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Art Collection

In 1996 Lannan Foundation created a museum gift program, offering pieces from its collection of over 1,000 works of modern and contemporary art to U.S. museums and making these important works accessible to significantly larger and more diverse audiences. The program was designed to increase the exposure of, accessibility to, and scholarship on artists represented in the foundation’s holdings.

Between January 1996 and August 2000 over 1,000 drawings, paintings, photographs, prints, sculptures and video installations were given to 78 museums in twenty-six states, the District of Columbia, and Mexico. The gift program was designed to match works with institutions where the pieces would become an active part of the collection. In fall 2000 Lannan Foundation decided to sell a group of twenty-three works at auction at Sotheby’s to support ongoing acquisitions and projects in contemporary art.

Between 2000 and 2021, the Foundation continued to acquire and commission new work on a limited basis. Among these acquisitions are works by Guy Tillim, Victoria Sambunaris, Thomas Joshua Cooper, Fred Sandback, and Susan York. Recent gifts include donations of work by An-My Lê to the Art Institute of Chicago, On Kawara to Dia:Beacon, and Siah Armajani to the Walker Art Center.

In 2022, the foundation announced plans to close. At that time, the remaining art collection of 1600 works was gifted to 50+ institutions, completed in 2024.

Collection

TitleArtistRecipient
#17-1964, 1964

John McLaughlin

Medium: oil on canvas

John McLaughlinMuseum of Contemporary Art, Los Angeles
#6-1969, 1969

John McLaughlin

Medium: oil on canvas

John McLaughlinMuseum of Contemporary Art, Los Angeles
'Part' dyptych, 1998

Iain Stewart

Medium: Chromogenic print

Iain Stewart
'Part' dyptych, 1998

Iain Stewart

Medium: Chromogenic prints

Iain Stewart
'Rhythm I', 1997

Iain Stewart

Medium: Chromogenic print

Iain Stewart
'Rhythm II', 1997

Iain Stewart

Medium: Chromogenic print

Iain Stewart
'Rhythm III', 1997

Iain Stewart

Medium: Chromogenic print

Iain Stewart
(Christmas Card)

Willy Weber

Medium: paint, gold and silver leaf, blue pencil on paper

Willy Weber
(Christmas Card), 1979

Isaiah Zagar

Medium: foil, plastic, cloth, pencil on cardboard

Isaiah Zagar
(Christmas Card), 1979

Y Kubelich

Medium: Etching

Y Kubelich
(New Years Card)

Fernando Zobel

Medium: etching, ink

Fernando Zobel
-43 degree F / -41 degrees C, The Polar Plateau, The South Pole, Antarctica, 2007-2008 90 degrees S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
-43°F / -41.6°C, The Polar Plateau, The South Pole, Antarctica, 2007-2008, 90° S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
-43°F / -41.6°C, The Polar Plateau, The South Pole, Antarctica, 2007-2008, 90° S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
1 + 1 + 1, 1987

Alfredo Jaar

Medium: 3 color transparancies, light boxes, gilded frames, mirrors

Alfredo JaarThe Art Institute of Chicago
10.80.60

Wallace Berman

Medium: wood, plexibox with painted stone inside and metal chain

Wallace BermanMuseum of Contemporary Art, Los Angeles
100 Aluminum Solid, 1964

Carl Andre

Medium: aluminum blocks, 4 tiers of 25 (only 99)

Carl AndreMuseum of Contemporary Art, Los Angeles
12, 1960

J. Jay Mcvicker

Medium: acrylic on canvas

J. Jay Mcvicker
12:06, 1982

Peter Drake

Medium: sanded ink on paper

Peter DrakeThe William Benton Museum of Art, University of Connecticut
12:07, 1982

Peter Drake

Medium: sanded ink on paper

Peter DrakeThe William Benton Museum of Art, University of Connecticut
12:08, 1982

Peter Drake

Medium: sanded ink on paper

Peter DrakeCarnegie Museum of Art
17.3.92, 1992

Gerhard Richter

Medium: paint on color photograph

Gerhard RichterThe Art Institute of Chicago
19.3.92, 1992

Gerhard Richter

Medium: paint on color photograph

Gerhard RichterThe Art Institute of Chicago
1945 - 1982, 1982

E'wao Kagoshima

Medium: acrylic, leopard skin, sumi ink

E'wao KagoshimaJapanese American Cultural & Community Center
1981-VIII, 1981

Edward Hendricks

Medium: aluminum and stainless steel

Edward Hendricks
2 JAN. 1971

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
20.3.92, 1992

Gerhard Richter

Medium: paint on color photograph

Gerhard RichterThe Art Institute of Chicago
2200 Cube Displacement

Ronald Mallory

Medium: cubes floating in mercury in a frame

Ronald Mallory
26.JULI1976

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
27DEC.1978

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
28 DEC. 1972

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
29 Palms: Bivouac, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Colonel Greenwood, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Combat Operations Center Guard, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Combat Support Service Operations I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Combat Support Service Operations II, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Corporal Hoepper, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Debriefing, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Embassy Medevac, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Embassy Reinforcement I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Embassy Reinforcement II, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Explosive Ordnance Disposal, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Force Recon, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Officers' Brief, 2003-2004

An-My Lê

Medium: gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Alpha Company, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Attack, 2003-2004

An-My Lê

Medium: gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Camp, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Machine Gunners, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Infantry Platoon, Retreat, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: LCAC (Landing Craft Air-Cushioned), 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Marine Palms, 2003-2004

An-My Lê

Medium: gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Mechanized Assault, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
29 Palms: Mortar Impact, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Night Operations I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Night Operations III, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
29 Palms: Night Operations IV, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Resupply Operations, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Rocket-Propelled Grenade Ambush, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Security and Stability Operations, Graffitti I, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Security and Stability Operations, Graffitti II, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Security and Stability Operations, Iraqi Police, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My Lê
29 Palms: Security and Stability Operations, Marines, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Security and Stabilization Operations, George Air Force Base, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms: Small Convoy Attack, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
29 Palms:Captain Folsom, 2003-2004

An-My Lê

Medium: Gelatin silver print

An-My LêMuseum of Contemporary Photography, Columbia College Chicago
3 - Compartment Box

Robert C. Fisher

Medium: enamel on brass

Robert C. Fisher
3-DX Man 3, 1979

Jedd Garet

Medium: acrylic and latex on wood

Jedd GaretThe William Benton Museum of Art, University of Connecticut
33, 1961

Oli Sihvonen

Medium: pen and ink on paper

Oli SihvonenHarwood Museum, University of New Mexico
34 Blows, 1971

Joel Shapiro

Medium: copper

Joel ShapiroThe Art Institute of Chicago
3D B.C., 1976

David Bungay

Medium: acrylic, Plexiglas on canvas

David BungayOakland Museum of California
44th Wire Piece, 1981

Richard Tuttle

Medium: wire, template for pencil line

Richard TuttleMuseum of Contemporary Art, Los Angeles
4:24, 1965

David Novros

Medium: acrylic on canvas

David NovrosBlanton Museum of Art, University of Texas, Austin
4:32, 1965

David Novros

Medium: vinyl lacquer on canvas

David NovrosBlanton Museum of Art, University of Texas, Austin
5 APR. 68

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
5 Figures of Structure, 1987

Lawrence Weiner

Medium: Script on wall

Lawrence WeinerDia Art Foundation
7 Days of Hell, Baton Rouge River Shelter, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
7, 1957

Joe Testa-Secca

Medium: acrylic on pressed wood

Joe Testa-Secca
9th Ward, New Orleans, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
A Beacon for Beacon / DIA High Noon on The Hudson River Beacon Landing, Beacon Dutchess County New York, USA 2000-2003

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Complete Set of Wallace Berman's Semina, 1988-1992

Wallace Berman

Medium: Cardboard box

Wallace Berman
A Female Nude with Putti in a Landscape, (top), Portrait of a Woman in Profile, (bottom)

Eugene Delacroix

Medium: black lead

Eugene DelacroixUniversity of Michigan Museum of Art
A Force-Eight gale, Storm Drenched, Estrecho de Magallanes – The Strait of Magellan, Cabo Froward, the Peninsula de Brunswick, Magallanes, Chile, 2006, The South-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
A Frog in its Liquidity, from Ingestion, 1982

Mike Kelley

Medium: acrylic on paper

Mike KelleyMuseum of Contemporary Art, Los Angeles
A group of immigrants walks toward the border west of Agua Prieta. Agua Prieta, Sonora, 2000

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
A Humble Collection of Simple Homes and the Indistinct Tales of Those Who Live Within Them, 2016

Samuel Ellvinger

Medium: Paper, wood, resin & lights (using CR2032 batteries)

Samuel Ellvinger
A massive dump site in the Upper Altar Valley, Arizona; illegal immigrants meet representatives of their smugglers (coyotes) after a 40 mile walk through the desert; they are told to strip, dump their old clothes, packs and jugs of water, and put on new,

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
A Meeting of the Seas – The Meeting Point of The Atlantic Ocean and The Gulf of Mexico Zachary Taylor State Park Key West The Florida Keys Monroe County Florida U.S.A. North America 2009/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A New Student, LaLander, Afghanistan #21, 2003

Tony O'Brien

Medium: Gelatin silver print

Tony O'BrienCenter for Creative Photography, University of Arizona
A Nice Day for Mississippi, 2006

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
A Painting with Separate Parts which are Self Generating (Miami Postcard), 1974

Malcolm Morley

Medium: oil on shaped canvas with fabric, shoes, clothes pins, blackboard, eraser, dominoes, wood stool & film of the creation of this work

Malcolm MorleyMuseum of Contemporary Art, Los Angeles
A peasant fighter of the Moro Islamic Liberation Front. Cotabato, Mindanao Island, the Philippines, 1999

Sebastiao Salgado

Medium: Back and white photograph

Sebastiao Salgado
A Premonitional Work - Ice-embedded cinder dust Approaching the glacier field Breiðamerkurjökull  Skaftafell Vatnajökull Austerland Iceland Europe 1987/2017 part 2 of a 4 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A Premonitional Work - Ice-embedded cinder dust On the lower ice-wall of the glacier Breiðamerkurjökull  Skaftafell Vatnajökull Austerland Iceland Europe 1987/2017 part 3 of a 4 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A Premonitional Work - lava crevice Surtshellir Austerland Iceland Europe 1987/2017 part 1 of a 4 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A Premonitional Work - The glacier summit - crevice Ice-embedded cinder dust Breiðamerkurjökull  Skaftafell Vatnajökull Austerland Iceland Europe 1987/2017 part 4 of a 4 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, Buzzard's Bay-Looking Away S., S.W.-Towards More of the New World, Wings Neck Point, Barnstable County, Massachusetts, U.S.A., 2000/2001

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, Cape Cod Bay-Looking N.,N.E.-Towards the Old World, First Encounter Beach, Near Eastham, Cape Cod, Massachusetts, U.S.A., 2000/2001. (From the site the Pilgrim Settlers first Encountered Native Americans.)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, E., S.E.,-The Atlantic Ocean, Cape Race, No. 2, The Isle of Newfoundland, Canada, 1998-1999,( the site of the first land-based distress message to be received from the Titanic) In the week of the Spring Equinox

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
A Premonitional Work, Muskeget Sound and the North Atlantic Ocean, Looking N.,N.E.-Yet Again, Towards the Old World, From Sunset to Full Moonrise, Wasqae Point, Chappaquiddick Island, Martha's Vineyard, Massachusetts, U.S.A. 2000/2001. (The Southernmost

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, Nantucket Sound-Looking N.,N.E.-Again, Towards the Old World, Point Gammon, Great Island, Barnstable County, Massachusetts, U.S.A., 2000/2001

Thomas Joshua Cooper

Medium: selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, Plymouth Bay-Looking N.,N.E.-Back, Towards the Old World, Just Below Plymouth Rock, Plymouth, Plymouth County, Massachusetts, U.S.A., 2000/2001. (The Pilgrim Fathers/Settlers finally landed the Mayflower around this spot, and, at

Thomas Joshua Cooper

Medium: selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperUniversity of New Mexico Art Museum
A Premonitional Work, Plymouth Sound-Looking S.,S.W.-Hopefully, Towards the New World, The Mayflower Steps, Plymouth, Cornwall, England, 1998/2001. (The Pilgrim Fathers/Settlers left England forever for the hope of new lives in the New World, on the

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperUniversity of New Mexico Art Museum
A Premonitional Work, The Atlantic Ocean, Cape Spear, New Foundland, Canada, 1998-2001, The East-most Point of North America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, The English Channel-Looking S.,S.W.-Towards the New World, Beachy Head, The South Downs, Sussex, England, 1997/2001

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, The North Atlantic Ocean-Looking N., N.E.-Towards the Old World, Rage Point, Cape Cod, Massachusetts, U.S.A., 2000/2001 (The Northernmost Point of Cape Cod)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Premonitional Work, Vineyard Sound-Looking N.,N.E.-Towards the Old World, Nobska Point, Near Woods Hole, Barnstable County, Massachusetts, U.S.A., 2000/2001. (Near the Southernmost Point of Cape Cod.)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatn prints

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Quality of Dancing: The San Jose Canyon Works, New Mexico, 1973

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
A Rolling Stone

Bart Soubry

Medium: marble

Bart SoubryDennos Museum Center, Northwestern Michigan College
A Swelling Is, 1956

John Battenberg

Medium: Cast bronze

John Battenberg
A Thousand Times

Phillip Smith

Medium: pencil, pastel on paper

Phillip SmithWhitney Museum of American Art
A three-part Whirlpool work whirl - The Sea River - early afternoon The middle of the great Spring high tide The Gulf of Corryvreckan Carraig Mhór The Isle of Jura - Looking towards the Isle of Scabra Argyllshire Scotland U.K. Europe 1991/2018 Part 2 of a

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A three-part Whirlpool work whirl - The Sea River - early evening The great Spring high tide in full flood The Gulf of Corryvreckan Carraig Mhór The Isle of Jura - Looking towards the Isle of Scabra Argyllshire Scotland U.K. Europe 1991/2018 Part 3 of a 3

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A three-part Whirlpool work whirl - The Sea River - early morning The beginning of the great spring tide The Gulf of Corryvreckan Carraig Mhór The Isle of Jura - Looking towards the Isle of Scabra Argyllshire Scotland U.K. Europe 1991/2018 Part 1 of a 3

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A victim of war on Jade Maiwan Avenue. Kabul. Afghanistan, 1996

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
A Young Rice Field, Winters, California, 1978

Julie Bozzi

Medium: tempera on paper

Julie BozziMuseum of Contemporary Art San Diego
A-Ree-Dha, 1970

Natvar Bhavsar

Medium: acrylic on canvas

Natvar BhavsarDennos Museum Center, Northwestern Michigan College
A.J. Verdelle, Readings and Conversations Author, 1998

Don Usner

Medium: Black and white photograph

Don Usner
A.L. Kennedy, Readings & Conversations, 20 October 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
A.S. Byatt, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
A.S. Byatt, Readings & Conversations, 15 March 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Abduction No. 1 (Humorous Abduction), 1961

Robert Goodnough

Medium: oil on canvas

Robert GoodnoughMuseum of Contemporary Art, Los Angeles
Aberration #12, 2011

Adam Ekberg

Medium: Archival inkjet print

Adam EkbergMuseum of Fine Art Houston (MFAH)
Above 76 Degrees North Jones Sound and Glacier Strait King Edward’s Point Ellesmere Island Queen Elizabeth Islands Nunavut Canada North America 2013/2016 The Southmost point of Ellesmere Island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Above 79 Degrees North Dobbin Bay at Nares Strait Ellesmere Island Queen Elizabeth Islands Nunavut Canada North America 2013/2016

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Above cloud cover on top of the cliff face, 1200 feet high, Smith Sound, Kap Alexander, Inglefield Land, Greenland, Denmark, 2007-2008, The West-most point of Greenland, 78° 10.191' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Absence Reveals Presence, 1979

Joseph Guy

Medium: paper, graphite, acrylic

Joseph GuyBlanton Museum of Art, University of Texas, Austin
Abstract Figure, 1934

John Storrs

Medium: bronze

John StorrsHirshhorn Museum and Sculpture Garden
Abstract Painting, 1960-1965

Ad Reinhardt

Medium: oil on canvas

Ad ReinhardtThe Art Institute of Chicago
Abuction, 2007

Sarah Pickering

Medium: Chromogenic development print photograph

Sarah PickeringMuseum of Fine Art Houston (MFAH)
Accelerators, drawings # 1262, 1263, 1264 & 1265, 2014

James Drake

Medium: Graphite and ink on book pages

James DrakeThe Menil Collection
Aching, 1981-1982

William Crozier

Medium: cast bronze

William CrozierDennos Museum Center, Northwestern Michigan College
Acrylic piece 2015-8

Hadi Tabatabai

Medium: Acrylic paint on cast acrylic panel

Hadi Tabatabai
Acrylic piece 2015-9

Hadi Tabatabai

Medium: Acrylic paint on cast acrylic panel

Hadi Tabatabai
Activated Painting with Blue, 1961

Clay Spohn

Medium: oil on canvas

Clay SpohnOakland Museum of California
Aerial photograph of “The City Complex” Showing Land Owned by Triple Aught Foundation in Garden Valley, Nevada, 2008

Michael Heizer

Medium: Color photograph

Michael HeizerMuseum of Contemporary Photography, Columbia College Chicago
Aerial photograph of “The City Complex” Showing Land Owned by Triple Aught Foundation in Garden Valley, Nevada, 2008 (Survey Image)

Michael Heizer

Medium: Color photograph

Michael HeizerMuseum of Contemporary Photography, Columbia College Chicago
Aesthetic Outpost, 1982

Alex McFarlane

Medium: milled graphite

Alex McFarlaneThe William Benton Museum of Art, University of Connecticut
Agapito

Julio Zachrisson

Medium: watercolor on paper

Julio ZachrissonGodwin-Ternbach Museum, Queens College, City University of New York
Agoraphobia, 1968

Gerald Gooch

Medium: lithographs, etched Plexiglas, lighted aluminum box

Gerald GoochOakland Museum of California
Agression "Ammann"

Bernhard Luginbuhl

Medium: painted iron and steel

Bernhard LuginbuhlDennos Museum Center, Northwestern Michigan College
Ah! Quel; beau jour Monsieur Guillotin [What a Beautiful Day Mister Guillotin], 1982

Jean Mathot

Medium: cast bronze and steel with cable

Jean MathotDennos Museum Center, Northwestern Michigan College
Ahdaf Soueif, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Air, c. 2008

Erika Wanenmacher

Medium: Watercolor on board

Erika Wanenmacher
Airport Reflection, 2004

David Marshall

Medium: Fuji crystal archive photograph print

David Marshall
Alex, 1987

Chuck Close

Medium: Polaroid photograph mounted on aluminum

Chuck CloseThe Art Institute of Chicago
Alex, 1991

Chuck Close

Medium: woodcuts in colors

Chuck CloseThe Art Institute of Chicago
Alex, 1991

Chuck Close

Medium: oil on canvas

Chuck CloseThe Art Institute of Chicago
Alex, 1992

Chuck Close

Medium: woodcut in colors

Chuck CloseThe Art Institute of Chicago
Alex/Reduction Prints, 1991-93

Chuck Close

Medium: screenprints on paper

Chuck CloseThe Art Institute of Chicago
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alice's Adventures in Wonderland, 1969

Salvador Dali

Medium: Portfolio with 12 illustrations and one colored etching

Salvador Dali
Alistair MacLeod, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
All My Clothes, 1973

Charles Ray

Medium: Kodachrome photographs mounted on board

Charles RayMuseum of Contemporary Art, Los Angeles
All Site Information Lost, Somewhere in The Mid Atlantic Ocean and the Caribbean Sea, An unidentified point, From an unknown Caribbean island, The Caribbean, 2007/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Allegory No.1

Ronald Morosan

Medium: wood, acrylic, oil, pastel

Ronald MorosanSweeney Art Gallery, University of California, Riverside
Alligator (Double Headed)

Unknown

Medium: copper, cut, hammered

UnknownThe Salvation Army
Along the Bund, by the Huangpu River. Shanghai, China, 1998

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao SalgadoUniversity of New Mexico Art Museum
Along the Frozen Rimtop of Horseshoe Falls - and the Frozen Niagara Falls Basin Niagara Falls Ontario Canada North America March 2015/2017 Only the fifth time in the last 125 years that Niagara Falls has frozen, with Laura Cooper. Part 2 of 3 part

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Along the Frozen Rimtop of Horseshoe Falls - The Niagara Falls Basin and the Niagara River Niagara Falls Ontario Canada North America March 2015/2017 Only the fifth time in the last 125 years that Niagara Falls has frozen, with Laura Cooper. Part 1

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Aluminum Chair, 1980-1981

Scott Burton

Medium: aluminum, lacquer

Scott BurtonThe Art Institute of Chicago
Alutable, 1972

Mary Bauermeister

Medium: gouache, ink on paper, pebbles, egg shells, lenses, in aluminum box

Mary BauermeisterCarnegie Museum of Art
Amazon Waterfall, 1971

Ann McCoy

Medium: pencil on acrylic coated paper

Ann McCoySweeney Art Gallery, University of California, Riverside
America's Finest, 2005/2016

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
America, 1965

Dean Fleming

Medium: acrylic on canvas

Dean Fleming
America, 1982-83

Martin Silverman

Medium: polychromed bronze

Martin SilvermanDennos Museum Center, Northwestern Michigan College
American Bathers, 1962

Phyllis Yampolisky

Medium: gouache, ink pen on paper

Phyllis YampoliskyCarnegie Museum of Art
American Costume, 1970

David Hammons

Medium: oil, powdered pigment and fixative on paper

David HammonsThe Art Institute of Chicago
America’s Finest, 2005

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
Amira Hass, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Amiri Baraka, Readings & Conversations, 9 May 2009

Don Usner

Medium: Archival pigment print on paper

Don Usner
Amy Goodman, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Amy Goodman, Readings and Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Amy Tan, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
An Indication Piece (message for Robert Frank and Richard Serra) The Mouth of the Maboi River - Looking Out Downstream Cape Breton Island, Novia Scotia, Canada, (Part 1, The top part, of a 2 part vertical work) 1999/2001

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
An Indication Piece (message for Robert Frank and Richard Serra), The Northumberland Strait, Green Point, Cape Breton Island, Nova Scotia, Canada 1999/2001

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece - The North Atlantic Ocean Signal Hill, near St. John’s, The Isle of Newfoundland, Canada 1998-2015 The site where Guglielmo Marconi received his first transatlantic wireless cable message from his Poldhu Wireless Station in Cornwall,

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
An Indication Piece The Gulf of St. Lawrence-Looking N., N.E. -Towards the Old World Cape St. Lawrence, Cape Breton Island Nova Scotia, Canada, (The Northwesternmost Point of Nova Scotia, and along the site of both Jacques Cartier's and Samuel de

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
An Indication Piece, Cabot Strait-Looking N.,N.E.-Towards the Old World, Cape North, Cape Breton Island, Nova Scotia, Canada, 1999/2001. (The Northeasternmost Point of Nova Scotia along the site of John Cabot's Canadian discoveries and explorations of the

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece, E., N.E., The North Atlantic Ocean Signal Hill St. John’s Newfoundland Canada, 1998/2015 North America The site where Guglielmo Marconi received his first transatlantic wireless message from his Poldhu Wireless Station, Cornwall,

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
An Indication Piece, E., S.E.-The Atlantic Ocean, Cape Race, No. 1, The Isle of Newfoundland, Canada, 1998-1999 (from the site of the most treacherous shipping lane in the area-the site of near 300 shipwrecks) In the week of the Spring Equinox

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece, Farthest South- The Atlantic Ocean, Cape Freels, Last Light, (the southernmost point of the Isle of Newfoundland) The Isle of Newfoundland, Canada, 1998-1999, In the week of the Spring Equinox

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece, S., S.E.- The Atlantic Ocean, Cape Pine, Twilight, The Isle of Newfoundland, Canada, 1998-1999, In the week of the Spring Equinox

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece, The Dover Strait-Looking S., S.W.-Towards the New World, North Foreland, Isle of Thanet, The Easternmost Point of the County of Kent, England, 1998/2001 (The lighthouse on this point ceased operations as the last-manned British

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece, The English Channel-Looking S., S.W.-Towards the New World, Rame Head (Number 2), Near Plymouth, Cornwall, England, 1998/2001, (The Last View of the English Coast that the Pilgrim Settlers would have seen upon their leave-taking from

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece, The North Atlantic Ocean-Looking N.,N.E.-Towards the Old World, Cape Sable, Cape Sable Island, Novia Scotia, Canada, 1999/2001. (The Southernmost Point of Novia Scotia. And the Point from which over 1,000 ships have been lost at sea,

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
An Indication Piece-The North Atlantic Ocean Cape Sable Cape Sable Island Shelburne County Nova Scotia Canada, 1999/2015 North America The south most point of the island of Nova Scotia - and the recorded start-point over which 1,000 ships have be lost at

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
An Indication – See Canyon, San Luis Obispo County, California 1969-1970, for The Lannan Foundation - with my gratitude and Appreciation ----Thank you! The picture that I acknowledge as my first real picture. I purposely set out to make this picture on

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Andrew Bacevich, Readings & Conversations, 21 April 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
Anechoic Chamber, 1974

Doug Wheeler

Medium: colored pencils on graph paper

Doug WheelerSan Francisco Museum of Modern Art
Annapolis Strait very near Frobisher Bay East Bluff Meta Incognita Peninsula Baffin Island Nunavut Canada North America 2013/2016 The Southmost point of Baffin Island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Annie Proulx, Readings & Conversations, 4 June 2008

Don Usner

Medium: Archival pigment print on paper

Don Usner
Annunciation No. 2 Penance no. 3 , 1982

Manuel Neri

Medium: enamel paint on cast bronze

Manuel NeriHirshhorn Museum and Sculpture Garden
Annunciation, 1956

Salvador Dali

Medium: gouache on paper

Salvador DaliNew Mexico Museum of Art
Annunciation, 1957-1959

Wallace Berman

Medium: oil on canvas

Wallace BermanThe Art Institute of Chicago
Antennen [Antennas], 1957

Siegfried Klapper

Medium: ink, gouache on paper

Siegfried KlapperMilwaukee Art Museum
Anti Catholic Painting, 1991

Manuel Ocampo

Medium: oil on canvas

Manuel OcampoMuseum of Contemporary Art, Los Angeles
Anvil Rock slight wind - moving towards darkness - becalmed Estrecho de Magallanes/The Strait of Magellan Cabo Monmouth Isla Grande Tierra del Fuego Tierra del Fuego Chile South America, 2006/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Apparition, 2014

Pard Morrison

Medium: Fired pigment on aluminum

Pard Morrison
Apple Tree Screen 12, 2012

Nancy Sutor

Medium: Mixed Media

Nancy Sutor
Applegate, 1963

Lloyd Hamrol

Medium: pencil on paper

Lloyd HamrolWestern Gallery, Western Washington University
Apples, 1980

Pär Gunnar Thelander

Medium: bronze

Pär Gunnar ThelanderDennos Museum Center, Northwestern Michigan College
Apples, Pears, 1980

Malcolm Morley

Medium: Watercolor on paper

Malcolm Morley
Approaching Nightfall - The Mid North Atlantic Ocean Punta Fariones (The North-most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
April 1977, 1977

Bill Jensen

Medium: gouache and pastel on paper

Bill JensenWhitney Museum of American Art
Aqua Regia, 1961

Geoffrey Bowman

Medium: oil on canvas

Geoffrey BowmanOakland Museum of California
AR-r-r OU-u-u-Ur-r

Carl Apfelschnitt

Medium: oil, roplex, acrisol, retarding medium, pigment, oil, canvas

Carl Apfelschnitt
Aral, 1970

Ken Showell

Medium: acrylic on canvas

Ken ShowellSweeney Art Gallery, University of California, Riverside
Archipelago Number 1 Norskerenna, The North Sea and the Wick of Skaw Looking towards the Holm of Skaw The Island of Unst The Shetland Islands Scotland U.K., Europe 1989-2017 Near the Northmost point of the Shetland Islands and the Northmost point of the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
Archipelago Number 2 Norskerenna, The North Sea and the Wick of Skaw Looking towards the Holm of Skaw North Coos The Island of Unst The Shetland Islands Scotland U.K., Europe 1989-2017 Near the Northmost point of the Shetland Islands and the Northmost

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
Archipelago Number 3 Sumburgh Roost, the North Sea Sumburgh Head Dunrossness Shetland Mainland The Shetland Islands Scotland U.K., Europe 1989-2017 Near the Southmost point of the Shetland Islands. part 3 of 5-part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
Archipelago Number 4 The Sound and the North Atlantic Ocean The Point of Sensors at the Old Lighthouse Dennis Ness The Isle of North Ronaldsay The Orkney Islands Scotland U.K., Europe 1989-2017 The Northmost point of the Orkney Islands. part 4 of 5-part

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
Archipelago Number 5 Looking towards Scotland - The Pentland Firth The Wing Very near Brough Ness The Isle of South Ronaldsay The Orkney Islands Scotland U.K., Europe 1989-2017 The Southhmost point of the Orkney Islands. part 5 of 5-part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
Arctic moonlight Looking West The Labrador Sea Coopers Island Labrador Canada North America 2013/2018 With Greg Landreth and Oskar Strom.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Arctic twilight Looking East The Labrador Sea Coopers Island Labrador Canada North America 2013/2018 With Greg Landreth and Oskar Strom.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Arlequin Dormido [Sleepy Harlequin]

Carmelo Gonzales

Medium: wood engraving

Carmelo GonzalesGodwin-Ternbach Museum, Queens College, City University of New York
Armato Francesi [French Army], 1963

Franco Angeli

Medium: oil and silk gauze over canvas

Franco Angeli
Artifacts (Anasazi Cliff Dwellings, Canyon de Chelly, Spacecraft in Perpetual Geosynchronous Orbit, 35,786 km Above Equator), 2010

Trevor Paglen

Medium: chromogenic print

Trevor Paglen
Artifacts (Anasazi Cliff Dwellings, Canyon de Chelly, Spacecraft in Perpetual Geosynchronous Orbit, 35,786 km Above Equator), 2010

Trevor Paglen

Medium: Chromogenic print

Trevor Paglen
Artillery, 2005

Sarah Pickering

Medium: Lambda print photograph

Sarah Pickering
Arundhati Roy, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Arundhati Roy, Readings & Conversations, 24 March 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
Asymmetrical bar, deep, 2007

Susan York

Medium: Solid graphite, with aluminum, brass, steel mount

Susan York
At St. Albans, 1954

Louis James

Medium: oil on canvas

Louis JamesHouse of Hope
At sundown, hundreds of migrants march north in groups of twenty, hoping to cross the border. Each group is joined by a smuggler, whose identity is not revealed and who acts as a guide. Agua Prieta, Sonora, 2000 (from the special limited edition ‘Dreams &

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
At the Corral - Counting and Separating Reindeer, 2007 From the Series: Even and the Climate (Siberia)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
At the Corral - Nikolayev Matvey Gathering Reindeer. From 'Even and The Climate series', 2007

Subhankar Banerjee

Medium: Digital chomogenic print face & mounted to Plexiglas

Subhankar Banerjee
At the Meeting of the Two Seas-The Beginnings of the Baltic, Grenen, Jutland, Denmark, 1998 (the northernmost point of Denmark)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Atlas Holding Up the Sky and Herakles Going, 1979

Milo Reice

Medium: gouache on cardboard sections

Milo ReiceZimmerli Art Museum, Rutgers University
Atomic Fact, 1986

Joel Otterson

Medium: cast bronze

Joel OttersonBerkeley Art Museum, University of California, Berkeley
Auftauchender Kopf [Emerging Head ], 1969

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
Aurora

John Marshall

Medium: silver

John MarshallMetal Museum
Aurora, 1965

Leo Valledor

Medium: acrylic on canvas

Leo ValledorOakland Museum of California
Ausum, 1973

Agapito Miniucchi

Medium: wood, steel

Agapito MiniucchiDennos Museum Center, Northwestern Michigan College
Ave Maria Purisima (Enlightenment 8), 1983

Celia Munoz

Medium: mixed media

Celia MunozMuseum of Contemporary Art Chicago
Avenue Patrice Lumumba: Administration building, Antsiranana, Madagascar, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Administration office, Department of Commerce, Antsiranana, Madagascar, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Apartment building, Avenue Bagamoyo, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Apartment building, Avenue Kwame Nkrumah, Maputo, Mozambique, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Apartment building, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Athénée Royal High School, Lumumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Avenue Bagamoyo, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Bust of Agostinho Neto, Quibala, Angola, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: City Hall offices, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: City Hall, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: City Hall, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy Tillim
Avenue Patrice Lumumba: Court records, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Former bank building, Kolwezi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008 (diptych)

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Grande Hotel, Beira, Mozambique, 2008 (diptych)

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: High school, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Library, sports club, Kolwezi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Likasi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Lubumbashi City Hall, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Old landline exchange, Post Office, Lubumbashi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Park in the centre of town, Gabela, Angola, 2008

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Post Office, Likasi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Private residence, Kolwezi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Typists, Likasi, DR Congo, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Avenue Patrice Lumumba: Wires linked to private generators, apartment block, Luanda, Angola, 2007

Guy Tillim

Medium: Archival pigment ink print on cotton rag paper

Guy TillimIziko Museums of South Africa
Awaiting sunrise - early Spring Chinle Wash The Navajo Nation Indian Reservation Canon del Muerto/The Canyon of the Dead Canyon de Chelly National Monument Apache County Arizona U.S.A. North America 1994/2017 (with C.A.M.) part 1 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
A˙n Piensa, 1961

Rafael Coronel

Medium: acrylic on masonite

Rafael CoronelNew Mexico Museum of Art
B 2-5-8 (s), 1967

Sol LeWitt

Medium: painted aluminum

Sol LeWittMuseum of Contemporary Art, Los Angeles
Baalbek, May 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Babel Tower

