium: cotton batting with glue over cardboard | Jackie Ferrara | Museum of Contemporary Art Chicago |
TV's and a Hat, 1979 Chris Burden Medium: mixed media | Chris Burden | Museum of Contemporary Art Chicago |
Twenty-seven people, including women and children, leave Sásabe heading northeast into the Buenos Aires National Wildlife Refuge. Daytime temperatures in the area reach 115 degrees. Sásabe, Sonora, 2004 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museo de las Americas |
Twice, 1970 Chris Wilmarth Medium: 4 pieces of acidized glass, steel wire | Chris Wilmarth | The Art Institute of Chicago |
Twilight - Looking at Cap Gaspé Remembering Paul Strand Detroit d’Honguedo / The Gulf of St Laurence Cap-des-Rosiers The Gaspé Peninsula Quebec Canada North America 2013/2016 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin | Thomas Joshua Cooper | |
Twilight-The Mid North Atlantic Ocean, Ponta da Pargo, The Isle of Madeira (The West-most point of the Island) Portugal, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Twisted Dune, El Gran Desierto, Sonora, 2008 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Two Blacks, 1969 Dorothea Rockburne Medium: wrinkle finish paint on aluminum | Dorothea Rockburne | Carnegie Museum of Art |
Two Candlesticks Diego Giacometti Medium: bronze with patina | Diego Giacometti | Philadelphia Museum of Art |
Two Flower Pots with Ash, 1987 Rolf Julius Medium: clay pots, speakers, ash, walkman with audio tape, wire | Rolf Julius | Museum of Contemporary Art, North Miami |
Two Islands, 1981-1982 Mike Kelley Medium: acrylic on sheetmetal over wood | Mike Kelley | Museum of Contemporary Art, Los Angeles |
Two Lines Oblique, 1968 George Rickey Medium: stainless steel | George Rickey | Museum of Contemporary Art Chicago |
Two Reds, Standing Flower Box, Slight Bend Forward, Line Overlap, 1999 Kate Shepherd Medium: Oil on wood panel | Kate Shepherd | |
Two Tables Diego Giacometti Medium: bronze | Diego Giacometti | Philadelphia Museum of Art |
U.S. Commissioners and Delegations of Sioux Chiefs Visiting Washington, October 15, 1888 Unknown Medium: Photograph | Unknown | Museum of Fine Art Houston (MFAH) |
Ulysses, James Joyce, 1988 Robert Motherwell Medium: Etchings in color | Robert Motherwell | The Menil Collection |
Umwandlung [Metamorphosis], 1968 (B.11) Gerhard Richter Medium: offset lithograph | Gerhard Richter | Museum of Contemporary Art, Los Angeles |
Una Lettera da Pasione [A Letter of Passion], 1962 Arnaldo Pomodoro Medium: bronze | Arnaldo Pomodoro | Indianapolis Art Center |
Uncharted Dangers – Clear, Prime Head Ice Wall Trinity Peninsula, Graham Land The Antarctic Peninsula, Antarctica, The North-most point of Continental Antarctica 63° 13’ S. 2008 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Uncharted Dangers” – Blanketing Dense Fog - The Bransfield Strait The Mouth of The Antarctic Sound Looking towards Prime Head, “Catherine Island” Antarctica, 2008 Looking towards the North-most point of Continental, Antarctica from this newly charted and Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Under the Table at the Donner Party, 1976 Nell Sinton Medium: photolithograph | Nell Sinton | Oakland Museum of California |
Une Lettre [A Letter], 1916 Andre Dunoyer de Segonzac Medium: ink on paper | Andre Dunoyer de Segonzac | Blanton Museum of Art, University of Texas, Austin |
unexpected calm The Bransfield Strait Cape Juncal d’Urville Island Graham Land Antarctica, 2008 The North-most point of the Antarctic Peninsular “shield” islands 62°58.4' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Unexpected darkness, Golfo de Mexico / The Gulf of Mexico, Punta Roca Partida / Broken Rock Point (2) Veracruz, Mexico, North America, 2007/2015 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Unexpected daybreak – sudden sunrise The Lake of the Woods American Point, Penasse Island, The Northweast Angle Lake of the Woods County, Minnesota, U.S.A. 2010/2014 The Northmost point of Continental U.S.A. The only part of Continental U.S.A. to extend Thomas Joshua Cooper Medium: Selenium toned chloro-bromide gelatin silver print | Thomas Joshua Cooper | |
Unexpected Nightfall -- The Mid North Atlantic Ocean Porto Moniz The Isle of Madeira (Near the North-most point of The Island) Portugal, 2002 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
unknown Frederick Kiesler Medium: photo-offset poster | Frederick Kiesler | Guggenheim Museum |
Unknown (from the Mexico portfolio) De Capo Press, 1967 Paul Strand Medium: Photogravure | Paul Strand | |
Unknown (from the Mexico portfolio) De Capo Press, 1967 Paul Strand Medium: Photogravure | Paul Strand | Museum of Contemporary Photography, Columbia College Chicago |
Unknown Soldier, 1982 Martin Disler Medium: oil on canvas | Martin Disler | Portland Art Museum |
unoe 03, 2009 Josef Schulz Medium: Pigment print | Josef Schulz | San Antonio Museum of Art |
Unpublished Poem Robert Frost | Robert Frost | |
Unterwelt, 1981 Ann McCoy Medium: pencil on paper | Ann McCoy | Sweeney Art Gallery, University of California, Riverside |
Untitled Robert Thompson Medium: oil on wood | Robert Thompson | Museum of Contemporary Art, Los Angeles |
Untitled John Chamberlain Medium: paperbag, foil, painted resin | John Chamberlain | University of Michigan Museum of Art |
Untitled Sylvia Guirey Medium: acrylic on woven hemp | Sylvia Guirey | Object not located in 1997 |
Untitled Luis Saez Medium: pencil, crayon on paper | Luis Saez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Francisco Molina Medium: ink and paper collage on paper | Francisco Molina | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Julio Zachrisson Medium: etching on paper | Julio Zachrisson | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Isamu Noguchi Medium: Pencil on paper | Isamu Noguchi | The Isamu Noguchi Foundation and Garden Museum |
Untitled Sylvia Guirey Medium: acrylic on linen | Sylvia Guirey | Object not located in 1997 |
Untitled John Grillo Medium: Oil on canvas | John Grillo | |
Untitled Dylan Medium: oil on masonite in artist's frame | Dylan | House of Hope |
Untitled Julio Zachrisson Medium: etching on paper | Julio Zachrisson | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Lucio Fontana Medium: torn and scratched paper | Lucio Fontana | The Art Institute of Chicago |
Untitled James Brown Medium: acrylic on paper | James Brown | Grunwald Center for the Graphic Arts, Hammer Museum, University of California, Los Angeles |
Untitled David Novros Medium: ink on paper | David Novros | Blanton Museum of Art, University of Texas, Austin |
Untitled Sylvia Guirey Medium: acrylic on linen | Sylvia Guirey | Object not located in 1997 |
Untitled Rochester Folk Art Guild | Rochester Folk Art Guild | Palm Beach State College |
Untitled Luis Saez Medium: pencil, crayon on paper | Luis Saez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Elizabeth MacDonald | Elizabeth MacDonald | Palm Beach State College |
Untitled Tom Wudl Medium: porcelain plaque | Tom Wudl | Oakland Museum of California |
Untitled Phillip Evergood Medium: pen and ink on paper | Phillip Evergood | Farnsworth Art Museum |
Untitled Julio Zachrisson Medium: etching on paper | Julio Zachrisson | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Lucio Fontana Medium: torn and scratched paper | Lucio Fontana | The Art Institute of Chicago |
Untitled Jean Tinguely Medium: collage of scotch tape, masking tape,pencil, aluminum foil on paper | Jean Tinguely | University of Michigan Museum of Art |
Untitled Sylvia Guirey Medium: acrylic on burlap | Sylvia Guirey | Object not located in 1997 |
Untitled Rochester Folk Art Guild | Rochester Folk Art Guild | Palm Beach State College |
Untitled Steve Keister Medium: acrylic paint, suede, leather, foil on wood | Steve Keister | Whitney Museum of American Art |
Untitled Cheung Yee Medium: copper, aluminum, wood | Cheung Yee | Carnegie Museum of Art |
Untitled Julio Zachrisson Medium: etching on paper | Julio Zachrisson | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Lucio Fontana Medium: torn and scratched paper | Lucio Fontana | The Art Institute of Chicago |
Untitled Jean Tinguely Medium: felt pen, pencil, watercolor on paper | Jean Tinguely | University of Michigan Museum of Art |
Untitled Sylvia Guirey Medium: acrylic on woven cotton string and hemp twine | Sylvia Guirey | Object not located in 1997 |
Untitled Rochester Folk Art Guild | Rochester Folk Art Guild | Palm Beach State College |
Untitled Julio Zachrisson Medium: etching on paper | Julio Zachrisson | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Auguste Rodin Medium: graphite on paper | Auguste Rodin | University of Michigan Museum of Art |
Untitled After Honore Daumier Medium: graphite on colored paper | After Honore Daumier | University of Michigan Museum of Art |
Untitled Kevin Kobus Medium: acrylic on plaster and wood | Kevin Kobus | Dennos Museum Center, Northwestern Michigan College |
Untitled Maurice de Vlaminck Medium: gouache on paper mounted on canvas | Maurice de Vlaminck | University of Michigan Museum of Art |
Untitled Andres Alfaro Medium: screenprint with black ink on paper | Andres Alfaro | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Robert Goodnough Medium: oil on canvas | Robert Goodnough | Springfield Museum of Art |
Untitled Henri Pfieffer Medium: watercolor on paper | Henri Pfieffer | Carnegie Museum of Art |
Untitled Andres Alfaro Medium: screenprint with black ink on paper | Andres Alfaro | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Ed Ross Medium: gouache and ink on paper | Ed Ross | Dennos Museum Center, Northwestern Michigan College |
Untitled Andre Derain Medium: Conte crayon on paper | Andre Derain | University of Michigan Museum of Art |
Untitled Bill Moss Medium: ink, watercolor on paper | Bill Moss | House of Hope |
Untitled Robert Goodnough Medium: watercolor and pencil on paper | Robert Goodnough | The William Benton Museum of Art, University of Connecticut |
Untitled Henri Pfieffer Medium: watercolor on paper | Henri Pfieffer | Carnegie Museum of Art |
Untitled Andres Alfaro Medium: screenprint with black ink on paper | Andres Alfaro | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled Sha Sha Higby Medium: wood, silk, paint, cotton thread | Sha Sha Higby | Oakland Museum of California |
Untitled Felix Roulin Medium: steel, bronze, chrome | Felix Roulin | Dennos Museum Center, Northwestern Michigan College |
Untitled Andre Derain Medium: charcoal on paper | Andre Derain | University of Michigan Museum of Art |
Untitled Harry Bertoia Medium: bronze | Harry Bertoia | University of Michigan Museum of Art |