Fran Monchatre

Medium: lead, mirrors, glass, paint, wood

Fran Monchatre
Back Porch with Picnic Table, 1985

Siah Armajani

Medium: maple, cedar, pine, acrylic paint and stain, bronze and aluminum screen

Siah ArmajaniMuseum of Contemporary Art, Los Angeles
Backpacks, jackets, shoes and gloves—on sale to immigrants in the main plaza. Altar, Sonora, 2005

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Bagged Bag Series

John Littleton & Kate Vogel

John Littleton & Kate VogelPalm Beach State College
Bahamas Internet Cable System (BICS-1) NSA/GCHQ-Tapped Undersea Cable, Atlantic Ocean

Trevor Paglen

Medium: C-Print

Trevor Paglen
Baigneuses (recto and verso), 1934

Paul Delvaux

Medium: pen, brush and black ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Balance Akt [Balance Act], 1966

Bernhard Jaeger

Medium: lithograph on paper

Bernhard JaegerHouse of Hope
Balcon [Balcony], 1985

Gunther Rg

Medium: tempera and watercolor on paper

Gunther RgMuseum of Contemporary Art, Los Angeles
Ballet Dancer, 1980

David Sharpe

Medium: oil on canvas

David SharpeUniversity of New Mexico Art Museum
Barbute, 1987

Margaret Honda

Medium: barbed wire, razor ribbon

Margaret HondaMuseum of Contemporary Art, Los Angeles
Barque with Condor, 1984

Ann McCoy

Medium: cast bronze

Ann McCoyNew Mexico Museum of Art
Barque with Lion Goddess, 1985

Ann McCoy

Medium: cast bronze

Ann McCoyNew Mexico Museum of Art
Basel, November 2104

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Basket, 1977

Richard Artschwager

Medium: acrylic on cellotex in artist's frame

Richard ArtschwagerMuseum of Contemporary Art San Diego
Bathsheba I, 1959

Jules Olitski

Medium: oil on canvas

Jules OlitskiUniversity of Michigan Museum of Art
Battle Cartoon, 1982

Tom Otterness

Medium: painted cast hydrostone, with chalk

Tom OtternessWichita Art Museum
Battle of the Sexes, 1963

Robert Goodnough

Medium: acrylic on linen

Robert GoodnoughZimmerli Art Museum, Rutgers University
Battle Scene

Eugene Delacroix

Medium: gouache, graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Beach of Silenus, 1964

Robert Thompson

Medium: acrylic on paper

Robert ThompsonThe Art Institute of Chicago
Bed, 1971

Karen Carson

Medium: crayon on paper

Karen CarsonGrunwald Center for the Graphic Arts, Hammer Museum, University of California, Los Angeles
Bed, Sierra del Rosario, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanOklahoma City Museum of Art
Beer Cans, 1986

Tom Otterness

Medium: pen and black ink and pencil on paper

Tom OtternessWhitney Museum of American Art
Bei schˆnem Wetter [Nice Weather], 1969

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
Beirut, May 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Beirut, May 2016

Teju Cole

Medium: /

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Beluga Whale Hunt, 2007 From the Series: Iñupiat and the Whales

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeCenter for Creative Photography, University of Arizona
Beluga Whales with Calves, 2006 From the Series: Oil and the Whales (Arctic Ocean)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeCenter for Creative Photography, University of Arizona
Bergstadt [Mountains], 1964

Siegfried Klapper

Medium: graphite on paper

Siegfried KlapperCarnegie Museum of Art
Bianco Grande [Big White], 1961

Franco Angeli

Medium: oil on canvas

Franco Angeli
Big Bend View from Terlingua, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Big Ellie, 1977

Rudy Autio

Medium: glazed stoneware

Rudy AutioTacoma Art Museum
Big Green Man

James Brown

Medium: acrylic on paper in artist's frame

James BrownRose Art Museum, Brandeis University
Billy Collins, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Billy Sunday, Seated c. 1913 (After Stearns Wildermuth & Stearns; Library of Congress), 2007

McCallum & Tarry

Medium: Oil on canvas and toner on silk

McCallum & Tarry
Binyavanga Wainaina, Readings & Conversations, 28 September 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Bio and Picture

Frederick Kiesler

Medium: photo-offset poster

Frederick KieslerGuggenheim Museum
Birds in a Molasses Tank, Rancho Pozo Nuevo, Sonora, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Birds, Janos, Chihuahua, 2007

Michael P. Berman

Medium: Carbon pigment print photograph

Michael P. Berman
Birds. Janos, Chihuahua, 2007

Michael P. Berman

Medium: Carbon pigment ink on etching paper

Michael P. BermanCenter for Creative Photography, University of Arizona
Birth of an Island, 1983

Frederick Wight

Medium: oil on canvas

Frederick WightOakland Museum of California
Birth, 1963

Cheung Yee

Medium: aluminum on wood

Cheung YeeAsian American Arts Centre
Black and White

Salvatore Sirugo

Medium: oil on canvas

Salvatore SirugoZimmerli Art Museum, Rutgers University
Black Bird, 2008

Edward Ruscha

Medium: Ink on board

Edward Ruscha
Black Cat, 2012

Mary Bonkemeyer

Medium: Acrylic on canvas

Mary Bonkemeyer
Black Excursion No. 13, 1964

Louise Nevelson

Medium: wood, painted black formica

Louise NevelsonUniversity of Michigan Museum of Art
Black Horse on Yellow Ground, 1953

Marino Marini

Medium: gouache, graphite and oil on paper mounted on canvas

Marino MariniUniversity of Michigan Museum of Art
black on white Prins Christian Sund and The North Atlantic Ocean The Eastern Entrance Kong Frederik VI Kyst Kangertittivaq/Greenland (Denmark) North America 2008/2017 With Jason Roberts. Just above the Southeast most point of Greenland.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Black Spot, 1982

James Brown

Medium: oil and enamel on canvas

James BrownUniversity of Michigan Museum of Art
Black Stripe

Lewis Harris

Medium: spray paint, pencil on paper

Lewis Harris
Black, White Gray, 1959

Gastone Novelli

Medium: oil on canvas

Gastone NovelliUniversity of Michigan Museum of Art
blasted and sunstruck- Looking towards the Head of Passes and The Mouths of the Mississippi River The Mississippi River Delta Well south of Venice Plaquemines Parish Louisiana U.S.A. North America 2009/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Blessed Be The Lord, 1968

Henry Miller

Medium: Watercolor on paper

Henry MillerHenry Miller Memorial Library
blinding brightness - Hidden Dangers Bahía de Cochinos/Bay of Pigs Playa Largo Montanzanas Cuba The Greater Antilles Latin North America 2007/2017 The site where Fidel Castro and his army crushed the American CIA - led Cuban exile counter-revolutionary

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
blinding brightness, Yankee Harbour, Greenwich Island, The South Shetland Islands,United Kingdom, Antarctica, 2008, 62° 32’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Blizzard – The Spring Equinox At the Source of the Rio Grande Rio Grande National Forest The Continental Divide San Juan County Colorado U.S.A. North America 1995/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Blown, 1973

Robert Arneson

Medium: glazed ceramic

Robert ArnesonHirshhorn Museum and Sculpture Garden
Blue Cactus

Kevin Kobus

Medium: acrylic, tacks on masonite

Kevin KobusDennos Museum Center, Northwestern Michigan College
Blue Chair, 1950

Milton Avery

Medium: ink and crayon on paper

Milton AveryNew Mexico Museum of Art
Blue Vine, 1981

Kevin Kobus

Medium: acrylic on carved wood

Kevin KobusDennos Museum Center, Northwestern Michigan College
Blueblood, 1988 (grey book)

James Turrell

Medium: Skyspace

James Turrell
Blumen [Flowers], 1993

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Boca Grande and Gulfo de Paria. The Gulf of Paria. Playa Mocurito, Macuro. Peninsula de Paria. Sucre, Venezuela 2005/2006. From the only Continental land-site that Christopher Columbus actually set foot on in the New World of The Americas and near the

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Boceto, 1971

Jose Guinovart

Medium: oil on asbestos

Jose Guinovart
Body of Knowledge Drawing II, 1979

Gary Bower

Medium: pastel and charcoal on paper

Gary BowerCarnegie Museum of Art
Bologne, avril 81, 1981

Therese Chotteau

Medium: watercolor, crayon on plaster

Therese Chotteau
Book Cover 4, 2012 (Brief Interviews with Hideous Men by David Foster Wallace)

Maryam Amiryani

Medium: Oil on linen

Maryam Amiryani
Book with Original Drawing

Robert Therrien

Robert Therrien
Book, 1974

Richard Tuttle

Medium: Unbound Addenda book

Richard Tuttle
Border Gate

Jaime Bailleres

Medium: photograph mounted Gator board

Jaime BailleresEl Paso Museum of Art
Border Patrol agents detain 80 illegal immigrants near Bisbee, Arizona, 2000

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Bouche Evier (S. 3fl), 1964 [Sink Mouth]

Marcel Duchamp

Medium: silver

Marcel DuchampUniversity of Michigan Museum of Art
Bowl of Cherries, 1962

Robert Irwin

Medium: oil on canvas

Robert IrwinMuseum of Contemporary Art, Los Angeles
Box for Instruments (Shrine 7)

Dennis Evans

Medium: wood, lacquer, porcelain, brass, string, wax, copper

Dennis EvansTacoma Art Museum
Boy on Toy Horse, December 1981 - January 1982

Donato Mancini

Medium: charcoal on toned Arches paper

Donato ManciniBass Museum of Art
Boy with Stockings/Whiskey and Cigarette, 2008

Luke Batten & Jonathan Sadler

Medium: Archival inkjet print

Luke Batten & Jonathan SadlerMuseum of Fine Art Houston (MFAH)
Boy with Stockings/Whiskey and Cigarette, 2008

Luke Batten & Jonathan Sadler

Medium: Archival inkjet print

Luke Batten & Jonathan SadlerMuseum of Fine Art Houston (MFAH)
Bozzetto Radar, 1962

Arnaldo Pomodoro

Medium: bronze

Arnaldo PomodoroIndianapolis Art Center
Brant and Snow Geese with Chicks, 2006

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar BanerjeeUniversity of New Mexico Art Museum
Brazzaville, February 2013

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Brazzaville, February 2013

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Breyten Breytenbach, Readings & Conversations, 18 November 2009

Don Usner

Medium: Archival pigment print on paper

Don Usner
Bridge, 1980

Rick Stich

Medium: egg tempera on canvas

Rick StichOakland Museum of California
Brienzersee, June 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
bright lifting fog - early morning Looking downstream - The Hudson River Storm King Mountain Orange County New York U.S.A., North America 2000/2017 The locus point for the Hudson River School of American Landscape Painting, which established the subject

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Bright Moonlight - The Caribbean Sea, Punta Ojo de Agua, Peninsula de la Guajira, Guajira, Colombia, 2005, The Northwest-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Broken Spell 3, 1978

Gary Bower

Medium: oil on canvas

Gary Bower
Bronze Chair, 1975

Scott Burton

Medium: bronze

Scott BurtonThe Art Institute of Chicago
Brooklyn, April 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Busy Thoroughfare

Jean Watts

Medium: oil on panel

Jean WattsHouse of Hope
Butterflied, 1971-1973

George Apostu

Medium: wood

George ApostuDennos Museum Center, Northwestern Michigan College
C.D. Wright, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Cabeza

Arturo Potesta

Medium: watercolor and brush and black ink on paper

Arturo PotestaGodwin-Ternbach Museum, Queens College, City University of New York
Calamity Creek – The Source Stream of the Hudson River and The Rising of the Hudson River North of Newcomb Essex County New York U.S.A. North America 2000/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Calderall, 1965

Forrest Myers

Medium: mobile with Plexiglas, stainless steel, lacquer, epoxy, paint

Forrest Myers
Campbell McGrath, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Can't Stop Shaking, 1988

Nicolas Africano

Medium: oil and wax on canvas in artist's frame

Nicolas AfricanoPhoenix Art Museum
Canal de Yucatán y Mar Caribe / The Caribbean Sea Punta Sud / South Point, Ixchel - Mayan Temple Lighthouse, Isla Mujeres / The Isle of Women, Quintana Roo, Yucatán Peninsula, Mexico, 2007/2014 Very near the East-most point of all Mexico. One of the great

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Canal de Yucatan y Mar Caribe / The Caribbean Sea, Punta Norte / North Point,Recinda del Rey / The King’s Bath, Isla Mujeros Quintana Roo, The Yuctan Peninsula, Mexico, North America, 2007/2015, The North most point of the island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Candidates to illegal migration by the steel barrier built by the U.S.A. U.S.-Mexican border. Tijuana, Mexico, 1997

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao SalgadoMuseo de las Americas
Candy

Tom Kiechle

Medium: assemblage

Tom KiechleOakland Museum of California
Cape Cod Bay First Encounter Beach Cape Cod National Seashore Eastham County Massachusetts U.S.A. 2000/2015 North America The site of the first recorded contact between the newly arrived Europeans and a Native American man called Squanto, from the Patuxet

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
Cape Dorset Harbour Cape Dorset Cape Dorset Village Foxe Peninisula Baffin Island Nunnuvut Canada North America 2013/2018 With Greg Landreth and Oskar Strom. Cape Dorset is where the remains of the Thule (Tuniit, Dorset Culture) were discovered, who lived

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Capri, June 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Caribou Hunt - Charlie Swaney and Jimmy John, 2007 From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeUniversity of New Mexico Art Museum
Caribou Hunt - Danney Gimmel and Rocky John, 2007 From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeUniversity of New Mexico Art Museum
Caribou Hunt - Danney Gimmel, 2007 From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeUniversity of New Mexico Art Museum
Caribou Hunt - Jimmy John, 2007 From the Series: Gwich'lin and the Caribou

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeUniversity of New Mexico Art Museum
Caribou Migration I, 2002 Oil and the Caribou, Coleen River Valley

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar BanerjeeNational Gallery of Art
Caribou Near Kokolik River, 2006 From the Series: Coal and the Caribou (Utukok RU)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeNorth Dakota Museum of Art, University of North Dakota
Caribou Pass on Kongakudt River, 2002 From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Caribou Run The Strait of Belle Isle Elijah Point, Cap Charles, Labrador, Canada 2014 The Eastmost point of Continental Canada

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Caribou Tracks on Coal Seams, II, 2006

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar BanerjeeNational Gallery of Art
Caribou Tracks on Tundra, 2006

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar BanerjeeSan Antonio Museum of Art
Caribou Tracks on Wetland II, 2006 From the Series: Oil and the Geese (Teshekpuk LWL)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar BanerjeeOklahoma City Museum of Art
Carlos Fuentes, Readings & Conversations, 13 September 2001

Don Usner

Medium: Archival pigment print on paper

Don Usner
Carlos, 1979

John Ahearn

Medium: acrylic on cast plaster

John AhearnHirshhorn Museum and Sculpture Garden
Carnival Time, 1990

Mike Kelley

Medium: acrylic on masonite

Mike KelleyDetroit Institute of Arts
Caryl Phillips, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Caryl Phillips, Readings & Conversations, 1 November 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Cast Form Type IV: 3479, 1980

Howard Tre

Medium: cast glass, copper

Howard TrePortland Art Museum
Cast Form Type VI: 1179, 1979

Howard Tre

Medium: cast glass

Howard TrePortland Art Museum
Cast Form Type VI: 2179, 1979

Howard Tre

Medium: cast glass

Howard TrePortland Art Museum
Cast Form Type VI: 4179, 1979

Howard Tre

Medium: cast glass

Howard TrePortland Art Museum
Cast Form Type VIII, 1979

Howard Tre

Medium: cast glass, copper

Howard TreUniversity of Michigan Museum of Art
Catso Blue, 1967 (projection materials)

James Turrell

Medium: Light projection, slide, dichroic filter, projector, ballast room installation

James TurrellDia Art Foundation
Catso Blue, 1967/1987 (grey book)

James Turrell

Medium: light projection GREY BOOK

James TurrellDia Art Foundation
Ce Qui Manque a Nous Tous [That Which We All Lack]

Man Ray

Medium: blown glass, clay, wood

Man RayUniversity of Michigan Museum of Art
Cell Dividing, 1982

Mike Kelley

Medium: acrylic on sheetmetal over wood

Mike KelleyMuseum of Contemporary Art, Los Angeles
Center for Land Use Interpretation Archive Photo #301-5A

Unknown

Medium: Photograph

Unknown
Center of the Canadian Shield Hudson Strait Cape Wolstenholme Peninsula d’Ungava Quebec Canada North America 2013/2016 The Northmost point of the Ungava Peninsula and in the centre of the Canadian Shield. The Canadian Shield is a large area of exposed

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Chalkboard, LaLander, Afghanistan #20, 2003

Tony O'Brien

Medium: Gelatin silver print

Tony O'BrienCenter for Creative Photography, University of Arizona
Champigny, 1863

Camille Pissaro

Medium: recto: pen and ink and pencil; verso: graphite on paper

Camille PissaroUniversity of Michigan Museum of Art
Chanel de le Hella-West, Pointe de Corsen, Finisterre, Brittany, France, 2004, The West-most point of mainland France

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Charred Glass Slab, 2011

Munson Hunt

Medium: Kiln cast glass

Munson Hunt
Chat maitre-d'hotel: Version au plateau creux [Butler Cat: Version with Hollow Tray], c. 1967

Diego Giacometti

Medium: Bronze with patina

Diego Giacometti
Checkpoint. Hermosillo, Sonora, 2004

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Cheesecloth Piece, 1981

Jackie Winsor

Medium: wood, cheesecloth

Jackie WinsorMuseum of Contemporary Art Chicago
Cherries in a Dish

Bradley Tomlin

Medium: pastel on paper

Bradley TomlinUniversity of Michigan Museum of Art
Chicago, April 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Chicken, 1948

Milton Avery

Medium: oil on canvas board

Milton AveryNew Mexico Museum of Art
Chief with Cherries, Shaman, 1973

Jeff Way

Medium: oil on canvas

Jeff WayThe William Benton Museum of Art, University of Connecticut
Child's Grave

Louis de Niverville

Medium: acrylic on canvas

Louis de NivervilleSweeney Art Gallery, University of California, Riverside
Children’s writers pictures Remembering Jim and Huck – Thinking about Mark Twain The screened lower Mississippi River Near Hannibal Mark Twain Country Marion County Missouri U.S.A. North America 2010/2018 With Denise Riebe.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Children’s writers pictures Thinking of Laura, Sophie and Kate – The birthplace of Laura Ingles Wilder - author of “Little House on the Prairie” books “Lake” Pepin and the upper Mississippi River Pepin Pepin County Wisconsin U.S.A. North America 2010/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Children’s writers pictures Thinking or Sophie, Laura and Kate – “Anne of Green Gables” Country The Gulf of St. Lawrence Orby Head Near Cavendish Queen County Prince Edward Island Canada North America 2013/2018 With Oskar Strom.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Chimamanda Ngozi Adichie, Readings & Conversations, 28 September 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Chisos Mountains at Midday, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Chispas Quemenme! (Enlightenment 1), 1982-87

Celia Munoz

Medium: photograph, matchbook

Celia MunozMuseum of Contemporary Art Chicago
Chris Hedges, Cultural Freedom, 17 May 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Chris Hedges, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Christ and Lazareth, 1955

Oliver O'Connor Barrett

Medium: wood

Oliver O'Connor BarrettPecos Benedictine Monastery, Our Lady of Guadalupe Abbey
Christ's Crown, 1957

Mathias Goeritz

Medium: watercolor, pencil, felt pen on paper

Mathias GoeritzNational Autonomous University of Mexico
Christmas Card, 1974

Louis de Niverville

Medium: Collage

Louis de Niverville
Christo

Carmelo Gonzales

Medium: woodcut

Carmelo GonzalesGodwin-Ternbach Museum, Queens College, City University of New York
Christopher Columbus’ Second landing site in the New World - 17th October 1492. (No.2) The Mid-Atlantic Ocean Long Island The Bahamas The Greater Antilles Latin North America 2007/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Chucky Boy Santa Monica, 1976

Scott Miller

Medium: oil on canvas

Scott MillerMuseum of Sex
Church Gate Station. Bombay, India, 1995

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
Cible, 1972

Vladimir Velickovic

Medium: oil on canvas

Vladimir VelickovicSweeney Art Gallery, University of California, Riverside
Cigarette, 2007

Sarah Pickering

Medium: Chromogenic development print photograph

Sarah Pickering
Cilia, 1983

Mel Kendrick

Medium: painted wood

Mel KendrickMilwaukee Art Museum
Cinder Cone, El Pinacate Lava Flow, Arizona, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanCenter for Creative Photography, University of Arizona
Circua - Feb 16th, 1954

Joe Testa-Secca

Medium: gouache on paper

Joe Testa-Secca
City by Michael Heizer, (A)© Triple Aught Foundation, Photo: Tom Vinetz

Michael Heizer

Medium: Color photograph

Michael HeizerMuseum of Contemporary Photography, Columbia College Chicago
City by Michael Heizer, (B) © Triple Aught Foundation, Photo: Tom Vinetz

Michael Heizer

Medium: Color photograph

Michael HeizerMuseum of Contemporary Photography, Columbia College Chicago
City by Michael Heizer, (C) © Triple Aught Foundation, Photo: Tom Vinetz

Michael Heizer

Medium: Color photograph

Michael Heizer
City Center #8 Wood Family Fishing Bridge: Beloit, Wisconsin, 1997

Siah Armajani

Medium: Colored pencil on Mylar

Siah Armajani
City Center #9 Poetry Garden: Los Angeles, 1997

Siah Armajani

Medium: Colored pencil on Mylar

Siah Armajani
City Scene

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
City Scene, Halloween Night, 1960

Lester Johnson

Medium: oil on canvas

Lester JohnsonZimmerli Art Museum, Rutgers University
Claptrap Drawings, 1984-1985 (eighteen drawings)

Douglas MacWithey

Medium: graphite, masking taper and collage on paper

Douglas MacWitheyNew Mexico Museum of Art
Cliff, 1963

Cheung Yee

Medium: aluminum on wood

Cheung YeeAsian American Arts Centre
Close Far Dunes, El Gran Desierto, Sonora, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Closed Mirror Square (Cayuga Slat Mine Project), 1969

Robert Smithson

Medium: Rock, salt, mirrors & glass

Robert SmithsonDia Art Foundation
Cloud Chamber, Utopian Landscape 4, 1988

Jim Shaw

Medium: pencil on paper

Jim ShawMuseum of Contemporary Art, Los Angeles
Cloud Horizon - The Strait of Rio and the North Atlantic Ocean La Punta Mirador de Rio and Punta Fariones the North-Most point of the Isle of Lanzarote The Canary Islands, Spain 2002/2014

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Clouded moonlight - The mid North Atlantic Ocean Cabo Trafalgar Andalucia Spain Europe 2003/3018 Admiral Lord Nelson enjoyed a decisive victory over the Spanish Admiral Villeneuve off this cape to defeat the French Navy and help win the Napoleonic War for

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Clouded Moonlight – The Caribbean Sea/ Mar Caribe Marant Point, St. Thomas, Jamaica, 2007/2014 The East-most point of Jamaica

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Clouds and Chinati Peak, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Clown Beggars

Julian Cordona

Medium: photograph mounted Gator board

Julian CordonaEl Paso Museum of Art
Clown Torture, 1987

Bruce Nauman

Medium: four color video monitors, four speakers, four videotape players, two video projectors, four videotapes

Bruce NaumanThe Art Institute of Chicago
Clown, Elephant and Horse, 1957

Lucien Philippe Moretti

Medium: pen and ink on paper

Lucien Philippe MorettiCarnegie Museum of Art
Clyde, 1981

John Ahearn

Medium: acrylic on cast plaster

John AhearnMuseum of Contemporary Art Chicago
Code Names of the Surveillance State

Trevor Paglen

Medium: Three-channel HD video installation on TV monitors, looped, no sound

Trevor Paglen
Colonia Estrella del Poniente, Cuidad Juárez, Chihuahua, 2003,

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Color

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Commemorative Plaque, 1980

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Composite Mythology 2, no date

Jeremy Anderson

Medium: wood, bronze, coconut shell, mirror

Jeremy AndersonOakland Museum of California
Composition No. 84

Ferruccio Bortoluzzi

Medium: oil, wood, iron, paint, collage

Ferruccio Bortoluzzi
Composition of Two Black Squares

Susan York

Medium: Solid graphite

Susan YorkThe Menil Collection
Composition of Two Black Squares, 2018

Susan York

Medium: Solid graphite

Susan YorkThe Menil Collection
Composition, 1961

Mark Tobey

Medium: tempera on paper mounted on canvas

Mark TobeyMuseum of Contemporary Art, Los Angeles
Concave and Convex, 1968

Vjenceslav Richter

Medium: aluminum with steel frame

Vjenceslav Richter
Concealment 1979, 1979

Joseph Guy

Medium: acrylic, wax and graphite on paper

Joseph GuyNew Jersey State Museum
Concert of Angels Variation, 1957

Jan Mueller

Medium: oil on panel

Jan MuellerMuseum of Contemporary Art, Los Angeles
Concilio del Louvre, 1961

Rafael Coronel

Medium: acrylic on canvas

Rafael CoronelHirshhorn Museum and Sculpture Garden
Coney Island Creek Remembering “The Warriors” Coney Island Creek Park Brooklyn, Kings County, Long Island, New York U.S.A. North America 2016/2017 “We figure when we see the ocean we’re home”. The Westmost point of Long Island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperParrish Art Museum
Congo Democratic: A statue of Patrice Lumumba erected by Laurent Kabila and an unfinished tower built during the Mobutu years, look down on Jean-Pierre Bemba supporters as they make their way to a rally, Kinshasa, July 2006

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Congo Democratic: Lumumbiste Party supporters prepare for a meeting, pinning up pictures of Patrice Lumumba and their leader Antoine Gizenga, who was a deputy to Lumumba after the first elections in 1962

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Congo Democratic: Presidential candidate Jean-Pierre Bemba enters a stadium in central Kinshasa flanked by his bodyguards, July 2006

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Congo Democratic: Supporters of Jean-Pierre Bemba line the road as he walks to a rally from the airport, Kinshasa, July 2006

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Congo Democratic: Supporters of Jean-Pierre Bemba mock President Kabila, calling him an egg seller (in reference to Kabila’s statement that he could not take part in early election debates because he was balancing the delicate affairs of state on his

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Construction of Two Diagonal Lines, 1970/1973/1999

Fred Sandback

Medium: graphite on paper

Fred SandbackDia Art Foundation
Construction of Two Diagonal Lines, 1970/1973/1999

Fred Sandback

Medium: Cardinal Red acrylic yarn

Fred SandbackDia Art Foundation
Consuelo, 1989

Nicolas Africano

Medium: cast glass, marble base, cloth

Nicolas AfricanoMuseum of Contemporary Art Chicago
Contentment (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Cop Car, 1986

Tom Otterness

Medium: graphite and watercolor on paper

Tom OtternessWhitney Museum of American Art
Coquina, circa 1973

Yasuo Mizui

Medium: ink on paper

Yasuo Mizui
Corn Field with Sorghum Border, Sac Valley, August, 1979

Julie Bozzi

Medium: tempera on paper

Julie BozziMuseum of Contemporary Art San Diego
Cornel West, Readings & Conversations, 25 June 2003

Don Usner

Medium: Archival pigment print on paper

Don Usner
Cornelius Eady, Readings & Conversations, 15 November 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Cornell West, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Couple and Painting, Grooves Bar-Shanghai, 1998

Bertien Van Manen

Medium: C-Print

Bertien Van Manen
Couple II, 1978-1982

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Coupling III, 1980

Ginna Brand

Medium: graphite, plaster on rice paper panels

Ginna Brand
Covered Box

Unknown

Medium: porcelain, glaze, paint with brass bale handles

UnknownCarnegie Museum of Art
Cozy Corner Lights, from the series Sound Affects, 2004

Christian Patterson

Medium: Archival inkjet print

Christian PattersonSan Antonio Museum of Art
Crackerjack Hustler: Suite 4, 1977

Inez Storer

Medium: assemblage; wood, ostrich feathers, printed paper, paint

Inez StorerOakland Museum of California
Craft Morphology Flow Chart, 1991

Mike Kelley

Medium: 114 dolls, 60 B&W photographs,1 acrylic on paper drawing,13 folding banquet tables, 20 folding card tables

Mike KelleyMuseum of Contemporary Art Chicago
Creation, (Six Days in the Life of God), 1974

Margaret Giles

Medium: watercolor on paper

Margaret GilesPalm Beach State College
Crevasse [Crevice], 1982

Robert Cahay

Medium: cast bronze

Robert Cahay
Cristo [Christ]

Mirta Cerro

Medium: oil on canvas board

Mirta CerroPecos Benedictine Monastery, Our Lady of Guadalupe Abbey
Cross

Dominic di Mare

Medium: mixed media

Dominic di MarePalm Beach State College
Crossing, 2005

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanMuseo de las Americas
Crossings, Vopoki Wash, Arizona, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanMuseo de las Americas
Crow Fair, 1969-1970 Bay Horses and Women

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Corn Husk Bag

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Grand Entry

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Grandmother and Parade Corvette

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Hanover

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Nez Perce War

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Rez Hats

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Sunglasses

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Tube Socks

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Two Women and Child Parading

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Yakima

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crow Fair, 1969-1970 Yakima Youth Nation Activities

Wendy Red Star

Medium: Photographs in engraved aluminum portfolio

Wendy Red Star
Crucifixion

Eugene Delacroix

Medium: graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Crucifixion I

John Pearson

Medium: wax, applied on wood

John PearsonOakland Museum of California
Cuervo Looking North, Reserva de la Biosfera el Pinacate, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Cuervo Looking South, Reserva de la Biosfera el Pinacate, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Cup

Unknown

Medium: carved wood

UnknownCarnegie Museum of Art
Damaged Angel, Bay St. Louis, MISS, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Dance No. 1, 1982

Anita Steckel

Medium: oil on canvas

Anita SteckelUniversity of New Mexico Art Museum
Daniel Lemus, from Colima, Mexico and his newborn American son, Daniel Jr. Daniel works in a flower farm. Eureka, California, 2006

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Daphne, 1959

George McNeil

Medium: oil on canvas

George McNeilZimmerli Art Museum, Rutgers University
Das Feuer (The Fire), 1982

Dieter Hacker

Medium: oil on canvas

Dieter HackerGuggenheim Museum
Das Kornfeld (The Wheatfield), 1983

Dieter Hacker

Medium: oil on canvas

Dieter HackerPortland Art Museum
Dave Eggers and Vendela Vida, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Dave Eggers, Readings & Conversations, 25 April 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
David Foster Wallace, Readings and Conversations Author, 2000

Don Usner

Medium: Black and white photograph

Don Usner
David Norris, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
David, 1980

John Ahearn

Medium: acrylic on cast plaster

John AhearnMuseum of Contemporary Art, Los Angeles
dawn darkness - The mouth of the Savannah River and The North Atlantic Ocean Tybee Beach Tybee Island Chatham County Georgia U.S.A. North America 2009/2017 With David Jeffery Cooper

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Dead Pinon Where Birds Gather in Autumn: On My Way to the Powerline, 2009

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Death Angel II, 1979

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Death Wish, 1958

Wallace Berman

Medium: oil, graphite, charcoal on paper, mounted on canvas

Wallace BermanWhitney Museum of American Art
Deborah Eisenberg, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Deborah Eisenberg, Readings & Conversations, 17 January 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
December 2006, 2012

Renate Aller

Medium: Archival pigment print photograph

Renate Aller
December 2008, 2012

Renate Aller

Medium: Archival pigment print photograph

Renate AllerMuseum of Fine Art Houston (MFAH)
Deep Sky Portfolio, 1987

James Turrell

Medium: Aquatint on paper

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987

James Turrell

Medium: Aquatint on paper

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987

James Turrell

Medium: Aquatint on paper

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987

James Turrell

Medium: Aquatint on paper

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987

James Turrell

Medium: Aquatint on paper

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987

James Turrell

Medium: Aqautint on paper

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987

James Turrell

Medium: Aquatint on paper

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987 (book)

James Turrell

Medium: Book by Mario Diacono

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Deep Sky Portfolio, 1987 (wooden box)

James Turrell

Medium: One wood box

James TurrellMuseum of Contemporary Photography, Columbia College Chicago
Dejaune, 1979

Bram Bogart

Medium: pigment on plaster

Bram BogartDennos Museum Center, Northwestern Michigan College
Denis Johnson, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Denise Chavez, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Dennis O’Driscoll, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Departure

Robert Hammond

Medium: oil on canvas

Robert Hammond
Der Fuchs Beobachtet den Huhnerstall [The Fox Watches the Chicken Coop], 1983

Markus Luepertz

Medium: oil on canvas

Markus LuepertzMuseum of Contemporary Art, Los Angeles
Der Ritt An Die Weichel [Ride to the Vistula], 1976

Anselm Kiefer

Medium: Oil on linen

Anselm Kiefer
Der Stein (The Stone), 2009

Neo Rauch

Medium: Etching on handmade paper

Neo Rauch
Derek Walcott, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Des Saengers Fluch [Curse of the Singer], 1982

Martin Disler

Medium: acrylic on cotton

Martin DislerGuggenheim Museum
Design for Proposed Sculpture Garden Wall, 1974

Richard Jackson

Medium: acrylic, pencil on matboard

Richard Jackson
Desire Fulfilled (Tree of Life), 2014

Claudia X. Valdes

Medium: Digital print on metallic paper

Claudia X. ValdesMuseo de las Americas
Destruction of the Governor's House, 1982

John Hull

Medium: acrylic on canvas

John HullUniversity of New Mexico Art Museum
Deux Femmes Nues [Two Nude Women]

Paul Delvaux

Medium: ink, colored pencil on paper

Paul DelvauxUniversity of Michigan Museum of Art
Deux Fummes Nues, 1905

Pablo Picasso

Medium: sepia ink on brown paper

Pablo PicassoUniversity of Michigan Museum of Art
Device to Root Out Evil, 1997

Dennis Oppenheim

Medium: Pencil, colored pencil, oil wash, oil pastel on watercolor paper

Dennis OppenheimDenver Art Museum
Dia del Turismo en Cadiz [Day of Tourism in Cadiz], 1967

Juan Romero

Medium: pen and ink on paper

Juan RomeroGodwin-Ternbach Museum, Queens College, City University of New York
Diagram, September 1997

Eve Aschheim

Medium: Charcoal, graphite and oil on canvas

Eve Aschheim
Diamond Sea, 1997

Doug Aitken

Medium: installationl, 3 laser discs in 10 minute cycle, Duratrans, one linear version on laser disc

Doug AitkenMuseum of Contemporary Art Chicago
Diaphragne No. 80 [Diagram No. 80], 1970

Jean Tinguely

Medium: ink and aluminum on paper

Jean TinguelyUniversity of Michigan Museum of Art
Diesel, Gila Bend, Arizona, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanOklahoma City Museum of Art
Dinaw Mengestu, Readings & Conversations, 16 November 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Diodes, New Orleans, 2005

Chris Jordan

Medium: Chromogenic print

Chris Jordan
Diplomatic Egg Case, 1969

Herbert Distel

Medium: Leather attache case, velvet, 48 chromed eggs

Herbert Distel
Disembodied Militarism, 1988 six drawings

Mike Kelley

Medium: acrylic on paper

Mike KelleyMuseum of Contemporary Art Chicago
Disputed Land Fall! Looking back towards the Old World, Long Bay and the Mid Atlantic Ocean, San Salvador Island (variant view), The Bahamas, The Caribbean, 2007/2015, Christopher Columbus’ first landing site in the New World, 12 October 1492. From Here,

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Divided - A Premonitional Work The North Atlantic Ocean Malin Head County Donegal The Republic of Ireland/Eire Europe 1986/2017 With Harry Kerr. The Northmost point of all Ireland.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
Dizzyland, 2006

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
Doll

Lizbeth Stewart

Lizbeth StewartPalm Beach State College
Don Quixote, 1956

Salvador Dali

Medium: watercolor and brush and black ink on paper

Salvador DaliNew Mexico Museum of Art
Dorothy Holloman-He Called My Name, 9th Ward, New Orleans, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Double Column, no. 2, 2019

Susan York

Medium: Solid graphite

Susan YorkThe Menil Collection
Double Knot

Unknown

Medium: marble, carved

Unknown
Double Pyramid, 1968

DeWain Valentine

Medium: cast polyester resin

DeWain ValentineThe Honolulu Museum of Art Spalding House
Double Show Window (Green), 1972 (S and B 47)

Christo Javacheff

Medium: two part - aluminum, Plexiglas, brown paper and painted wood

Christo JavacheffMuseum of Contemporary Art San Diego
Double Show Window (Pink), 1972 (S and B 49)

Christo Javacheff

Medium: two part - aluminum, Plexiglas, painted wood with brown wrapping paper

Christo JavacheffMuseum of Contemporary Art San Diego
Double Show Window (White), 1972 (S and B 48)

Christo Javacheff

Medium: two part - aluminum, Plexiglas, painted wood

Christo JavacheffMuseum of Contemporary Art San Diego
Double Square, 1964

Neil Williams

Medium: day glo on canvas

Neil WilliamsSweeney Art Gallery, University of California, Riverside
Doulus Bay and Valentia Harbour Message for C.A.M. (Near the West-most point of The Island) Valentia Island County Kerry Ireland, 2002 [Shannon]

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Drawing for Blue and White Painting, 1975

Bill Jensen

Medium: charcoal and graphite on vellum

Bill JensenWhitney Museum of American Art
Drawing for Green and White Painting

Bill Jensen

Medium: charcoal and graphite on vellum

Bill JensenCarnegie Museum of Art
Drawing for Magellan, 1978

Bill Jensen

Medium: pastel and charcoal on paper

Bill JensenUniversity of Michigan Museum of Art
Drawing for Magellan, 1980

Bill Jensen

Medium: graphite, egg tempera, charcoal and gouache on vellum

Bill JensenThe Art Institute of Chicago
Drawing for Shamen, 1975

Bill Jensen

Medium: graphite and tempera on vellum

Bill JensenThe Art Institute of Chicago
Drawing for Wingtable, 1986

Mathieu Gregoire

Medium: charcoal, pencil

Mathieu GregoireOakland Museum of California
Drawing No. 8

Sal Florio

Medium: ink and pencil on matboard

Sal FlorioHouse of Hope
Drawing of a Shell, 1953

James Walker

Medium: ink and watercolor on paper

James Walker
Drawing of a Skull, 1953

James Walker

Medium: acrylic, ink, pencil on paper

James Walker
Drawing Plans for Sculpture

Lila Katzen

Medium: pen and pencil on paper framed in colored Plexiglas

Lila Katzen
Drawing, 1970

David Diao

Medium: sanded sandpaper in Plexiglas frame

David DiaoUniversity of New Mexico Art Museum
Dreaming the North Polar Winter Solstice, The Arctic Ocean, The North Pole, 2007-2008 ( a two-part work) 90 degrees N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Dreaming the Old Man The North Atlantic Ocean The Old Man of Hoy Above Rosa Head The Isle of Hoy The Orkney Islands Scotland U.K., Europe 1984/2017 (The first major sea picture that I ever made)

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Dreaming the South Polar Winter Solstice, The Arctic Ocean, The North Pole, 2007-2008, (a two-part work), 90°

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
drowned trees along the Mississippi - Lake Chilcot Chilcot State Park Near Lake Village Chilcot County Arkansas U.S.A. North America 2010/2017 Lake Chilcot is the site of Hernan de Soto’s death in 1542. In 1541 he became the first European to discover the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along The Mississippi - night time The upper Mississippi River Central Minneapolis At the University of Minnesota dockside Minneapolis Hennepin County Minnesota U.S.A. North America 2010/2018 With Denise Riebe.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along the Mississippi - The confluence of the Dubois River and The Mississippi River (East Bank) Madison County, Illinois U.S.A. North America 2010/2017 Lewis and Clark reputedly crossed the Mississippi River into the continental American

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along The Mississippi - The Confluence of the Illinois and Mississippi Rivers (East Bank) Near Grafton Jersey County Illinois U.S.A. North America 2010/2018 With Denise Riebe.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along The Mississippi - The screened lower Mississippi River (West Bank) The Mississippi Delta jungle Well below Venice Plaquemines Parish Louisiana U.S.A. North America 2009/2018 With David Jeffery Cooper.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along the Mississippi - “Last Good byes” - The start point of the Trail of Tears drowning weeping willows On the Mississippi River (East Bank) Trail of Tears State Park Near Jackson Cape Girardeau County Mississippi U.S.A. 2010/2017 A start

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along the Mississippi -sunset - Lake Pontchartrain 
Near the lower Mississippi River (East Bank) Fontainbleau State Park St. Tammany Parish Louisiana U.S.A. 2010/2017 Lake Pontchartrain was originally called the “Wide Water” by local Native

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place completely sun-struck and blasted Looking towards the Head of Passes and the mouths of the Mississippi The lower Mississippi River (West Bank)

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place drowning trees and brush The confluence of the Illinois River and the upper Mississippi River (East Bank) Near Grafton Jersey County Illinois,

Thomas Joshua Cooper

Medium: Black and white photographs mounted in a single frame

Thomas Joshua Cooper
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place drowning trees – Looking West - towards Exile – and the so-called “Indian Nations” The East Bank or the lower Mississippi River Trail of Tears

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place high wind – bright hot sun lapsing shore waves – Lake Chilcot at the lower Mississippi River (East Bank) Chilcot State Park Near Lake Village

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place hot afternoon – drowning trees The confluence of the Dubois and the lower Mississippi Rivers (East Bank) Madison County Illinois, U.S.A.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place last good byes – hidden dangers Weeping Willows on the Trail of Tears The East Bank of the lower Mississippi River Trail of Tears State Park

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place late afternoon – drowned trees Lake Pontchartrain Near the lower Mississippi River (East Bank) Fontainbleau State Park St. Tammany Parish

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place late afternoon – drowned trees and bog cotton The headwaters and source stream of the Mississippi River “the dark path is the river” Lake

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place Remembering my father’s tribal grand parents The Little Blue, near Big Cabin Creek and the Neosho River Mayes County Oklahoma, U.S.A.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
drowned trees along The Mississippi – late evening blossom The Confluence of the Iowa and Mississippi Rivers (West Bank) New Boston Mercer County Illinois U.S.A. North America 2010/2018 With Denise Riebe.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along The Mississippi – sticky early morning river haze The Confluence of the Missouri and Mississippi Rivers (South Bank) Columbia Bottom Charles County Missouri U.S.A. North America 2010/2018 With Denise Riebe.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
drowned trees along the Mississippi – The Beginning of the End -The start point of the Trail of Tears On the Mississippi River (East Bank) Trail of Tears State Park Near Jackson Cape Girardeau County Mississippi U.S.A. 2010/2017 In January 1836, members

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Dulce Yolanda Gálvez, 19, from Jonacatepec, Morelos, tried to reunite with her parents and two brothers, who migrated to Minneapolis, Minnesota over an eight year period. Her aunt and cousin were in the same group attempting to cross through Las Chepas,

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Dusk - Near the Mouth of The Rio Grande South Bay Tidal Flats Boca Chica Beach Cameron County Texas U.S.A. North America 2009/2018 With David Jeffery Cooper.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Dusk –The Caribbean Sea/ Mar Caribe Negril, Westmoreland, Jamaica 2007/2014 The West-most point of Jamaica

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Dusk-Last Light Over Africa-The South Atlantic Ocean-Furthest Southwest, The Cape of Good Hope, #3, South Africa, 2004, The Southwest-most point of Continental Africa

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Dust Jacket, 1982

Alexis Smith

Medium: Mixed media collage

Alexis SmithAmon Carter Museum of American Art
Dust, Dobros, Desert Flowers, 1987

Richard Long

Medium: Book with 6 etchings; pigments from Death Valley, California, word piece based on the artist's eight day solo walk in Joshua Tree National Monument, California, and a 45 rpm record with a musical piece based on this walk.

Richard LongNational Gallery of Art
Dust, Dobros, Desert Flowers, 1987

Richard Long

Medium: Lithograph

Richard LongNational Gallery of Art
Eamon Grennan, Readings & Conversations, 13 February 2008

Don Usner

Medium: Archival pigment print on paper

Don Usner
Early American, Apples & Grapes, 2008

Sharon Core

Medium: Chromogenic print

Sharon Core
Early American, Melon & Peas, 2009

Sharon Core

Medium: Chromogenic print

Sharon CoreAmon Carter Museum of American Art
Early American, Peaches, 2009

Sharon Core

Medium: Chromogenic print

Sharon Core
Early American, Wild Raspberries, 2008

Sharon Core

Medium: Chromogenic print

Sharon CoreAmon Carter Museum of American Art
Early Evening - Moonrise over Montauk The North Atlantic Ocean Montauk Point, “The End” East Hampton Township (South Fork), Suffolk County Long Island New York U.S.A. North America, 2016/2017 The Eastmost point of Long Island and the State of New

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperParrish Art Museum
early morning - rolling rapids looking upstream The upper Rio Grande Cochiti Pueblo Sandoval County New Mexico U.S.A. North America 2000/2017 (with C.A.M.) part 2 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Early morning - The Arctic Circle the Davis Strait Cape Dyer The Cumberland Peninsula The Eastmost point of Baffin Island Nunavut Canada North America 2013/2016 Island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
early morning Looking North - Heading towards the source - morning into the full force of the blizzard The Upper Rio Grande On the bridge crossing The Southern entrance of the Rio Grande Gorge Taos County New Mexico U.S.A. North America 1995/2017 At the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
early morning The mouth of Chesapeake Bay and The Mid Atlantic Ocean From the Chesapeake Bay Bridge Northampton County Virginia U.S.A. North America 2009/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
early morning The upper Rio Grande At the Northern entrance of The Rio Grande Gorge Costilla County Colorado U.S.A. North America 2000/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
early morning winter light Strait of Dover/Pas de Calais From the North Foreland Lighthouse Isle of Thanet Kent England U.K., Europe 1996/2017 The lighthouse at North Foreland was the last manned lighthouse in the U.K. The lighthouse had been constantly

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Early Site Plan & Section with White Bowl, 1992

James Turrell

Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel

James Turrell
East-The Mid North Atlantic Ocean-East, Very near Faro Fontes Perreira da Malo, The Isle of Santo Antao, Ilhas Barlauznto, The Cape Verda Islands 2004, Near the East-most point of the Island

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Eastman Kodak Elite, 2019

Alison Rossiter

Medium: Silver gelatin prints

Alison Rossiter
Eavan Boland, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Echo II

Joseph Guy

Medium: acrylic, graphite, wood

Joseph GuyBlanton Museum of Art, University of Texas, Austin
Echo, 1979

Ralph Hilton

Medium: oil on shaped panel

Ralph HiltonThe William Benton Museum of Art, University of Connecticut
Eduardo Galeano and Sebastiao Salgado, Readings & Conversations, 3 November 2000

Don Usner

Medium: Archival pigment print on paper

Don Usner
Eduardo Galeano, Readings & Conversations, 31 May 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Eduardo Galeano, Readings and Conversations Author, 2000

Don Usner

Medium: Black and white photograph

Don Usner
Edward Said, Readings & Conversations, 2 May 2002

Don Usner

Medium: Archival pigment print on paper

Don Usner
Edward Said, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Edwidge Danticat, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Eighteen assorted erotic scenes

Chinese School Unknown

Medium: silk, rice paper

Chinese School Unknown
Eis (1) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Eis (2) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Eis (3) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Eis (4) [Ice], 1989

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
El Mono [The Monkey], 1961

Rafael Coronel

Medium: acrylic on masonite

Rafael CoronelNew Mexico Museum of Art
El Rio y El Atlantico La Punta, Mirador del Rio (Near the North-most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
EL-AR-ELA

Carl Apfelschnitt

Medium: roplex, acrisol, trinton, pigment, oil, varnish, gold on canvas

Carl Apfelschnitt
Elective Affinity, 1982

Richard Artschwager

Medium: wood, oil, shellac, wire

Richard ArtschwagerMuseum of Contemporary Art San Diego
Elena Poniatowska, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Elephants, 1956

Salvador Dali

Medium: watercolor, brown and black ink and paper collage on board

Salvador DaliNew Mexico Museum of Art
Ella y El (Referentes 1), 1988

Celia Munoz

Medium: mixed media

Celia MunozCarnegie Museum of Art
Elvis Presley

Keith Haring

Medium: sumi ink and gold paint on Elvis poster

Keith HaringMuseum of Contemporary Art San Diego
Empty Horizon - High Noon La Gironde at The Bay of Bisque Pointe de Grave Medoc France Europe 1996/2017 With Catherine Alice Mooney The north most tip of the Medoc peninsula

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Endless House, Plans and Elevations

Frederick Kiesler

Medium: photo-offset poster

Frederick KieslerGuggenheim Museum
Entrapment of Floyd Collins in Kentucky Grave

Lynd Ward

Medium: gouache

Lynd Wardde Grummond Children's Literature Collection, The University of Southern Mississippi
Epanchement

Bernard Verhaeghe

Medium: marble

Bernard VerhaegheDennos Museum Center, Northwestern Michigan College
Erasure -The beginning of conquest and destruction – Native America loses the European cultural battle El Golfo de México / The Gulf of Mexico La Playa de Chalchihuecan Veracruz Veracruz Mexico Latin North America 2007/2017 One of the several proposed

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Erotic Caricature

Henri de Toulouse-Lautrec

Medium: pencil on cloth

Henri de Toulouse-LautrecUniversity of Michigan Museum of Art
Erotic Scene

Unknown

Medium: porcelain

UnknownObject not located in 1997
Eroticism with Autowreck, 1982

Kenneth Shorr

Medium: Kodalith and acrylic on photograph

Kenneth ShorrCenter for Creative Photography, University of Arizona
Espectro en el Espejo Metamorfisis, 1962

Manuel Rivera

Medium: steel, wire, screen and dowels

Manuel RiveraGodwin-Ternbach Museum, Queens College, City University of New York
Espejo Homenaje a Jose Guerrero, 1969

Manuel Rivera

Medium: wood, steel mesh, rods and wire, paint

Manuel RiveraGodwin-Ternbach Museum, Queens College, City University of New York
Estrecho de Magallanes-The Strait of Magellan. Cabo Fronard. Peninsula de Brunswick. Magallanes, Chile 2006. The South-most point of Continental South America.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Estrecho de Magallanes. The strait of Magellan and The South Atlantic Ocean. Punta Dungeness. Magallanes, Chile, 2006. Very near the Southeast-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Estrecho de Magallanes. The Strait of Magellan. Cabo San Isidro. Peninsula de Brunswick. Magallanes, Chile, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
ET, 1981

Gordon Moore

Medium: acrylic, oil, wood on canvas

Gordon MooreSweeney Art Gallery, University of California, Riverside
Etruscan pot

Unknown

UnknownCarnegie Museum of Art
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Eucalyptus #3, 1997

Jorge Pardo

Medium: Monoprint

Jorge PardoDia Art Foundation
Evacuee from New Orleans, Baton Rouge River Shelter, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Evacuee Sleeping on Bus Ride to an Alexander, LA Shelter after the Storm, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Evening - Looking South towards Pelee Island and Middle Island -Lake Erie Point Pelee Tip Point Pelee National Park Essex Ontario Canada North America 2015/2016 The Southmost point of continental Canada. Indigenous people lived on Point Pelee from 4500

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Evening lull - Quietening storm El Segunda Angostura / The Second Entrance Estrecho de Magallanes/The Strait of Magellan Cabo San Vincente Isla Grande Tierra del Fuego Tierra del Fuego Chile South America, 2006/2017 The Northmost point of the island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Evening – Drowned trees and bog cotton (2) The Headwaters of the Mississippi River “the dark path is the river” Lake Itasca State Park, Clearwater County, Minnesota U.S.A. North America 2010/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Evening – The Caribbean Sea. Cabo San Roman, day four, Peninsula de Paraguaná, Falcón, Venezuela, 2005/2006. The Northeast-most point of Continental South America.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Evening-The Caribbean Sea, and Golfo de Venezeula, Cabo San Román (2), Peninsula de Paraguaná, Falcón, Venezuela, South America, 2005/2015, The Northeast-most point of South America.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Eviscerated Corpse, 1989

Mike Kelley

Medium: cloth animals, found, stuffed and sewn

Mike KelleyThe Art Institute of Chicago
Exotic Bird

Unknown

Medium: wood, carved, red and turquoise stones

UnknownCarnegie Museum of Art
Explosion at Sea, 1966

Vija Celmins

Medium: oil on canvas

Vija CelminsThe Art Institute of Chicago
Expulsion of Adam and Eve

Eugene Delacroix

Medium: graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Extravagance, 1967

George McNeil

Medium: oil on canvas

George McNeilSpringfield Museum of Art
F House, 1987

Edward Ruscha

Medium: oil on canvas

Edward RuschaThe Art Institute of Chicago
F-50, circa 1962

Salvatore Sirugo

Medium: paint on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
F-60, circa 1962

Salvatore Sirugo

Medium: paint on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
Face, 1980

Michael Tetherow

Medium: acrylic on canvas

Michael TetherowDennos Museum Center, Northwestern Michigan College
Fading Light – High Wind Drowned trees and the bog cotton (1) The Headwaters of the Misssissippi River “the dark path is the river” Lake Itasca State Park, Clearwater County Minnesota U.S.A. North America 2010/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Fading Moonlight The lower Rio Grande Listening to “Brownsville Girl” The “Gateway” Bridge Brownsville Cameron County Texas U.S.A. North America 1996/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Fading Moonlight, Looking toward the Tropic of Cancer, The Gulf of Mexico,Tepehuajes, Tamaulipas, Mexico, North America, 2007/2015

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
fading twilight – hidden dangers Looking towards Fort Sumter, Charleston Harbor Sullivan’s Island, Charleston County, South Carolina, USA 2009/2014 Looking towards the site of the start of hostilities in the American Civil War 1861.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Fall - 1965 (or Summer Effulgence), 1965

Clay Spohn

Medium: acrylic resin, oil on canvas

Clay SpohnOakland Museum of California
Fallen Ordnance, Mohawk Valley, Arizona, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Falling Horseman, 1957-1958

Joe Testa-Secca

Medium: oil on masonite

Joe Testa-Secca
Fallujah model, 2004-2005

Siah Armajani

Medium: Basswood, plastic, copper wire, fabric

Siah ArmajaniMuseum of Contemporary Art, Los Angeles
Fallujah, 2004-2005

Siah Armajani

Medium: Glass, wood, copper, steel, rug, chair, table, fabric

Siah ArmajaniWalker Art Center
False Horizon - Lake Huron and Georgian Bay Great Lakes Horizon, No. 5. Big Tub Point Tobermory Bruce Peninsula Ontario Canada North America, 2015/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Farthest West – The Mid North Atlantic Ocean, Overlooking Fajã Grande,The Isle of Flowers/ Ilha das Flores, Regiões Autonomas Açores/Azores, Portugal. The West-most point of The Azorean Archipelago and of all Europe, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Fata Morgana II, 1965

Heinz Mach

Medium: aluminum collage

Heinz MachMilwaukee Art Museum
Father and Son, LaLander, Afghanistan, 2003

Tony O'Brien

Medium: Gelatin silver print

Tony O'BrienOklahoma City Museum of Art
Father Daughter, 1979

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Fatman, 1985

Tom Otterness

Medium: graphite and ink on paper

Tom OtternessWhitney Museum of American Art
Feb. 1976, 1975-1976

Bill Jensen

Medium: gouache on paper

Bill JensenWhitney Museum of American Art
FEB.14,1967

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
FEB.19,1975

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
Feelings, 1978

Carol Forget

Medium: leather, plastic, paper, straight pins mirror, felt with Plexiglas cover

Carol ForgetFresno Metropolitan Museum of Art and Science
Felicitas Ruiz Ramos, 88, stands in front of the house built by her son Gerardo Pérez Ruiz, who lives in the United States. San Andrés Ixtlahuaca, Oaxaca, 2006

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Female Figure

Unknown

Medium: wood, carved

UnknownObject not located in 1997
Female Figure

Unknown

Medium: bronze, cast

UnknownCarnegie Museum of Art
Female Head

Joseph Glasco

Medium: ink and oil on paper

Joseph GlascoBlanton Museum of Art, University of Texas, Austin
Female Icarus, 1917

John Storrs

Medium: etching on paper

John StorrsThe Art Institute of Chicago
Feminie Landscape I, 1980

Jerry Brane

Medium: oil, rayon on canvas

Jerry BraneOakland Museum of California
Femme au Mirroir, 1905

Pablo Picasso

Medium: pen and black ink and watercolor on paper

Pablo PicassoUniversity of Michigan Museum of Art
Femme sur la Plage [Woman at the Beach]

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Femme [Woman]

Paul Delvaux

Medium: pen and charcoal on paper

Paul DelvauxUniversity of Michigan Museum of Art
Figura [Figure], 1955

Lopez Dirube

Medium: lithograph on paper

Lopez DirubeGodwin-Ternbach Museum, Queens College, City University of New York
Figure 626

George Constant

Medium: watercolor on paper

George ConstantSweeney Art Gallery, University of California, Riverside
Figure with Tear and Arrow and Bozzetto of Figure with Tear, 1982

Sandro Chia

Medium: bronze

Sandro ChiaMilwaukee Art Museum
Figure with Tear and Bozzetto of Figure with Tear and Arrow, 1982

Sandro Chia

Medium: bronze

Sandro ChiaMilwaukee Art Museum
Figure, 1946

Isamu Noguchi

Medium: four elements, Georgia marble

Isamu NoguchiThe Art Institute of Chicago
Figure, 1957

Corrado Di Marca-Relli

Medium: oil on canvas collage on canvas

Corrado Di Marca-RelliMuseum of Contemporary Art, Los Angeles
Figure, 1976

Lin Emery

Medium: cast bronze

Lin EmeryFarnsworth Art Museum
Fiidjii, 1981

Ulrik Samuelson

Medium: plastic, glass, silk, ink, wood

Ulrik Samuelson
Fire Engine Red, 1967-68

Dorothea Rockburne

Medium: acrylic on aluminum

Dorothea RockburneUniversity of Michigan Museum of Art
Firebird Raceway, Emmett, ID, 1984/2010

Ron Jude

Medium: Pigment-based inkjet print on fiber

Ron Jude
First Foot – midnight, The Arctic Circle, At the River Tornea, North – Border Crossings, The Midnight Sun on Mid-Summer’s Night, The Swedish / Finnish Border, 1997-2008, (a two-part work), The Summer Solstice, 66º 33’ N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
First Foot – ten minutes after midnight The Arctic Circle At the River Tornea North – Border Crossings The Midnight Sun on Mid-Summer’s Night The Swedish / Finnish Border, 1997-2008 (a two-part work) The Summer Solstice 66º 33’ N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
First light – Rising Sea Fog The Mid Atlantic Ocean Cape Canaveral The Canaveral Peninsula Merritt Island Bravara County Florida U.S.A. North America 2009/2015 The site of the first successful manned space flight to the moon by Neil Armstrong, Buzz Aldrin

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
First light – The Source Stream of The Mississippi River leaving Lake Itasca The man-made artificial barrier marking the source stream of the Mississippi River Lake Itasca State Park Clearwater County Minnesota U.S.A. North America 2010/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
First Light-South, Southwest-The South Atlantic Ocean-The Indian Ocean, Cape Point, #2, South Africa 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Fish, 1981

Michael Vesser

Medium: graphite, ink, oil, tape on paper

Michael VesserHouse of Hope
Fleeing From a Force Eight Gale, Looking West at The South Pacific Ocean from Estrecho de Magallanes - The Strait of Magellan, Observation Island, three miles East of the Capes Magellanes, Chile, 2006, Looking towards Cabo Pilar and Cabo Deseado – Cape

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling, 1987

Edward Ruscha

Medium: Book with eight etchings and signature page

Edward Ruscha
Flipping, Kicking, Howling, Rolling, Sitting, Standing, Climbing, Telling, 1987

Edward Ruscha

Medium: Etching

Edward Ruscha
Floating Column (from 3 Columns), 2008

Susan York

Medium: Solid Graphite

Susan York
Flooded Farmland, Forked Island, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming Caffery
Fluffy Dreams

Lewis Harris

Medium: watercolor, oil stick, collage

Lewis Harris
Fly, 1986

Tom Otterness

Medium: colored inks and pencil on paper

Tom OtternessWhitney Museum of American Art
Fohn, 1978

Stephen Mueller

Medium: acrylic on canvas

Stephen MuellerSweeney Art Gallery, University of California, Riverside
Food for the Journey, 2005

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Foot Table

Pedro Friedeberg

Medium: gilded wood, glass

Pedro FriedebergPhiladelphia Museum of Art
Forked tree capturing the Sun Bailey Creek Lassen Volcanic National Park Shasta County California U.S.A. North America 1984/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Form 101-A

Tom Markusen

Tom MarkusenPalm Beach State College
Fort Pierce, Fla. Indian Mound, or remains of old fort, 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Fort Worth, January 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Forum 3, 1959

Joe Testa-Secca

Medium: oil on masonite

Joe Testa-Secca
Four chairs

Diego Giacometti

Medium: bronze

Diego GiacomettiPhiladelphia Museum of Art
Four Potential Bluebird Homes: On My Way to the Powerline, 2009

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Four White Stones, 1987

Rolf Julius

Medium: speakers, marble blocks, walkman, wire, audio tape

Rolf JuliusMuseum of Contemporary Art, North Miami
Fourteen Delevantians Count Them All Some are Diminutive Some are Tall But all of them Live on a Silver Wall

Sidney Delevante

Medium: ink, silverleaf on masonite

Sidney DelevanteDennos Museum Center, Northwestern Michigan College
Frank X Walker, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Frau Wolleh mit Kindern [Mrs. Wolleh with Children], 1968

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Frau, die Treppe herabgehend [Woman Descending the Staircase], 1965

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Freak (3-D Cap), 1967

Richard Allen

Medium: oil, metal, plastic ping pong ball

Richard AllenOakland Museum of California
Freedom Day - Table Bay Looking towards Cape Town - and Remembering Robben Island South Africa 2004/2018

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Freedom Day - Table Bay Looking towards Cape Town - and Remembering Robben Island South Africa 2004/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Freezing Fog - Looking towards the River Thames The River Rhine Estuary and The North Sea, Hoek van Holland / The Hook of Holland Holland, 2000-2002 -- nearly white --

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
freezing fog, The Arctic Ocean, sea ice, melt lakes and sestrugi, The North Pole, 2007-2008, 90º N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
freezing fog, The British Channel, The Arctic Ocean, Looking towards Champa Island, Zemly Frantsa-Josifa / Franz-Josef Land, Russia, 2007-2008, The Southern region of The Franz-Josef Land Archipelago, 80° 37.765' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Freezing Rain at Midnight-The Barents Sea-North-day two, Nordkapp/North Cape, Norway 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Fritto Misto, 1990 (grey book)

James Turrell

Medium: Light projection GREY BOOK

James Turrell
Frogman, 1982

E'wao Kagoshima

Medium: sumi ink, acrylic, newspaper on paper

E'wao KagoshimaAsian American Arts Centre
from "aestheticized disaster series", 1992

Jim Shaw

Medium: all: graphite on paper

Jim ShawMuseum of Contemporary Art Chicago
From A Premonitinoal Work, Acknabreck, Argyllshire, Scotland, 1991

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
From Marfa to Presidio Via the Grid, 2003-2004 (Part 2) Downtown Marfa Substation

Rackstraw Downes

Medium: Oil on canvas

Rackstraw DownesMuseum of Fine Art Houston (MFAH)
From Marfa to Presidio Via the Grid, 2003-2004 (Part 3) On a Ranch Between Marfa and Shafter, with the Cienega and Bryant Ranch Substations in the Distance

Rackstraw Downes

Medium: Oil on canvas

Rackstraw DownesMuseum of Fine Art Houston (MFAH)
From Marfa to Presidio Via the Grid, 2003-2004 (Part 4) Substation on a Ridge in the Shafter Mountains

Rackstraw Downes

Medium: Oil on canvas

Rackstraw DownesMuseum of Fine Art Houston (MFAH)
From Marfa to Presidio Via the Grid, 2003-2004 (Part 5) Presidio Substation, the Sierra de la Santa Cruz in the Distance

Rackstraw Downes

Medium: Oil on canvas

Rackstraw DownesMuseum of Fine Art Houston (MFAH)
From Marfa to Presidio Via the Grid, 2003-2004 (Part1) Marfa, Alamito Creek Substation

Rackstraw Downes

Medium: Oil on canvas

Rackstraw DownesMuseum of Fine Art Houston (MFAH)
From Table to Tableau

Ronald Morosan

Medium: painted wood

Ronald Morosan
From the Morning, 1995

Iain Stewart

Medium: Chromogenic print

Iain Stewart
From three boulders - white, grey, black black ice - frozen boulder MacGregor Strait and Labrador Sea Lecase Point Cape Chidley Killing Island Quebec Canada North America 2013/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
From three boulders - white, grey, black Mythic Stone shining grey boulder (message to E.S. Curtis) late afternoon - ice cracked Loch Katrine The Trossachs Loch Lomond and the Trossachs National Park Stirlingshire Scotland U.K. Europe 1983/2018 Most

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
from two trees - cold, hot A Premonitional Work - Frozen tree - Winter into Spring early morning - New Year’s Day (Message for M.M.) Glasgow Wilderness Plantation The City of Glasgow Scotland U.K. Europe 1987/2018 With Catherine Alice Mooney The Northmost

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
from two trees - cold, hot Scorched date palms - Spring into Summer Along the lower Rio Grande - The Hot Springs Big Bend National Park Brewster County Texas U.S.A. North America 1996/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Frozen Lake Ontario - Winter Mist - At the emptying point of the Niagara River into Lake Ontario Great Lakes Horizon, No. 2. Niagara-on-the-Lake Ontario Canada U.S.A. North America, 2015/2017 With Laura Cooper

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Fuel Air Explosion, 2005

Sarah Pickering

Medium: Lambda print photograph

Sarah Pickering
Fuga de la Noche [Fugue of the Night]

Count de Quintanilla

Medium: oil, varnish on canvas

Count de Quintanilla
Furthest East- The Atlantic Ocean, Cape Spear (with whales) The Isle of Newfoundland, Canada, 1998-1999 (the easternmost point of continental North America) In the week of the spring equinox

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest North -The Mid North Atlantic Ocean Faro de Alegranza, Punta Delgada (The North-most Island in the Canarian Archipelago. The East-most point of the island and near the North-most point) Lanzarote The Carnary Islands, Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Furthest North, The Barents Sea, Knivkjelodden, Finmark, Norway, 2003-2008, The North-most point of Continental Europe, 70° 11.080” N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Furthest North--The Mediterranean Sea, Ras Angela, #4, Tunisia, 2004. The North-most point of Continental Africa.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Furthest North-The Mid North Atlantic Ocean, Punta Gorda, The Isle of Graciosa (The North-most point of the island) Lanzarote The Canary Islands Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest Northwest-The Mid North Atlantic Ocean-The Strait of Gibraltar, Cap Spartel, Morocco 2003-2004, the Northwest-most point of Continental Africa

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest South - The Indian Ocean - High Tide, Cape Agulhas, #4 South Africa, 2004 The South-most point of Continental Africa

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest South - The Indian Ocean - Low Tide Cape Agulhas, #3 South Africa 2004 The South-most point of Continental Africa

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest South - The Indian Ocean - Low Tide Cape Agulhas, #3 South Africa 2004 The South-most point of Continental Africa.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest South-The Strait of Gibraltar, Punta Maroqui o de Tarifa, Spain, 2003-2004, The Southmost point of Continental Europe

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest West - Looking West towards the New World Sunburst - Storm Clearing - Calm The Mid-Atlantic Ocean Above Ponta do Sol Ilha Santo Antão Cape Verde / The Republic of Cape Verde Africa 2004/2018 The Westmostpoint of the Cape Verde Islands, and the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Furthest West Looking West -Towards the New World The Mid-Atlantic Ocean Ponta Delgada Ilha das Flores The Island of Flowers The Azores Archipelago Portugal Europe 2004/2018 The West most point of the Azores, and the West most point of all Europe.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Furthest West The Mid Atlantic Ocean-, Overlooking Tarifel de Monte Trigo and Ponte Chao de Mangrade, The Isle of Santo Antão, Ilhas de Barlevento, The Cape Verde Islands, 2004, The West-most point of The Cape Verde Islands and of all Africa

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Furthest West-The Mid Atlantic Ocean, Pointe des Almadies, The Cape Verde Peninsula, Senegal 2004, The West-most point of Continental Africa

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Futura Break Car, 1980

Henry Chalfant

Medium: color photograph

Henry ChalfantCenter for Creative Photography, University of Arizona
Galactascope #3

Gross/Astrakan

Medium: light projection

Gross/AstrakanPalm Beach State College
Galerie Maeght, 1956

After Georges Braque

Medium: lithograph in colors

After Georges BraqueUniversity of Michigan Museum of Art
Gardiners Bay Orient Point Orient Southold Township (North Fork), Suffolk County Long Island New York U.S.A. North America, 2016/2017 The Northmost point of Long Island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperParrish Art Museum
Gary Snyder, Readings & Conversations, 23 May 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
Gary Snyder, Readings and Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Gathering Storm over Santa Elena Canyon and the Mesa de Anguila, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Gator Guard, Cameron Parish after Rita, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Geboorte Van Een Adersoortige Vorm [Birth of Another Kind of Form], 1979

Lieven Debrabandere

Medium: marble

Lieven DebrabandereDennos Museum Center, Northwestern Michigan College
Geese and Tracks, 2006 From the Series: Oil and the Geese (Teshekpuk LWL)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Gemini, 1965

Leo Valledor

Medium: acrylic on canvas

Leo ValledorOakland Museum of California
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: Photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: Photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: Photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
General Site Plan Roden Crater, 1986

James Turrell

Medium: photo emulsion on wax and mylar with ink twenty seven works, each paint and wax pastels

James TurrellMuseum of Fine Art Houston (MFAH)
Generator, 1968

Bridget Riley

Medium: acrylic on canvas

Bridget RileyMuseum of Contemporary Art, Los Angeles
Genuine Imitation, 2018

Ted Larsen

Medium: Salvage steel, marine - grade plywood, silicone, vulcanized rubber, hardware & chemicals

Ted Larsen
George Saunders, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Giacomo Expelled from the Temple, 1976-1978

Julian Schnabel

Medium: oil on canvas unframed

Julian SchnabelMuseum of Contemporary Art, Los Angeles
Giallo Rosso [Yellow Red], 1963

Franco Angeli

Medium: oil on canvas

Franco Angeli
Gibbous moon, 1982

Frederick Wight

Medium: oil on canvas

Frederick WightOakland Museum of California
Gilbert Sorrentino, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Girl By Water, 1980

Wonsook Kim

Medium: charcoal, ink on paper stretched around board

Wonsook KimCarnegie Museum of Art
Glacier, 1980

John Marshall

Medium: sterling silver, acrylic, copper, wood, acrylic

John MarshallMetal Museum
Gladys

Mario Garcia

Medium: wood, slate, paint, hemp, metal, paper, nails, plastic, tape

Mario GarciaUniversity of New Mexico Art Museum
Glaring Hot Mid-Day Sun. The Caribbean Sea. Oostpunt-Punt Kanon. The Island of Curaçao. The Netherlands Antilles. The Netherlands, 2005/2006. The East-most point and very near the South-most point of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Goathead. October 2005. Marfa, Texas, 2005

Allison V. Smith

Medium: Chromogenic print

Allison V. Smith
God Be with You, New Orleans, 9th Ward, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Gold Diptych 7, 1979

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas mounted on wood

Patrick Scott
Gold Diptych 7, 1979

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas mounted on wood

Patrick Scott
Gold Knot 1, 1985

Sherrie Levine

Medium: acrylic paint on plywood, artist's frame

Sherrie LevineMuseum of Contemporary Art Chicago
Gold Painting 7/90, 1990

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas

Patrick ScottCenter for Economic Research and Social Change
Gold Painting, 1979

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas

Patrick Scott
Gold Painting, n.d.