Untitled Forrest Myers Medium: cast bronze | Forrest Myers | Dennos Museum Center, Northwestern Michigan College |
Untitled Henri Pfieffer Medium: watercolor on paper | Henri Pfieffer | House of Hope |
Untitled Sha Sha Higby Medium: wood, silk, paint, cotton thread | Sha Sha Higby | Oakland Museum of California |
Untitled Jean Rudokas Medium: wood, paint, bird, plastic, brass | Jean Rudokas | Oakland Museum of California |
Untitled Hans Hofmann Medium: oil on canvasboard | Hans Hofmann | University of Michigan Museum of Art |
Untitled Jean Rudokas Medium: wood, mouse head, bird head, paper, paint, cotton | Jean Rudokas | Oakland Museum of California |
Untitled Lorna Simpson Medium: lithograph on felt | Lorna Simpson | The Art Institute of Chicago |
Untitled Robert Brady Medium: ceramic | Robert Brady | Palm Beach State College |
Untitled Ernest “Popeye” Reed Medium: sandstone | Ernest “Popeye” Reed | The Salvation Army |
Untitled Jean Rudokas Medium: wood, glass, photograph, felt, marine life in formaldehyde | Jean Rudokas | Oakland Museum of California |
Untitled Robert Brady Medium: ceramic | Robert Brady | Palm Beach State College |
Untitled Ernest “Popeye” Reed Medium: sandstone | Ernest “Popeye” Reed | The Salvation Army |
Untitled Budd Hopkins Medium: oil on two sides of paper | Budd Hopkins | University of New Mexico Art Museum |
Untitled Gwen Widmer Medium: paper, acrylic, twigs, feathers, string | Gwen Widmer | Object not located in 1997 |
Untitled Robert Brady Medium: ceramic | Robert Brady | Palm Beach State College |
Untitled Mary Cassat Medium: graphite on paper | Mary Cassat | University of Michigan Museum of Art |
Untitled Stephen Pace Medium: oil on canvas | Stephen Pace | Zimmerli Art Museum, Rutgers University |
Untitled George Grosz Medium: pen and black ink on paper | George Grosz | University of Michigan Museum of Art |
Untitled Murray Reich Medium: acrylic on canvas | Murray Reich | Sweeney Art Gallery, University of California, Riverside |
Untitled Kiki Smith Medium: lithograph in colors | Kiki Smith | University of Michigan Museum of Art |
Untitled Yvonne Thomas Medium: colored chalks on paper | Yvonne Thomas | Springfield Museum of Art |
Untitled Jaraslov Cermak Medium: blown glass | Jaraslov Cermak | Palm Beach State College |
Untitled George Grosz Medium: ink and watercolor on paper | George Grosz | University of Michigan Museum of Art |
Untitled #1, 1980 Max Cole Medium: Etching | Max Cole | |
Untitled #1, 2006 Leslie Wilkes Medium: Gouache on paper | Leslie Wilkes | |
Untitled #16, 2006 Leslie Wilkes Medium: Gouache on paper | Leslie Wilkes | |
Untitled #2, 1980 Max Cole Medium: Etching | Max Cole | |
Untitled #202, 1997 Florence Miller Pierce Medium: Resin on Plexiglas mirror | Florence Miller Pierce | San Antonio Museum of Art |
Untitled #277, 4/3/98 Florence Miller Pierce Medium: Resin on plexiglass mirror | Florence Miller Pierce | |
Untitled #283, 5/8/98 Florence Miller Pierce Medium: Resin on plexigalss mirror | Florence Miller Pierce | Denver Art Museum |
Untitled #3, 1980 Max Cole Medium: Etching | Max Cole | |
Untitled #36, 2002 Emi Winter Medium: Oil on masonite | Emi Winter | University of New Mexico Art Museum |
Untitled #55, 2014 Laura Letinsky Medium: Archival pigment print on Hahnemule paper | Laura Letinsky | |
Untitled #7, 2006 Leslie Wilkes Medium: Gouache on paper | Leslie Wilkes | Museum of Fine Art Houston (MFAH) |
Untitled #8, 2006 Leslie Wilkes Medium: Gouache on paper | Leslie Wilkes | |
Untitled (#5), 2014 Max Cole Medium: Ink and acrylic on Arches rag paper | Max Cole | |
Untitled (166), 1986 Cindy Sherman Medium: color photograph | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled (98.8), 1998 Uta Barth Medium: Color photographs on panels | Uta Barth | Museum of Contemporary Art San Diego |
Untitled (98.8), 1998 Uta Barth Medium: Color photographs on Sintra panels | Uta Barth | Museum of Contemporary Art San Diego |
Untitled (Alaska pipeline, Dalton Highway, Mile 298), 2003 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Alaskan pipeline at Atigun Pass, Brooks Range, Alaska), 2003 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | National Gallery of Art |
Untitled (Antarctica, 05 February 2009 00:21:17 GMT), from The Polar Project Erika Blumenfeld Medium: Digital pigment print | Erika Blumenfeld | University of New Mexico Art Museum |
Untitled (Antarctica, 09 February 2009 22:09:26 GMT), from The Polar Project Erika Blumenfeld Medium: Digital pigment print | Erika Blumenfeld | |
Untitled (Antarctica, 16 February 2009 16:29:05 GMT), from The Polar Project Erika Blumenfeld Medium: Digital pigment print | Erika Blumenfeld | University of New Mexico Art Museum |
Untitled (Antarctica, 21 February 2009 09:27:40 GMT), from The Polar Project Erika Blumenfeld Medium: Digital pigment print | Erika Blumenfeld | University of New Mexico Art Museum |
Untitled (Antarctica, 21 February 2009 16:18:44 GMT), from The Polar Project Erika Blumenfeld Medium: Digital pigment print | Erika Blumenfeld | University of New Mexico Art Museum |
Untitled (Antarctica, 31 January 2009 22:36:30 GMT), from The Polar Project Erika Blumenfeld Medium: Digital pigment print | Erika Blumenfeld | University of New Mexico Art Museum |
Untitled (Arsenic), 2001 (JM40) John Meyer Medium: Orpiment (arsenic) tempera on walnut | John Meyer | |
Untitled (Asymmetrical Bar, no. 1, 5.2.07), 2007 Susan York Medium: Graphite on Arches paper 88 | Susan York | Museum of Fine Art Houston (MFAH) |
Untitled (Asymmetrical Bar, no. 4), 2007 Susan York Medium: Solid graphite | Susan York | |
Untitled (Asymmetrical Form, no. 1), 2007 Susan York Medium: Solid graphite | Susan York | Museum of Fine Art Houston (MFAH) |
Untitled (Asymmetrical form, no. 1, 10.2.07), 2007 Susan York Medium: Graphite on Arches paper 88 | Susan York | Museum of Fine Art Houston (MFAH) |
Untitled (black and white), 2001 (JM25) John Meyer Medium: Tempera on oak | John Meyer | Denver Art Museum |
Untitled (black and white), 2001 (JM25) John Meyer Medium: Tempera on oak | John Meyer | Denver Art Museum |
Untitled (Boquillas del Carmen), Big Bend National Park, Texas, 2009 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Nelson-Atkins Museum of Art |
Untitled (Boquillas del Carmen), Big Bend National Park, Texas, 2009 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Nelson-Atkins Museum of Art |
Untitled (Border fence near Naco, AZ), 2010 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | National Gallery of Art |
Untitled (bowling ball) Mike Kelley Medium: Bowling ball, shirt in bolwing bag | Mike Kelley | Center for Curatorial Studies, Bard College |
Untitled (Boy in Chair), 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | J. Paul Getty Museum |
Untitled (Building site and grass, Cranbury, New Jersey), 2000 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Museum of Contemporary Photography, Columbia College Chicago |
Untitled (Celadon truck line, Laredo, Texas), 2000 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (ceramic) Nick Wood Medium: ceramic | Nick Wood | Palm Beach State College |
Untitled (Check 2), 1985 Sherrie Levine Medium: casein on mahogany panel | Sherrie Levine | The Art Institute of Chicago |
Untitled (Children in Strollers), 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | Museum of Contemporary Photography, Columbia College Chicago |
Untitled (Cinnabar), 2001 (JM39) John Meyer Medium: Cinnabar tempera on walnut | John Meyer | Denver Art Museum |
Untitled (Coaldale, Pennsylvania), 2007 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | National Gallery of Art |
Untitled (Crater ring with boulders, Mountain Home, Idaho), 2008 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | University of New Mexico Art Museum |
Untitled (Damsel pointing at penis), n.d. William Fielding Medium: ink, watercolor, pencil on paper | William Fielding | Museum of Sex |
Untitled (Damsel pulling on penis of a Knight), n.d. William Fielding Medium: ink, watercolor, pencil on paper | William Fielding | Museum of Sex |
Untitled (Dandelions, Monemenie, Wisconsin), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Museum of Contemporary Photography, Columbia College Chicago |
Untitled (Distant orange trucks docked with cornfield, Janesville, Wisconsin), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Distant steam vents, Yellowstone), 2008 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | National Gallery of Art |
Untitled (Distant train with plains, Gillette, Wyoming), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Distant view from Cristo Rey, Sunland Park, NM), from the Border Series, 2010 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | University of New Mexico Art Museum |
Untitled (Drill site with tundra-distant view, Prudhoe Bay, Alaska), 2003 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Dummy in Stairwell) Laurie Simmons Medium: color photograph | Laurie Simmons | Museum of Contemporary Art Chicago |
Untitled (El pan nuestro de Ramón Frade), 2017 Aby Ruiz Medium: oil on canvas | Aby Ruiz | |
Untitled (Faceless Faces), 1963 Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Untitled (Farm with Workers), Jacumba, California, 2010 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Hood Museum of Art, Dartmouth College |
Untitled (female breast) Lucien Clergue Medium: gelatin silver photograph | Lucien Clergue | Carnegie Museum of Art |
Untitled (female head), 1936 Henri Matisse Medium: pen and ink on paper | Henri Matisse | University of Michigan Museum of Art |
Untitled (Five trucks, moving train, New Carlisle, Indiana), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Center for Creative Photography, University of Arizona |
Untitled (Flaming Gorge near Dutch John, Utah), 2007 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (four painted heads with hats) Scott Miller Medium: acrylic and screen print on aluminum on wood | Scott Miller | Jersey City Museum |
Untitled (from God Games) Unknown Medium: acrylic on canvas | Unknown | |
Untitled (Garbage), 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | University of New Mexico Art Museum |
Untitled (Gillette, Wyoming), 2007 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Hercules Gap, Ely, Nevada), 2004 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Il Pastore), 1948 etching, 1948 Giacomo Manzu Medium: etching, signed in pencil | Giacomo Manzu | Krannert Art Museum, University of Illinois Urbana-Champaign |
Untitled (Isometric of DIA Art Foundation, 155 Mercer Street, New York), c. 1989 Fred Sandback Medium: pencil and pastel on paper | Fred Sandback | Dia Art Foundation |