Patrick Scott

Medium: Gold leaf and tempera on unprimed canvas

Patrick ScottCenter for Economic Research and Social Change
Golden Calf, 1982

Ronnie Cutrone

Medium: acrylic on cotton bunting

Ronnie CutroneMuseum of Contemporary Art San Diego
Golfo de Mexico / Gulf of Mexico Canal de Yucatan/ Yucatan Canal Cabo Cotoche, Quintana Roo, Yucatan Peninsula, Mexico, 2007/2014 The East-most point of mainland Mexico

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Golfo de Mexico/The Gulf of Mexico, El Palmar, Yucatán, The Yucatán Peninsula, Mexico, North America, 2007/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Good Boy Bad Boy, 1985

Bruce Nauman

Medium: video tapes, tape decks, monitors

Bruce NaumanThe Art Institute of Chicago
Gore Vidal, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
Gore Vidal, Readings & Conversations, 9 May 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
Grand Sillon, 1982

Robert Cahay

Medium: cast bronze

Robert Cahay
Gras auf D‰chern [Grass on Roofs], 1969

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
Gravel Mirrors with Cracks and Dust, 1968

Robert Smithson

Medium: Gravel, mirror

Robert SmithsonDia Art Foundation
gray on black Kangertittivag/Hungerfjord at Denmark Strait and Greenland Strait Uunarteq/Kap Tobin Sermersooq/ Scoresby Sound Ittoqqortoormiit/Jameson Land Kangertittivaq/Greenland (Denmark) North America 2008/2017 The Northern Entrance point to Hall

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Gray/Black Panel, 2013

Tom Miller

Medium: Acrylic and graphite on paper

Tom Miller
Greaves, 1987

Margaret Honda

Medium: barbed wire and annealed wire

Margaret HondaMuseum of Contemporary Art, Los Angeles
Green and Red Modulations with Illuminations, no date

Clay Spohn

Medium: acrylic on canvas

Clay SpohnOakland Museum of California
Green Bay at Lake Michigan North of Green Bay Brown County Wisconsin U.S.A. North America 2015/2017 With Oskar Strom. The Westmost point of the lake.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Green Eyes, 1956

Kurt Ingermann

Medium: oil on masonite

Kurt IngermannHouse of Hope
Green Lips, 1973

George McNeil

Medium: oil on canvas

George McNeilFarnsworth Art Museum
Grey and Blue Fence Skewed on Two Yellows, 1998

Kate Shepherd

Medium: Oil on two wood panels

Kate Shepherd
Grey and Blue Fence Skewed on Two Yellows, 1998

Kate Shepherd

Medium: Oil on two wood panels

Kate Shepherd
Grosse Wolke [Big Cloud], 1965

Gunther Uecker

Medium: paint and nails on canvas and particle board

Gunther UeckerMuseum of Contemporary Art, Los Angeles
Ground #30, 1994

Uta Barth

Medium: Color photograph on Sintra panel

Uta Barth
Ground #78, 1997

Uta Barth

Medium: Color photograph on Sintra panel

Uta BarthMuseum of Contemporary Art San Diego
Group Soup, 1966

Anita Steckel

Medium: felt pen, ink on paper

Anita SteckelMuseum of Sex
Grout Piece #16, 2008

Hadi Tabatabai

Medium: Grout, styrene and wood

Hadi Tabatabai
Grout Piece #16, 2008

Hadi Tabatabai

Medium: Grout, styrene and wood

Hadi Tabatabai
Grout Piece #18, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi TabatabaiAsian Art Museum
Grout Piece #18, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi TabatabaiAsian Art Museum
Grout Piece #19, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi Tabatabai
Grout Piece #19, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi Tabatabai
Grout Piece #21, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi TabatabaiAsian Art Museum
Grout Piece #21, 2008

Hadi Tabatabai

Medium: Basswood, grout, and gesso on plywood

Hadi TabatabaiAsian Art Museum
Growth of an Island, 1983

Frederick Wight

Medium: oil on canvas

Frederick WightOakland Museum of California
Guadalupe, 2005

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Guardians Gathering (inspired by Brice Marden),Galisteo Creek, Galisteo, New Mexico, U.S.A. 2000 For the Lannan Foundation with Kate's and my very real gratitude! Thank You!

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Ha, Ha, Ha, Ha, 1989

Nicolas Africano

Medium: offset lithograph

Nicolas AfricanoMuseum of Contemporary Art San Diego
Half Truths and Empty Truths

Robert Marx

Medium: etching, color, aquatint, drypoint

Robert MarxDennos Museum Center, Northwestern Michigan College
Halloween, 1980

Donato Mancini

Medium: oil wash on arches paper

Donato ManciniBass Museum of Art
Halluzinose Und Signale, 1968

Walter Stohrer

Medium: colored crayons, gouache, acrylic and paper collage on paper

Walter StohrerPortland Art Museum
Hammer, 1983

Helmut Middendorf

Medium: acrylic and pigment on canvas

Helmut MiddendorfGuggenheim Museum
Hammering Man at 2,683,117, 1977-1980

Jonathan Borofsky

Medium: painted wood and metal with motor and cables

Jonathan BorofskyThe Art Institute of Chicago
Hand Chairs

Pedro Friedeberg

Medium: gilded wood

Pedro FriedebergPhiladelphia Museum of Art
Hand of Doom, 1980

Henry Chalfant

Medium: color photograph

Henry ChalfantCenter for Creative Photography, University of Arizona
Hans Magnus Enzensberger, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Happiness (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Happy New Year [card], 1969-1970

Chris Wilmarth

Medium: Dry pigment spray on paper

Chris Wilmarth
Hassayampa Plain, Oct 31, 1996 5:49PM

Richard Misrach

Medium: unique chromogenic dye coupler print

Richard MisrachNational Gallery of Art
Hatshepsut Box, 1986

Mathieu Gregoire

Medium: Formica, plywood

Mathieu GregoireOakland Museum of California
He turned round and round, 1989

Nicolas Africano

Medium: oil and wax on canvas in artist's frame

Nicolas AfricanoMuseum of Contemporary Art, Los Angeles
Head

Unknown

Medium: agate, carved with plinth

Unknown
Head Painting, 1981

E'wao Kagoshima

Medium: wax, hair, oil on canvas

E'wao KagoshimaAsian American Arts Centre
Head Painting, 1981

E'wao Kagoshima

Medium: oil, hair, sand, wood, glass, grain on canvas

E'wao KagoshimaAsian American Arts Centre
Head Painting, 1981

E'wao Kagoshima

Medium: oil on canvas

E'wao KagoshimaAsian American Arts Centre
Headlight Child No. 3, 1980

Marjorie Nodelman

Medium: acrylic, oil on canvas

Marjorie NodelmanOakland Museum of California
Heal and Rest, 1992

Willie Cole

Medium: painted wood, steam iron handles and electrical cords and plugs

Willie ColeMuseum of Contemporary Art Chicago
Heart of the River, 1980-1981

Guy Goodwin

Medium: oil, metal, plywood

Guy Goodwin
Heart, 1986

Tom Otterness

Medium: pen and ink on paper

Tom OtternessWhitney Museum of American Art
Height, 1958-1959

Jack Tworkov

Medium: oil on canvas

Jack TworkovThe Art Institute of Chicago
Hello Pat, 1974

Isaiah Zagar

Medium: woodcut and colored crayons on paper

Isaiah Zagar
Helmut, from Hand Series No. 2

John Wofford

Medium: aluminum

John Wofford
Help Ma, 1979

Chris Burden

Medium: colored felt-tip pens, colored pencils, black and white photos and cardboard mounted on paper

Chris BurdenMuseum of Contemporary Art Chicago
Hera

Clifford Rainey

Medium: marble, glass, cast, cut, bronze, wire

Clifford Rainey
Hermelando Ramírez died after a tree crushed him, October 21, 2006, while on the job for a logging company in Eureka, California. Tierra Blanca, Oaxaca, 2006

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Hermes

Pablo Serrano

Medium: bronze

Pablo SerranoGodwin-Ternbach Museum, Queens College, City University of New York
Heru Ta Ta F

Carl Apfelschnitt

Medium: roplex, acrisol, triton-retarding medium, pigment on canvas

Carl Apfelschnitt
Hide and Seek with the Man in the Moon for Children

Wendy Vanderbilt

Medium: acrylic on canvas

Wendy Vanderbilt
High Noon - The Caribbean Sea, Cabo San Roman, day two, Peninsula de Paraguaná, Falcón, Venezuela, 2005, The Northeast-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Highland Shield

Unknown

Medium: ?

Unknown
Hills of the Savannah

Howard Thomas

Medium: ink and watercolor on paper

Howard ThomasHarn Museum of Art, University of Florida
Hinewirangi Kohu Morgan, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Ho Chi Minh City, Vietnam, 1995

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao SalgadoUniversity of New Mexico Art Museum
hole, Cornice Channel, Skua Island – Looking towards Galindez Island, The Argentine Islands,Wilhelm Archipelago, Graham Land, Antarctica, 2008, On the site of the discovery of the hole in The Earth’s ozone layer. This site is very near the oldest research

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Holy Land, 1989

Mitchell Syrop

Medium: photo offset poster on canvas - unframed

Mitchell SyropMuseum of Contemporary Art San Diego
Homage to Artie, 1965

Wallace Berman

Medium: Verifax collage and gouache

Wallace BermanMuseum of Contemporary Art, Los Angeles
Hombre Corriendo [Running Man], 1971

Enrique Vara

Medium: pencil on paper

Enrique VaraGodwin-Ternbach Museum, Queens College, City University of New York
Home Before Dark, 2001

James Westwater

Medium: Acrylic and found objects on plywood box

James Westwater
Home for Gray Ghosts, 1981

Leo Rabkin

Medium: wood, Fresnell lens, metal, plastic, acrylic

Leo RabkinNew Jersey State Museum
Homme Au Chapeau [Man with Hat], 1963

Alex Kosta

Medium: bronze

Alex KostaCarnegie Museum of Art
Homme et Trois Femmes [Man and Three Women]

Paul Delvaux

Medium: ink, pencil on paper

Paul DelvauxUniversity of Michigan Museum of Art
Homunculus, 1970

Bernhard Jaeger

Medium: lithograph on paper

Bernhard Jaeger
Horse's Head

Unknown

Medium: wood

UnknownCarnegie Museum of Art
Hot and squinting light - Thinking about Cormac McCarthy "The Big Hill" The Rio Grande Overview Near Lajitas Big Bend National Park Brewster County, Texas U.S.A. North America 1996/2017 part 1 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Hot and squinting light - Thinking about Cormac McCarthy "The Big Hill" The Rio Grande Overview Near Lajitas Big Bend National Park Brewster County, Texas U.S.A. North America 1996/2017 part 2 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
hot, sweaty, dusty and spiked - Remembering Paul Strand Looking towards Macuro At the beginning of the The New World Gulfo de Paria Boca Grande and Bocas del Dragón Isla de Pato Sucre State Venezuela South America 2003/2017 It is reported that Christopher

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
hovering freezing fog, The Arctic Ocean, sea ice, sestrugi and melt lakes, The North Pole, 2007-2008, 90º N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
How a Table Works, 1986

Charles Ray

Medium: steel with metal box, thermos, plastic cup, terra cotta pot with synthetic plant, painted metal can

Charles RayMuseum of Contemporary Art, Los Angeles
Howard Zinn and Anthony Arnove, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Howard Zinn and Patrick Lannan, Readings & Conversations, 26 April 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Hudson Strait and Ungava Bay Cap Hopes Advance Peninsula d’Ungava Quebec Canada North America 2013/2016 The Northmost point of the Mouth of Ungava Bay

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Hudson Strait Point Ivujivik Peninsula de Ungava Quebec Canada North America 2013/2016 The Eastmost point of Hudson Bay and the Southmost entrance point to Hudson Bay.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Huge wind - Lake Ontario Sackets Harbor Jefferson County New York U.S.A. North America, 2015/2017 The Eastmost point of the U.S. side of the Great Lakes and of Lake Ontario.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Hulula Okpila Delta II, 2006 From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Hulula Okpila Delta III, 2006 From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Hurricane Thunderhead, Looking towards the New World, Boca Grande, Bocas del Dragón / The Dragon’s Mouths, the Gulf of Paria and the Caribbean Sea, La Lue Point, Chacachacare Island, Looking at Promotaro de Paria and the Peninsula de Paria, The Isle of

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Hurricane warnings, The Serpent’s Mouth and the Gulf of Paria, Icacos Point Saint Patrick County, The Isle of Trinidad, The Caribbean, 2005/2015, The South-most point of the island and all the Caribbean

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Hybrid Casco/G.E., 1992

Willie Cole

Medium: Casco and G.E. electric irons

Willie ColeMuseum of Contemporary Art Chicago
Hypnotic Flight, 1986

Kathy Muehlemann

Medium: oil on linen

Kathy MuehlemannThe Honolulu Museum of Art Spalding House
I Have a dream, St. Roch, New Orleans, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
I'm not stopping, 1977

Jim Nutt

Medium: etching on paper

Jim NuttCarnegie Museum of Art
I, Shtetle, 1982

Irving Petlin

Medium: oil on canvas

Irving PetlinMuseum of Contemporary Art, Los Angeles
I-95 North to Rhode Island, 1998

Christina Hejtmanek

Medium: Chromogenic print

Christina HejtmanekCenter for Creative Photography, University of Arizona
Iceberg 1, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 10, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 11, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 12, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 13, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 14, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 15, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 16, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 17, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 18, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 19, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 2, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 20, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 21, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 22, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 3, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 4, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 5, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 6, Disco Bay, Greenland, 1989

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 7, Disco Bay, Greenland, 1986

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 8, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
Iceberg 9, Disco Bay, Greenland, 1988

Lynn Davis

Medium: gelatin silver print

Lynn DavisMuseum of Contemporary Art Chicago
iceberg field from an iceberg summit Jakobshavens IsWord Disko Bay Illulissat / Jakobshavens Isbras Kittaa Greenland, Denmark, 2007-2008 69° 12.008' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
icenest The Greenland Sea The Barents Sea Fluglehuken / Bird Point Prins Karls Foreland Svalbard, Norway, 2004-2008 The West-most point of The Svalbard Archipelago 78° 54.226' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Ich - Eierkopf [I - Egghead], 1970

Bernhard Jaeger

Medium: lithograph on paper

Bernhard JaegerCarnegie Museum of Art
Icon of St. John the Baptist's Burial, with Christ Emanuel above, no date

18th Century Russian Icon

Medium: tempera on panel and gold ground

18th Century Russian IconPecos Benedictine Monastery, Our Lady of Guadalupe Abbey
Imagine Hell, St. Roch, New Orleans, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Immediately upon arriving on the Mississippi Gulf Coast from Beaumont, Texas, 13 roofing workers are employed to fix an apartment complex at W. Pine and Hill, in Gulfport. There is one Honduran in the group; the rest are from San Luis Potosí, in Central

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Immigrant rescued after eight days in the desert by residents of Arivaca, Arizona. He was taken to the Ark of the Covenant shelter, built near Arivaca by the “No More Deaths” movement. Arivaca, Arizona, 2004

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseum of Contemporary Art, Los Angeles
In a crowd, 2012

Patrick Oliphant

Medium: Ink and watercolor on board

Patrick Oliphant
In Balance, 1961

Hans Hofmann

Medium: oil on canvasboard

Hans HofmannUniversity of Michigan Museum of Art
In Lovely Blueness, 1955-1956

Sam Francis

Medium: oil on canvas

Sam FrancisThe Art Institute of Chicago
In the Can, 1986

Mitchell Syrop

Mitchell SyropInternational Center of Photography
In the Love of Geometry's Fountain, 1980

Alan Saret

Medium: nickel wire

Alan SaretMuseum of Contemporary Art, Los Angeles
Inasmuch As It Is Always Already Taking Place, 1990

Gary Hill

Medium: video screens, with speakers, amplifiers in niche

Gary HillThe Art Institute of Chicago
Incontro Al Limite, 1959

Gio Pomodoro

Medium: bronze

Gio PomodoroUniversity of New Mexico Art Museum
Indian Mound, Franklin, N.C., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Indian Mound, National Cemetary, Vicksburg, Miss., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Indian Mounds, St. Paul, Minn., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Infant Jesus of Prague, Plaquemines Parish, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Inner Sea, 1981

Mira Schor

Medium: gouache, pastel on rice paper

Mira SchorUniversity of New Mexico Art Museum
Innocent Happiness (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Innocent Living (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Innocent Love (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Insane Authority-Portrait of Dr. Caligari, 1980

Julian Schnabel

Medium: oil and cowhide on velvet

Julian SchnabelHirshhorn Museum and Sculpture Garden
Insect Face, 1981-1982

Mike Kelley

Medium: acrylic on sheetmetal over wood

Mike KelleyMuseum of Contemporary Art, Los Angeles
Inside - The Big Wave. Looking towards Africa. The Mid Atlantic Ocean, Galera Point, # 3,St. David, The Island of Trinidad, 2005, The Northeast-most point and very near the North-most point of the Island

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Inside Outside

John Marshall

Medium: electro formed silver, acrylic, light fluorescent

John MarshallMetal Museum
Insurance Job, 2007

Sarah Pickering

Medium: Chromogenic development print photograph

Sarah Pickering
Intermezzo, 1986-1987

Stephen Spretnjak

Medium: paint on wood veneer over wood support

Stephen SpretnjakDennos Museum Center, Northwestern Michigan College
Interruption In a Field, 1986

Vernon Fisher

Medium: acrylic and oil on canvas

Vernon FisherThe Art Institute of Chicago
Inverse: Antechamber, 1986

Cheryl Goldsleger

Medium: oil, wax, pigment on paper

Cheryl GoldslegerAckland Art Museum, University of North Carolina at Chapel Hill
Inversion, 1985

Cheryl Goldsleger

Medium: graphite on paper

Cheryl GoldslegerAckland Art Museum, University of North Carolina at Chapel Hill
Invisible Hands, 2014

Pard Morrison

Medium: Fired pigment on aluminum

Pard Morrison
Iron Plating 697

June Schwarcz

Medium: electroplated enamel on copper

June SchwarczThe Honolulu Museum of Art Spalding House
Isabelle Allende, Readings & Conversations, 24 September 2008

Don Usner

Medium: Archival pigment print on paper

Don Usner
Isfiorden Longyearbean Spitzbergen, Adventdalen Svalbard, Norway, 2008 78° 15.141' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Istuction con Cuadrants, 1971 colored paper collage on paper 14 1/8 x 14 1/8 inches

Gerardo Delgado

Medium: colored paper collage on paper

Gerardo DelgadoGodwin-Ternbach Museum, Queens College, City University of New York
IX, 1963

Georgean Evans

Medium: oil on canvas

Georgean Evans
Ixchal, 1958

Guillermo Meza

Medium: oil on canvas

Guillermo MezaGodwin-Ternbach Museum, Queens College, City University of New York
J.M. Coetzee, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Jack, 1983

Ira Richer

Medium: enamel on formica and wood

Ira RicherDennos Museum Center, Northwestern Michigan College
James Joyce, 1937

Josef Breitenbach

Medium: Black and white photograph

Josef BreitenbachBlack Mountain College Museum + Arts Center
Japanese gong

Unknown

UnknownPalm Beach State College
Japanese Plate, 1977

Harry Roseman

Medium: painted aluminum

Harry RosemanNew Mexico Museum of Art
Japanese Rice Pounder

Unknown

UnknownUSC Pacific Asia Museum
Jay Wright, Readings and Conversations Author, 1999

Don Usner

Medium: Black and white photograph

Don Usner
Jayne, 1965

Al Brunelle

Medium: rhinestones on paper mounted on wood cubes

Al Brunelle
Jeremy Scahill, Cultural Freedom, 2 February 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Jesus at Devastated Holy Beach, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Jhumpa Lahiri, Readings & Conversations, 15 April 2009

Don Usner

Medium: Archival pigment print on paper

Don Usner
Jim Harrison and Ted Kooser, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Jim Harrison and Ted Kooser, Readings & Conversations, 10 January 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Jim Harrison, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Jimmy Frías, age 17 months, U.S. citizen. His father is a soldier serving in Iraq. Phoenix, Arizona, 2006

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseum of Fine Art Houston (MFAH)
Jimmy Santiago Baca, Readings & Conversations, 15 September 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
Joe Sacco, Readings & Conversations, 18 May 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
John Cohen's Comet, from 1, 1966

Edwin Ruda

Medium: acrylic on shaped canvas

Edwin RudaDennos Museum Center, Northwestern Michigan College
John D’Agata, Readings & Conversations, 16 February 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
John McGahern, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
John McGahern, Readings & Conversations, 7 April 2004

Don Usner

Medium: Archival pigment print on paper

Don Usner
John McPhee, Readings & Conversations, 10 November 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
John Nichols, Readings & Conversations, 3 October 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
Joy Harjo, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Joy Harjo, Readings & Conversations, 12 October 2005

Don Usner

Medium: Archival pigment print on paper

Don Usner
Joyce Carol Oates, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Jo’burg: Al’s Tower, a block of flats on Harrow Road, Berea, overlooking the Ponte building, 2004

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy Tillim
Jo’burg: Cape Agulhas, Esselen Street, Hillbrow, 2004

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Jo’burg: Manhattan Court, Plein Street, 2004

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Jo’burg: San Jose, Olivia Street, Berea, 2004

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Jo’burg: The view from the top of the Mariston Hotel looking south, 2004

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Juggler's Debt, 1970

Jake Berthot

Medium: acrylic on shaped canvas

Jake BerthotUniversity of Michigan Museum of Art
Juggler, 1982-1983

Martin Silverman

Medium: bronze, polychromed

Martin SilvermanUniversity of New Mexico Art Museum
Julia Caldera searches for her daughter, María Elena. In the background are the hills where Liliana Holguin’s body was dumped. Ciudad Juárez, Chihuahua, 2000

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
JUNE16,1966

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
Jungle Nymph, 1979

Jerry Brane

Medium: oil on canvas

Jerry BraneCarnegie Museum of Art
Junot Diaz, Readings & Conversations, 21 January 2009

Don Usner

Medium: Archival pigment print on paper

Don Usner
Just before day break The Mid Atlantic Ocean Cape Hatteras Cape Hatteras National Seashore Dare County North Carolina U.S.A. North America 2009/2015 The Southeast most point of Continental U.S.A.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Kangertittivaq / Scoresbysud, The Denmark Strait, Kangikajik / Kap Brewster, 6pm same day, Liverpool Land, Tunu / Ost / East, Kalaalit Nuneat/Groønland/Greenland, 2007-2008 (a two-part work), From the longest fjord in The World, 70° 09.097' N (part 2, The

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Kangertittivaq / Scoresbysund Uunarteq / Kap Tobin Liverpool Land, Tunu / Ost / East Greenland, Denmark, 2007-2008 From the longest Word in the world 70° 24.641' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Kangertittivaq / Scoresbysund, The Denmark Strait, Kangikajik / Kap Brewster, 6am, Liverpool Land, Tunu / Ost / East, Kalaalit Nuneat/Groønland/Greenland, 2007-2008 (a two-part work), From the longest fjord in The World, 70° 09.097' N (Part one - The

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Kasegaluk Lagoon and Chukchi Sea I, 2006 From the Series: Oil and the Whales (Arctic Ocean)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Kay Ryan, Readings & Conversations, 13 April 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Kerze [Candle], 1982

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Key Box, 1963

Joe Tilson

Medium: copper, paint on wood

Joe TilsonUniversity of Michigan Museum of Art
King of the Castle

Louis de Niverville

Medium: acrylic on canvas

Louis de Niverville
Kitty Hawk Kill Devil Hills Bodie Island The Wright Brothers National Monument Dare County North Carolina U.S.A. North America 2009/2015 The site of the first successful manned aeroplane flight accomplished by the Wright Brothers on 17 December 1903.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Kleine Landschaft am Meer [Little Landscape by the Sea], 1969

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
KNOUN d2, 2007

Christine Corday

Medium: Charcoal on newsprint

Christine Corday
Known and Unknown Tracks From 'Oil and The Geese' series, 2006

Subhankar Banerjee

Medium: Digital chromogenic print face & mounted to Plexiglas

Subhankar BanerjeeUniversity of New Mexico Art Museum
Koan Box-Blue Green/Warm Gray, 2004-2007

Lawrence Fodor

Medium: Oil, wax, alkyd, 18k white gold and silver on cigar box

Lawrence Fodor
Koan Box-Blue Violet/Yellow Ochre, 2004-2007

Lawrence Fodor

Medium: Oil, wax, alkyd, 18k gold on cigar box

Lawrence Fodor
Koan Box-Gold/Blue-Green, 2005-2007

Lawrence Fodor

Medium: Oil, wax, alkyd on cigar box with 24kt. gold

Lawrence Fodor
Koan Box-Gray/Blue Violet/Yellow Ochre Line, 2005-2008

Lawrence Fodor

Medium: Oil, wax, alkyd,18k gold on cigar box

Lawrence Fodor
Koan Box-Green Violet, 2005-2007

Lawrence Fodor

Medium: Oil, wax, alkyd on cigar box with 24kt. gold

Lawrence Fodor
Koan Box-Green/Red Violet, 2004-2007

Lawrence Fodor

Medium: Oil, wax, alkyd, 22k gold on cigar box

Lawrence Fodor
Koan Box-Grey Green/Violet, 2005-2008

Lawrence Fodor

Medium: Oil, wax, alkyd, 18k gold on cigar box

Lawrence Fodor
Koan Box-Red Orange/Gray Green, 2005-2007

Lawrence Fodor

Medium: Oil, wax, alkyd, 22k gold on cigar box

Lawrence Fodor
Koan Box-Red Orange/Yellow Green, 2005-2008

Lawrence Fodor

Medium: Oil, wax, alkyd, 22k gold on cigar box

Lawrence Fodor
Koan Box-Red Violet/Sienna, 2005-2008

Lawrence Fodor

Medium: Oil, wax, alkyd, 22k gold on cigar box

Lawrence Fodor
Koan Box-Sienna/Yellow, 2005-2007

Lawrence Fodor

Medium: Oil, wax, alkyd, 22k yellow gold on cigar box

Lawrence Fodor
Koan Box-The End of the Moon, 2005-2009

Lawrence Fodor

Medium: Oil, wax, alkyd and 23 kt gold on wood cigar box with enclosed objects

Lawrence Fodor
Koan Panel, Blue-Green/Orange, 2006-2008

Lawrence Fodor

Medium: Oil, wax, alkyd and 22kt. gold on wood panel

Lawrence Fodor
Kopf [Head], 1968

Bernhard Jaeger

Medium: lithograph on paper

Bernhard JaegerCarnegie Museum of Art
Kouros

Harold Olejarz

Medium: wood

Harold OlejarzDennos Museum Center, Northwestern Michigan College
Ku, 1981

Gordon Moore

Medium: acrylic, oil, wood on canvas

Gordon MooreSweeney Art Gallery, University of California, Riverside
Kulturgeschichte 1880-1983, 1980-83 [Cultural History]

Hanne Darboven

Medium: 1590 sheets and 19 sculpture objects

Hanne DarbovenDia Art Foundation
L Green, 1961

Kenneth Price

Medium: painted stoneware and wood base with screws

Kenneth PriceMuseum of Contemporary Art, Los Angeles
L'Eglise de Beauche (W. 115)

Maurice de Vlaminck

Medium: drypoint, 1926 lower right signed in pencil

Maurice de VlaminckUniversity of Michigan Museum of Art
L'homme lisant [Man Reading]

Paul Delvaux

Medium: pen and ink and watercolor on paper

Paul DelvauxUniversity of Michigan Museum of Art
L'Oiseau Prisonnier [Inprisoned Bird], 1958

Emile Gilioli

Medium: glass

Emile GilioliDennos Museum Center, Northwestern Michigan College
La Baie d’Audierne and La Mer Iroise - Empty Horizon Pointe du Raz Cornouaille Finistère Brittany France Europe 2004/2017 With Andrew Lee

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
La Busqueda, Bogotá, Colombia, 1969

Ray Witlin

Medium: Black and White photograph

Ray Witlin
La Familia, 1961

Rafael Coronel

Medium: acrylic on masonite

Rafael CoronelNew Mexico Museum of Art
La Fortune (After Man Ray: 1), 1990

Sherrie Levine

Medium: felt, mahogany, billiard balls

Sherrie LevineSan Francisco Museum of Modern Art
La Honey (Enlightenment 9), 1983

Celia Munoz

Medium: mixed media

Celia MunozNew Mexico Museum of Art
La Palma Del Martir , 1956

Mathias Goeritz

Medium: watercolor on paper

Mathias GoeritzNational Autonomous University of Mexico
La Representation [The Representation], 1967

Vladimir Velickovic

Medium: oil on canvas

Vladimir Velickovic
La Tempestad (Enlightenment 10), 1985

Celia Munoz

Medium: two black and white photographs with mirror in artist's frame

Celia MunozNew Mexico Museum of Art
La Valse des Lapins [The Waltz of Rabbits] [W. 138], 1895

Henri de Toulouse-Lautrec

Medium: lithograph

Henri de Toulouse-LautrecKrannert Art Museum, University of Illinois Urbana-Champaign
La Villa Lointaine, 1956

Antonio Bandeira

Medium: oil on canvas

Antonio BandeiraGodwin-Ternbach Museum, Queens College, City University of New York
La Vittoria, 1970

Jean Tinguely

Medium: felt pen, colored pencils on paper

Jean TinguelyUniversity of Michigan Museum of Art
Lady Man, 2018

Ted Larsen

Medium: Salvage steel, marine - grade plywood, silicone, vulcanized rubber, hardware & chemicals

Ted Larsen
Lake Erie Very near Ruggles Beach Erie County Ohio U.S.A. North America, 2015/2017 The Southmost point of all the Great Lakes, and of Lake Erie.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Lake Michigan Great Lakes Horizon No. 4. Marquette Park Gary, Lake County Indiana U.S.A. North America, 2015/2017 Southmost point of Lake Michigan