Untitled (Kilauea Caldera-distant, Hawaii), 2005 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (La Famiglia), 1948 Giacomo Manzu Medium: etching, signed in pencil | Giacomo Manzu | Krannert Art Museum, University of Illinois Urbana-Champaign |
Untitled (landscape), 1940 Arnold Friedman Medium: oil on fiberboard | Arnold Friedman | Zimmerli Art Museum, Rutgers University |
Untitled (Lapis), 2001 (JM41) John Meyer Medium: Lapis lazuli tempera on walnut | John Meyer | Denver Art Museum |
Untitled (Last Light), 1993 Félix González-Torres Medium: 24 light bulbs, extension cord, plastic light sockets, dimmer switch | Félix González-Torres | The Art Institute of Chicago |
Untitled (Marfa Landscape Series) Alain Clement Medium: Sun-developed photograph toned with gold chloride | Alain Clement | |
Untitled (Marfa Landscape Series) Alain Clement Medium: Sun-developed photograph toned with gold chloride | Alain Clement | |
Untitled (Marfa Landscape Series) Alain Clement Medium: Sun-developed photograph toned with gold chloride | Alain Clement | |
Untitled (Marfa Landscape Series) Alain Clement Medium: Sun-developed photograph toned with gold chloride | Alain Clement | |
Untitled (Marfa Landscape Series) Alain Clement Medium: Sun-developed photograph toned with gold chloride | Alain Clement | |
Untitled (Marfa Landscape Series) Alain Clement Medium: Sun-developed photograph toned with gold chloride | Alain Clement | |
Untitled (Mexican Notebook), 1984 Tom Otterness Medium: ink and frisket on graph paper | Tom Otterness | Whitney Museum of American Art |
Untitled (Mexican Notebook), 1984 Tom Otterness Medium: ink and frisket on four sheets of graph paper | Tom Otterness | Whitney Museum of American Art |
Untitled (Near Echo Canyon-East, Utah), 2007 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Nelson-Atkins Museum of Art |
Untitled (Near Echo Canyon-West, Utah), 2007 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Nelson-Atkins Museum of Art |
Untitled (Notebook Drawings), 1984 Tom Otterness Medium: ink on four sheets of notebook paper | Tom Otterness | Whitney Museum of American Art |
Untitled (ocean), 1968 Vija Celmins Medium: pencil on paper | Vija Celmins | The Art Institute of Chicago |
Untitled (Orange Schneider, Fort Worth, Texas), 2000 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Museum of Fine Art Houston (MFAH) |
Untitled (painted head) Scott Miller Medium: acrylic on wood | Scott Miller | House of Hope |
Untitled (Petrified Forest near Holbrook, Arizona), 2004 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Museum of Contemporary Photography, Columbia College Chicago |
Untitled (Plate Study), 1986 Tom Otterness Medium: ink on paper | Tom Otterness | Whitney Museum of American Art |
Untitled (Portrait of Wallace Berman), 1974 Wallace Berman Medium: acrylic on paper | Wallace Berman | Whitney Museum of American Art |
Untitled (Portrait of Wallace Berman), 1974 Wallace Berman Medium: acrylic on paper | Wallace Berman | Whitney Museum of American Art |
Untitled (Portrait of Wallace Berman), 1974 Wallace Berman Medium: acrylic on paper | Wallace Berman | Whitney Museum of American Art |
Untitled (Portrait of Wallace Berman), 1974 Wallace Berman Medium: acrylic on paper | Wallace Berman | Whitney Museum of American Art |
Untitled (Portraits of Jay De Feo), 1959 Wallace Berman Medium: gelatin silver photographs | Wallace Berman | Whitney Museum of American Art |
Untitled (Potash mine-distant view, Wendover, Utah), 2004 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | National Gallery of Art |
Untitled (Rally), 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
Untitled (Ralph Muller), 1986 Thomas Ruff Medium: color photograph in artist's frame | Thomas Ruff | The Art Institute of Chicago |
Untitled (Reaper Drone), 2013 Trevor Paglen Medium: chromogenic print | Trevor Paglen | |
Untitled (Red containers, wet ground, Fort Worth, Texas), 2000 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | National Gallery of Art |
Untitled (Red, green, silver train cars, Upton, Wyoming), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (road dividing charred land), Fort Davis, TX, 2011 Victoria Sambunaris Medium: C-Print | Victoria Sambunaris | |
Untitled (Santa Elena Canyon), Big Bend National Park, Texas, 2010 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Schellmann 207-210V) Donald Judd Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata (vertical) | Donald Judd | Dia Art Foundation |
Untitled (Schellmann 207-210V) Donald Judd Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata (vertical) | Donald Judd | Dia Art Foundation |
Untitled (Schellmann 207-210V) Donald Judd Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata | Donald Judd | Dia Art Foundation |
Untitled (Schellmann 207-210V) Donald Judd Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata | Donald Judd | Dia Art Foundation |
Untitled (Schellmann 219-222H) Donald Judd Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma | Donald Judd | Dia Art Foundation |
Untitled (Schellmann 219-222H) Donald Judd Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma | Donald Judd | Dia Art Foundation |
Untitled (Schellmann 219-222H) Donald Judd Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma | Donald Judd | Dia Art Foundation |
Untitled (Schellmann 219-222H) Donald Judd Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma | Donald Judd | Dia Art Foundation |
Untitled (Sculptural Study, Black Wall Relief), 2003/2006 Fred Sandback Medium: acrylic paint on wood | Fred Sandback | National Gallery of Art |
Untitled (Sculptural Study, Terra-cotta Wall Relief), 2003/2006 Fred Sandback Medium: acrylic paint on wood | Fred Sandback | Blanton Museum of Art, University of Texas, Austin |
Untitled (Sculptural Study, White Wall Relief), 2003/2006 Fred Sandback Medium: acrylic paint on wood | Fred Sandback | |
Untitled (Skewed Square, no. 4, 27.1.07), 2007 Susan York Medium: Graphite on Arches paper 88 | Susan York | |
Untitled (Sleeping Woman), 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
Untitled (Snow Geese), 2004 Carole Devillers Medium: Color photograph | Carole Devillers | Center for Economic Research and Social Change |
Untitled (Table Study), 1986 Tom Otterness Medium: colored pencils and oil stick on paper | Tom Otterness | Whitney Museum of American Art |
Untitled (The Tables), 1991 Tom Otterness Medium: charcoal on five sheets of paper mounted on Tycore and plywood | Tom Otterness | Whitney Museum of American Art |
Untitled (Train and highway, Janesville, Wisconsin), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Center for Creative Photography, University of Arizona |
Untitled (Train on salt flats, Great Salt Lake Desert, Utah), 2002 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Denver Art Museum |
Untitled (Train with tall grass, North Platte, Nebraska), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Sheldon Art Association |
Untitled (Travertine, Yellowstone), 2008 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Denver Art Museum |
Untitled (Trucks and tags, Des Moines, Iowa), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | University of New Mexico Art Museum |
Untitled (two painted heads) Scott Miller Medium: acrylic and screen print on aluminum on wood | Scott Miller | Jersey City Museum |
Untitled (Two trucks, train, water, New Carlisle, Indiana), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Center for Creative Photography, University of Arizona |
Untitled (Uranium tailings, Mexican Hat, Utah), 2005 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Hood Museum of Art, Dartmouth College |
Untitled (Uranium tailings, Mexican Hat, Utah), 2005 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Hood Museum of Art, Dartmouth College |
Untitled (vase), 1981 Keith Haring Medium: ink marker on fiberglass | Keith Haring | The Art Institute of Chicago |
Untitled (vase), 1981 Keith Haring Medium: ink marker on fiberglass | Keith Haring | The Art Institute of Chicago |
Untitled (Warehouse with sand, El Paso, Texas), 2002 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | |
Untitled (Wendover, Utah), 2007 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Denver Art Museum |
Untitled (White containers with scum, Newton, Iowa), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Philadelphia Museum of Art |
Untitled (White trucks docked with water, New Carlisle, Indiana), 2001 Victoria Sambunaris Medium: Chromogenic print | Victoria Sambunaris | Center for Creative Photography, University of Arizona |
Untitled (Woman on Horse), 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
Untitled (Woman with U.S. Flag), 2006 Julián Cardona Medium: Gelatin silver print | Julián Cardona | J. Paul Getty Museum |
Untitled - Early November 1961, 1961 Lucas Samaras Medium: pastel on paper | Lucas Samaras | The Art Institute of Chicago |
Untitled - February 16, 1961, 1961 Lucas Samaras Medium: pastel on paper | Lucas Samaras | The Art Institute of Chicago |
Untitled 1957, 2010 Patrick McFarlin Medium: graphite on Bristol board | Patrick McFarlin | |
Untitled 2, 1981 Kevin Cannon Medium: dyed and painted leather, metal | Kevin Cannon | Harwood Museum, University of New Mexico |
Untitled 2, 1983 Louis Renzoni Medium: acrylic on canvas | Louis Renzoni | Dennos Museum Center, Northwestern Michigan College |
Untitled 3, 1983 Louis Renzoni Medium: acrylic on canvas | Louis Renzoni | Museum of Sex |
Untitled 3/7/91, 1991 Bill Komoski Medium: acrylic, modeling paste on canvas | Bill Komoski | Museum of Contemporary Art San Diego |
Untitled 4, 1983 Louis Renzoni Medium: acrylic on canvas | Louis Renzoni | Museum of Sex |
Untitled 5 Louis Renzoni Medium: acrylic on canvas | Louis Renzoni | The William Benton Museum of Art, University of Connecticut |
Untitled Drawing with Dog, 1975 Ken Feldsott Medium: gouache, graphite on paper | Ken Feldsott | Oakland Museum of California |
Untitled Film Still 14, 1978 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled Film Still, 1979 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled Film Still, 8, 1978 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled Film Still, 9 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled from PoÈsie de Mots inconnu: Two Impressions (see D, book 26) Henri Matisse Medium: one linocut in black, one linocut in red, both signed in pencil | Henri Matisse | University of Michigan Museum of Art |
Untitled From the URBAN INTERVENTIONS, ROSARIO, ARGENTINA series, 2001-2004 Fernando Traverso Medium: Epson digital print from film transparency | Fernando Traverso | |
Untitled No. 1, 1956-1959 Ronald Bladen Medium: oil on masonite | Ronald Bladen | San Francisco Museum of Modern Art |
Untitled No. 26, 1973 Larry Poons Medium: acrylic on canvas | Larry Poons | Carnegie Museum of Art |
Untitled No. 4, 1956-1959 Ronald Bladen Medium: oil on masonite | Ronald Bladen | San Francisco Museum of Modern Art |
Untitled Participation Sculpture, 1967 Judy Chicago Medium: gold-plated, milled steel | Judy Chicago | University of Michigan Museum of Art |
Untitled Pill, 1967 Terry O'Shea Medium: polyester resin, cast, transparent dyes | Terry O'Shea | Object not located in 1997 |
Untitled Standing Figure 1, 1982 Manuel Neri Medium: enamel paint on cast bronze | Manuel Neri | San Francisco Museum of Modern Art |
Untitled WG3 Kevin Cannon Medium: painted and dyed leather, metal | Kevin Cannon | Harwood Museum, University of New Mexico |
Untitled [Etat: MarchÈ et ouvert and concentrÈ] Jean Tinguely Medium: ink, felt pen, pencil on 2 attached sheets of paper | Jean Tinguely | University of Michigan Museum of Art |
Untitled, (8/16/89) Bill Komoski Medium: acrylic, modeling paste on canvas | Bill Komoski | Dennos Museum Center, Northwestern Michigan College |
Untitled, (Cargo ship, Seaboard Ranger, Liberia) Houston Ship Channel, Texas, 2015 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | Center for Creative Photography, University of Arizona |
Untitled, (Container ship, CMA CGM Kingfish, Liberia), 2016 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | J. Paul Getty Museum |
Untitled, (Container ship, London Express, Germany), Houston Ship Channel, Texas, 2015 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | J. Paul Getty Museum |
Untitled, (Crude oil tanker, Advantage Avenue, Marshall Islands), 2016 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | |
Untitled, (Crude oil tanker, Eagle Stealth, Marshall Islands), 2016 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | |
Untitled, (General cargo, Tanto Bagus, formally UAL Coburg, Indonesia), 2016 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | Museum of Fine Art Houston (MFAH) |
Untitled, (General cargo, Wieniawski, Malta), 2016 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | Center for Creative Photography, University of Arizona |
Untitled, (Oil products tanker, FSL Osaka, formally Seven Express, Singapore), 2015 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | |
Untitled, (Oil/chemical tanker, Nordic Lynx, Norway), 2016 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | Museum of Fine Art Houston (MFAH) |
Untitled, (Oil/chemical tanker, Overseas Tampa, USA) Houston Ship Channel, Texas, 2015 Victoria Sambunaris Medium: Archival pigment print mounted on dibond | Victoria Sambunaris | Museum of Fine Art Houston (MFAH) |
Untitled, (Trains crossing estuarial corridor), (#1 of 5), Virginia Point, Texas, 2015 Victoria Sambunaris Medium: Chromogenic print mounted on white Plexiglas | Victoria Sambunaris | |
Untitled, (Trains crossing estuarial corridor), (#2 of 5), Virginia Point, Texas, 2015 Victoria Sambunaris Medium: Chromogenic print mounted on white Plexiglas | Victoria Sambunaris | |
Untitled, (Trains crossing estuarial corridor), (#3 of 5), Virginia Point, Texas, 2015 Victoria Sambunaris Medium: Chromogenic print mounted on white Plexiglas | Victoria Sambunaris | |
Untitled, (Trains crossing estuarial corridor), (#4 of 5), Virginia Point, Texas, 2015 Victoria Sambunaris Medium: Chromogenic print mounted on white Plexiglas | Victoria Sambunaris | |
Untitled, (Trains crossing estuarial corridor), (#5 of 5), Virginia Point, Texas, 2015 Victoria Sambunaris Medium: Chromogenic print mounted on white Plexiglas | Victoria Sambunaris | |
Untitled, 1925 Phillip Evergood Medium: pencil on paper | Phillip Evergood | Farnsworth Art Museum |
Untitled, 1949 John McLaughlin Medium: oil on board | John McLaughlin | Museum of Contemporary Art, Los Angeles |
Untitled, 1952 Rune Jansson Medium: crayon on paper | Rune Jansson | |
Untitled, 1954 Morris Louis Medium: Acrylic on canvas | Morris Louis | The Menil Collection |
Untitled, 1954 Morris Louis Medium: Acrylic on canvas | Morris Louis | Sheldon Art Association |
Untitled, 1954 Edward Dugmore Medium: oil on canvas | Edward Dugmore | Hirshhorn Museum and Sculpture Garden |
Untitled, 1954 Morris Louis Medium: Oil on canvas | Morris Louis | Sheldon Art Association |
Untitled, 1954 Pedro Oraa Medium: ink on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1954 Rune Jansson Medium: colored chalks on colored paper | Rune Jansson | |
Untitled, 1954 Morris Louis Medium: Acrylic on unsized canvas | Morris Louis | Denver Art Museum |
Untitled, 1954 Morris Louis Medium: Acrylic on canvas | Morris Louis | Amon Carter Museum of American Art |
Untitled, 1955 Indrimi | Indrimi | House of Hope |
Untitled, 1955 Antonio Bandeira Medium: watercolor, gouache on paper | Antonio Bandeira | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1955 Pedro Oraa Medium: watercolor, ink on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1956 Pedro Oraa Medium: watercolor, ink, silver paint on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1956 Emilie Johnson Medium: oil on masonite | Emilie Johnson | House of Hope |
Untitled, 1956 Pedro Oraa Medium: watercolor, ink, copper paint on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1956 Emilie Johnson Medium: oil on masonite | Emilie Johnson | House of Hope |
Untitled, 1956 Pedro Oraa Medium: pastel on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1956 Emilie Johnson Medium: oil on canvas board | Emilie Johnson | House of Hope |
Untitled, 1956 Pedro Oraa Medium: brush and black ink on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1956 Pedro Oraa Medium: gouache on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1956 Pedro Oraa Medium: gouache, pastel on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1956 Pedro Oraa Medium: gouache, pastel on paper | Pedro Oraa | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1957 Robert Richenburg Medium: oil on canvas | Robert Richenburg | Zimmerli Art Museum, Rutgers University |
Untitled, 1958 Clyfford Still Medium: oil on canvas | Clyfford Still | The Art Institute of Chicago |
Untitled, 1958 Budd Hopkins Medium: oil on masonite | Budd Hopkins | Jersey City Museum |
Untitled, 1958-59 Robert Irwin Medium: oil on canvas in artist's wood frame | Robert Irwin | Museum of Contemporary Art, Los Angeles |
Untitled, 1958-60 Robert Irwin Medium: oil on canvas in artist's wood frame | Robert Irwin | Museum of Contemporary Art, Los Angeles |
Untitled, 1959 Lucien Philippe Moretti Medium: felt pen, gouache on paper | Lucien Philippe Moretti | Carnegie Museum of Art |
Untitled, 1959 C.R. Ginger Medium: acrylic on glass | C.R. Ginger | House of Hope |
Untitled, 1959 Julius Schmidt Medium: copper plated cast iron | Julius Schmidt | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1959 Wallace Berman Medium: graphite on paper mounted on board | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Untitled, 1959 John Grillo Medium: oil and paper collage on board | John Grillo | Zimmerli Art Museum, Rutgers University |
Untitled, 1959 John Grillo Medium: Watercolor on paper | John Grillo | Denver Art Museum |
Untitled, 1960 Robert Beauchamp Medium: oil on canvas | Robert Beauchamp | Rose Art Museum, Brandeis University |
Untitled, 1960 Robert Richenburg Medium: oil and encaustic on canvas | Robert Richenburg | Rose Art Museum, Brandeis University |
Untitled, 1960 Sam Francis Medium: Gouache on paper | Sam Francis | Sheldon Art Association |
Untitled, 1960 William Gambini Medium: oil on canvas | William Gambini | Oakland Museum of California |
Untitled, 1960 Oliver O'Connor Barrett Medium: Black felt-tip pen on paper | Oliver O'Connor Barrett | |
Untitled, 1960 Lester Johnson Medium: oil on canvasboard | Lester Johnson | Smart Museum of Art, University of Chicago |
Untitled, 1960's Miles Forst Medium: acrylic on paper | Miles Forst | Museum of Sex |
Untitled, 1960's Wallace Berman Medium: Verifax collage, framed | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Untitled, 1960-1962 Warren Brandt Medium: oil on canvas | Warren Brandt | Sweeney Art Gallery, University of California, Riverside |
Untitled, 1961 Isaiah Zagar Medium: acrylic, ink pen on paper | Isaiah Zagar | House of Hope |
Untitled, 1961 Philip Roeber Medium: oil on canvas | Philip Roeber | Oakland Museum of California |
Untitled, 1961 Philip Roeber Medium: oil on canvas | Philip Roeber | Oakland Museum of California |
Untitled, 1961 Lester Johnson Medium: oil on canvasboard | Lester Johnson | Rose Art Museum, Brandeis University |
Untitled, 1961 Lester Johnson Medium: oil on canvasboard | Lester Johnson | Springfield Museum of Art |
Untitled, 1961 John Altoon Medium: gouache and colored crayons on board | John Altoon | Museum of Contemporary Art, Los Angeles |
Untitled, 1961 Philip Roeber Medium: oil on canvas | Philip Roeber | Oakland Museum of California |
Untitled, 1961 Lester Johnson Medium: oil on canvasboard | Lester Johnson | Springfield Museum of Art |
Untitled, 1961 Lester Johnson Medium: oil on canvasboard | Lester Johnson | Springfield Museum of Art |
Untitled, 1961 Lester Johnson Medium: charcoal on paper | Lester Johnson | Museum of Contemporary Art, Los Angeles |
Untitled, 1962 Mario Yrissary Medium: oil and paper collage on canvasboard | Mario Yrissary | University of New Mexico Art Museum |
Untitled, 1962 Clay Spohn Medium: felt pen, crayon on paper | Clay Spohn | Oakland Museum of California |
Untitled, 1962 Sonia Gechtoff Medium: pencil, watercolor and torn paper collage on paper mounted on board | Sonia Gechtoff | Carnegie Museum of Art |
Untitled, 1962 William Fielding Medium: oil on panel | William Fielding | Museum of Sex |
Untitled, 1962 Lester Johnson Medium: ink wash and charcoal on paper | Lester Johnson | Springfield Museum of Art |
Untitled, 1963 Nicholas Krushenick Medium: acrylic on canvas | Nicholas Krushenick | University of New Mexico Art Museum |
Untitled, 1963 Ed Ross Medium: gouache, ink on paper | Ed Ross | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1963-65 Robert Irwin Medium: oil on canvas on shaped wood veneer frame | Robert Irwin | Museum of Contemporary Art, Los Angeles |
Untitled, 1964 Robert Morris Medium: lead, sculpmetal over particle board | Robert Morris | Hirshhorn Museum and Sculpture Garden |
Untitled, 1964 Robert Morris Medium: lead sheeting over wood, plaster and nylon | Robert Morris | Carnegie Museum of Art |
Untitled, 1964 George Segal Medium: pastel on board | George Segal | New Mexico Museum of Art |
Untitled, 1964 Neil Williams Medium: ink, crayon, graphite | Neil Williams | Carnegie Museum of Art |