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Lake Ontario Everett Park Kingston Frontenac Ontario Canada North America, 2015/2017 The Eastmost point of all the Great Lakes, and very near the Northeast point of Lake Ontario.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Lake Superior Great Lakes Horizon, No. 3. Very near Copper Harbor Keweenaw County The Upper Peninsula Michigan U.S.A. North America, 2015/2017 The Northmost mainland U.S. point of the Great Lakes, and of Lake Superior.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Lake Superior Very near Copper Harbor Keweenaw County The Upper Peninsula Michigan U.S.A. North America, 2015/2017 The Northmost mainland U.S. point of the Great Lakes, and of Lake Superior.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Lake Superior Very near Kama Bay Thunder Bay Regional Province Ontario Canada North America, 2010/2017 The Northmost point of all the Great Lakes, and of Lake Superior.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Lake Superior Picture Rocks National Lakeshore Alger County Michigan U.S.A. North America 2015/2017 With Oskar Strom. The Southmost point of the lake.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Land Fall! Bonavista Bay and The North Atlantic Ocean Cape Bonavista Bonavista Peninsula Newfoundland Canada, 1998/2015 North America The site that John Cabot first made Land Fall in the New World for the English on 24 June 1498. It was here, and then,

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
Land-escape 30, from Land escape series, 1967

Richard Allen

Medium: oil, plastic, leather, yarn, metal hook

Richard AllenOakland Museum of California
Land-escape Series 1, from Land escape series, 1967

Richard Allen

Medium: oil, nails, canvas

Richard AllenOakland Museum of California
Land-escape Series 10, from Land escape series, 1967

Richard Allen

Medium: oil, metal tacks, balloon, on canvas

Richard AllenOakland Museum of California
Land-escape Series 16, from Land escape series, 1967

Richard Allen

Medium: oil, canvas, epoxy, rubber headed tacks, glue, nails

Richard AllenHenry Miller Memorial Library
Land-escape Series 18, from Land escape series, 1966

Richard Allen

Medium: oil, canvas, epoxy, rubber headed tacks, nylon cord

Richard AllenOakland Museum of California
Land-escape Series 29, from Land escape series, 1967

Richard Allen

Medium: oil on canvas

Richard AllenOakland Museum of California
Land-escape Series 33, from land-escape series, 1967

Richard Allen

Medium: oil on canvas

Richard AllenOakland Museum of California
Landfall and the New Found Land, N.E.-The Atlantic Ocean,Cape Buena Vista, The Isle of Newfoundland, Canada, 1998-1999 (the landfall of John Cabat's discovery of the New World for the English) In the week of the Spring Equinox

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Landfall-Vinland-Near Farthest North iceflow along the Atlantic, L'Anse aux Meadows(from the site of Lief Ericson's first camp in the New World-Vinland) The Isle of Newfoundland, Canada, 1998-1999, On the day of the Spring Equinox

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Landmine, 2005

Sarah Pickering

Medium: Lambda print photograph

Sarah Pickering
Landscape

John Marshall

Medium: sterling silver, plinth, glass

John MarshallMetal Museum
Landscape Drawing, 1976

Alfred Wonderlick

Medium: photo offset print

Alfred WonderlickJersey City Museum
Landscape, 1958

J Lecour

Medium: oil on canvas

J LecourHouse of Hope
Large Russian Landscape

Henry Orlik

Medium: acrylic on canvas

Henry OrlikHouse of Hope
Last Light - The Mid Atlantic Ocean, Kitridge Point, St. Philip, The Island of Barbados, 2005, The East-most point of the Island and of all The Caribbean

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Last Light – Mar Caribe /The Caribbean Sea Niquero, Granma, Cuba, 2007/2014 The South-most point of Cuba

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Last Light – The Mid North Atlantic Ocean Walker Cay, The Bahamas, 2007/2014 North-most point of all the Bahamans and all of the Caribbean

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Last Light, Autumn, Along the Pecos River, The Pecos National Wilderness Area, Near Windy Bridge, San Miguel County, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Last Light, Boca de la Serpiente - The Serpent's Mouth and The Columbus Channel, Icacos Point, St. Patrick, The Island of Trinidad, 2005, The South-most point of the Island and of all The Caribbean

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
last light, Lemaire Channel, “Landruk Point”, Graham Coast, Graham Land, The Antarctic Peninsula Antarctica, 2008, The newly proposed and named, Northwest-most point of Continental, Antarctica, 65° 04’ 0”’ S / 63° 55’5”W

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
last light, shifting ice – sudden danger - Garlache Strait at Orlean’s Strait Cape Herschel from “LISA" Rock Davis Coast, Graham Land, The Antarctic Peninsula Antarctica, 2008, Cape Hershell 64° 04' S “LISA" Rock, Laura - Indigo - Sophie - Alice Rock, is

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Last Light-Looking towards Florida Estrechos de Florida/The straits of Florida y Canal/Channel de San Nicolas, Punta Rincón Francés, Varadero, Peninsula de Hicacos, Matanzas, Cuba, 2007/2014

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Last Light-Moving Towards Darkness. Estrecho de Magallanes-The Strait of Magellan. Cabo Momouth. Isla Grande Tierra del Fuego. Tierra del Fuego, Chile 2006.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Last Light-The Caribbean Sea. Jones Point, Isla Providencia. Colombia, 2005. Near the north-most point of all South America.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Last Light-The Mid Atlantic Ocean-North, Chā de Igrejā, The Isle of Santo Antão, Ilhas de Barlavento, The Cape Verde Islands, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Last Light.The South Atlantic Ocean, Punta Santa Maria. Rocha, Uruguay, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
late afternoon - rolling rapids looking upstream The upper Rio Grande The San Ildefonso Pueblo Santa Fe County New Mexico U.S.A. North America 2000/2017 (with C.A.M.) part 1 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Late Afternoon Heat - The Caribbean Sea, Punta Gallinas, # 5, Peninsula de la Guajira, Guajira, Colombia, 2005, The North-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
late afternoon Looking South - Returning from the source (one week later) After the blizzard’s end The upper Rio Grande On the bridge crossing The Southern entrance of the Rio Grande Gorge Taos County New Mexico U.S.A. North America 1995/2017 At the end

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
late afternoon quiet - Old Man’s Beard The Source of the River Thames - Thameshead Near Coates Gloucestershire England U.K., Europe 1998/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
late afternoon sea fog Looking Inshore - Towards the Greenwich 0° Meridian The mouth of the River Humber - low tide Spurn Head The East Riding of Yorkshire England U.K. Europe 2016/2018 With Andrew Lee.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Late Afternoon Storm Silence, Picinguaba Bay and the South Atlantic Ocean. Ponte de Cruz, Picinguaba, São Paolo, Brazil, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
late afternoon The English Channel/La Manche Rame Head Cornwall England U.K., Europe 1998/2017 Most likely the last English landsite that the migrating Pilgrims saw of the English coastline as they left Plymouth in 1620 for the New World of North

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Late Evening. The Mid Atlantic Ocean. South Point, Christ Church, The Island of Barbados, 2005. The South-most point of The Island

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
late night - last light The beginnings of the Baltic Sea Skagerrak and Kattegat Grenen Nordjylland Denmark Europe 1998/2017 Denmark’s Northmost point, where the two seas, Skagerrak and Kattegat, collide at the entry of the Baltic Sea.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Late summer - last light - Looking towards Scotland The Firth of Lorne and The North Atlantic Ocean Near Oban Argyllshire Scotland United Kingdom Europe 1987/2016 The first picture of ‘The Atlas Project’.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua CooperNational Library and Galleries of Scotland
late XVI century

Tabriz School Unknown

Tabriz School UnknownCarnegie Museum of Art
Lawrence Ferlinghetti, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Le Manteau [The Cape], 1973

Barbara Riboud

Medium: bronze, hemp, copper on base

Barbara RiboudStudio Museum in Harlem
Le MarchÈ [The Market], 1955

Jean Leon Jansem

Medium: oil on canvas

Jean Leon JansemDennos Museum Center, Northwestern Michigan College
Le Voyage [The Voyage]

Alex Kosta

Medium: bronze

Alex KostaCarnegie Museum of Art
Lead Drawing 3, 1973-1975

Richard Fleischner

Medium: cast lead

Richard FleischnerMuseum of Contemporary Art San Diego
Lead Drawing 4, 1973-1975

Richard Fleischner

Medium: cast lead

Richard FleischnerMuseum of Contemporary Art San Diego
Lead Drawing 8, 1973-1975

Richard Fleischner

Medium: cast lead

Richard FleischnerMuseum of Contemporary Art San Diego
Lead Drawing 9, 1973-1975

Richard Fleischner

Medium: cast lead

Richard FleischnerMuseum of Contemporary Art San Diego
Leaning Mirror, 1969

Robert Smithson

Medium: Sand and two mirrors

Robert SmithsonDia Art Foundation
Learning to Drive a Dennett, 1823

Henry Alken

Medium: etching in colors

Henry AlkenNational Sporting Library & Museum
Leaving the Homeland Onward bound into Exile Skrolsvik and Breiðafjörður Öndverðarnes Snæfellsnes  Snæfellsnesssýsla Vesturland Iceland Europe 2013/2017 A possible final view of “home” for Erik the Red, (Erik Thorvalsson), as he left Iceland, under exile

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Left or Standing. Standing or Left Standing, 1971/1999

Bruce Nauman

Medium: Wallboard, yellow fluorescent lights, incandescent lights, video

Bruce NaumanDia Art Foundation
Lena, 1981

Mira Schor

Medium: gouache, pastel on rice paper

Mira SchorCarnegie Museum of Art
Lensic Theatre Marquee, Readings & Conversations, 10 November 1999

Don Usner

Medium: Archival pigment print on paper

Don Usner
Lensic Theatre, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Leopold and Mobutu: Left: Bronze leopards guard the entrance to Mobutu’s palace at Gbadolite, September 2003. Right: The gardens commissioned by King Leopold II at the Central African Museum, Brussels, January 2004.

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Leopold and Mobutu: Left: The Congo Star which adorned the Congolese flag during the Leopold era, photographed at the Military Museum in Brussels, January 2004. When Laurent Kabila displaced Mobutu Sese Seko during the first Congo War of 1996, he replaced

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Leopold and Mobutu: On the road between Bikoro and Mbandaka on the Congo River, September 2003

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Leopold and Mobutu: The looted remains of Mobutu Sese Seko’s residence at Gbadolite, September 2003

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Leopold and Mobutu: The remains of Mobutu Sese Seko’s palace at Gbadolite. Mobutu began work here among his kin in the 1970s, and in later years retreated to this residence for long periods. He built an international airport nearby, and would receive

Guy Tillim

Medium: Archival pigment ink on 300g cotton paper

Guy TillimIziko Museums of South Africa
Les Amours du PoËte [Loves of the Poet]

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Leslie Marmon Silko, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Leslie Marmon Silko, Readings & Conversations, 12 October 2005

Don Usner

Medium: Archival pigment print on paper

Don Usner
Letter from Great China

Isamu Noguchi

Medium: Pen on paper

Isamu Noguchi
Lewis Lapham, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Like Soft Dreams, 1967

Richard Allen

Medium: oil, ink, plastic, ping pong ball

Richard AllenOakland Museum of California
Linda, 1980

John Ahearn

Medium: acrylic on cast plaster

John AhearnStudio Museum in Harlem
Linda/Eye Series IV, 1977

Chuck Close

Medium: watercolor on five sheets of paper

Chuck CloseThe Art Institute of Chicago
Linh Dihn, Readings & Conversations, 27 February 2008

Don Usner

Medium: Archival pigment print on paper

Don Usner
Lion Nursing Cubs

Eugene Delacroix

Medium: graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Lioness and Child

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Lit-cage et son paravent [Bed-Cage and Screens]

Max Ernst

Medium: bed with headboard and moveable gates made of African walnut and brass rods; telephone; two tinted swivel mirrors with offset lithograph printed in colors and signed with initials; tree branch of carved and painted alder wood; cloth covered platform; matt

Max ErnstPhiladelphia Museum of Art
Little Known Artifacts Collected from the British Museum, 1977

Inez Storer

Medium: assemblage of wood, ceramic, plastic, paper, photographs and polyester resin

Inez StorerOakland Museum of California
LLANO, 1976

David Bungay

Medium: acrylic, Plexiglas on canvas

David BungayOakland Museum of California
Lois-Ann Yamanaka, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Longhorn, 1981

Mary Ann Warner

Medium: oil pastel

Mary Ann WarnerHouse of Hope
Looking at the Head of Passes and the Mouth of the Mississippi River The Mississippi River Delta Plaguemines Parish Louisiana U.S.A., 2009/2015 North America One of the two great American rivers to flow into the Gulf of Mexico, (the Rio Grande being the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
Looking back - towards Iceland Skarosvik and Breiðafjörður Onaperoarnes Snæfellsnes Iceland/Europe 2013/2016 Very possibly the last sight of Iceland seen by Erik the Red as he left Iceland, by sea, in 982 CE from his farm, as a result of his three year

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Looking back - Towards The Old World - The Gulf of St. Lawrence Miscou Light Miscue Island Gloucester County New Brunswick Canada North America 2013/2016 The Northmost point of Miscou Island

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Looking back towards The Old World The North entrance to the Gulf of St. Lawrence Cap Whittle, Île du Lac, Quebec, Canada, 2014/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
looking back, The Arctic Ocean, sea ice, The North Pole, 2007-2008, (a two-part work), 90º N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking back, towards Ireland The Mid Atlantic Ocean Punta Prieta, The Isle of Lanzerote, Canary Islands, Spain 2002/2014 The East most point of Lanzerote, and all of the Canary Islands A possible landing site of St. Brendan, who has often been credited

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Looking East towards the old world, The Caribbean Sea, Buccaneer Point, Isla Santa Catalina Colombia, 2005. Very near the north-most part of all South America.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking East-Sun Struck. Segunda Angostura-The Second Entrance, Estrecho de Magellanes-The Strait of Magellan. Cabo San Vicente. Isla Grande Tierra del Fuego. Tierra del Fuego, Chile 2006. The Northwest-most part of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking into The Polar Sunset - The Arctic Circle - Repulse Bay Natchik Point Repulse Bay Nunavut Canada North America 2013/2016 Looking into the Polar sunset on the Arctic Circle at the Northmost point of Hudson Bay

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Looking North - The Caribbean Sea, McKellar Point, Isla Santa Catalina, Colombia, 2005, Very near the North-most point of all South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking North, Golfo de Paria - The Gulf of Paria , Boca Grande and Bocas del Dragón – The Dragon’s Mouths, Isla Patos – Goose Island, Near Peninsula de Paria and The Island of Trinidad, Sucre, Venezuela, 2005

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
looking North, The Arctic Ocean, sea ice, 2007-2008, (a two-part work), 89º N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Looking Northeast - Afternoon Gathering thunderstorm El Primera Angostura/ The First Entrance Estrecho de Magallanes/The Strait of Magellan Near Punta Delgado Magellanes Chile South America 2006/2012

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking off-shore - Towards the Greenwich Meridian The 0° Meridian Longitude The North Sea Flamborough Head The East Riding of Yorkshire England U.K. Europe 2016/2017 With Andrew Lee.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking South at The Tropic of Capricorn. Ubatuba Bay at The Mouth of the Rio Grande. Ubatuba. São Paolo, Brazil, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking toward Antarctica - Drake Passage Cabo de Hornos /Cape Horn, #1, Isla Hornos, Islas Hermite Antártica Chilena Chile, 2006 Very near the South-Most Point of All South America.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Looking toward Antarctica and Dreaming--The Drake Passage Cabo de Hornos/Cape Horn, #1, Isla Hornos, Islas Hermite Antártica Chilena Chile South America 2006/2017 Very near the South-most point of all South America.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Looking toward Antarctica and Dreaming--The Drake Passage Cabo de Hornos/Cape Horn, #1, Isla Hornos, Islas Hermite Antártica Chilena Chile South America 2006/2017 Very near the South-most point of all South America.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking towards Africa – Mar de las Salmas and The Mid North Ocean Punta de los Saltos The Isle of El Hierro The Canary Islands Spain Europe 2002/2015 The Southmost point of El Hierro and all the Canary Islands.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Africa, The South Atlantic Ocean and , The Mar de Fora - The Outside Sea, Ponta da Pedra Alta - Point of the High Rock, Ilha Fernando de Noronha Pernambuco, Brazil, 2006, Near the East-most point of all South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking towards Africa, The South Atlantic Ocean, Cabo de San Roque, Rio Grande do Norte, Brazil, South America, 2006/2015, The closest continental point in South America to Africa.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Africa, “The Corner of the Continent”, The South Atlantic Ocean,Ponta do Calcanhar, Rio Grande del Norte, Brazil, South America, 2006/2015. The main sea currents shift north to south at this point in South America. This is the site where

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Africa. The South Atlantic Ocean. Cabo de San Roque. Rio Grande do Norte Brazil, 2006. The closest point of Continental America to Africa.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Looking towards America, Boca del Rio Bravo / The Mouth of the Rio Bravo and the Gulf of Mexico, Tamaulipas, Mexico Frontera, The Mexico/Texas Border, Mexico, North America, 2007/2015. The Northeast most point of Mexico.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Arctic Canada Early evening - Nuupikera and The Davis Strait Nuuk Nunavut Arctic Greenland Europe/North America 2008/2016 Nuuk is the capital of Greenland, founded by the Danes in 1728 and called Godt-Haab until 1 May 1979.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Looking towards Cabo de Honduras, Mar Caribe / The Caribbean Sea, West End Point, Isla Guanaja, Islas de la Bahia, Honduras, Central America, 2007/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Cape Queen Foxe Basin and Foxe Channel from Schooner Cove The Foxe Peninsula Baffin Island Nunnuvut Canada North America 2013/2018 The Southwest most point of Baffin Island. (Picture flaw is part of the picture.) With Oskar Strom.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Cuba-Last light The Straits of Florida and the Gulf of Mexico Key West, The Florida Keys Monroe County, Florida, USA 2009/2014 The South-most point of continental U.S.A.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua CooperCenter for Creative Photography, University of Arizona
Looking towards Darien, Bahia de Panama and El Océano Pacifico, Punta Chame, Panama, Panama, Central America, 2007/2015, Near the site from which Vasco Núñez de Balboa became the first European to see the Pacific Ocean in 1513.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards deep South, The South Atlantic Ocean and The Strait of Magellan, Cabo Virgenes, Santa Cruz, Argentina, 2006, The Southeast-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking towards Guantanamo Bay Bahía de Santiago de Cuba Santiago de Cuba Santiago de Cuba Cuba The Greater Antilles Latin North America 2007/2017 I was absolutely prohibited from approaching any closer to Guantanamo Bay than Santiago de Cuba.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Hudson Bay Foxe Channel Mill Island Nunnuvut Canada North America 2013/2018 With Greg Landreth and Oskar Strom.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Mexico - and Invasion Bahía de Casilde Near Ciudad Trinidad The Ancón Peninsula Santi Spirtus Cuba The Greater Antilles Latin North America 2007/2017 The launch site for Hernan Cortés’ Invasion of Mexico in February 1519.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Mexico, Boca Chica con las aves / Little Mouth with birds, The Mouth of the Rio Grande and the Gulf of Mexico, Cameron County, Texas, The Texas / Mexico Border, U.S.A., North America, 1996/2015. Made on the day after Cinco de Mayo and the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards Scotland The North Atlantic Ocean Cape Breton Cape Breton Island Nova Scotia Canada North America 1999/2016 The Eastmost point of Cape Breton Island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Looking towards Scotland, Darien and Caledonia - Failure and annihilation, Bahía Escocesa, Puerto Escocés, San Blas Tribal Territory, Panama, Central America, 2007/2015. “Caledonia” was the site of the “disaster of Darien scheme”, Scotland’s only attempt

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Looking towards The Classical World of Africa, The South Atlantic Ocean, Ponta do Seixas, Paraiba, Brazil, 2006, The East-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking towards the Gulf, Boca Chica / Little Mouth, The Mouth of the Rio Grande and the Gulf of Mexico, Cameron County, Texas, The Texas / Mexico Border, U.S.A., North America, 1996/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards the New World - Northumberland Strait at George’s Bay Cape George Antigonish County Nova Scotia Canada North America 2013/2016

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Looking towards the Old World Bahía de Baracoa Brace Guantanamo Cuba The Greater Antilles Latin North America 2007/2017 From the site of the first European village established in the New World by Christopher Columbus, and from the exact recorded site

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking Towards the Old World The Atlantic Ocean West Quoddy Head, Maine, U.S.A. 1996 (The Easternmost point of Continental America)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking Towards the Old World, Furthest East-The Atlantic Ocean, The Bay of Fundy, West Quoddy Head (the easternmost point of Continental U.S.A.) Maine, U.S.A., 1996-1999

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking towards the Old World, The South Atlantic Ocean, Porto Seguro, Bahia, Brazil, South America, 2006/2015, Reaching this site in 1500, Pedro Álvarez Cabral is credited for being the first European to discover Brazil.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards the River Rhine thick, impenetrable sea fog - afternoon The River Thames at the Thames Estuary And the Mouth of the River Medway at the North Sea Above Sheerness Isle of Sheppey Kent England U.K., Europe 1998/2017 Before the European

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking towards the River Thames fog horizon The River Maas and the North Sea (one of the four mouths of the River Rhine) The Hook of Holland, Hoek van Holland Zuid-Holland The Netherlands Europe 2000/2017 Before the European Continental break in

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Looking West towards The Continent. The South Atlantic Ocean and the Mar de Dentro – The Island Sea. Miranda de Baia do Sancho – Sanch Bay. Ilha Fernando de Noronha. Pernambuco, Brazil, 2006.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Looking West- The Yucatan Channel Estrescho de Yucatan / The Strait of Yucatan Cabo San Antonio, Peninsula de Guanahacabibes, Pinar del Rio, Cuba, 2007/2012 The West-most point of Cuba and of all the Caribbean

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Looking West-Departing Thunderstorm. Primera Angostura-The First Entrance. Estrecho de Magallanes. The Strait of Magellan. Near Punta Delgada. Magallanes, Chile, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Lorrie Moore, Readings & Conversations, 19 January 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Los Angeles, Night, Untitled / River Stars, 2005

Michael Light

Medium: Pigment print

Michael LightOakland Museum of California
Los Dos Soles [The Two Suns], 1961

Carlos Merida

Medium: on paper

Carlos MeridaGodwin-Ternbach Museum, Queens College, City University of New York
Lote Bravo

Jaime Bailleres

Medium: photograph mounted Gator board

Jaime BailleresEl Paso Museum of Art
Lotus, 1962

Mark Disuvero

Medium: gold plated brass

Mark DisuveroBerkeley Art Museum, University of California, Berkeley
Louise Erdrich, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Love (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Love Fleeing Slavery, 1982

Dianne Blell

Medium: cibachrome photograph in artist's frame

Dianne BlellCenter for Creative Photography, University of Arizona
Low Piece (Bench)

Scott Burton

Medium: Himalayan blue granite

Scott BurtonThe Art Institute of Chicago
Lucille Clifton, Readings and Conversations Author, 1999

Don Usner

Medium: Black and white photograph

Don Usner
Luis Alberto Urrea, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Lux: Metropolis 35° 10’N 136° 50’E (Nagoya), 2005-2008

Christina Seely

Medium: Digital C-Print

Christina SeelyCenter for Creative Photography, University of Arizona
MacDougal Crater, Reserva de la Biosfera el Pinacate, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Macho Peak Looking North. Pinto Ranch, Texas, 2007

Michael P. Berman

Medium: Carbon pigment ink on etching paper

Michael P. Berman
Macquette for Alex, 1987

Chuck Close

Medium: Polaroid photograph with tape and ink mounted on foamcore

Chuck CloseThe Art Institute of Chicago
Magnet, 1989

Lisa Hoke

Medium: cast iron, with steel wire

Lisa HokeWhitney Museum of American Art
Mahmoud Darwish, Readings & Conversations, 28 April 2002

Don Usner

Medium: Archival pigment print on paper

Don Usner
Malibu, 1965

Dean Fleming

Medium: acrylic on canvas

Dean Fleming
Man and Angel (Red), 1980

Tom Otterness

Medium: painted cast plaster

Tom OtternessWichita Art Museum
Man and Angel II, 1981

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
Man, Rock and Ship, 1980

Richard Bosman

Medium: oil on canvas

Richard BosmanUniversity of Michigan Museum of Art
Mandarin with Courtesan, n.d.

Oriental Unknown

Medium: ceramic tile

Oriental UnknownMuseum of Sex
Manmade II, 1982

Frederick Wight

Medium: acrylic on canvas

Frederick WightOakland Museum of California
Mann mit Muetze [Man with Cap], 1968

Siegfried Klapper

Medium: etching on paper

Siegfried KlapperMilwaukee Art Museum
Manny, 1982-83

Rigoberto Torres

Medium: painted plaster cast, steel sword, velvet sheath

Rigoberto TorresStudio Museum in Harlem
Many Dead Piñons: On My Way to the Railroad, 2009

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Map of Broken Glass (Atlantis), 1969

Robert Smithson

Medium: Glass

Robert SmithsonDia Art Foundation
Mapping Spaces, 1987

James Turrell

Medium: Etching

James TurrellAmon Carter Museum of American Art
Mapping Spaces, 1987

James Turrell

Medium: Etching

James TurrellSheldon Art Association
Mapping Spaces, 1987

James Turrell

Medium: Etching

James Turrell
Mapping Spaces, 1987/88

James Turrell

Medium: Etching

James TurrellUniversity of New Mexico Art Museum
Mapping Spaces, 1987/88

James Turrell

Medium: Etching

James Turrell
Mapping The Studio 1 (Fat Chance John Cage)

Bruce Nauman

Medium: 7 green/gray monochrome video projections and multiple audio tracks

Bruce NaumanDia Art Foundation
Mapping The Studio 1 (Fat Chance John Cage)

Bruce Nauman

Medium: 7 green/gray monochrome video projections and multiple audio tracks

Bruce NaumanDia Art Foundation
Mapping The Studio 1 (Fat Chance John Cage)

Bruce Nauman

Medium: 7 green/gray monochrome video projections and multiple audio tracks

Bruce NaumanDia Art Foundation
Mapping The Studio 1 (Fat Chance John Cage)

Bruce Nauman

Medium: 7 green/gray monochrome video projections and multiple audio tracks

Bruce NaumanDia Art Foundation
Mapping The Studio 1 (Fat Chance John Cage)

Bruce Nauman

Medium: 7 green/gray monochrome video projections and multiple audio tracks

Bruce NaumanDia Art Foundation
Mapping The Studio 1 (Fat Chance John Cage)

Bruce Nauman

Medium: 7 green/gray monochrome video projections and multiple audio tracks

Bruce NaumanDia Art Foundation
Mapping The Studio 1 (Fat Chance John Cage), 2001

Bruce Nauman

Medium: 7 green/gray monochrome video projections and multiple audio tracks

Bruce NaumanDia Art Foundation
Mar Caribe /The Caribbean Sea and Boca de Coca Segovia Punta Gracias a Dios Frontera Honduras y Nicaragua Central America Latin North America 2007/2017 With James Goller Christopher Columbus named this point in relief and gratitude, “Cape Thank God”, for

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Mar Caribe/The Carribean Sea, Cabo Tiburon, La Miel, San Blas, Panama, 2007/2014 The Panama- Colombia border and East-most point of Panama and of all Central America

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Mar de Las Calmas / The Sea of Calms and The Mid North Atlantic Ocean Punta de los Saltos The Isle of El Hierro The Canary Islands (The South-most point of the Canary Islands) Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
MAR.24,1974

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
March 2006, 2012

Renate Aller

Medium: Archival pigment print photograph

Renate AllerSan Antonio Museum of Art
March in Hammock, 1961

Milton Avery

Medium: oil and graphite on canvas

Milton AveryUniversity of Michigan Museum of Art
Margaret Atwood, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Maria, 1981

John Ahearn

Medium: acrylic on cast plaster

John AhearnStudio Museum in Harlem
Marilyn Monroe, 1981

Keith Haring

Medium: sumi ink on Marilyn Monroe poster

Keith HaringUniversity of Michigan Museum of Art
Marine, 1924

Leon Spilliaert

Medium: watercolor on paper

Leon SpilliaertPortland Art Museum
Marine, 1976-1981

David Bungay

Medium: acrylic, Plexiglas on canvas

David BungayOakland Museum of California
Mario Vargas Llosa, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Mario Vargas Llosa, Readings & Conversations, 5 April 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Mark, 1972-1973

Bill Bollinger

Medium: cast iron

Bill BollingerDennos Museum Center, Northwestern Michigan College
Marsh Rose, 1981

Bob Saltzman

Medium: color photograph

Bob SaltzmanHouse of Hope
Martoc, 1955

James Brooks

Medium: oil on canvas

James BrooksUniversity of Michigan Museum of Art
Mary Oliver, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Mask Third Act, from Theatre Series, 1980

Gary Hall

Medium: acrylic on canvas

Gary HallCarnegie Museum of Art
Massachusetts Bay - looking towards Boston East Point Nahant Massachusetts U.S.A., North America 2009/2017 Massachusetts Bay was first colonised by English Puritans at Salem, from 1628-1691.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Master Drawings, drawings #1243, 1244 & 1245, 2013

James Drake

Medium: Graphite, ink and book covers on paper, triptych

James DrakeThe Menil Collection
Mausolus, 1975

George McNeil

Medium: oil on canvas

George McNeilRose Art Museum, Brandeis University
MAY 25, 1970

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
McMinnville, April 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Memorabellious, 1967

Donald Kaufman

Medium: acrylic on canvas

Donald KaufmanOakland Museum of California
Mercenaries I, 1979

Leon Golub

Medium: acrylic on unstretched linen

Leon GolubMuseum of Contemporary Art Chicago
Mermaid

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Metamorfosis (Espejo en Cruz), 1963

Manuel Rivera

Medium: wood, copper plate, steel mesh, rods and wire

Manuel RiveraGodwin-Ternbach Museum, Queens College, City University of New York
Metasigne III pour un Plumage [Metasign III for a Plumage]

Jacques Brown

Medium: oil on velvet

Jacques Brown
Michael Cunningham, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Michael McClure Poem

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Michael McClure Poem

Wallace Berman

Medium: photograph, paint

Wallace BermanMuseum of Contemporary Art, Los Angeles
Michael Ondaatje, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Michelle Alexander, Cultural Freedom, 12 September 2012

Don Usner

Medium: Archival pigment print on paper

Don Usner
Midday Sun-The Gulf of Venezuela and Boca de la Barra. Isla San Carlos. North of Maracaibo. Zulia, Venezuela, 2005/2006.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
midnight The Mouth of the River Tornea The Gulf of Bothnia East – Looking towards Finland Haparanda, Norrbotten Sweden, 1997-2008 65° 49.062' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
midnight The Tornea Estuary / Skomkarfjärd The Gulf of Bothnia West – Looking towards Sweden Röytta, Lappi Finland, 1997-2008 65° 45.323' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
midnight – freezing fog The Barents Sea – day two Nordkapp / North Cape Finnmark Norway, 2003-2008 (a three-part work) 71° 10.210' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
midnight – freezing rain The Barents Sea – day one Nordkapp / North Cape Finnmark Norway, 2003-2008 (a three-part work) 71° 10.210' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Midnight — Freezing Rain — North — The Berents Sea — day one Nordkapp / North Cape Norway 2003-2004 (part 1, The left-hand part, of a 3 part work)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Midnight, Freezing Fog, North, The Barents Sea, day three, Nordkapp/North Cape, Norway 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Midnight, high beams, 21 minutes, four friends and Jack Chaleur Bay and The Gulf of St. Lawrence Maisonette Gloucester County New Brunswick Canada North America 2013/2016

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Mikado, Lannan Foundation Santa Fe, 1999

Fred Sandback

Medium: graphite on paper

Fred SandbackDia Art Foundation
Milan, July 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
mile high ice cloud, The Greenland Sea, Nordostrundingen, Kronprins Christian Land, Greenland, Denmark, 2007-2008, The East-most point of Greenland, 81° 27.385' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperCenter for Creative Photography, University of Arizona
Mind Furniture, 1965

Charles Hinman

Medium: acrylic emulsion on shaped canvas

Charles Hinman
Ministry of Salvation, 1982

Alex McFarlane

Medium: milled graphite

Alex McFarlaneThe William Benton Museum of Art, University of Connecticut
Minuteman Guadalupe Morfín, a first-generation American citizen from California, at her post along the Border Highway near Naco, Arizona. Her father immigrated to the U.S. from México during the Bracero program. Naco, Arizona, 2005

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Minuteman patrols receive instructions on the rules of engagement at morning orientation near Palominas Trading Post before traveling to border watch stations. Palominas, Arizona, 2005

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Mirror Composition 3

Sari Dienes

Medium: mirrors, glass ball, painted wood

Sari DienesSweeney Art Gallery, University of California, Riverside
Mirror of Mazda, 1961

William Scharf

Medium: crayon, watercolor on paper

William ScharfDennos Museum Center, Northwestern Michigan College
Mitchell with Kertess Quote, 2011

Patrick McFarlin

Medium: graphite on Bristol board

Patrick McFarlin
Mixed #1

Richard Fenker

Medium: Digital photograph

Richard Fenker
Mixed Marks, Grid and Ink Blot, 2004

Pat Steir

Medium: Color water bite and spit aquatints with soft ground etching

Pat SteirUniversity of New Mexico Art Museum
Mixed Marks, Rorshach with Red Rectangle, 2004

Pat Steir

Medium: Color sugar lift and spit bite aquatints with soft ground etching and drypoint

Pat SteirUniversity of New Mexico Art Museum
Model for Fourth Bridge, 1974-1975

Siah Armajani

Medium: painted balsa wood, hinges, handle

Siah ArmajaniMuseum of Contemporary Art Chicago
Model for Gazebo for One Anarchist: Luigi Galleani, 1991

Siah Armajani

Medium: painted balsa wood

Siah ArmajaniWalker Art Center
Model for The Poetry Garden, 1991-92

Siah Armajani

Medium: various materials

Siah ArmajaniBeloit College
Monkey's Ass, 1981-1982

Mike Kelley

Medium: acrylic on sheetmetal over wood

Mike KelleyMuseum of Contemporary Art, Los Angeles
Monks Mound, Collinsville, Ill., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Monstera Deliciosa [Delicious Monster], 1979

Marc Van Der Marck

Medium: twenty one panels graphite on silver print

Marc Van Der MarckCenter for Creative Photography, University of Arizona
Moon Goloph, 1963

John Grillo

Medium: oil on canvas

John GrilloThe Isamu Noguchi Foundation and Garden Museum
Moon Landing, 1970

Willy Weber

Medium: stainless steel

Willy WeberDennos Museum Center, Northwestern Michigan College
Moon Window, 1990

Patrick Scott

Medium: Palladium leaf and tempera on unprimed canvas

Patrick Scott
Moonlight-The Mid Atlantic Ocean, Cape Manuel, Dakar The South-most Point of The Cape Verde Peninsula Senegal, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Moonrise Over “The End of the World”- Furthest West - The Mid North Atlantic Ocean “The Lighthouse at The End of The World”, Faro Orchilla The Isle of El Hierro The Canary Islands (Near the West-most point of the entire Canarian Archipelago and the

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Moonrise, Burro Mesa and the Chisos Mountains, 1999

Richard Fenker

Medium: Black and white photograph

Richard Fenker
Morpheus No. 2, 1985-1986

Kathy Muehlemann

Medium: oil on linen

Kathy MuehlemannMuseum of Contemporary Art, North Miami
Mosque of Istiqlal. Jakarta, 1996

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao SalgadoCenter for Creative Photography, University of Arizona
mosquito swarm - Canadian Shield boulder The Hudson Strait Cape de Nouvelle Peninsula d'Ungava Quebec Canada North America 2015/2018 With Oskar Strom. The Ungava Peninsula is a part of the Canadian Shield (also called the Laurentian Plateau). It is a

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Mother and Child, 1930 (text, 1938)

Isamu Noguchi

Medium: Ink on paper

Isamu NoguchiThe Isamu Noguchi Foundation and Garden Museum
Motherwell with Statement to Congress, 2011

Patrick McFarlin

Medium: graphite on clay board

Patrick McFarlin
Mound of Skulls, Utopian Landscape 5, 1988

Jim Shaw

Medium: pencil on paper

Jim ShawMuseum of Contemporary Art, Los Angeles
Mountain Isometric Section B, 1970

Will Insley

Medium: ink

Will InsleyIndianapolis Museum of Art
Mourad, French Algerian, (France), 2015 Muslim Youth Counselor Held: 2 years, 8 months, 1 day Transferred: July 26, 2005 Charges: Never filed in the U.S. Upon return to France, was charged, tried and convicted. Served another year and a half in prison.