Untitled, 1964 Nicholas Krushenick Medium: oil on canvas | Nicholas Krushenick | University of New Mexico Art Museum |
Untitled, 1964 Neil Williams Medium: acrylic on canvas | Neil Williams | Sweeney Art Gallery, University of California, Riverside |
Untitled, 1964-1965 Wendy Vanderbilt Medium: India ink on illustrated board | Wendy Vanderbilt | |
Untitled, 1965 D Wande Medium: pen and ink | D Wande | Carnegie Museum of Art |
Untitled, 1965 Dean Fleming Medium: gouache on paper | Dean Fleming | Carnegie Museum of Art |
Untitled, 1965 Robert Morris Medium: sculptmetal, oil, flourescent light and canvas | Robert Morris | University of Michigan Museum of Art |
Untitled, 1965 Amilcar de Castro Medium: pastel on paper | Amilcar de Castro | Blanton Museum of Art, University of Texas, Austin |
Untitled, 1965 Agustin Fernandez Medium: graphite on paper | Agustin Fernandez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1965 Agustin Fernandez Medium: pencil on paper | Agustin Fernandez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1965 Agustin Fernandez Medium: pencil on paper | Agustin Fernandez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1965 Agustin Fernandez Medium: pencil on paper | Agustin Fernandez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1965 Tamara Melcher Medium: acrylic on canvas | Tamara Melcher | University of New Mexico Art Museum |
Untitled, 1965-67 Robert Irwin Medium: sprayed acrylic lacquer on shaped aluminum | Robert Irwin | Museum of Contemporary Art, Los Angeles |
Untitled, 1965-67 Robert Irwin Medium: sprayed acrylic lacquer on shaped aluminum | Robert Irwin | Museum of Contemporary Art Chicago |
Untitled, 1966 Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Untitled, 1966 Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Untitled, 1966 Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Untitled, 1966 Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Untitled, 1966 Paul Doolin Medium: electron micrographs | Paul Doolin | Oxnard College |
Untitled, 1966 - 1968 Peter Alexander Medium: polyester resin | Peter Alexander | |
Untitled, 1966-1968 Peter Alexander Medium: Cast polyester resin | Peter Alexander | |
Untitled, 1966-1972 George Kuehn Medium: bolted steel and aluminum | George Kuehn | |
Untitled, 1967 Jo Baer Medium: two panels - acrylic on canvas - unframed | Jo Baer | Museum of Contemporary Art, Los Angeles |
Untitled, 1967 Agustin Fernandez Medium: pencil on paper | Agustin Fernandez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1967 Agustin Fernandez Medium: pencil on paper | Agustin Fernandez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1967 Carlos Villa Medium: ink, pencil on graph paper | Carlos Villa | Oakland Museum of California |
Untitled, 1967 Salvatore Sirugo Medium: paint on paper | Salvatore Sirugo | Zimmerli Art Museum, Rutgers University |
Untitled, 1967-1968 David Novros Medium: lacquer on fiberglass | David Novros | Blanton Museum of Art, University of Texas, Austin |
Untitled, 1968 Gerald Gooch Medium: lithograph | Gerald Gooch | Museum of Sex |
Untitled, 1968 Wallace Berman Medium: Verifax collage | Wallace Berman | Museum of Contemporary Art Chicago |
Untitled, 1968 Al Brunelle Medium: silver paper on cardboard, matboard | Al Brunelle | Carnegie Museum of Art |
Untitled, 1968 Gerald Gooch Medium: lithograph | Gerald Gooch | Museum of Sex |
Untitled, 1968 Gerald Gooch Medium: lithograph | Gerald Gooch | Museum of Sex |
Untitled, 1968 Marty Greenbaum Medium: a book with crayons and collage in a Plexiglas box | Marty Greenbaum | School of the Art Institute of Chicago |
Untitled, 1968 Kes Zapkus Medium: triptych, acrylic on canvas | Kes Zapkus | University of New Mexico Art Museum |
Untitled, 1968 Paul Donin Medium: cast polyester resin, with plastic strap encased, in Plexiglas box with lid | Paul Donin | Object not located in 1997 |
Untitled, 1968 Henry Miller Medium: Watercolor on paper | Henry Miller | Henry Miller Memorial Library |
Untitled, 1968-1969 Robert Irwin Medium: acrylic lacquer on formed acrylic plastic | Robert Irwin | Museum of Contemporary Art, Los Angeles |
Untitled, 1968-1971 Lynda Benglis Medium: encaustic, damar resin on masonite | Lynda Benglis | Museum of Contemporary Art, Los Angeles |
Untitled, 1969 Jose Soto Medium: watercolor on paper | Jose Soto | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1969 Jose Soto Medium: watercolor on paper | Jose Soto | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1969 Henry Miller Medium: Watercolor on paper | Henry Miller | Henry Miller Memorial Library |
Untitled, 1970 Luis Saez Medium: crayon on paper | Luis Saez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1970 Richard Artschwager Medium: spun fibre and wood | Richard Artschwager | Museum of Contemporary Art Chicago |
Untitled, 1970 Jose Soto Medium: watercolor on paper | Jose Soto | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1970 Ed Moses Medium: polyester resin on canvas | Ed Moses | Museum of Contemporary Art, Los Angeles |
Untitled, 1970 William Pettet Medium: acrylic on canvas | William Pettet | Oakland Museum of California |
Untitled, 1970 Ethlyn Honig Medium: pencil on folded Japanese paper, with adhesive | Ethlyn Honig | |
Untitled, 1970 Alan Cote Medium: acrylic on canvas | Alan Cote | Zimmerli Art Museum, Rutgers University |
Untitled, 1970 Joel Fisher Medium: hand made paper in formica frame | Joel Fisher | Zimmerli Art Museum, Rutgers University |
Untitled, 1970-1971 Douglas Sanderson Medium: beeswax, alkyd enamel on vellum | Douglas Sanderson | Carnegie Museum of Art |
Untitled, 1970-1971 Douglas Sanderson Medium: beeswax, alkyd enamel on vellum | Douglas Sanderson | Carnegie Museum of Art |
Untitled, 1970-1971 Douglas Sanderson Medium: beeswax, alkkyd enamel on vellum | Douglas Sanderson | Carnegie Museum of Art |
Untitled, 1971 Luis Saez Medium: pencil, crayon on paper | Luis Saez | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1971 Tom Wudl Medium: bronze, gold leaf on perforated newspaper | Tom Wudl | Portland Art Museum |
Untitled, 1971 Joel Shapiro Medium: granite | Joel Shapiro | Museum of Contemporary Art, Los Angeles |
Untitled, 1971 Isaiah Zagar Medium: photograph, paper, crayon, paint | Isaiah Zagar | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1971 Joel Shapiro Medium: seven elements, limestone | Joel Shapiro | Museum of Contemporary Art Chicago |
Untitled, 1971 Joel Shapiro Medium: marble | Joel Shapiro | Museum of Contemporary Art, Los Angeles |
Untitled, 1971 Jud Fine Medium: pencil on paper | Jud Fine | Carnegie Museum of Art |
Untitled, 1971 Marty Greenbaum Medium: colored inks, colored pencils and photo offset on paper | Marty Greenbaum | The Art Institute of Chicago |
Untitled, 1971 Mary Ann Warner Medium: pencil on paper | Mary Ann Warner | House of Hope |
Untitled, 1971 Jud Fine Medium: bamboo, aluminum, cotton cord, latex | Jud Fine | Oakland Museum of California |
Untitled, 1971 Antonio Lorenzo Medium: nine etchings on paper matted together | Antonio Lorenzo | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1971 Jud Fine Medium: bamboo, latex, gold paint | Jud Fine | Oakland Museum of California |
Untitled, 1971 Jud Fine Medium: glass, cotton, latex | Jud Fine | Oakland Museum of California |
Untitled, 1972 Jose Guinovart Medium: oil on canvas | Jose Guinovart | Godwin-Ternbach Museum, Queens College, City University of New York |
Untitled, 1972 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Museum of Contemporary Art, Los Angeles |
Untitled, 1972 Al Brunelle Medium: rhinestones on paper mounted on cardboard | Al Brunelle | Carnegie Museum of Art |
Untitled, 1972 Robert Moskowitz Medium: Acrylic on canvas | Robert Moskowitz | Denver Art Museum |
Untitled, 1972 Alan Shields Medium: acrylic on broom | Alan Shields | Zimmerli Art Museum, Rutgers University |
Untitled, 1972 Lynton Wells Medium: triptych, acrylic on photosensitized linen | Lynton Wells | Zimmerli Art Museum, Rutgers University |
Untitled, 1973 Lindsay Bos Medium: ink on paper | Lindsay Bos | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1973 Howard Buchwald Medium: colored pencil on mylar | Howard Buchwald | The William Benton Museum of Art, University of Connecticut |
Untitled, 1973 Howard Buchwald Medium: colored pencil on mylar | Howard Buchwald | The William Benton Museum of Art, University of Connecticut |
Untitled, 1973 Howard Buchwald Medium: colored pencil on mylar | Howard Buchwald | The William Benton Museum of Art, University of Connecticut |
Untitled, 1973, 1989 Charles Ray Medium: black and white photograph, mounted on rag board | Charles Ray | Museum of Contemporary Art, Los Angeles |
Untitled, 1973-74 John M. Miller Medium: magna, graphite on canvas | John M. Miller | Museum of Contemporary Art, Los Angeles |
Untitled, 1974 Ralph Humphrey Medium: acrylic on canvas | Ralph Humphrey | Museum of Contemporary Art, Los Angeles |
Untitled, 1974 Isaiah Zagar Medium: watercolor on paper | Isaiah Zagar | House of Hope |
Untitled, 1974 Louis de Niverville Medium: acrylic on masonite panels | Louis de Niverville | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1975 Donald Judd Medium: Stainless steel and blue Plexiglass | Donald Judd | Dia Art Foundation |
Untitled, 1976 Italo Scanga Medium: acrylic on religious poster in artist's frame | Italo Scanga | Whitney Museum of American Art |
Untitled, 1976 Italo Scanga Medium: acrylic paint on religious poster, artist's frame | Italo Scanga | Whitney Museum of American Art |
Untitled, 1976 Italo Scanga Medium: acrylic paint on religious poster, artist's frame | Italo Scanga | Whitney Museum of American Art |
Untitled, 1976 Lenore Tawney Medium: wood, paper, string, nutshells | Lenore Tawney | The Art Institute of Chicago |
Untitled, 1976 Robert Morris Medium: felt with metal grommets | Robert Morris | The Art Institute of Chicago |
Untitled, 1977 Pinchas Cohen Gan Medium: acrylic on cotton and acrylic blend fabric | Pinchas Cohen Gan | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1977 Pierre Buraglio Medium: blue glass painted wooden cabinet frame | Pierre Buraglio | Object not located in 1997 |
Untitled, 1977 Larry Poons Medium: acrylic on canvas | Larry Poons | New Mexico Museum of Art |
Untitled, 1977 Lenore Tawney Medium: wood, paper, feathers | Lenore Tawney | The Art Institute of Chicago |
Untitled, 1978 David Salle Medium: acrylic, graphite and charcoal on canvas | David Salle | University of Michigan Museum of Art |
Untitled, 1978 Bill Jensen Medium: pastel, charcoal on paper | Bill Jensen | Carnegie Museum of Art |