Debi Cornwall

Medium: Chromogenic print from digital image

Debi Cornwall
Movietime, 1968

David Diao

Medium: acrylic on canvas

David DiaoUniversity of New Mexico Art Museum
Mrienda Nudista

Carmelo Gonzales

Medium: woodcut

Carmelo GonzalesGodwin-Ternbach Museum, Queens College, City University of New York
Mujer en la Luna, 1962

Gaston Orellana

Medium: gouache and colored chalks on paper

Gaston OrellanaGodwin-Ternbach Museum, Queens College, City University of New York
Mumified Tree, 1983

Carl Apfelschnitt

Medium: white gold and lime on birch tree

Carl ApfelschnittUniversity of New Mexico Art Museum
Mund [Mouth], 1963

Gerhard Richter

Medium: oil on canvas

Gerhard RichterThe Art Institute of Chicago
Muottas Muragi, July 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Mutation 575, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 587, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 591, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 593, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 595, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 599, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 703, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 705, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mutation 707, 2011

Pard Morrison

Medium: Enamel on acrylic

Pard Morrison
Mystery

Cheung Yee

Medium: aluminum on wood

Cheung YeeCarnegie Museum of Art
Mystique, 1957

Orville Bulman

Medium: oil on masonite

Orville Bulman
Mythic Stone stream smoothed Tribal purification site Message to E.S. Curtis Yurok Tribal Territory Humboldt County California U.S.A. North America 1983/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Mythology, 1977

Farrell Brickhouse

Medium: three panels, oil on wood

Farrell BrickhouseThe William Benton Museum of Art, University of Connecticut
N for Nigger Z for Zorro, 1979

Chris Burden

Medium: colored felt-tip pens, wire and paper collage on paper

Chris BurdenMuseum of Contemporary Art, Los Angeles
Nadine Gordimer, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Nail Finger, 1974

Scott Miller

Medium: collage, paint on canvas

Scott MillerMuseum of Sex
Nana

Niki de Saint Phalle

Medium: acrylic on plaster

Niki de Saint PhalleNew Mexico Museum of Art
Naomi Klein, Cultural Freedom, 12 December 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
Naomi Shihab Nye, Readings and Conversations Author, 2000

Don Usner

Medium: Black and white photograph

Don Usner
Napoleon Standing Next to Chair, 1970

Larry Rivers

Medium: patent leather, felt, plastic, wool and spray paint on canvas

Larry RiversUniversity of Michigan Museum of Art
National Day of Action for Immigrants’ Rights rally. Phoenix, Arizona, 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
National Memorial Cemetery of the Pacific, Honolulu, HI, 2013

Jay Turner Frey Seawell

Medium: Archival pigment print

Jay Turner Frey Seawell
Natural Occurrences Transformed into Miraculous Events

Sidney Delevante

Medium: oil, goldleaf, gesso on wood

Sidney DelevanteDennos Museum Center, Northwestern Michigan College
Navidad a La Astrea, 1962

Mario Yrissary

Medium: oil and paper collage on canvasboard

Mario Yrissary
Near the Dead Piñon Where Birds Gather in Autumn (I), 2008

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Near the Dead Piñon Where Birds Gather in Autumn (II), 2008

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Near the Dead Piñon Where Birds Gather in Autumn (III), 2008

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar BanerjeeMuseum of Contemporary Photography, Columbia College Chicago
Near the East-most Point -- Dublin Bay and The Irish Sea 40’ - Men Sandy Cove, Dún Laoghaire Dublin Ireland, 2002-2003 [Irish Sea] (This was James Joyce's favorite bathing place in Ireland)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
NEF, 1981

Gordon Moore

Medium: acrylic, oil, wood on canvas

Gordon MooreSweeney Art Gallery, University of California, Riverside
Neun Objekte [Nine Objects], 1968 (B.20)

Gerhard Richter

Medium: signed and dated in pencil

Gerhard RichterThe Art Institute of Chicago
New Hoover Celebrity III, 1980

Jeff Koons

Medium: vacuum cleaner, Plexiglas tubes, flourescent lights

Jeff KoonsMuseum of Contemporary Art, Los Angeles
New Standard (white), 2012

Tom Miller

Medium: Acrylic on paper

Tom Miller
New York City, 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
New York City, 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
New York City, 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
New York City, May 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Nicholson Baker, Readings & Conversations, 19 January 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
Night Mosaic

Henry Botkin

Medium: oil on panel

Henry BotkinCarnegie Museum of Art
Night Sherbet, 1969

Lynda Benglis

Medium: polyurethane foam

Lynda BenglisMuseum of Contemporary Art, Los Angeles
Night Sky 4, 1992

Vija Celmins

Medium: oil on canvas mounted on panel

Vija CelminsMuseum of Contemporary Art, Los Angeles
Night Split, 1980

Jerry Brane

Medium: oil on canvas

Jerry BraneOakland Museum of California
Night, 1936-1938

Robert Schuppner

Medium: oil on paper

Robert SchuppnerCarnegie Museum of Art
No Li me Tangere, 1966

Steve Vasey

Medium: acrylic on canvas

Steve Vasey
No More Utopias, circa 1980

Donald Harvey

Medium: wood, black and white photograph on acrylic covered foam board, chalk, light fixture, wax house

Donald Harvey
No title (snowman), 1987

Robert Therrien

Medium: Cast bronze

Robert Therrien
No, 1991

Charles Ray

Medium: color photograph in artist's frame

Charles RayMuseum of Contemporary Art, Los Angeles
No. 172 Décembre 2003 - Janvier, 2004

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneParrish Art Museum
No. 283, Février-Mars, 2004

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneMuseum of Fine Art Houston (MFAH)
No. 290, février -mars 2005

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneLos Angeles County Museum of Art (LACMA)
No. 322, Avril-Mai, 2005

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneThe Art Institute of Chicago
No. 349, Novembre-Décembre, 2005

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneSmithsonian American Art Museum (SAAM)
No. 351, Novembre-Décembre, 2005

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneSmithsonian American Art Museum (SAAM)
No. 354, Novembre-Décembre, 2005

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneSmithsonian American Art Museum (SAAM)
No. 357, Décembre 2005-Janvier 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneThe Art Institute of Chicago
No. 358, Décembre 2005-Janvier 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneThe Art Institute of Chicago
No. 360, Janvier-Février, 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneParrish Art Museum
No. 362, Janvier-Mars, 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneSmithsonian American Art Museum (SAAM)
No. 365, Février - Mars 2006, 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneParrish Art Museum
No. 37 - 38, Aout, 1982/1997

Jean-Luc Mylayne

Medium: Two color photographs mounted back to back on aluminum under Plexiglas encased in a freestanding wooden frame

Jean-Luc MylayneUniversity of New Mexico Art Museum
No. 374, mars-avril, 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneNational Gallery of Art
No. 376, Avril-Mai, 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneMuseum of Fine Art Houston (MFAH)
No. 40, 1971

Jose Sierra

Medium: ink wash on paper

Jose SierraGodwin-Ternbach Museum, Queens College, City University of New York
No. 400, avril-mai, 2006

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneLos Angeles County Museum of Art (LACMA)
No. 413, décembre 2006- février 2007, part one of a four part piece

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneLos Angeles County Museum of Art (LACMA)
No. 414, décembre 2006- février 2007, part two of a four part piece

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneLos Angeles County Museum of Art (LACMA)
No. 415, décembre 2006- février 2007 , part three of a four part piece

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneLos Angeles County Museum of Art (LACMA)
No. 416, , décembre 2006- février 2007, part four of a four part piece

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneLos Angeles County Museum of Art (LACMA)
No. 51 Juillet - Août , 1980

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneParrish Art Museum
No. 86 Mai Juin Juillet, 1981

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneThe Art Institute of Chicago
No. B4 Novembre- Décembre 2000, - Janvier, 2001

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneMuseum of Fine Art Houston (MFAH)
No. B7 novembre-décembre 2000, Janvier 2001

Jean-Luc Mylayne

Medium: Chromogenic print

Jean-Luc MylayneThe Art Institute of Chicago
No. PO-65, Face to Face, avril mai 2001

Jean-Luc Mylayne

Medium: Chromogenic transparency print mounted between Altuglass

Jean-Luc MylayneUniversity of New Mexico Art Museum
Noam Chomsky, Readings & Conversations, 26 January 2005

Don Usner

Medium: Archival pigment print on paper

Don Usner
Nocturne, 1956

Antonio Bandeira

Medium: oil on canvas

Antonio BandeiraGodwin-Ternbach Museum, Queens College, City University of New York
North of 80° - Looking Towards Furthest North, Europe - The North Polar Sea, Nordkapp/North Cape, Chermsideøya/Cermside Island, The Svalbard Archipelago, Svalbard, Norway, 2004, The North-most point of all Europe

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
North! The First Landing Site The North Atlantic Ocean Afternoon drifting fog- The Spring Equinoxal Ice flow L’Anse aux Meadows L’Anse aux Meadows Natural Historic Site The Northern Peninsula The North most point of the Isle of Newfoundland - and the site

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
North, 2006

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
North, East, South, West, 1967/2002

Michael Heizer

Medium: Cor-ten steel

Michael HeizerDia Art Foundation
North-most point--The North Atlantic Ocean Malin Head, No. 3 County Donegal Ireland, 1992-2003 (The North-most point of Ireland) [Malin]

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Notations on Gazebos (W), 1991

Siah Armajani

Medium: painted balsa wood, on cardboard

Siah ArmajaniWalker Art Center
Notations on Gazebos (X), 1991

Siah Armajani

Medium: painted balsa wood, on cardboard

Siah ArmajaniWalker Art Center
NOV. 20, 1969

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
November 2005, 2012

Renate Aller

Medium: Archival pigment print photograph

Renate Aller
NSA-Tapped Fiber Optic Cable Landing Site, Morro Bay, California, United States, 2015

Trevor Paglen

Medium: C-Print

Trevor Paglen
NSA-Tapped Fiber Optic Cable Landing Site, Morro Bay, California, United States, 2015 (Map Image)

Trevor Paglen

Medium: Mixed media and navigational chart

Trevor Paglen
Nude on Divan, 1948

Paul Delvaux

Medium: ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Nude on Red Rug, 1961

Milton Avery

Medium: oil on canvas board

Milton AveryNew Mexico Museum of Art
Nude, 1953

Joseph Glasco

Medium: ink, oil on paper

Joseph GlascoBlanton Museum of Art, University of Texas, Austin
Nude, 1956

Milton Avery

Medium: felt tip pen on paper

Milton AveryUniversity of Michigan Museum of Art
Nude, 1958

Gandy Brodie

Medium: oil on canvas

Gandy BrodieUniversity of New Mexico Art Museum
Nude, 1960

T. Verries

Medium: ink monotype on paper

T. VerriesMuseum of Sex
Nude, 1961

John Frank

Medium: felt pen on paper

John Frank
Number 14, 1977-78

John M. Miller

Medium: magna, graphite on canvas

John M. MillerMuseum of Contemporary Art, Los Angeles
Number 17, 1978

John M. Miller

Medium: magna, graphite on canvas

John M. MillerMuseum of Contemporary Art, Los Angeles
Number 18, 1978

John M. Miller

Medium: magna, graphite on canvas

John M. MillerMuseum of Contemporary Art, Los Angeles
Number 62, 1987

John M. Miller

Medium: magna, graphite on canvas

John M. MillerCarnegie Museum of Art
Number 67, 1987, 1987

John M. Miller

Medium: magna, graphite on canvas

John M. MillerMuseum of Contemporary Art San Diego
Number 77, 1988

John M. Miller

Medium: magna, graphite on canvas

John M. MillerSan Francisco Museum of Modern Art
Number 81, 1989

John M. Miller

Medium: magna, graphite on canvas

John M. MillerMuseum of Contemporary Art San Diego
Ocotillo Wall, Ejido, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
OCT.13,1973

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
Octagonal Based Table, 1981

Wendell Castle

Medium: Birdseye maple, Gabon ebony inlay

Wendell CastleSpencer Museum of Art, University of Kansas
October 2009, 2012 (Diptych part one)

Renate Aller

Medium: Archival pigment print photograph

Renate AllerCenter for Creative Photography, University of Arizona
October 2009, 2012 (Diptych part two)

Renate Aller

Medium: Archival pigment print photograph

Renate AllerCenter for Creative Photography, University of Arizona
Ofelia Zepeda, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
Off the Coast, 1969

Ronnie Landfield

Medium: acrylic on canvas

Ronnie LandfieldUniversity of New Mexico Art Museum
Offload, LCACs and Tank, California, 2006 From Events Ashore

An-My Lê

Medium: Archival inkjet print mounted on Dibond

An-My Lê
oh! my goodness (no no), 1977

Jim Nutt

Medium: etching on paper

Jim NuttCarnegie Museum of Art
Old Man-New Times, Kabul, Afghanistan, 2003

Tony O'Brien

Medium: Gelatin silver print

Tony O'BrienOklahoma City Museum of Art
Oliver Sacks, Readings & Conversations Author, 2007

Don Usner

Medium: Black and white photograph

Don Usner
On the Frozen Rimtop of Horseshoe Falls - Looking into the Frozen Niagara Falls Basin and the Niagara River Niagara Falls Ontario Canada North America March 2015/2017 Only the fifth time in the last 125 years that Niagara Falls has frozen, with

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
On TV, 1978

Kim MacConnel

Medium: acrylic on silk damask, gauze and cotton fabric

Kim MacConnelWhitney Museum of American Art
One Admission Free, 1982

E'wao Kagoshima

Medium: oil on canvas

E'wao KagoshimaAsian American Arts Centre
One For You, 2007

Evri Kwong

Medium: Dry point with rainbow rollup on Rivers BFK paper

Evri KwongMuseum of Fine Art Houston (MFAH)
Onnagatta Sees Monkey, 1982

Stephen Mueller

Medium: acrylic and raw pigment on canvas

Stephen MuellerPortland Art Museum
Open Center Rising

Alan Saret

Medium: copper wire

Alan SaretUniversity of Michigan Museum of Art
Open Door, El Nido, Chihuahua, 2008

Michael P. Berman

Medium: Carbon pigment ink on etching paper

Michael P. BermanNorth Dakota Museum of Art, University of North Dakota
Open Lying Box, Same Deep Purple, 1999

Kate Shepherd

Medium: Graphite transfer on screen print

Kate ShepherdSheldon Art Association
Open No. 80, 2010

Patrick McFarlin

Medium: oil on Bristol board

Patrick McFarlin
Open Valley, 1956

Paul Jenkins

Medium: oil on canvas

Paul JenkinsButler Institute of American Art
Optimum 350 (tent)

Bill Moss

Medium: white canvas, 17 metal poles

Bill Moss
Oración, 2005

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Orange #3

Richard Fenker

Medium: Digital photograph

Richard Fenker
Ordinary Smallage

Steven Sorman

Medium: paper collage on okawara paper

Steven SormanUniversity of Michigan Museum of Art
Original Crater Contours in Pale Grey, 1992

James Turrell

Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel

James TurrellMuseum of Fine Art Houston (MFAH)
Original Crater Contours in White, 1992

James Turrell

Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel

James TurrellNational Gallery of Art
Osiris

Egyptian Unknown

Medium: wood, Ptolemaic period, 304-30 B.C.

Egyptian UnknownCarnegie Museum of Art
Oslofiorden West – Looking towards Norway Near Revholmen, Vesteroy Norway, 1997-2008 58° 59.319' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Overheard: The Conversation, 1991

Ellen Phelan

Medium: oil on linen

Ellen PhelanSan Francisco Museum of Modern Art
Owl

Unknown

Medium: serpentine, carved

UnknownThe Salvation Army
Packed vans arrive at the border town of Sásabe from Altar, Sonora. Estimates of the number of people crossing through the area vary from 1000 to 3000 daily, depending on the season. Sásabe, Sonora, 2003

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Page Book of Heads, 19481

E'wao Kagoshima

Medium: Mixed media on wood

E'wao KagoshimaAsian American Arts Centre
Painting Four

Tom Holste

Medium: cast Rhoplex mounted on plywood

Tom HolsteOakland Museum of California
Paisaje, 1969

Isabel Quintanilla

Medium: graphite on paper

Isabel QuintanillaGodwin-Ternbach Museum, Queens College, City University of New York
Pale Over Rich Orange, Arched Transparent Standing Box, 1999

Kate Shepherd

Medium: Graphite transfer on screen print

Kate ShepherdMuseum of Fine Art Houston (MFAH)
Pale Screens 2 (singles 5 & 6), 2015

Per Kesselmar

Medium: Oil on Steel

Per Kesselmar
Pale Screens 2 (singles 5 & 6), 2015

Per Kesselmar

Medium: Oil on Steel

Per Kesselmar
Palm Trees, 1988

John Baldessari

Medium: black and white photographs

John BaldessariMuseum of Contemporary Art, North Miami
Pantille, 1964

Mario Yrissary

Medium: Oil on canvas

Mario Yrissary
Parade Wagon, 1966

Walter Bengtsson

Medium: silver and enamel

Walter Bengtsson
Park Place Position, 1962

Marty Greenbaum

Medium: Book: crayon, watercolor, thread, decals, Scotch tape, paper

Marty GreenbaumSchool of the Art Institute of Chicago
Partita, 1959

George McNeil

Medium: oil on canvas

George McNeilButler Institute of American Art
Pascua, 2013

Renate Aller

Medium: Vintage handbound book in a custom box

Renate AllerCenter for Creative Photography, University of Arizona
Paseo de los Vientos and Paseo du Vent /The Windward Passage Punta Maisi, Maisi, Guantanamo, Cuba, 2007/2014 The East-most point of Cuba

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Passe a la Normandie and the North Atlantic Ocean Cap a Gordon Ile aux Marins/ The Isle of the Mariners Ile St. Pierre The Territorial Collective of St. Pierre and Miquelon France, 2011/2015 North America (The last picture I was able to make after my

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
Pastoral, 1978

Rodney Ripps

Medium: oil, wax, wood, cloth

Rodney RippsUniversity of New Mexico Art Museum
Path 95, 1995

Iain Stewart

Medium: Chromogenic print

Iain Stewart
Patrick Lannan and Cornell West, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Patterns Red Swirl, 1965

Wendy Vanderbilt

Medium: acrylic on canvas

Wendy VanderbiltDennos Museum Center, Northwestern Michigan College
Paula Flores, mother of 17-year-old Sagrario González who was murdered in April 1998. On February 18, 2005, state police arrested José Luis Hernández Flores, a friend of Sagrario’s brother, and charged him with homicide. Hernández told the police that he

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Paysage, 1982

Robert Cahay

Medium: cast bronze

Robert Cahay
Peace (from Devil Drawings), 1982

Chris Burden

Medium: black and white photographs, Polaroids red cellophane, newspaper and cigarette wrapper on paper

Chris BurdenMuseum of Contemporary Art, Los Angeles
Pegasus at the Circus, 1974

Michael McClard

Medium: rhoplex, knit nylon, tempera painted plaster

Michael McClardObject not located in 1997
Perfect Happiness (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Perseus Slaying Medusa/Nubia Mythological Series 8, 1979

Milo Reice

Medium: gouache on cardboard sections

Milo ReiceCarnegie Museum of Art
Personal Salvation (Enlightenment 5), 1986

Celia Munoz

Medium: colored photographs, paper

Celia MunozNew Mexico Museum of Art
Perspective Study, 1986

Tom Otterness

Medium: graphite and color crayon on paper

Tom OtternessWhitney Museum of American Art
Peter Matthiessen, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Phalanx, 1987

Margaret Honda

Medium: barbed wire

Margaret HondaMuseum of Contemporary Art, Los Angeles
Pheasant Hunt (After Kessel), c. 2008

David Marshall

Medium: Graphite, ink, and collage on plexi-glass

David Marshall
Phoenix I, 1982

E'wao Kagoshima

Medium: acrylic, sumi ink, goldleaf on paper

E'wao KagoshimaAsian American Arts Centre
Phototransformation (10/25/73), 1973

Lucas Samaras

Medium: SX 70 Polaroid

Lucas SamarasThe Art Institute of Chicago
Phototransformation (4/4/76), 1976

Lucas Samaras

Medium: SX 70 Polaroid

Lucas SamarasThe Art Institute of Chicago
Phototransformation (7/31/76), 1976

Lucas Samaras

Medium: SX 70 Polaroid

Lucas SamarasThe Art Institute of Chicago
Pick, Bottle and Alcohol, 1979

Chris Burden

Medium: mixed media

Chris BurdenMuseum of Contemporary Art Chicago
Picnic, 1969

Robert Goodnough

Medium: oil on wood

Robert GoodnoughSpringfield Museum of Art
Pier Series I, 1959

Robert Irwin

Medium: oil on canvas

Robert IrwinMuseum of Contemporary Art, Los Angeles
Pink Blouse, 1961

Milton Avery

Medium: oil on canvas board

Milton AveryNew Mexico Museum of Art
Pink Cat

Piero Aversa

Medium: pastel on paper

Piero AversaHouse of Hope
Pink Torso, 1982

Luis Frangella

Medium: vinyl paint on vinyl

Luis FrangellaBlanton Museum of Art, University of Texas, Austin
Pink Yellow Blue, circa 1967

David Novros

Medium: acrylic on canvas

David NovrosMuseum of Contemporary Art, Los Angeles
Pink, 1972

Tom Wudl

Medium: acrylic, gold leaf on perforated newspaper

Tom WudlOakland Museum of California
Pitasch, November 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Plain of Jars, Utopian, Landscape 2, 1988

Jim Shaw

Medium: pencil on paper

Jim ShawMuseum of Contemporary Art, Los Angeles
Plank Piece, 1973, 1989

Charles Ray

Medium: two black and white photographs, mounted on rag board

Charles RayMuseum of Contemporary Art, Los Angeles
Plates (14), 1978

Peter Voulkos

Medium: fourteen glazed ceramic plates

Peter VoulkosNew Mexico Museum of Art
Plowing and Sowing, 1979

Jerry Brane

Medium: acrylic, collage on canvas

Jerry BraneOakland Museum of California
Plymouth Bay Standing above Plymouth Rock looking out to sea Plymouth Rock Beach Plymouth Plymouth County Massachusetts U.S.A., 2000/2015 - part 2 of a 2 part work North America The Pilgrims first migrated from Plymouth, England to here, via Provincetown,

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua CooperNational Library and Galleries of Scotland
PoÍme d’Amour, 1991

Nicolas Africano

Medium: oil and wax on canvas - unframed

Nicolas AfricanoMuseum of Contemporary Art San Diego
Point - Point Counterpoint, 1987-1988

Jake Berthot

Medium: oil on linen in artist's frame

Jake BerthotRose Art Museum, Brandeis University
point of no return, The North Atlantic Ocean, Nunap Isua / Kap Farvel / Cape Farewell, Kong Frederik IX Land, Greenland, Denmark, 2008,The South-most point of Greenland, 59° 46.881' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
point of no return, The North Atlantic Ocean, Nunap Isua / Kap Farvel / Cape Farewell,Kong Frederik IX Land, Greenland, Denmark, 2008, The South-most point of Greenland, 59° 46.881' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Polar Bear shelter - late afternoon Fisher Strait at Evans Strait Cape Pembroke Coats Island Nunavut Canada North America 2013/2018 The last inhabitant.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Polaris Over Lake Mead, Mar 14, 1997 11:56PM 4:15 AM

Richard Misrach

Medium: chromogenic dye coupler print

Richard MisrachNational Gallery of Art
Pole-walkin, 2014

M. Oliver

Medium: Mixed media

M. Oliver
Pool and Palms, Gila Bend, Arizona, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Porcelain Corner, 2004

Susan York

Medium: Porcelain, aluminum

Susan YorkMuseum of Fine Art Houston (MFAH)
Porno

Gastone Novelli

Medium: plastic filaments, pencil, glue, rubber band on paper

Gastone NovelliUniversity of New Mexico Art Museum
Port Charcot Booth Island Graham Land Antarctica, 2008 65°14.1' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Porta (Door), 1980

Mimmo Paladino

Medium: papier m‚che, pigment, acrylic paint on canvas

Mimmo Paladino
Portfolio Cover Sheet (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
Porto das Eiras (The North-most point of The Island) The Isle of Porto Santo The Madeiran Archipelago Portugal, 2002 This island was Christopher Columbus' home-base of preference during The great sea-faring Era of Exploration.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Portrait of a Young Woman in a Fur Robe After Rubens, 1982

Dianne Blell

Medium: cibachrome photograph with artist's frame

Dianne BlellCenter for Creative Photography, University of Arizona
Portrait of Carl Sandburg, 1953

William Smith

Medium: Lithograph, stone

William SmithUniversity of Illinois Rare Book & Manuscript Library
Portrait of Dorian Gray, 1989

Buzz Spector

Medium: Altered book with ink

Buzz SpectorNational Gallery of Art
Portrait of Franz Joseph, 1962

John Wesley

Medium: enamel on canvas

John WesleyMuseum of Contemporary Art, Los Angeles
Portrait of Jamie Ostos

Unknown

Medium: photograph

UnknownObject not located in 1997
Portrait of the Artist and His Mother, 1987

John Boskovich

Medium: gelatin silver prints, gouache on paper, oil on canvas and brass plaque in artist's frame

John BoskovichMuseum of Contemporary Art San Diego
Portrait the Famille, 1962

Louis Pons

Medium: ink on paper

Louis PonsCarnegie Museum of Art
Positive Site Plan I, 1992

James Turrell

Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel

James TurrellMuseum of Fine Art Houston (MFAH)
Postcard Untitled, 1959

Wallace Berman

Medium: photo montage and stamps on postcard

Wallace BermanWhitney Museum of American Art
Practice Inverts Theory, 1988

Mitchell Syrop

Medium: oil on black and white photomural

Mitchell SyropMuseum of Contemporary Art San Diego
Prayer Rug with Arrow to Mecca, Camp Echo, 2015 From the series "Gitmo at Home, Gitmo at Play", Welcome to Camp America Project

Debi Cornwall

Medium: Chromogenic print from medium-format negative, hand developed on site under watch of military censors

Debi Cornwall
Prayers of Steel

Carl Sandburg

Medium: Ink on paper, matted

Carl SandburgUniversity of Illinois Rare Book & Manuscript Library
Pre-Historic Mound, Dis. 1772. Moundsville, W. Va., 2000

Miles Coolidge

Medium: Offset lithograph mounted on aluminum

Miles Coolidge
Predator's View, Sierra Pinacate, Sonora, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Pregnant Lady on Beach

Hana Geber

Medium: silver

Hana GeberCarnegie Museum of Art
Prehistoric Mound at Marietta, O., 2000

Miles Coolidge

Medium: Gelatin silver print mounted on aluminum

Miles CoolidgeMuseum of Contemporary Photography, Columbia College Chicago
Primal Light Yantra, 1969

Barbara Schenk

Medium: watercolor, pencil on paper

Barbara Schenk
Primitive Lady, 1976

George McNeil

Medium: oil on canvas

George McNeilUniversity of New Mexico Art Museum
Prins Christian Sund The North Atlantic Ocean The Irminger Sea The Eastern Entry Kong Frederik IX Land Greenland, Denmark, 2007-2008 60° 05.630' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Prison Dream, 1965

Mark Disuvero

Medium: stainless steel

Mark DisuveroMuseum of Contemporary Art, Los Angeles
Prix Fixe, 1981

E'wao Kagoshima

Medium: oil, hair, wood on canvas

E'wao KagoshimaAsian American Arts Centre
Profil de Femme, 1905

Pablo Picasso

Medium: graphite on paper

Pablo PicassoUniversity of Michigan Museum of Art
Project for a New Escutcheon, 1968

Willy Weber

Medium: chrome plated steel

Willy WeberDennos Museum Center, Northwestern Michigan College
Project, 1986

Greg Colson

Medium: oil, pencil on wood with metal

Greg ColsonMuseum of Contemporary Art San Diego
Prometheus, 1959

Richard Lytle

Medium: oil on canvas

Richard LytleUniversity of New Mexico Art Museum
Proofs with Notes for the Series: Drowned Trees along the Mississippi From source to sea Continuing observations on an American history of place, 2010/2014

Thomas Joshua Cooper

Thomas Joshua Cooper
Prophet, 1942

Henry Botkin

Medium: oil on canvas, mounted on board

Henry BotkinCarnegie Museum of Art
Provincetown Drawing 1962 #9, 1962

Edward Corbett

Medium: craypas on paper

Edward CorbettFarnsworth Art Museum
Provincetown Harbor Provincetown Cape Cod National Seashore Provincetown County Massachusetts U.S.A., 2000/2015 North America The site of the Pilgrim Fathers’ first landing in the New World on 9 November 1620. They sailed on the 6th September 1680 on the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
Provincetown Harbour and Cape Cod Bay Long Point Cape Cod National Seashore Provincetown County Massachusetts U.S.A. 2000/2015 North America The end point of the Hook of Cape Cod.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
Pullen, 1967 (grey book)

James Turrell

Medium: Light projection GREY BOOK

James TurrellUniversity of New Mexico Art Museum
Putting Pilly to Sleep, 2006

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri KwongUniversity of New Mexico Art Museum
Quai de Bercy (M. 93), 1954

Marc Chagall

Medium: Lithograph on canvas

Marc ChagallBlanton Museum of Art, University of Texas, Austin
Quarter Moon

Clark Murry

Medium: painted, waxed and welded steel

Clark Murry
Queen Jane, 1966

Edwin Ruda

Medium: acrylic on shaped canvas

Edwin Ruda
Queen Victoria Chair, 1977

Robert Wilson

Medium: wood, lead, brass, electric lights

Robert WilsonPhiladelphia Museum of Art
Queen Victoria Chair, 1977

Robert Wilson

Medium: wood, lead, brass, electric lights

Robert WilsonPhiladelphia Museum of Art
Quick, 1980

Henry Chalfant

Medium: color photograph

Henry ChalfantCenter for Creative Photography, University of Arizona
Quincey Troupe, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
R-35, circa 1962

Salvatore Sirugo

Medium: paint on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
R.N., 1980

Paul Knotter

Medium: acrylic on canvas with rubber, wood and photograph attached

Paul KnotterOakland Museum of California
Radar N.3, 1962

Arnaldo Pomodoro

Medium: bronze

Arnaldo PomodoroIndianapolis Art Center
Rain Shadow, The Beagle Canal. Punta Davison. Isla Grande Tierra del Fuego. Tierra del Fuego, Argentina, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Rancho Uno Grasslands. Janos, Chihuahua, 2007

Michael P. Berman

Medium: Carbon pigment ink on etching paper

Michael P. BermanCenter for Creative Photography, University of Arizona
Ratbastard 1, 1958

Bruce Conner

Medium: mixed media

Bruce ConnerWalker Art Center
Ratbastard 2, 1958

Bruce Conner

Medium: mixed media

Bruce ConnerWalker Art Center
Reaper Drone (Indian Springs, NV; Distance-2 miles)

Trevor Paglen

Medium: chromogenic print

Trevor PaglenMuseum of Fine Art Houston (MFAH)
Reaper in the Sun

Trevor Paglen

Medium: chromogenic print

Trevor Paglen
Reciprocal Relation III, IV, 1969

Alfred Jensen

Medium: oil on two attached canvases

Alfred JensenMuseum of Contemporary Art, Los Angeles
Reciprocal Relation, Per I, II, 1969