Untitled, 1978 Peter Campus Medium: silver gelatin developed-out print | Peter Campus | Carnegie Museum of Art |
Untitled, 1979 Troy Brauntuch Medium: Kodalith film sandwich prints using filtered light | Troy Brauntuch | Museum of Contemporary Art, Los Angeles |
Untitled, 1979 Brenda Goodman Medium: oil on canvas - unframed | Brenda Goodman | Carnegie Museum of Art |
Untitled, 1979 Robert Therrien Medium: painted wood | Robert Therrien | Museum of Contemporary Art Chicago |
Untitled, 1979 Franklyn Liegel Medium: acrylic, cotton, matboard, yarn, granules on paper | Franklyn Liegel | Carnegie Museum of Art |
Untitled, 1979 Peter Campus Medium: silver gelatin developed-out print | Peter Campus | Carnegie Museum of Art |
Untitled, 1980 Troy Brauntuch Medium: C-Print (Kodalith film sandwich print using filtered light) | Troy Brauntuch | Museum of Contemporary Art San Diego |
Untitled, 1980 James Brown Medium: acrylic on paper | James Brown | Rose Art Museum, Brandeis University |
Untitled, 1980 Jill Giegerich Medium: rubber on brass | Jill Giegerich | Museum of Contemporary Art San Diego |
Untitled, 1980 Pierre Buraglio Medium: green and blue glass painted wooden cabinet frame | Pierre Buraglio | Object not located in 1997 |
Untitled, 1980 Michael Zwack Medium: pastel on paper | Michael Zwack | Grunwald Center for the Graphic Arts, Hammer Museum, University of California, Los Angeles |
Untitled, 1980 Michael Tetherow Medium: acrylic on canvas | Michael Tetherow | The William Benton Museum of Art, University of Connecticut |
Untitled, 1980 Ellen Carey Medium: oil on black and white photograph | Ellen Carey | Burchfield Penney Art Center, Buffalo State College |
Untitled, 1980 Troy Brauntuch Medium: pastel on black paper | Troy Brauntuch | New Mexico Museum of Art |
Untitled, 1980 with maquette Donald Jackson Medium: acrylic on wood, muslin, paper | Donald Jackson | |
Untitled, 1981 Neil Williams Medium: acrylic on canvas | Neil Williams | Sweeney Art Gallery, University of California, Riverside |
Untitled, 1981 Robin Bruch Medium: acrylic on canvas | Robin Bruch | University of New Mexico Art Museum |
Untitled, 1981 Robin Bruch Medium: acrylic on canvas | Robin Bruch | Carnegie Museum of Art |
Untitled, 1981 Harvey Tulcensky Medium: oil on canvas mounted on masonite | Harvey Tulcensky | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1981 Keith Haring Medium: sumi ink on paper | Keith Haring | Museum of Contemporary Art, Los Angeles |
Untitled, 1981 Harvey Tulcensky Medium: oil on canvas mounted on masonite | Harvey Tulcensky | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1981 Keith Haring Medium: vinyl paint on tarpaulin | Keith Haring | Carnegie Museum of Art |
Untitled, 1981 Keith Haring Medium: flourescent paint, sumi ink on laminated canvas | Keith Haring | The Art Institute of Chicago |
Untitled, 1981 Keith Haring Medium: vinyl ink on tarpaulin | Keith Haring | Whitney Museum of American Art |
Untitled, 1981 Garrick Dolberg Medium: cast aluminum with paint | Garrick Dolberg | Object not located in 1997 |
Untitled, 1981 Michael Tetherow Medium: acrylic on canvas | Michael Tetherow | Dennos Museum Center, Northwestern Michigan College |
Untitled, 1982 Louis Renzoni Medium: acrylic on canvas | Louis Renzoni | The William Benton Museum of Art, University of Connecticut |
Untitled, 1982 Robert Morris Medium: cast hydrocal | Robert Morris | Museum of Contemporary Art San Diego |
Untitled, 1983 Carl Apfelschnitt Medium: oil, roplex, goldleaf, silverleaf on three canvases | Carl Apfelschnitt | |
Untitled, 1985 Loren Calaway Medium: galvanized steel, brass, colored pencil acrylic paint, felt, lead, paper on wood | Loren Calaway | Sweeney Art Gallery, University of California, Riverside |
Untitled, 1986 Jill Giegerich Medium: enamel paint on aluminum, plywood | Jill Giegerich | Museum of Contemporary Art San Diego |
Untitled, 1986 Jill Giegerich Medium: beeswax, acrylic, paint stick, charcoal, graphite, india ink on plywood | Jill Giegerich | Carolyn Campagna Kleefeld Contemporary Art Museum, California State University, Long Beach |
Untitled, 1986 Ulrich Ruckriem Medium: blue granite | Ulrich Ruckriem | Museum of Contemporary Art Chicago |
Untitled, 1987 Richard Long Medium: River Avon mud on rag board | Richard Long | Museum of Contemporary Art Chicago |
Untitled, 1988 Kiki Smith Medium: ink on gampi paper (2 arms, 2 legs, torso and head) | Kiki Smith | The Art Institute of Chicago |
Untitled, 1988 Thomas Ruff Medium: color photograph in artist's frame | Thomas Ruff | The Art Institute of Chicago |
Untitled, 1988 Thomas Ruff Medium: color photograph in artist's frame | Thomas Ruff | The Art Institute of Chicago |
Untitled, 1989-1990 Kiki Smith Medium: 230 cast glass piece (sperm), on 3 rubber sheets | Kiki Smith | Museum of Contemporary Art, Los Angeles |
Untitled, 1990 Kiki Smith Medium: 12 mirrored, etched glass jars | Kiki Smith | Museum of Contemporary Art, Los Angeles |
Untitled, 1991 (crumpled paper) Tom Friedman Medium: 2 sheets of paper | Tom Friedman | Museum of Contemporary Art, Los Angeles |
Untitled, 1991 (Life Savers) Tom Friedman Medium: roll of Life Savers candy | Tom Friedman | Museum of Contemporary Art, Los Angeles |
Untitled, 1991 (paper & pin) Tom Friedman Medium: paper, pin | Tom Friedman | Museum of Contemporary Art, Los Angeles |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio Agnes Martin Medium: Lithographs on velum | Agnes Martin | |
Untitled, 1992 (garbage bags) Tom Friedman Medium: approximately 3,000 garbage bags, steel pole, painted wooden pedestal | Tom Friedman | Museum of Contemporary Art, Los Angeles |
Untitled, 1992 (wire) Tom Friedman Medium: wire | Tom Friedman | Museum of Contemporary Art, Los Angeles |
Untitled, 1993 (string) Tom Friedman Medium: string | Tom Friedman | The Art Institute of Chicago |
Untitled, 1999 Lannan Foundation Santa Fe, 1999 Fred Sandback Medium: graphite on paper | Fred Sandback | Dia Art Foundation |
Untitled, 1999, Construction of Three Volumes, Lannan Foundation, Santa Fe Fred Sandback Medium: graphite on paper | Fred Sandback | Dia Art Foundation |
Untitled, 1999, Construction of Two Planes, Lannan Foundation Santa Fe, 1999 Fred Sandback Medium: graphite on paper | Fred Sandback | Dia Art Foundation |
Untitled, 2002 Emi Winter Medium: Oil on masonite | Emi Winter | |
Untitled, 2002-03 (fuschia) Roger Walker Medium: Ink on paper | Roger Walker | |
Untitled, 2003 (gold) Roger Walker Medium: Ink on paper | Roger Walker | |
Untitled, 2003 (graphite) Roger Walker Medium: Graphite on paper | Roger Walker | |
Untitled, 2003 (silver) Roger Walker Medium: Ink on paper | Roger Walker | |
Untitled, 2004 Stacey Neff Medium: Glass mounted on board | Stacey Neff | |
Untitled, 2004 Bill Gilbert Medium: Wood fired ceramic plaques | Bill Gilbert | University of New Mexico Art Museum |
Untitled, 2004 Emi Winter Medium: Oil on panel | Emi Winter | University of New Mexico Art Museum |
Untitled, 2004 Tasha Ostrander Medium: Miixed media | Tasha Ostrander | |
Untitled, 2004 Bill Gilbert Medium: Wood fired ceramic plaques | Bill Gilbert | University of New Mexico Art Museum |
Untitled, 2004 Bill Gilbert Medium: Wood fired ceramic plaques | Bill Gilbert | University of New Mexico Art Museum |
Untitled, 2004 Bill Gilbert Medium: Wood fired ceramic plaques | Bill Gilbert | University of New Mexico Art Museum |
Untitled, 2005 Susan York Medium: Solid graphite with aluminum bracket | Susan York | Museum of Fine Art Houston (MFAH) |
Untitled, 2005 Susan York Medium: Solid graphite with aluminum bracket | Susan York | Museum of Fine Art Houston (MFAH) |
Untitled, 2011 Ann Hamilton Medium: Mixed media | Ann Hamilton | Museum of Contemporary Photography, Columbia College Chicago |
Untitled, 2012 Eric Reinemann Medium: Mixed media | Eric Reinemann | |
Untitled, 2012 Jonathan Morse Medium: Ink on board | Jonathan Morse | |
Untitled, 2014 Valerie Arber Medium: Hand printed paper and aluminum foil tape | Valerie Arber | |
Untitled, 3/1/91, 1991 Bill Komoski Medium: acrylic, modeling paste on canvas | Bill Komoski | Phoenix Art Museum |
Untitled, 6/12/60 Unknown Medium: watercolor on paper | Unknown | |
Untitled, 9/3/89 Bill Komoski Medium: acrylic, modeling paste on canvas | Bill Komoski | Museum of Contemporary Art San Diego |
Untitled, A, 1975 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled, B, 1975 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled, Ba Vi #1, 1998 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
Untitled, C, 1975 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled, c. 2008 Jonathan Morse Medium: Archival pigment print mounted on wood | Jonathan Morse | Museum of Fine Art Houston (MFAH) |
Untitled, c. 2008 Erika Blumenfeld Medium: Direct recording of light on type 54 Polaroid film | Erika Blumenfeld | |
Untitled, c. 2008 Erika Blumenfeld Medium: Direct recording of light on type 54 Polaroid film | Erika Blumenfeld | |
Untitled, circa 1950 John Storrs Medium: painted stoneware | John Storrs | University of Michigan Museum of Art |
Untitled, circa 1959 Jacques Brown Medium: oil on velvet laid down on a fabric curtain | Jacques Brown | |
Untitled, circa 1962 Salvatore Sirugo Medium: paint on paper | Salvatore Sirugo | Zimmerli Art Museum, Rutgers University |
Untitled, circa 1962 Salvatore Sirugo Medium: paint smudges on paper | Salvatore Sirugo | Zimmerli Art Museum, Rutgers University |
Untitled, D, 1975 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled, E, 1975 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled, February 4, 1960 Bruce Conner Medium: wood, feathers, nylon, broken mirror, silk lace, cotton, tin, light bulb, electric motor and wire | Bruce Conner | Walker Art Center |
Untitled, Film Still, 49, 1979 Cindy Sherman Medium: silver gelatin developed out print | Cindy Sherman | Museum of Contemporary Art Chicago |
Untitled, from "Prevalence of Ritual", 1974 Romare Bearden Medium: screenprint in colors | Romare Bearden | University of Michigan Museum of Art |
untitled, from nowhere near (nw 12), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | Museum of Contemporary Art San Diego |
untitled, from nowhere near (nw 13), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | Museum of Contemporary Art San Diego |
untitled, from nowhere near (nw 13), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | Museum of Contemporary Art San Diego |