Alfred Jensen

Medium: two attached canvases oil on canvas

Alfred JensenThe Art Institute of Chicago
Reclining Nude

Paul Delvaux

Medium: pen and ink on paper mounted on board

Paul DelvauxUniversity of Michigan Museum of Art
Recurrent Violet, 1977

Robin Tichane

Medium: watercolor, ink and gouache on paper

Robin TichaneRose Art Museum, Brandeis University
Red Bar Blues, 1979

Jack Chevalier

Medium: Balsa wood, oil on paper

Jack ChevalierTacoma Art Museum
Red Fisherman, 1950

Milton Avery

Medium: Gouache and graphite on paper

Milton AverySheldon Art Association
Red Half, 1981

Mira Schor

Medium: gouache, pastel on rice paper

Mira SchorCarnegie Museum of Art
Red Hills, 1953

Milton Avery

Medium: oil on canvas board

Milton AveryMuseum of Contemporary Art Chicago
Red Landscape XXXV, 1975, 1975

Roman Artymowski

Medium: watercolor, collage on paper

Roman ArtymowskiObject not located in 1997
Red Passion, 1977

Bill Jensen

Medium: gouache and pastel on paper

Bill JensenUniversity of Michigan Museum of Art
Red Peanut, 1980

John Ahearn

Medium: acrylic on cast plaster

John AhearnThe Art Institute of Chicago
Red Project, 1986

Greg Colson

Medium: oil, pencil on tile

Greg ColsonMuseum of Contemporary Art San Diego
Red Rock, 1990

Jim Shaw

Medium: pencil on paper

Jim ShawMuseum of Contemporary Art, Los Angeles
Red Wing, 1965

Leo Valledor

Medium: acrylic on shaped canvas

Leo ValledorOakland Museum of California
Red, 1962

Kenneth Price

Medium: painted stoneware, wood

Kenneth PriceMuseum of Contemporary Art, Los Angeles
Red, Yellow, Orange

Unknown

Medium: acrylic, wood, canvas

Unknown
Red/Dark Red Cross, 2014

Glen Hanson

Medium: Glass beads on brain-tanned deer hide

Glen Hanson
refuge, The Bransfield Strait, Neptune’s Window at the crater wall edge, Deception Island, The South Shetland Islands, (United Kingdom), Antarctica, 2008, 62° 59 S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Refugees from the Bosnian enclave of Bihac squat the destroyed houses of Turanj. Krajina, Croatian territory occupied by the Serbs, 1994

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao Salgado
Relicario #1, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #100, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #102, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #104, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #106, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #111, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #112, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #116, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #117, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #119, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #12, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #120, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #122, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #125, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #13, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #131, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #134, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #136, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #138, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #14, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #140, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #142, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #146, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #148, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #150, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #159, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #16, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #165, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #28, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #31, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #41, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #45, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #46, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #47, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #50, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #51, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #52, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #54, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #55, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #59, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #6, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #60, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #62, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #7, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #72, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #74, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #75, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #76, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #82, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #85, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #87, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #88, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #90, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario #98, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicario, #8, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relicarios #123, 2011

Erika Diettes

Medium: Mixed media with objects embedded in rubber tripolymer encased in lighted Plexiglas urn

Erika DiettesMuseo de las Americas
Relics from Two Vatican Performances, 1992

Jeffrey Vallance

Medium: espresso coffee on Italian silk, paper document

Jeffrey VallanceMuseum of Contemporary Art, Los Angeles
Remainders: Novel, Sculpture, Film, 1991

Allen Ruppersberg

Medium: 128 bound books with jackets, five cardboard cartons, wood table, signed paper bookmark

Allen RuppersbergThe Art Institute of Chicago
Remembering Edward Western at Point Lobos Looking towards Thunder Cape Perry’s Bay Lake Superior The Sea Lion Sleeping Giant Provincial Park Thunder Bay Regional Province Ontario Canada North America 2010/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Remembering my Father’s tribal grandparents - The Little blue - Near Big Cabin Creek and The Nesho River The Cherokee Nation Mays County Oklahoma U.S.A. North America 2003/2017 Remembering my great grandparents ‘Coon’ Conrad Horace Cooper (1853-1896) and

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Remembering My Father’s Tribal Grandparents, On the Little Blue, Southwest of the Unita Homestead, The Cherokee Nation, Mayes County, Oklahoma, U.S.A., 2003/2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Remembering Paul Strand The Mouth of the St. Lawrence River (1) Cap-des-Rosiers The Gaspé Peninsula Quebec Canada North America 2013/2016 The historic South Boundary point of the Mouth of the St. Lawrence River, set in the 18th century.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Remembering the Old Man Three Texas Waves - Echoing Wave The Gulf of Mexico South Padre Island Cameron County Texas U.S.A. North America 2009/2017 With David Jeffery Cooper Part 3 of a 3 part work The Southmost point of the island, and the Southeast most

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Reminiscence of Suzie, 1957

Richard Stankiewicz

Medium: iron, steel

Richard StankiewiczHirshhorn Museum and Sculpture Garden
Reptiles and Prey, 1986

Tom Otterness

Medium: ink, watercolor and graphite on paper

Tom OtternessWhitney Museum of American Art
Reshaped Crater in White, 1992

James Turrell

Medium: mylar, beeswax, emulsion, ink, liquitex, wax pastel

James Turrell
Restoration Piece 1, 1975

Italo Scanga

Medium: plaster, wood, glass, acrylic, bone

Italo ScangaMuseum of Contemporary Art San Diego
Resurrection on Bedrock Beach, 1982

Kenny Scharf

Medium: acrylic on Datsun hood

Kenny ScharfMuseum of Contemporary Art San Diego
Riaz

Martin Chirino

Medium: painted iron

Martin Chirino
Ride’m Cowboy, 2006

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
Ridge, Sierra del Rosario, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanCenter for Creative Photography, University of Arizona
Rikki Ducornet, Readings & Conversations Author, 2005

Don Usner

Medium: Black and white photograph

Don Usner
rising freezing fog, The Arctic Ocean, sea ice, Sestrugi and Melt Lakes, The North Pole, 2007-2008, 90º N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Rita Dove, Readings & Conversations Author, 2003

Don Usner

Medium: Black and white photograph

Don Usner
Rita Dove, Readings & Conversations, 5 November 2003

Don Usner

Medium: Archival pigment print on paper

Don Usner
Rivaz, October 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Roanoke Sound, Roanoke Island, Dare County, North Carolina, USA 2009/2014 The “lost colony’ site on Roanoke Island (1583-1606)

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Robert Hass, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Robert, Baton Rouge River Shelter, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
Rockfish

Kimire Newcomb

Medium: glass

Kimire Newcomb
Roden Crater Shaping (Model), 1976

James Turrell

Medium: Masonite

James TurrellUniversity of New Mexico Art Museum
Rodeo, 1971

Brice Marden

Medium: oil and wax on canvas

Brice MardenThe Art Institute of Chicago
rolling freezing fog, The Arctic Ocean, sea ice, sestrugi and melt lakes, The North Pole, 2007-2008, 90º N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Romanzof Mountains, 2002 From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Ultrachrome Print

Subhankar Banerjee
Rome, April 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Ross Welcome Sound at Frozen Strait Cape Frigid an unnamed island Nunavut Canada North America 2013/2016 The Northmost point of the north most major island in Hudson Bay.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Rotating Circle, 1988

Charles Ray

Medium: electric motor

Charles RayMuseum of Contemporary Art, Los Angeles
Rote Felsen [Red Cliffs], 1966-69

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
Rubble, Sierra Pinacate, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Russian Haystacks, 1971

Henry Orlik

Medium: acrylic on canvas

Henry OrlikHouse of Hope
Rwandan refugee camp of Benako, Tanzania, 1994

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao SalgadoMuseum of Fine Art Houston (MFAH)
Sade

Robert Hammond

Medium: oil on canvas

Robert Hammond
safe harbour Ardley Cove King George Island The South Shetland Islands, United Kingdom Antarctica, 2008 62° 12.1’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Saint Moritz, July 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Salerno Balcony, 1956

Kurt Ingermann

Medium: oil on board

Kurt IngermannHouse of Hope
Salman Rushdie, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Salman Rushdie, Readings & Conversations, 5 October 2005

Don Usner

Medium: Archival pigment print on paper

Don Usner
Salt Run Anastasia Island, St. Augustine, St Johns County, Florida, USA 2009/2014 From a site very near to where Pedro Menendez de Aviles founded the town of St. Augustine in 1565. St. Augustine is the oldest continuously occupied settlement in U.S.A.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Salt, Steel, and Tar. Cornudas Mountains, New Mexico, 2008

Michael P. Berman

Medium: Carbon pigment ink on etching paper

Michael P. Berman
Salt/Garnet/Nickel, 2004

Gloria Graham

Medium: Graphite on velum (3 sheets)

Gloria Graham
San Giorgio Venice, 1982

Janice Biala

Medium: oil on canvas

Janice BialaCarnegie Museum of Art
Sandy Hook Bay and Lower New York Harbor Sandy Hook Point Monmouth County New Jersey U.S.A., 2009/2015 North America

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua CooperParrish Art Museum
Santa Fe Railyard, 2014

Christy Hengst

Medium: Porcelain with cobalt serigraphy

Christy Hengst
Sapoe 2, 2012

Pascal Pierme

Medium: Watercolor and acrylic

Pascal Pierme
Sasabe, September 2011

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Saturn Devouring Its Young, from Ingestion, 1982

Mike Kelley

Medium: acrylic on paper

Mike KelleyMuseum of Contemporary Art, Los Angeles
Saturn in Its Ring, from Ingestion, 1982

Mike Kelley

Medium: acrylic on paper

Mike KelleyMuseum of Contemporary Art, Los Angeles
Scaffolded Landscape

Larry Tate

Medium: bronze, brass, wood, wire

Larry Tate
ScËne de Plage [Beach Scene]

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
School Room, LaLander, Afghanistan #20, 2003

Tony O'Brien

Medium: Gelatin silver print

Tony O'BrienCenter for Creative Photography, University of Arizona
Schreitende Figur [Figure in Stride], 1970

Horst Antes

Medium: lithograph in colors

Horst AntesMilwaukee Art Museum
Scotia - The Swelling of the Sea-The North Atlantic Ocean Cape Wrath Sutherland Scotland The United Kingdom Europe 2013/2015 The Northwest- most point of Mainland Great Britain The only British mainland site from which there is a direct and uninterrupted

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Scott Russell Sanders, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Scroll Drawing, circa 1959

Julius Schmidt

Medium: work on paper

Julius Schmidt
Sculpture Limestone Stele 115

Unknown

Medium: limestone

UnknownCarnegie Museum of Art
Sculptured Rainbow to Walk Through

Frederick Kiesler

Medium: photo-offset poster

Frederick KieslerGuggenheim Museum
Sea Fog –Looking West, The Mouth of the River Guadalquivir – The Mid North Atlantic Ocean, San Lúcer de Barameda, Spain, 2003/2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Sea Fog, The Mid North Atlantic Ocean and Caldeirão-North, Ilha do Corvo/The Isle of Corvo, Regiōes Autonomas/ Açores/, Portugal, 2004, The North-most point of The Azorean Archipelago

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
Sea of Lights, 1974

Ann McCoy

Medium: pencil on acrylic coated paper, mounted on canvas

Ann McCoyNew Mexico Museum of Art
Seamus Heaney, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Seascape (I), from "New York Ten" (C. 34)

Roy Lichtenstein

Medium: screenprint in colors, 1964 signed in ink

Roy LichtensteinUniversity of Michigan Museum of Art
Seated Figure, 1950

Joseph Glasco

Medium: pen and black ink on paper

Joseph GlascoBlanton Museum of Art, University of Texas, Austin
Seated Nude

Unknown

Medium: watercolor, ink. charcoal, conte crayon

Unknown
Sebastiao Salgado, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Seben Weisse Musiknester [Seven White Music Nests], 1988

Rolf Julius

Medium: 7 speakers, wire, audio tape, cassette deck, amplifier

Rolf JuliusMuseum of Contemporary Art, North Miami
Second Poem Piece, 1969

Bruce Nauman

Medium: inscribed and stamped steel

Bruce NaumanThe Art Institute of Chicago
Seedlings, El Gran Desierto, Sonora, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Seeing for Oneself, June 2 - July 2, 1988

James Coleman

Medium: 3 slide carousels, two audio cassette tapes, one slide box

James ColemanMuseum of Contemporary Art, Los Angeles
Sei ShonagÚn, 1980

Stephen Mueller

Medium: acrylic, raw pigment on canvas

Stephen MuellerSweeney Art Gallery, University of California, Riverside
Self Portrait

Bradley Tomlin

Medium: graphite on paper

Bradley TomlinUniversity of Michigan Museum of Art
Self-Portrait, 1921

John Yeats

Medium: Pencil on paper

John Yeats
Self-Portrait, 1957

Jack Tworkov

Medium: graphite on paper

Jack TworkovUniversity of Michigan Museum of Art
Self-Portrait, 1999

Chuck Close

Medium: Daguerreotype

Chuck CloseCenter for Creative Photography, University of Arizona
Self-Portraits, 1974

Blythe Bohnen

Medium: all: silver gelatin developed-out prints

Blythe BohnenCenter for Creative Photography, University of Arizona
Senckenberg Study, 1991

Tom Otterness

Medium: pen and colored inks on vellum

Tom OtternessWhitney Museum of American Art
separating sea fog - late summer evening The English Channel / La Manche Beachy Head Sussex England U.K., Europe 2016/2017 Beachy Head is the highest chalk sea cliff in Britain, at its highest point it is 162 meters above sea level.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
SEPT.12,1977

On Kawara

Medium: Acrylic on canvas in handmade cardboard box with newspaper clipping

On KawaraDia Art Foundation
Sequel, 1967-68

Eva Hesse

Medium: latex in 91 spheres and one latex sheet

Eva HesseThe Art Institute of Chicago
Serenity, c. 2008

Mary Lacaff

Medium: Oil stick on board

Mary Lacaff
settling freezing fog, The Arctic Ocean, sea ice, sestrugi and melt lakes, The North Pole, 2007-2008, 90º N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Seven, 1980

Don Hazlitt

Medium: oil, papier m‚che, peanut shell, modeling paste on cardboard

Don HazlittOakland Museum of California
severe storm warning The Drake Passage Cabo de Hornos / Cape Horn, Isla Hornos /The Island of Horn Islas Hermite, Antartica Chilena Chile, 2006-2008 Very near the South-most point of all South America 59° 59’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Seymour Hersh, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Shadow, Cabeza Prieta National Wildlife Refuge, Arizona, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanCenter for Creative Photography, University of Arizona
Shadowed Bowl in Grey, 1992

James Turrell

Medium: Mylar, beeswax, emulsion, ink, liquitex, wax pastel

James TurrellUniversity of New Mexico Art Museum
Shalom, 1967

Kosso Eloul

Medium: Screenprint on paper

Kosso EloulUniversity of New Mexico Art Museum
Sheenjek River II, 2006 From the Series: Oil and The Caribou (Arctic NWR)

Subhankar Banerjee

Medium: Digital Chromogenic Print

Subhankar Banerjee
Sheet of Seven Studies

Paul Delvaux

Medium: pen and ink on paper

Paul DelvauxUniversity of Michigan Museum of Art
Shine Phone Afro Drum Sing, 1969

Alan Shields

Medium: acrylic on canvas

Alan ShieldsRose Art Museum, Brandeis University
Shipwreck, 1980

Richard Bosman

Medium: oil on canvas

Richard BosmanUniversity of Michigan Museum of Art
Shoshone Fall Rimtop- Last light - Last View The Snake River Basin - Message to Timothy H. O’Sullivan On the Jerome and Twin Falls County borderline Idaho U.S.A. North America 2003/2017 In the nineteenth century Shoshone Falls was called “the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Shoshone Falls at High Noon and the Snake River Basin - Message to Timothy H. O’Sullivan On the Jerome and Twin Falls County borderline Idaho U.S.A. North America 2003/2017 In the nineteenth century Shoshone Falls was called “the Niagara of the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Shoshone Falls Rim Top- Late afternoon - First View The Snake River Basin - Message to Timothy H. O’Sullivan On the Jerome and Twin Falls County borderline Idaho U.S.A. North America 2003/2017 In the nineteenth century Shoshone Falls was called

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Shoshone Falls- Broken Boulder- Along The Snake River, Pillar Falls Canyon, Jerome County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: A Premonitional Work, Gullfoss (Golden Falls), Iceland, 1987

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
Shoshone Falls: A Premonitional Work, message to Timothy H. O’Sullivan, Gullfoss (Golden Falls), Iceland, 1987, Part 1 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
Shoshone Falls: A Premonitional Work, message to Timothy H. O’Sullivan, Gullfoss (Golden Falls), Iceland, 1987, Part 2 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
Shoshone Falls: Early Evening, Shoshone Falls, From the Floor of the Snake River Basin, The Jerome and Twin Falls County Borderline, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: Early Morning, Shoshone Falls, From the Floor of the Snake River Basin, The Jerome and Twin Falls County Borderline, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: High Noon, Binding Light and Heat, Boulder and The Snake River, Pillar Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: High Noon, Boulder with Wave Water Mark, Along the Snake River (Thinking About Hokusai), Pillar Falls Canyon, Jerome County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: High Noon, Shoshone Falls, From the Floor of the Snake River Basin, The Jerome and Twin Falls County Borderline, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: Lingering Twilight, The First View, Shoshone Falls, Centre Rim Top, The Snake River Basin, The Twin Falls and The Jerome County Borderline, Idaho, USA, 2003-2004.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: Mythic Stone, A Premonitional Work, message to Timothy H. O’Sullivan, Gullfoss (Golden Falls), Iceland, 1987

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
Shoshone Falls: Pillar Rock and The Snake River, Pillar Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: Riolite Rocks, Shoshone Falls, The Snake River Basin, The East Bank Rim Top, Twin Falls County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: Shoshone Falls and The Snake River Basin, The East Bank Rim Top, Jerome County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: Shoshone Falls and The Snake River Basin, The West Bank Rim Top, Jerome County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: Sudden Nightfall, The Last View, Shoshone Falls, Centre Rim Top, The Snake River Basin, The Twin Falls and The Jerome County Borderline, Idaho, USA, 2003-2004.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: The Snake River, Cauldron Linn, No. 2, Jerome County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: The Snake River, Pillar Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: The Snake River, “The Fullel”, No. 3, Pillar Falls, Twin Falls County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: The Snake River, “The Funnel”, No. 1, Piller Falls Canyon, Twin Falls County, Idaho, USA, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: “Bridal Falls”, Shoshone Falls, The Snake River Basin, The West Bank Floor, Jerome County, Idaho, USA, 2003-2004, Part 2 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Shoshone Falls: “Bridal Falls”, Shoshone Falls, The Snake River Basin, The West Bank Rim Top, Jerome County, Idaho, USA, 2003-2004, Part 1 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Show Window I, 1982

E'wao Kagoshima

Medium: gouache, pastel on paper

E'wao KagoshimaAsian American Arts Centre
Shula, 1970

Richard Van Buren

Medium: three parts fiberglass, polyester resin plaster, charcoal, graphite, brass

Richard Van Buren
Silent Series 19 (Black Piece 2)

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Silent Series 24 (Black Piece 1)

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Silent Series 25 (Black Piece 3)

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Silver Bowl with Ladles

John Marshall

Medium: acrylic, silver

John MarshallMetal Museum
Simboli, 1962

Franco Angeli

Medium: oil on canvas

Franco AngeliUniversity of New Mexico Art Museum
Simon Ortiz, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Sin Caballo [Without Horse], 1963

Joe Testa-Secca

Medium: acrylic on canvas

Joe Testa-SeccaUniversity of Tampa
Sisters of Sagrario González and friends of her church choir. Ciudad Juárez, Chihuahua, 1998

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Sitting Woman

Hana Geber

Medium: bronze

Hana GeberCarnegie Museum of Art
Sixto Méndez Goyazo, 14, from Chiapas, has never attended school. He is illiterate, knows nothing of the U.S., nor where he is going to be taken to work after crossing the border at Sásabe. Sixto travels with his 32-year-old uncle Felipe Coyazo, a peasant

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseum of Fine Art Houston (MFAH)
Sketch Book

William Fielding

Medium: Pen, ink and graphite, paper, stamp collage

William Fielding
Sketchbook, 1958

Peter Forakis

Medium: crayons and graphite on paper

Peter ForakisJersey City Museum
Sketches,1951

Milton Avery

Medium: felt tip pen on ground wood paper

Milton AveryUniversity of Michigan Museum of Art
Sky Box, 1967

Douglas Edge

Medium: acrylic on cast resin, walnut box

Douglas EdgeMuseum of Contemporary Art San Diego
Sky Wall

Will Insley

Medium: acrylic on masonite

Will InsleyIndianapolis Museum of Art
Skylight Series

Howard Jones

Medium: paper

Howard JonesPalm Beach State College
slippery rocks The Antarctic Sound Cape Dubouzet Trinity Peninsula, Graham Land The Antarctic Peninsula Antarctica, 2008 The Northeast-most point of Continental Antarctica 63° 16’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
small rapids on the Rio Bravo Looking North - at America - Borderland The outskirts of El Paso at Casa de Adobe The Mexican, Texas and New Mexican border Chihuahua State Mexico Latin North America 2000/2017 With Catherine Alice Mooney

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Small Wars (fallen tree), 1999-2002

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
Small Wars (lesson), 1999-2002

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
Small Wars (sniper #2), 1999-2002

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
Smaller Dish, 1985

Edward Ruscha

Medium: dry pigment on paper

Edward RuschaThe Art Institute of Chicago
Smoke Break, Camp America, 2014 From the series "Gitmo at Home, Gitmo at Play", Welcome to Camp America Project

Debi Cornwall

Medium: Chromogenic print from digital image

Debi Cornwall
Snake Woman Triptych, 1981

Donato Mancini

Medium: gouache on arches paper

Donato ManciniBass Museum of Art
Snug Harbor, Metal Duct Work in G Attic, 2001

Rackstraw Downes

Medium: Oil on canvas (4 part painting)

Rackstraw Downes
Snug Harbor, Metal Duct Work in G Attic, 2001

Rackstraw Downes

Medium: Oil on canvas (4 part painting)

Rackstraw Downes
Snug Harbor, Metal Duct Work in G Attic, 2001

Rackstraw Downes

Medium: Oil on canvas (4 part painting)

Rackstraw Downes
Snug Harbor, Metal Duct Work in G Attic, 2001

Rackstraw Downes

Medium: Oil on canvas (4 part painting)

Rackstraw Downes
Soaking - Wet Snowfall - The South Atlantic Ocean and The Argentine Sea Cabo del Espiritu Santo, The Northeast-most point of Isla Grande de Tierra del Fuego On the border between Chile and Argentina, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Soft Rain-Last Light. The Lake of Maracaibo, Barancas, Zulia, Venezuela, 2005/2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Solar Echo I, 1978

Bennett Janssen

Medium: etched brass gong in wooden frame with mallet

Bennett JanssenCarnegie Museum of Art
Soldier of Fortunes 2, 2014

John Andolsek

Medium: Oil on Masonite

John Andolsek
Sole Line on Top, Thin Standing Box, Browns, 1999

Kate Shepherd

Medium: Oil on panels

Kate Shepherd
Solet Triangle

Lewis Harris

Medium: watercolor, pencil

Lewis HarrisDennos Museum Center, Northwestern Michigan College
Solitude, 1953

Kurt Ingermann

Medium: oil on board

Kurt IngermannHouse of Hope
Somewhere Around Bakersfield, 1980

Pierre Picot

Medium: acrylic on cardboard

Pierre PicotUniversity of New Mexico Art Museum
Sommeil Bleu [Blue Sleep], 1972

William Scharf

Medium: acrylic on particle board

William ScharfZimmerli Art Museum, Rutgers University
Somnen V [The Sleep V], 1981

Marie-Louise de Geer Bergenstrahle

Medium: gouache on silk in artist's frame

Marie-Louise de Geer BergenstrahleHouse of Hope
Son of the Sheik, 1963

Bruce Conner

Medium: nylon stocking, nylon net, beads, lace straw assemblage on masonite

Bruce ConnerWalker Art Center
Sorcerer, 1960

William Wiley

Medium: oil on canvas

William WileySan Francisco Museum of Modern Art
Sorelle (Sisters), 1955

Gustavo Foppiani

Medium: paper and oil on wood

Gustavo FoppianiCarnegie Museum of Art
South - The Indian Ocean, Strais Point / Ostrich Point #1, Near Arniston, South Africa 2004-2005

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
South - The Mid Atlantic Ocean, Cape Manuel, Dakar, The Cape Verde Peninsula, Senegal, 2004, The South-most point of the Cape Verde Peninsula

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
South America Circle, 1981

Bruce Nauman

Medium: Steel, cast iron, cable

Bruce NaumanDia Art Foundation
South, 2006

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
South, The South Atlantic Ocean, Danger Point, South Africa, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
South-Most-The English Channel-Bumble Rock, Lizard Point, Cornwall, England, 1999-2001, The Southernmost point of mainland Britain

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
South-The Straight of Gibraltar, Punta de Carnero, Spain, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Specialty Item for Robbing a Fruit Stand, 1976

Robert Levin

Medium: blown and moulded glass, woven wool

Robert LevinWhatcom Museum
Spectator Sport, 1982

Stephen Mueller

Medium: acrylic, raw pigment on canvas

Stephen MuellerThe William Benton Museum of Art, University of Connecticut
Spike Drivers Blues, 1976

Chuck Wiley

Medium: wood, glass, wire, nails, castors, photograph paint

Chuck WileyOakland Museum of California
Spirit Lake, 1980

Rick Stich

Medium: egg tempera on canvas

Rick StichCarnegie Museum of Art
Sponge, 1963

Claes Oldenburg

Medium: painted plaster

Claes OldenburgMuseum of Contemporary Art, Los Angeles
Spoof-Tavern Club-Martinized Venus

Ivan Albright

Medium: four panel screen - oil on plywood joined with hinges

Ivan AlbrightUniversity of Michigan Museum of Art
Spook Planes, 1979

Chris Burden

Medium: decals, postcard and newspaper on paper

Chris BurdenMuseum of Contemporary Art Chicago
Spoon Standing Figure

Unknown

Medium: wood, carved

UnknownCarnegie Museum of Art
Spoonbill, 2003

Emi Winter

Medium: Oil on masonite

Emi WinterUniversity of New Mexico Art Museum
Spouted Vessel

Unknown

Medium: marble, carved

UnknownObject not located in 1997
SPQR, 1963

Franco Angeli

Medium: oil on canvas

Franco AngeliFresno Metropolitan Museum of Art and Science
Spread, 1987

Peter Shelton

Medium: silica bronze

Peter SheltonHenry Art Gallery, University of Washington
Spur, 2005

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanUniversity of New Mexico Art Museum
Spur, Barry M. Goldwater Range, Arizona, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanUniversity of New Mexico Art Museum
Spuyten Duyvil Creek at Muscota Marsh – Looking towards the Hudson River Inwood Hill Park Inwood Manhattan Manhattan Island New York County New York U.S.A., North America 2016/2017 Very near the supposed site of the ‘sale’ of Manhattan Island to the Dutch

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Spy Kit, 1979

Chris Burden

Medium: mixed media

Chris BurdenMuseum of Contemporary Art Chicago
Spyglass (Film Images 1960-76)

Robert Whitman

Medium: Four 16mm film loops transferred to DVD, color, silent; 4 projectors, 4 screens, 4 mirrors

Robert WhitmanDia Art Foundation
Square Table

Diego Giacometti

Medium: bronze, glass

Diego GiacomettiPhiladelphia Museum of Art
St. John the Baptist Day. Lamont, California, 2006 Fiesta patronal de San Juan Bautista. Lamont, California, 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
St. Vincent de Paul Records, 1975

Stella Waitzkin

Medium: polyester resin

Stella Waitzkin
Stacked Pyramid, 1972

Jackie Ferrara

Medium: cotton batting with glue over wood

Jackie FerraraMuseum of Contemporary Art Chicago
Stadtteil [City Section], 1969

Siegfried Klapper

Medium: pencil on paper

Siegfried KlapperMilwaukee Art Museum
staggering heat - midday The lower Rio Grande At the New Mexico/Texas Border Doña Ana County New Mexico/Texas U.S.A. North America 2000/2018 With Catherine Alice Mooney.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Stairway, 1973

Jackie Ferrara

Medium: cotton batting with glue over cardboard

Jackie FerraraMuseum of Contemporary Art Chicago
Stanza del-Amore #5, 2019

Stuart Arends

Medium: Oil on wood

Stuart Arends
Stanza dell’Amore 24, 2006

Stuart Arends

Medium: Oil and wax on wood

Stuart Arends
Steinlandschaft [Stone Landscape], 1969

Nikolaus Stortenbecker

Medium: screenprint on paper

Nikolaus StortenbeckerCarnegie Museum of Art
Stepping Out, 1983

William Taggart

Medium: acrylic, foam, canvas

William TaggartDennos Museum Center, Northwestern Michigan College
Sticks, Stones, Bones, 1982

Louise Hoeschen

Medium: oil on canvas

Louise HoeschenTacoma Art Museum
Stiff Box 12, 1971

Lucas Samaras

Medium: Core Ten steel

Lucas SamarasUniversity of Michigan Museum of Art
Still Life, Plate, Bottle and Pears

Seymour Remenick

Medium: oil on wood

Seymour RemenickHouse of Hope
Still Water (The River Thames for Example), 1999 Image A

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image B

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image C

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image D

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image E

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image F

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image G

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image H

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image I (Letter I)

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image J

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image K

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image L

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image M

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image N

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
Still Water (The River Thames for Example), 1999 Image O

Roni Horn

Medium: Offset lithograph on uncoated paper

Roni HornFondation Beyeler
storm - Force 7 Gale The Celtic Sea and The North Atlantic Ocean Cape Cornwall Cornwall England U.K., Europe 2002/2017 Cape Cornwall is believed to be the Westmost point of Cornwall.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Storm Over Kasegaluk Lagoon, 2006

Subhankar Banerjee

Medium: Digital chromogenic print

Subhankar BanerjeeSan Antonio Museum of Art
Storm. Chinati Grasslands, Marfa, Texas, 2007

Michael P. Berman

Medium: Carbon pigment ink on etching paper

Michael P. BermanCenter for Creative Photography, University of Arizona
Straight lines, approximately one inch long, drawn at random, within a square using four direction of line, 1) vertical 2) horizontal 3) diagonal, left to right 4) diagonal, right to left and all combinations of those lines, c. 1971

Sol LeWitt

Medium: Etching on paper

Sol LeWitt
Straight lines, approximately one inch long, drawn at randowm, within a square using four direction of line, 1) vertical 2) horizontal 3) diagonal, left to right 4) diagonal, right to left and all combinations of those lines, c. 1971

Sol LeWitt

Medium: Etching on paper

Sol LeWitt
Stranded (Gestrondet), 1982

Horst H÷Dicke

Medium: acrylic on canvas

Horst H÷DickeRose Art Museum, Brandeis University
stranded icebergs, ice boulders, Disko Bay and Baffin Bay, Illulissat / Jakobshavens Isbras, Kittaa, Greenland, Denmark, 2008, 69° 11.478' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Strange Lady, 1976

Irene Jones

Medium: acrylic, stone, paper in wood box with glass

Irene JonesPalm Beach State College
Strangler Hunt Grows, 1979

Chris Burden

Medium: newspaper, postcard, black and white photograph, mask and patch on paper

Chris BurdenMuseum of Contemporary Art Chicago
Street Door and Green Sweep, 1979

Bill Thurman

Medium: encaustic, newspaper on wood, yarn, string

Bill ThurmanSweeney Art Gallery, University of California, Riverside
Street Singers, 1957

Hana Geber

Medium: brass

Hana GeberCarnegie Museum of Art
Stretch, 1987

Peter Shelton

Medium: brass

Peter SheltonHenry Art Gallery, University of Washington
Structure 6, 1983

Howard Tre

Medium: cast glass, copper

Howard TrePhoenix Art Museum
Structure Poking its Eyes Out Resting on Exposed Kidney, 1997

Dennis Oppenheim

Medium: Pencil, colored pencil, oil wash, oil pastel on watercolor paper dry mounted on museum board

Dennis OppenheimDenver Art Museum
Stuart Dybek, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Studio Still Life, 1972

Harry Roseman

Medium: cast bronze with grey patina

Harry RosemanMuseum of Contemporary Art San Diego
Study 2, 1988

Carlos Alfonzo

Medium: gouache on BFK Rives paper

Carlos AlfonzoHirshhorn Museum and Sculpture Garden
Study for "Lana Baja" (English version), 1988

Celia Munoz

Medium: felt pen on paper

Celia MunozMuseum of Contemporary Art San Diego
Study for "Lana Sube" (Spanish version), 1988

Celia Munoz

Medium: felt pen on paper

Celia MunozMuseum of Contemporary Art San Diego
Study for Cunt (with Hair and Lips), 1964

Tom Wesselman

Medium: glue, hair and enamel on wood

Tom WesselmanUniversity of Michigan Museum of Art
Study for Dawn, Leaving Santa Fe, 1999/01

Christina Hejtmanek

Medium: Chromogenic print

Christina HejtmanekCenter for Creative Photography, University of Arizona
Study for Earthwork Proposal, 1969

Robert Smithson

Medium: pencil, ink, crayon on paper mounted

Robert SmithsonThe Art Institute of Chicago
Study for Gray Black White Red Wall, 2014

Tom Miller

Medium: Acrylic and graphite on paper

Tom Miller
Study for Holograms, 1970

Bruce Nauman

Medium: screenprints on Kromelote paper

Bruce NaumanThe Art Institute of Chicago
Study for Perdido en el Mar, 1987

Vernon Fisher

Medium: gouache and white chalk on paper

Vernon FisherHirshhorn Museum and Sculpture Garden
Study for Perdido en el Mar, 1987