untitled, from nowhere near (nw 15), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 15), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 15), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 17), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 17), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 19), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 19), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 19), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 6), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 9), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
untitled, from nowhere near (nw 9), 1999 Uta Barth Medium: Color photograph on panel | Uta Barth | |
Untitled, Ho Chi Minh City (kites), 1998 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
Untitled, Ho Chi Minh City (river), 1995 An-My Lê Medium: Gelatin silver print | An-My Lê | The Art Institute of Chicago |
Untitled, June 1963 Nicholas Krushenick Medium: acrylic on canvas | Nicholas Krushenick | University of New Mexico Art Museum |
Untitled, no date Enrique Gran Medium: oil on wood | Enrique Gran | Carnegie Museum of Art |
Untitled, October 19, 1981 Keith Haring Medium: sumi ink on paper | Keith Haring | Whitney Museum of American Art |
Untitled, September 27, 1981 Keith Haring Medium: sumi ink on paper | Keith Haring | The Art Institute of Chicago |
Untitled, Two Geese Unknown Medium: a pair of wood and polychrome-painted figures of geese each with painted lady standing forward with head erect, the bill showing traces of yellow pigment | Unknown | |
Untitled,n.d.(wall plaque) Ronald Morosan Medium: wood | Ronald Morosan | |
Untitled-T-786, 1963 John McLaughlin Medium: Lithograph on velum | John McLaughlin | Sheldon Art Association |
Untitled-T-792, 1963 John McLaughlin Medium: Lithograph | John McLaughlin | |
Untitled-T-796, 1963 John McLaughlin Medium: Lithograph | John McLaughlin | |
Uri Geller Empfangt Fremde Wesse aus der Fabel [Uri Geller Welcomes Unknown Beings from the Realm of Fables], 1976 Sigmar Polke Medium: photographs, newspaper, ink on paper | Sigmar Polke | The Art Institute of Chicago |
utter stillness – blinding brightness The Davis Strait The Labrador Sea Qagssiarssuk / Brattahlid Kong Frederik IX Land Greenland, Denmark, 2008 The first European settlement point in Greenland. It was first settled by Erik the Red. Later his son, Leif Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Library and Galleries of Scotland |
Valley of Kings, Utopian Landscape 1, 1988 Jim Shaw Medium: pencil on paper | Jim Shaw | Museum of Contemporary Art, Los Angeles |
Van Ness No. 23, 1964-1965 Ron Miyashiro Medium: wood, masonite, lacquer, glass mirror | Ron Miyashiro | Object not located in 1997 |
Vanilla Neighbor, 1970 David Diao Medium: acrylic on canvas | David Diao | Sweeney Art Gallery, University of California, Riverside |
Variations on Psalm 117, 1959 Mathias Goeritz Medium: two panels gold leaf on wood | Mathias Goeritz | National Autonomous University of Mexico |
Variations on Psalm 117, 1960-1961 Mathias Goeritz Medium: gold leaf on wood | Mathias Goeritz | National Autonomous University of Mexico |
Vase Peter Strong | Peter Strong | Palm Beach State College |
Versatile Hip, 1963 Enrique Castro-Cid Medium: acrylic, ink and colored pencil on paper mounted on canvas | Enrique Castro-Cid | University of New Mexico Art Museum |
Vertical Black, 1957 Lawrence Calcagno Medium: oil on canvas | Lawrence Calcagno | University of New Mexico Art Museum |
Vertical Figures, 1981 Tom Otterness Medium: cast plaster | Tom Otterness | Wichita Art Museum |
very early morning The upper Rio Grande Bridge Street (under the bridge) Albuquerque Bernalillo County New Mexico U.S.A. 1995/2017 (with Jim Kraft and Judy Booth) The first of the Rio Grande pictures Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Very near The Arctic Circle, The North Atlantic Ocean, PistilWar∂argrunn, Looking towards the Old Lands, Hraunhafnartangi, Melrukkaslétta, Nardur-Pingeyjarsysla, Nordurland Eystra, Iceland, 2007-2008,The North-most point of Iceland, 66° 33.087' N Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Very near the Confluence of the Ottawa River and the St. Lawrence River Near Pointe des Cascades Vaudreuil - Soulanges Quebec Canada North America, 2015/2017 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
Vespers, Monastery of Christ in the Desert, 1996 Tony O'Brien Medium: Gelatin silver print | Tony O'Brien | Center for Creative Photography, University of Arizona |
Vessel, Rock Nude, 1979 Jerry Brane Medium: acrylic and crayon with fabric and canvas collage on canvas in artist's frame | Jerry Brane | Oakland Museum of California |
Viejita [Little Old Woman], 1961 Rafael Coronel Medium: acrylic on paper | Rafael Coronel | Godwin-Ternbach Museum, Queens College, City University of New York |
Viejito [Little Old Man], 1961 Rafael Coronel Medium: acrylic on paper | Rafael Coronel | Godwin-Ternbach Museum, Queens College, City University of New York |
Ville Crepuscale, 1955 Antonio Bandeira Medium: watercolor, ink on paper | Antonio Bandeira | Godwin-Ternbach Museum, Queens College, City University of New York |
Virus, 1989 Dennis Oppenheim Medium: cast plaster, polyester resin, aluminum rods | Dennis Oppenheim | Denver Art Museum |
Voodoo, 1976-1977 Bill Jensen Medium: tempera, graphite, pastel on vellum | Bill Jensen | Whitney Museum of American Art |
Voyager 1, drawings #1274, 1275, 1276, 1277, 1278 & 1279, 2014 James Drake Medium: Graphite and charcoal on book pages | James Drake | Blanton Museum of Art, University of Texas, Austin |
Vulkan Werner Knaupp Medium: lithograph, black and white | Werner Knaupp | |
W.S. Merwin, Readings & Conversations, 26 October 2005 Don Usner Medium: Archival pigment print on paper | Don Usner | |
W.S. Merwin, Readings and Conversations Author, 2001 Don Usner Medium: Black and white photograph | Don Usner | |
Walking Spirit, 1982 Louise Hoeschen Medium: oil on canvas | Louise Hoeschen | Tacoma Art Museum |
Wall and Ceiling Relief, 1970 Bernard Kirschenbaum Medium: blue, red, and brown enameled steel room | Bernard Kirschenbaum | |
Wall of Paladeium Dreams Alice Wingwall Medium: photo mural, black and white | Alice Wingwall | Oakland Museum of California |
Wall Painting with Stripes, 1944 Robert Motherwell Medium: oil on canvas | Robert Motherwell | The Art Institute of Chicago |
Wall, Sierra del Rosario, Sonora, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | |
Wallace Shawn, Readings & Conversations, 15 December 1999 Don Usner Medium: Archival pigment print on paper | Don Usner | |
Wallace Stevens, 1981 Mimi Gross Medium: Acrylic on aluminum | Mimi Gross | Amon Carter Museum of American Art |
Walloomsac, 1969 Philip Wofford Medium: oil and sand on canvas unframed | Philip Wofford | Jersey City Museum |
Wallpaper Piece, 1998 (Woodchip Wallpaper Royal No. 82) Karin Sander Medium: Woodchip Wallpaper Royal No. 82 | Karin Sander | |
Walter Hopps, Hopps, Hopps, 1959 Ed Kienholz Medium: mixed media construction | Ed Kienholz | The Menil Collection |
Water Bottles & Sling, Mohawk Valley, Arizona, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | Center for Creative Photography, University of Arizona |
Water Tank. Rancho Palomino, Chihuahua, 2008 Michael P. Berman Medium: Carbon pigment ink on etching paper | Michael P. Berman | Center for Creative Photography, University of Arizona |
Water-Flow Monitoring Installations on the Rio Grande Near Presidio, TX, Facing South, The Gauge Shelter, 1:30 pm, 2002-2003 Rackstraw Downes Medium: Oil on canvas | Rackstraw Downes | National Gallery of Art |
Watercolor Study od the Nude, 1961 Nathan Oliveira Medium: watercolor on paper | Nathan Oliveira | University of Michigan Museum of Art |
Weather Drift, 1969 Philip Wofford Medium: acrylic and sand on canvas unframed | Philip Wofford | University of New Mexico Art Museum |
Weaver Caves, 2001 Johnnie Winona Ross Medium: Watercolour mounted on board mounted on wooden frame | Johnnie Winona Ross | Harwood Museum, University of New Mexico |
Wedge 13, 2006 Stuart Arends Medium: Oil paint on aluminum with clear lacquer | Stuart Arends | |
Wedge 16, 2006 Stuart Arends Medium: Oil paint on aluminum with clear lacquer | Stuart Arends | Center for Economic Research and Social Change |
Wedge 18, 2006 Stuart Arends Medium: Oil paint on aluminum with clear lacquer | Stuart Arends | Center for Economic Research and Social Change |
Wedgework IV, 1974 (grey book) James Turrell Medium: Light projection GREY BOOK | James Turrell | University of New Mexico Art Museum |
West - The North Sea - The Norwegian Sea, Near Kolgrov, The Isle of Fritz Scila, Norway, 2004, Near the West-most point of Norway Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
West - The North Sea Westhoek, near De Panne West-Vlandern, Belgium The West-most point of Belgium 2004/2005 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
West - The North Sea, Blauands Huk, Denmark 2004-2005, The West-most point of Denmark Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
West Chanel du Four - La Mer D’Iroise, Pointe de Kermorvan, Finistère, Brittany, France 2004, Very Near the West-most point of mainland France Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | National Gallery of Art |
West — The Berents Sea Fuglehuken / Bird Point Prins Karls Foreland / Prince Karls Headland Svalbard, Norway 2004 The West-most point of The Svalbard Archipelago Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
West, The Ems Estuary, Knock near Emden, Ostfri Esland, Germany, 2004, The West-most sea point of Germany Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
West-most - The Mid North Atlantic Ocean Above Faja Granda, Ilhas das Flores / The Island of Flowers Regiones Autonomas Acores / The Azores, Portugal 2004-2005 The West-most point of the Azorean Archipelago for all of Europe Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
West—Het Zwin Estuary—The North Sea Zomerdorp Het Zwin, Near Cadzand-Bad Zeeuws Vlaanderen The Netherlands 2004 The West-most point of The Netherlands Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
We’R Alive, Chalmette, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
When I Arrived at the Railroad, 2009 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | |
Where Babies Come From (from Innocent Love series), 1999 Agnes Martin Medium: Acrylic and graphite on canvas | Agnes Martin | Dia Art Foundation |
Where the Cooper’s Hawk Flew Away As I Approached the Dead Piñones: On My Way to the Railroad, 2009 Subhankar Banerjee Medium: Digital Dye Coupler Print Photograph | Subhankar Banerjee | |
Which Came First? (Enlightenment 4), 1982 Celia Munoz Medium: photographs, book | Celia Munoz | The Art Institute of Chicago |
Whirpool, 1978 Rodney Ripps Medium: oil, wax, wood, cloth | Rodney Ripps | University of New Mexico Art Museum |
Whispers (Can Water Be Held), 2016 James Drake Medium: Lithograph on Rives BFK off-white paper | James Drake | Museum of Fine Art Houston (MFAH) |
Whispers (Desire Is Not Enough), 2016 James Drake Medium: Lithograph on Rives BFK off-white paper | James Drake | Museum of Fine Art Houston (MFAH) |
Whispers (Escalators Of Speech), 2016 James Drake Medium: Lithograph on Rives BFK off-white paper | James Drake | Museum of Fine Art Houston (MFAH) |
Whispers (Put Us To The Question), 2016 James Drake Medium: Lithograph on Rives BFK off-white paper | James Drake | Museum of Fine Art Houston (MFAH) |
Whispers (Showers Of Doubt), 2016 James Drake Medium: Lithograph on Rives BFK off-white paper | James Drake | Museum of Fine Art Houston (MFAH) |
Whispers (Standing In The Dirt), 2016 James Drake Medium: Lithograph on Rives BFK off-white paper | James Drake | Museum of Fine Art Houston (MFAH) |
Whispers (The Lengua Of Nahuatl), 2016 James Drake Medium: Lithograph on Rives BFK off-white paper | James Drake | Museum of Fine Art Houston (MFAH) |
Whispers, 2016 James Drake Medium: Bound Portfolio containing Suite of Seven Lithographs | James Drake | Museum of Fine Art Houston (MFAH) |
white on black - The Greenland Sea Kap Philip Broke Shannon Island Kong William Land Kangertittivaq/Greenland (Denmark) North America 2008/2017 The Southmost point of the island, and below the Northeast most point of Greenland. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
White on Red, 1957 Gastone Novelli Medium: acrylic on paper mounted on masonite | Gastone Novelli | University of New Mexico Art Museum |
whiteout, The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Whites, Standing Open Box, Blue Line 1999 Kate Shepherd Medium: Oil on wood panel | Kate Shepherd | |
Whites, Standing Open Box, Blue Line 1999 Kate Shepherd Medium: Oil on wood panel | Kate Shepherd | |
Who Pays for It? (from Devil Drawings), 1982 Chris Burden Medium: black and white photograph, color xerox and newspaper on paper | Chris Burden | Museum of Contemporary Art, Los Angeles |
Wild and bewildered-Ojo de agua. The South Atlantic Ocean. Cabo Santo Agostino. Pernambaco, Brazil, 2006. The geological point from which continental South America broke off and broke away from the ancient super continent of Gondwana. Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
Wild West Hotel, Las Vegas, May 1999, 1999 Christina Hejtmanek Medium: Chromogenic print | Christina Hejtmanek | Center for Creative Photography, University of Arizona |
wild winter apple tree with apples - for Kate Munising Picture Rocks National Seashore Alger County Michigan U.S.A. North America, 2015/2017 The Southmost point of Lake Superior. Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | |
William Gass, Readings and Conversations Author, 2004 Don Usner Medium: Black and white photograph | Don Usner | |
Winding Towers, 1967-1978 Bernd and Hilla Becher Medium: nine silver gelatin developed-out print | Bernd and Hilla Becher | Museum of Contemporary Art, Los Angeles |
Windy Hill and The Three Sails, The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
Windy Night II, 1969-1982 George McNeil Medium: acrylic and oil on canvas | George McNeil | Zimmerli Art Museum, Rutgers University |
Wingtable, 1986 Mathieu Gregoire Medium: Formica, plywood, steel, nylon | Mathieu Gregoire | Oakland Museum of California |
Winter Rose, 2014 Christy Hengst Medium: Porcelain with cobalt serigraphy | Christy Hengst | |
Woman Before a Mirror, 1978 Gary Bower Medium: oil pastel, charcoal on paper | Gary Bower | |
Wooden Cube on Aluminum Table Toshio Odate Medium: oak, aluminum | Toshio Odate | Sweeney Art Gallery, University of California, Riverside |
Wooden Woman, 1980 Richard Mock Medium: oil on canvas | Richard Mock | Zimmerli Art Museum, Rutgers University |
Word Poem, 1967 Carl Andre Medium: ink, paper, painted cardboard tube | Carl Andre | The Art Institute of Chicago |
Words Without Thoughts Never To Heaven Go, 1987 Edward Ruscha Medium: acrylic on canvas unframed | Edward Ruscha | Museum of Contemporary Art Chicago |
Work in Regress, 1997 Peter Edwards Medium: Etching | Peter Edwards | |
Wrestlers John Broumas Medium: wall mounted stone, mounted on board | John Broumas | |
Written Minneapolis (The Last Tomb), 2014 Siah Armajani Medium: Felt Pen on Mylar | Siah Armajani | The Menil Collection |
X sign meets the U.S. Mail, 1962 John Baldessari Medium: Oil on wood | John Baldessari | |
X, Baton Rouge River Shelter, 2005 Debbie Fleming Caffery Medium: Gelatin silver print | Debbie Fleming Caffery | Museum of Fine Art Houston (MFAH) |
X, Y & Z , Camino del Diablo, Arizona, 2007 Michael P. Berman Medium: Carbon pigment photograph | Michael P. Berman | North Dakota Museum of Art, University of North Dakota |
XVIII century miniature Mughal School Unknown | Mughal School Unknown | Carnegie Museum of Art |
XVIII century miniature Mughal School Unknown | Mughal School Unknown | Carnegie Museum of Art |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | J. Paul Getty Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Museum of Fine Art Houston (MFAH) |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Denver Art Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Museum of Fine Art Houston (MFAH) |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Museum of Contemporary Art, Los Angeles |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Museum of Contemporary Art, Los Angeles |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Museum of Contemporary Art, Los Angeles |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | J. Paul Getty Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | J. Paul Getty Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Museum of Fine Art Houston (MFAH) |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Denver Art Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Denver Art Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Blanton Museum of Art, University of Texas, Austin |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | J. Paul Getty Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | J. Paul Getty Museum |
Yanomami, 2000 Claudia Andujar Medium: Black and white photograph | Claudia Andujar | Denver Art Museum |
Yellow House/Red Chimney, 1981 Mira Schor Medium: gouache, pastel on rice paper | Mira Schor | Carnegie Museum of Art |
Yellow Lines, 2004 David Marshall Medium: Fuji crystal archive photograph print | David Marshall | |
Yellow Rose II, 1963 Walter Bannard Medium: oil on canvas | Walter Bannard | |
Yellowtop, 1968 Ron Davis Medium: polyester resin and fiberglass | Ron Davis | New Mexico Museum of Art |
Yiyun Li, Readings & Conversations, 12 May 2010 Don Usner Medium: Archival pigment print on paper | Don Usner | |
yoo hoo -- little boy, 1977 Jim Nutt Medium: etching on paper | Jim Nutt | Carnegie Museum of Art |
Young Bird of Paradise, 1957 Wallace Berman Medium: oil, graphite, charcoal on paper, mounted on canvas | Wallace Berman | Museum of Contemporary Art, Los Angeles |
Young men and boys from southern Mêxico light votive candles and pray for a safe crossing before leaving the Sonoran town of Altar. Soon they will be loaded into vans and trucks and ferried north toward La Línea. Altar, Sonora, 2005 (from the special Julián Cardona Medium: Gelatin silver print | Julián Cardona | |
Your so course (tish tish), 1977 Jim Nutt Medium: etching on paper | Jim Nutt | Carnegie Museum of Art |
Zürich, 2014 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | |
Zürich, August 2014 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Zürich, July 2015 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Zurich, November 2014 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
Zürich, October 2014 Teju Cole Medium: Archival pigment print with accompanying text | Teju Cole | Museum of Contemporary Photography, Columbia College Chicago |
“3 haiku: jazz, Spirituals, blues” by DJ Renegade (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“Field before the Storm”, Walter de Maria's Lightning Field, 1977 John Cliett Medium: Chromogenic color print | John Cliett | |
“Force Majeure”, The South Atlantic Ocean, Looking towards Cabo San Juan, from “The Lighthouse at the End of the World”, Cabo Lasserre, Isla de Los Estados/Staten Island, Tierra del Fuego, Argentina, 2008, The Southeast-most point of all South America, 54 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
“Grandmother” by Sherman Alexie (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“His Life” by Naomi Shihab Nye (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Center for Economic Research and Social Change |
“History Lesson” by Lucile Adler (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“Late Afternoon Over a Bottle of Sake” by John Brandi (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“Maps and Wings” by Gary Mex Glazner (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“Rosa” by Rita Dove (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Center for Economic Research and Social Change |
“Santuario at Chimayo” by Kim Addonizio (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“The Door”-The Strait of Gibraltar, Cape Malabata, Morocco 2003/2018 Thomas Joshua Cooper Medium: Selenium toned chloro-bromide silver gelatin print | Thomas Joshua Cooper | Los Angeles County Museum of Art (LACMA) |
“The Door”-The Strait of Gibraltar, Cape Malabata, Morocco, 2003-2004 Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
“The Fish” by Jane Hirshfield (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“Transforming the Strange” by Renee Gregorio (from the Word Art Poetry Broadside Portfolio), 2005 Press Palace of the Governors Medium: Print | Press Palace of the Governors | Historic Santa Fe Foundation |
“uncharted dangers” – dense fog again, The Bransfield Strait, The Mouth of The Antarctic Sound, Prime Head, Trinity Peninsula, Graham Land, The Antarctic Peninsula, Antarctica, 2008, The North-most point of Continental Antarctica, 63° 13’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
“uncharted dangers” – dense fog The Bransfield Strait The Mouth of The Antarctic Sound Prime Head Trinity Peninsula, Graham Land The Antarctic Peninsula Antarctica, 2008 The North-most point of Continental Antarctica 63° 12’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper | |
“uncharted dangers” – sudden clearing Prime Head Ice Wall Trinity Peninsula, Graham Land The Antarctic Peninsula Antarctica, 2008 The North-most point of Continental Antarctica 63° 12’ S Thomas Joshua Cooper Medium: Selenium and gold chloride toned silver gelatin print | Thomas Joshua Cooper |