Vernon Fisher

Medium: gouache and white chalk on paper

Vernon FisherHirshhorn Museum and Sculpture Garden
Study for Spread, 1987

Peter Shelton

Medium: graphite on vellum

Peter SheltonHenry Art Gallery, University of Washington
Study for Stretch, 1987

Peter Shelton

Medium: graphite on vellum

Peter SheltonHenry Art Gallery, University of Washington
Study for the Last Supper

Eugene Delacroix

Medium: pen and brown ink on paper

Eugene DelacroixUniversity of Michigan Museum of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: lithograph on yellow paper

Fred SandbackNational Gallery of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: lithograph on yellow paper

Fred SandbackNational Gallery of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: lithograph on yellow paper

Fred SandbackNational Gallery of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: lithograph on yellow paper

Fred SandbackNational Gallery of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: lithograph on yellow paper

Fred SandbackNational Gallery of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: ithograph on yellow paper

Fred SandbackNational Gallery of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: lithograph on yellow paper

Fred SandbackNational Gallery of Art
Study of Installation--Gallerie Heiner Friedrich, 1971

Fred Sandback

Medium: lithograph on yellow paper

Fred SandbackNational Gallery of Art
Sudarios #2

Erika Diettes

Medium: Digital photograph on silk

Erika DiettesSan Antonio Museum of Art
Sudarios #3

Erika Diettes

Medium: Digital photograph on silk

Erika DiettesCenter for Creative Photography, University of Arizona
Sudden Nightfall - The Mid North Atlantic Ocean Cabo Girau -- The Southwest Coast (The second highest sea-cliff in Europe - 580m) The Isle of Madeira Portugal, 2002 -- almost black --

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
sudden nightfall with comet rail - The North Atlantic Ocean Cabo Girão Isle of Madeira The Maderian Archipelago Portugal Europe 2002/2017 The 8th highest sea cliff in Europe at 589 meters high. The highest sea cliff in Europe is Hornelen, Norway at 860

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Sudden nightfall, The Lake of the Woods American Point, Penasse Island, The Northwest Angle Lake of the Woods County, Minnesota, U.S.A. 2010/2014 The North-most point of Continental U.S.A. The only part of Continental U.S.A. to extend North of the 49th

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Sudden Summer Snowstorm. The South Atlantic Ocean and Mar Argentino – The Argentinian Sea. Cabo Espíritu Santo. Isla Grande Tierra del Fuego on the border between Chile and Argentina, 2006. The Northeast-most point of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Summer Open with Mediterranean Blue, 2010

Patrick McFarlin

Medium: oil on Bristol board

Patrick McFarlin
Summer, 1957

Frank Lobdell

Medium: oil on canvas

Frank LobdellSan Francisco Museum of Modern Art
Sun-Moon, 1962

Mathias Goeritz

Medium: wood, silver and gold leaf

Mathias GoeritzNational Autonomous University of Mexico
Sun-Moon, 1981-1982

Mathias Goeritz

Medium: aluminum, paint

Mathias GoeritzNational Autonomous University of Mexico
sunrise - early Spring Chinle Wash The Navajo Nation Indian Reservation Canon del Muerto/The Canyon of the Dead Canyon de Chelly National Monument Apache County Arizona U.S.A. North America 1994/2017 (with C.A.M.) part 2 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Sunset at Gloucester

Seymour Remenick

Medium: oil on panel

Seymour RemenickSpringfield Museum of Art
Sunset with watermark – The Eastern Entrance to the St. Lawrence River La Côte-de-Beaupré Île d'Orléans Canada North America 2015/2018 With Oskar Strom. The Northmost point of the island and the last Canadian picture to be made for “The Atlas”.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Super Sunday, 2006

Evri Kwong

Medium: Oil and Sharpie permanent marker on canvas

Evri Kwong
Susan Sontag, Readings & Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Susan Walked In, 1972

Chris Wilmarth

Medium: acidized glass, bronze, steel wire

Chris WilmarthHirshhorn Museum and Sculpture Garden
Suspended Gate, 1973

Ovidiu Maitec

Medium: walnut

Ovidiu MaitecDennos Museum Center, Northwestern Michigan College
Sustalek, 1960

Maurice Sievan

Medium: Oil on canvas

Maurice Sievan
swamp everywhere - The unlikely beginning Mar Caribe/ The Caribbean Sea The Granma Revolutionary Landing Site Las Cayhuelas Playa Los Coloradas Niquero Granma Cuba The Greater Antilles Latin North America 2007/2017 The surprise launch site of Fidel

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
swamped and scattered, Looking North - The Southern Ocean and The Drake Passage Cape Lookout, the South-Most point of Elephant Island The South Shetland Islands United Kingdom, Antarctica 61° 17’ S, 2008

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Swaylay, 1970

Jake Berthot

Medium: acrylic on canvas

Jake BerthotRose Art Museum, Brandeis University
T.C. Boyle, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
T.C. Boyle, Readings & Conversations, 10 May 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Tabernacle, 1981-1982

Mattie Berhang

Medium: found plastic, metal objects, nylon fishing line

Mattie Berhang
Table with Pink Tablecloth, 1964

Richard Artschwager

Medium: Formica on wood

Richard ArtschwagerThe Art Institute of Chicago
Tables (First Draft), 1986

Tom Otterness

Medium: graphite and black ink and watercolor on paper

Tom OtternessWhitney Museum of American Art
Tables (Reptiles), 1986

Tom Otterness

Medium: ink on paper

Tom OtternessWhitney Museum of American Art
Tables (Schematic), 1986

Tom Otterness

Medium: graphite and colored inks on paper

Tom OtternessWhitney Museum of American Art
Tabletop, 1989

Charles Ray

Medium: wood table with ceramic plate, metal canister, plastic bowl, tumbler, aluminum shaker, terra cotta pot, plant, motor

Charles RayMuseum of Contemporary Art, Los Angeles
Tall Ships, 1992

Gary Hill

Medium: twelve 16 channel video installation in corridor

Gary HillHenry Art Gallery, University of Washington
Tanagram I, 2004

Patrick Scott

Medium: Carborundum print with gold leaf on paper

Patrick Scott
Tanagram II, 2004

Patrick Scott

Medium: Carborundum print with gold leaf on paper

Patrick ScottCenter for Economic Research and Social Change
Tariq Ali & Avi Lewis, Cultural Freedom, 26 Ocotber 2011

Don Usner

Medium: Archival pigment print on paper

Don Usner
Tariq Ali, Readings & Conversations Author, 2002

Don Usner

Medium: Black and white photograph

Don Usner
Tatsunokuchi: Face of the Universe, 1980

Andrea Kovacs

Medium: photo-mosaic mounted on plywood with Plexiglas

Andrea KovacsCenter for Creative Photography, University of Arizona
Tea Time, Logar, Afghanistan, 2003

Tony O'Brien

Medium: Gelatin silver print

Tony O'BrienCenter for Creative Photography, University of Arizona
Tear, 1959

Wallace Berman

Medium: graphite, canvas mounted on board

Wallace BermanMuseum of Contemporary Art, Los Angeles
Teeth, 2014

M. Oliver

Medium: Mixed media

M. Oliver
Telegraph office. Immigrants line up to receive money from relatives in the United States to pay for the remainder of their journey. Altar, Sonora, 2005

Julián Cardona

Medium: Gelatin silver print

Julián CardonaCenter for Creative Photography, University of Arizona
Telstar, 1962

Robert Goodnough

Medium: oil on canvas

Robert GoodnoughRose Art Museum, Brandeis University
Ten Days, 1971 (L.20)

Brice Marden

Medium: etchings, signed and dated in pencil

Brice MardenThe Art Institute of Chicago
Ten Ways to Look at the Desert, 1962

Peter Forakis

Medium: oil on canvas

Peter Forakis
Terpsichore, 1963

George McNeil

Medium: oil on canvas

George McNeilUniversity of New Mexico Art Museum
Terrance Hayes, Readings & Conversations Author, 2006

Don Usner

Medium: Black and white photograph

Don Usner
Terrance Hayes, Readings & Conversations, 15 November 2006

Don Usner

Medium: Archival pigment print on paper

Don Usner
Terry Tempest Williams, Readings & Conversations, 30 May 2007

Don Usner

Medium: Archival pigment print on paper

Don Usner
Test-Tube Book

Kay Hines

Medium: Plexiglass, glass, cork, paper and acetate, ink, paint, pencil

Kay HinesFresno Metropolitan Museum of Art and Science
Tete a Tete, 1936-1941

John Storrs

Medium: bronze

John StorrsHirshhorn Museum and Sculpture Garden
Thai pot

Unknown

UnknownCarnegie Museum of Art
The Acroatic Rectangle, Per. XIII, 1967

Alfred Jensen

Medium: oil on canvas

Alfred JensenThe Art Institute of Chicago
The American Way, 1965

Richard Artschwager

Medium: Acrylic on cellotex in artist's frame

Richard Artschwager
The Arctic Ocean, glacial ice and sea ice, Inuit Qeqertaat / Kaffeklubben / Coffee Club Island, Johannes V. Jenson Land, Greenland, Denmark, 2008, The designated North-most land-point in all the world, 83º 39.823’ N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Arctic Ocean, sea ice and sestrugi, Kap Morris Jesup, Johannes V. Jenson Land, Greenland, Denmark, 2008, The North-most point of Greenland, The North-most major landmass in the world, 83º 37’650”N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Aromatic Landscape, 1979

Gary Stephan

Medium: acrylic on canvas

Gary StephanSweeney Art Gallery, University of California, Riverside
The Autumn Equinox - Forbes Sound and Ungava Bay Cap William-Smith Quebec Canada North America 2013/2016 The Southmost entrance point to Ungava Bay

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
The Autumn Equinox - MacGregor Strait and The Labrador Sea Lecage Point Cape Chidley Killiniq Island Quebec Canada North America 2013/2016 Cape Chidley was discovered by English explorer John Davis on 1 August 1587, but was named after his explorer

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
The Baltic Sea The Gulf of Finland South – Looking towards Russia Tulbiniemi Tulludden Hanko, Etela-Suomi Finland, 2007-2008 The Southwest-most point of Finland 59° 48.559' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Barents Sea-North - 71º 10' 21", Nordkapp / North Cape, Norway, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Bay of Biscay at La Gironde Pointe de Grave Near Bordeaux, The Aquataine Coast France, 1996-2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Bay of Corozol at the Bay of Chetumal Bahia Corozol Bahia de Chetumal, and very near the mouth of the River Hondo, Corozal, Belize, 2007/2014 The North-most point of Belize and of all Central America

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
The Bay of God’s Mercy Cape Low Southampton Island Nunavut Canada North America 2013/2016

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
The Beach at Night, 1962

Robert Goodnough

Medium: Oil on wood

Robert Goodnough
The Beagle Canal Our “Punta Final” Near Puerto Williams, Isla Navarino Antartica Chilena Chile, 2008 Very near the South-most settlement with a permanent population in the world 54°56.09' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Beagle Canal Punta Fortuna, Puerto Harberton, Isla Grande Tierra del Fuego Tierra del Fuego Argentina, 2006-2008 54°52.51' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The beginning of Exile – The Haukadalsvatn River Very near Eiriksstadir At the top of the Snæfellsnes Peninsula Snæfellsnessyla Vesterland Iceland Europe 2007/2018 With Jason Roberts Eric the Red left his nearby farm from here to start his exile from

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Beginning of New Worlds, The South Atlantic Ocean, Cabo de Santo Agostinho, Pernambuco, Brazil, South America, 2006/2015. It is from this site that paleogeologists have determined that the prehistoric super continent of Gondwana broke up to form the

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Gallery of Art
The Big Wheel, 1979

Chris Burden

Medium: iron, cast, two motorcycles, wood, steel

Chris BurdenMuseum of Contemporary Art, Los Angeles
The Blue Loop, 1980

Franklyn Liegel

Medium: acrylic, collage and staining on paper

Franklyn LiegelCarnegie Museum of Art
The Book of Life, 1990

Jim Shaw

Medium: embossed leather bound book, pen, glass bottle

Jim ShawMuseum of Contemporary Art, Los Angeles
The Braille Book

Carol Forget

Medium: wood, paper, rubber, nylon

Carol ForgetSweeney Art Gallery, University of California, Riverside
The Bridge Book, 1991, Bridge with its Own Shadows (from The Bridge Book)

Siah Armajani

Medium: book of seven woodblock prints, with text, published by the Walker Art Center, Minneapolis, ed. 8/10 Bridge with its Own Shadows (from The Bridge Book), 1991 numbered 7/12 signed and dated in pencil woodblock print (unbound) ed. 7/10

Siah ArmajaniNelson-Atkins Museum of Art
The British Channel Champa Island Zemly Frantsa-Josifa / Franz-Josef Land Russia, 2007-2008 The Southern region of The Franz-Josef Land Archipelago 80° 37.765' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The British Channel Champa Island Zemly Frantsa-Josifa / Franz-Josef Land Russia, 2007-2008 The Southern region of The Franz-Josef Land Archipelago 80° 37.765' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Canadian and Western Entrance to The St. Lawrence River Wolfe Island Frontenac County Ontario Canada North America 2015/2018 With Oskar Strom. The Northmost point of the island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Caribbean Sea, Cabo de la Vela, Peninsula de la Guajira, Colombia, 2005.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Caribbean Sea, Iguana Point, # 2, St. John, The Island of Tobago, 2005, Very near the North-most point of the Island

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Caribbean Sea. Boca Kanoa, The Spelonk Lighthouse, The Island of Bonaire. The Netherlands Antilles, The Netherlands, 2005/2006. Very near the East-most part of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Caribbean Sea. Cabo los Muertos. Peninsula de la Guajira, Guajira, Colombia, 2005/2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Caribbean Sea. Colorado Point-Punta Basora. The Island of Aruba. The Netherlands, 2005/2006. Very near the South-most point of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Caribbean Sea. Columbus Point, St. Patrick. The Island of Tobago, 2005/2006. The South-most point of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Caribbean Sea. Iguana Point, #3, St. John. The Island of Tobago, 2005/2006. Very near the North-most point of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Caribbean Sea. Punta Gallinas, #8. Peninsula de la Guajira, Guajira,Colombia, 2005/2006. The North-most point of Continental South America

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Celtic Sea - Totality - The Full Solar Eclipse The Edge of Land’s End Cornwall England Great Britain, 1999/2015 Europe The West-most point of England and the Southwest most point of mainland Britain.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Celtic World, No. 1-At the End of the World- South-The Little Minch, The Isle of Harris-The Western Isles (The Outer Hebrides) Scotland, 1994

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Celtic World, No. 1-At the End of the World- West-The Atlantic Ocean, The Isle of Lewis, The Western Isles (Outer Hebrides) Scotland, 1994

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Celtic World, No. 1-At the End of the World-East-The North Minch, The Isle of Lewis-The Western Isles (The Outer Hebrides) Scotland, 1994

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Celtic World, No. 1-At the End of the World-North-The Atlantic Ocean, The Butt of Lewis-The Isle of Lewis, The Western Isles-(The Outer Hebrides), Scotland, 1994

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Changing Guard, 1964

Jean Tinguely

Medium: stickers, pen, graphite, ink, stencils on paper

Jean TinguelyUniversity of Michigan Museum of Art
The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperCenter for Creative Photography, University of Arizona
The Creation of Woman, 1979

Milo Reice

Medium: gouache, collage

Milo ReiceMuseum of Sex
The Cross [La Cruz], 1956

Mathias Goeritz

Medium: watercolor on paper

Mathias GoeritzNational Autonomous University of Mexico
The Crucified, 1955

Mathias Goeritz

Medium: wood

Mathias GoeritzNational Autonomous University of Mexico
The Davis Strait Brattahlid Qassiarsuk Greenland, 2008/2015 Europe Erik the Red’s arrival point in Greenland in his exile from Iceland and Leif Eriksson’s exact leaving point from Greenland, at the start of his great sea journey to what is now the North

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The Davis Strait Hvalsey/ Qaqortoq Kujalleq Greenland Europe North America 2008/2016 The site in Southwest Greenland of the last European marriage performed and recorded in Greenland, in 1408 CE- before they had to evacuate this island due to extreme cold

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
The Direct Hit

William Gambini

Medium: oil on board

William GambiniCarnegie Museum of Art
The Edge of the Celtic World - Number 1 early morning calm Loch Crinan and the Sound of Jura Rabba na Momes Argyllshire Scotland U.K., Europe 1994-2017 A major exit point for the Celtic diaspora fleeing Scotland and the Vikings. part 1 of 5-part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Edge of the Celtic World - Number 2 late evening calm The Little Minch Very near Renish Point The Isle of Harris The Western Isles - The Outer Hebrides Scotland U.K., Europe 1994-2017 The Southmost point of the Isle of Harris. part 2 of 5-part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Edge of the Celtic World - Number 3 early morning squall The North Atlantic Ocean Tiumpan Head The Eye Peninsula The Isle of Lewis The Western Isles - The Outer Hebrides Scotland U.K., Europe 1994-2017 The Eastmost point of the Isle of Lewis. part 3

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Edge of the Celtic World - Number 4 thin mist - late afternoon The North Atlantic Ocean Near Hushinish Point The Isle of Harris The Western Isles - The Outer Hebrides Scotland U.K, Europe 1994-2017 The Westmost point of the Isle of Harris. part 4 of

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Edge of the Celtic World - Number 5 clearing storm - late afternoon The North Atlantic Ocean The Butt of Lewis The Isle of Lewis The Western Isles - The Outer Hebrides Scotland U.K., Europe 1994-2017 The Northmost point of the Isle of Lewis. part 5 of

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The English Channel (La Manche) St. Catherine’s Point The Isle of Wight England The United Kingdom Europe 2002/2015 The Southmost point of the island

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The English Doves - The Black Dove (message to Timothy H. O’Sullivan) Pike’s Pool The River Dove Beresford Dale Derbyshire England U.K. Europe 1986/2017 With Paul Hill. Very near the site along the River Dove that Sir Isaac Walton wrote “The Compleat

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The English Doves - The Gray Dove (message to Timothy H. O’Sullivan) The River Dove Beresford Dale Derbyshire England U.K. Europe 1994/2017 With Paul Hill. Very near the site along the River Dove that Sir Isaac Walton wrote “The Compleat Angler”, first

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Enterprise Hills, The Continental Ice Shelf, Windy Hill Pass, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Equator - 0 Degree Latitude at The Mouth of the Rio Amazona and an unnamed, stream and The South Atlantic Ocean Flechal/Vulture Beach Ilha Mexiana Para State Brazil, 2006/2015 South America The only land-based site on the Equator at the Mouth of Rio

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The Eyes, 1958

Wallace Berman

Medium: graphite on paper mounted on canvas

Wallace BermanWhitney Museum of American Art
The Fall, 1979

Robert Longo

Medium: cast Hydrastone, laquered wood

Robert LongoPortland Art Museum
The Family

Gheorghe Calinesti

Medium: wood

Gheorghe CalinestiDennos Museum Center, Northwestern Michigan College
The Fire, 1956

Mathias Goeritz

Medium: watercolor, pencil, felt pen on paper

Mathias GoeritzNational Autonomous University of Mexico
The Forest of the Cedars of God, May 2016

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
The founding of Veracruz Bahía de Campeche and El Gulfo de Mexico/ The Gulf of Mexico Veracruz Veracruz Mexico Latin North America 2007/2017 Hernan Cortés founded Veracruz, the first European town in the Latin New World on 18th May 1519.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Freeze

John Marshall

Medium: sterling silver, acrylic, fluorescent light

John MarshallMetal Museum
The Frozen Niagara River -Leaving Lake Erie Great Lakes Horizon, No. 1. Old Fort Erie Ontario Canada North America 2015/2017 With Laura Cooper

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Gay Cafe

George Grosz

Medium: watercolor, ink on paper

George GroszUniversity of Michigan Museum of Art
The Glistening Hudson River Chelsea Piers New York City Manhattan Island New York County New York U.S.A. North America 2016/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Great River, Snow Storm-Life Line, Rio Grande River Crossings, The Rio Grande-Looking North, Bridge Street, Albuquerque, New Mexico, 1995

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperUniversity of New Mexico Art Museum
The Great River, Snow Storm-Life Line, Rio Grande River Crossings, The Source of the Rio Grande, Mineral County, Colorado, USA, 1995

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperUniversity of New Mexico Art Museum
The Great River-Rio Grande River Crossings-The Source to the Sea, Boca Chica/Little Mouth, The Mouth of the Rio Grande (The Day After Cinco de Mayo) at the Gulf of Mexico, The Texas and Mexico Borders, 1996

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperUniversity of New Mexico Art Museum
The Green Beast and the Maiden, 1976

Norris Embry

Medium: colored chalks and oil on canvasboard

Norris EmbryZimmerli Art Museum, Rutgers University
The Greenland Sea Kap Patrick Brooke Shannon Island Dronning Margrethe II Land Greenland, Denmark, 2007-2008 The South-most point of the Island 76° 00.950' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Greenwich Meridian - 0° Longitude- No. 1 The English Channel - Rolling Fog - Looking towards France Peacehaven East Sussex England United Kingdom Europe, 2016/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Greenwich Meridian - 0° Longitude- No. 2 The River Thames - Late Summer Evening Sun Burnt- High Tide London England United Kingdom Europe, 2016/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Greenwich Meridian - 0° Longitude- No. 3 Dense Afternoon Sea Fog The North Sea Tunstall East Riding of Yorkshire England United Kingdom Europe, 2016/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Greenwich Meridian - The 0° Meridian Longitude - Looking south - Towards the Greenwich Royal Observatory The Royal Observatory Greenwich Park Greenwich The Royal Borough of Greenwich London England U.K. Europe 2016/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Gulf of Mexico Cape San Blas (from the shoreside fortification) Gulf County Florida U.S.A. North America 2009/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Gulf of Mexico Grand Isle Jefferson County Louisiana U.S.A., 2009/2015 North America

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The Gulf of Paria, Playa Macurito, Macuro, Sucre, Venezuela, South America, 2005/2015. The only confirmed site in the continental New World of South America that Christopher Columbus actually set foot on, 4 August 1498. From here he “took possession of

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Gulf of Saint Lawrence and George’s Bay Cape George Antigonish County Nova Scotia Canada North America 2013/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Gulf of Tunis and The Mediterranean Sea-Northeast, The Summit of Cap Bon, #4, Tunisia, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Gulf of Tunis-Northeast, Near El Haqueria (the ancient sea quarry of Carthage), Tunisia, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Happy Man, 1955

Jean Dubuffet

Medium: watercolor and paper collage on paper

Jean DubuffetMuseum of Contemporary Art Chicago
The historic inner, lower, southern mouth of The St. Lawrence River Cap-de-la-Madeleine Gaspé Peninsula Canada North America 2013/2018 With Oskar Strom. Very near the Northmost point of the peninsula.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The House of Blue Light, 1983

Gregory Grenon

Medium: oil, acrylic fiber on Plexiglas and wood

Gregory GrenonTacoma Art Museum
The Hudson River - Looking towards Manhattan Island (and the George Washington Bridge) Fort Lee Historic Park Bergen County New Jersey U.S.A., North America 2016/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The installation "37.1 cont.", 1993

Miroslaw Balka

Medium: variable

Miroslaw BalkaMuseum of Contemporary Art, Los Angeles
The installation "37.1 cont.", 1993

Tom Miller

Medium: variable

Tom MillerMuseum of Contemporary Art, Los Angeles
The installation "37.1 cont.", 1993

Miroslaw Balka

Medium: variable

Miroslaw BalkaMuseum of Contemporary Art, Los Angeles
The installation "37.1 cont.", 1993

Miroslaw Balka

Medium: variable

Miroslaw BalkaMuseum of Contemporary Art, Los Angeles
The installation "37.1 cont.", 1993

Miroslaw Balka

Medium: variable

Miroslaw BalkaMuseum of Contemporary Art, Los Angeles
The installation "37.1 cont.", 1993

Miroslaw Balka

Medium: variable

Miroslaw BalkaMuseum of Contemporary Art, Los Angeles
The Irish Sea Great Ormes Head (2) Conwy Wales The United Kingdom Europe 1992/2015 The Northmost point of mainland Wales

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The James River and The Thorofare Black Point, Jamestowne Island James City County, Virginia, U.S.A. 2009/2014 The site of the first successful English colony in America (1607)

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
The Last Judgement, 1955 - 1959

Frederick Kiesler

Medium: bronze, aluminum, pewter, transparent plastic, goldleaf and steel chains, enamel painted wood and masonite panels and wood and aluminum suspended canopy

Frederick KieslerGuggenheim Museum
The Last Supper on 8 Brave Peas, 1979

Maurie Kerrigan

Medium: carved and painted wooden table and chair

Maurie KerriganSweeney Art Gallery, University of California, Riverside
The Life and Opinions of Tristram Shandy, Gentleman, 1988

John Baldessari

Medium: Set of thirty-nine photo-collages in three volumes with text

John Baldessari
The Lighthouse Series, 1999

Olafur Eliasson

Medium: Color photographs

Olafur Eliasson
The Living Moment, 1961

Clay Spohn

Medium: oil on canvas

Clay SpohnOakland Museum of California
The Massachusetts Dog of The North Atlantic Basin Halibut Point Cape Ann Cape Ann State Park Rockport County Massachusetts U.S.A. 2009/2015 North America The Northeast most point of Continental U.S.A.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The Mediterranean Sea-Near North-most, Cap Blanc, #4, Tunisia , 2004. Very near the North-most point of Africa.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mediterranean Sea-North, Cap Blanc, #1, Tunisia 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mediterranean Sea-North, Cap Blanc, #2,Tunisia, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mediterranean Sea-North, “Little” Cap Blanc, Tunisia, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mediterranean Sea-North, “Little” Ras Angela, #2,Tunisia, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid Atlantic Ocean and The Canal de São Vicente-South , Overlooking Ponta Cães dos Fortes, The Isle of Santo Antão, Ilhas de Barlavento, The Cape Verde Islands, 2004, The South-most point of the island

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid Atlantic Ocean, Cruzinha de Garça, The Isle of Santo Antão, Ilhas de Barlavento, The Cape Verde Islands, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid Atlantic Ocean. Gafeta Point, #4, St. David. The Island of Trinidad, 2005/2006. The Northeast-most point and very near the North-most point of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Key Largo The Florida Keys Monroe County Florida U.S.A. North America 2009/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Location Uncertain Possibly near Punta Prieta (Near the East most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Near Ponta do Tristão (Near the North-most point of The Island) The Isle of Madeira Portugal, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Near Punto Ginés (The West-most point of The Island) The Isle of Lanzarote The Canary Islands Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Ponta da Cruz (The South-most point of The Island) The Isle of Madeira Portugal, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Ponta de Gaivotes The Isle of Madeira (The East-most point of The Island) Portugal, 2002-2003

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Porto da Calheta (The South-most point of The Island) The Madeiran Archipelago Portugal, 2002 This island was Christopher Columbus' home-base of preference during The great sea-faring Era of Exploration.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Porto Moniz (near the North-most point of The Island) The Isle of Madeira Portugal 2002 (part 2, The bottom part, of a 2-part vertical work)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Porto Moniz (Near the North-most point of The Island) The Isle of Madeira Portugal, 2002 (part 1, The top part, of a 2-part vertical work)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Punta de la Calera (The West-most point of The Island) The Isle of La Gomera The Canary Islands Spain, 2002 Very probably The last Old World Land-Fall seen by Columbus and his men in their Westward Sailing on their first

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Punta de San Cristobal - Looking across at Tenerife, (The East-most point of the Island) The Isle of La Gomera The Canary Islands, Spain, 2002 From this site Christopher Columbus and his crew set sail for the first time for

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Mid North Atlantic Ocean Punta del Papagayo (The South-most point of The Island) The Isle of Lanzarote Canary Islands Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean Punta Norte (The North-most point of The Island) The Isle of El Hierro The Canary Islands Spain, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean St. Catherine’s Point, St. George Parish, Bermuda, 2007/2014 The North-most point of Bermuda

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
The Mid North Atlantic Ocean, Cabo de Santa Maria / Cape Santa Maria (2), Long Island, The Bahamas, The Caribbean, 2007/2015, The site of Christopher Columbus’ second landing site in the New World, 17 October 1492.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean, Lin de Guenth, Ponta do Sol, The Isle of Santa Antão, Ilhas de Barlevento, The Cape Verde Islands, 2004, The North-most point of The Cape Verde Islands

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid North Atlantic Ocean-South, South West. Cabo Trafalgfar, Spain. 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mid-North Atlantic Ocean, Ilha do Corvo / The Isle of Corvo, Regioes Autonomas Acores / The Azores, Portugal 2004. The North-most point of the Azorean Archipelago

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Midnight Sun - The Barents Sea – day three - Nordkapp / North Cape, Finnmark, Norway. 2003-2008 ( a three-part work) 71 degrees 10.210’ N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Mocking of Christ

Eugene Delacroix

Medium: graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
The Mocking of Christ

Eugene Delacroix

Medium: graphite on paper

Eugene DelacroixUniversity of Michigan Museum of Art
The mouth of an unnamed stream and the South Atlantic Ocean, Praia / Beach de Pacuiba, Ilhabella / Beautiful Island, São Paulo, Brazil, South America, 2006/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Mouth of the Cooper River Charleston Harbor Mount Pleasant Charleston County South Carolina U.S.A. North America 2009/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Mouth of the Nipigon River and Nipigon Bay at Lake Superior Red Rock Thunder Bay Regional Province Ontario Canada North America, 2010/2017 The Headwaters and Lake Head of the Great Lakes

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Mouth of the Potomac River and Chesapeake Bay Point Lookout St. Mary’s County Maryland U.S.A. North America 2009/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Mouth of the Rio de la Plata The Port of Isla Martin Garcia Isla Martin Garcia Provence de Buenos Aires Argentina, 2006/2015 South America One of the three great South American Rivers to flow into the South Atlantic Ocean.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The Mouth of the Rivière-Saint-Jean and The Mouth of the St. Lawrence River (3) Rivière-Saint-Jean Quebec Canada North America 2013/2016 The historic North Boundary of the Mouth of the St. Lawrence River, set in the 18th century.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
The Mouth of the St. Lawrence River (2) Pointe de l’Ouest/ West Point Anticosti Island Quebec Canada North America 2013/2016 The historic Middle Point of the Mouth of the St. Lawrence River, set in the 18th century.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
The Mouth of the Stetrin River and Englishman’s Bay. St. John, The Island of Tobago, 2005/2006.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The mouth of the York River, At Chesapeake Bay The Yorktown Battle Site, York County, Virginia, U.S.A., 2009/2014, The site of General George Washington’s defeat of the English General Earl Cornwallis and the victory that won the Revolutionary War for

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua CooperCenter for Creative Photography, University of Arizona
The Museum of Post Modern Art, 1982

Alex McFarlane

Medium: milled graphite

Alex McFarlaneThe William Benton Museum of Art, University of Connecticut
The New Dispensation, 2005

Julián Cardona

Medium: Gelatin silver print

Julián CardonaBlanton Museum of Art, University of Texas, Austin
the nominal three (to William of Ockham), 1963

Dan Flavin

Medium: Six flourescent cool white light fixtures

Dan FlavinDia Art Foundation
The North Atlantic Ocean Akraberg The Island of Suduroy The Faroe Islands Denmark, 2007-2008 The South-most point of The Faroe Islands 61° 23.471' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The North Atlantic Ocean Cabo Finisterra / Cabo Fisterra, Costa da Morte Galicia Spain, 2002 (Near the West-most point of mainland Spain) (From This Point, The End of The World, The Apostle, St. James, almost certainly completed his pilgrimage from the

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The North Atlantic Ocean Cabo Finisterre / Cabo Fistera (Near The West-most point of The Country) Costa Da Morte Galicia Spain, 2002 (part 1, The left-hand part, of a 2 part work) From The Holy Land - to The End of the Land, Along The Pilgrim's Path of

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The North Atlantic Ocean Cabo Finisterre / Cabo Fistera (Near The West-most point of The Country) Costa Da Morte Galicia Spain, 2002 (part 2, The right-hand part, of a 2 part work) From The Holy Land - to The End of the Land, Along The Pilgrim's Path of

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The North Atlantic Ocean Cape Race The Avalon Peninsula Newfoundland Canada, 1998/2015 North America The site of the first land-base to receive the May Day distress signal from RMS Titanic 15 April 1912.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The North Atlantic Ocean Dunmore Head County Kerry Ireland Europe 2002/2015 The Westmost point of all Ireland

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The North Atlantic Ocean Home Strand Beach Labrador Canada, 2011/2015 North America Very probably the site mentioned in both Saga of Eric the Red and Vinland Saga as the first Continental Canadian site of Viking settlement in the New World.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The North Atlantic Ocean Race Point Cape Cod National Seashore Provincetown County Massachusetts U.S.A. 2000/2015 North America The North most point of Cape Cod.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The North Atlantic Ocean Siasconset Nantucket Island Nantucket County Massachusetts U.S.A., 2009/2015 North America The east most point of the island

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The North Atlantic Ocean The Denmark Strait Looking towards Greenland Bjargtangar, Vestur-Bardastrandarsysla Vestfirdir Iceland, 2007-2008 The West-most point of Iceland 65° 30.291' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The North Atlantic Ocean, Kötlugrunn, Looking towards The New Lands, Dyrhólaey, Myrdalur, Suderland, Iceland, 2007-2008, The South-most point of Iceland, 63° 24.085' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The North Atlantic Ocean, On Enniberg Summit The Island of Vidoy The Faroe Islands, Denmark, The North-most point of The Faroe Islands, 62° 22.993' N 2007/2008

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The North Channel and The North Atlantic Ocean Benbane Head County Antrim Northern Ireland The United Kingdom Europe 2013/2015 The Northmost point of Northern Ireland

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The North Channel Burr point The Ards Peninsula County Down Northern Ireland The United Kingdom Europe 2013/2015 The Eastmost point of all Ireland.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The North Sea - late evening downpour Ness Point Lowestoft Suffolk England U.K., Europe 2016/2017 The Eastmost point of the U.K.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The North-most Point of Ireland The North Atlantic Ocean Malin Head, County Donegal Ireland, 1986-2002 (The North-most point of mainland Ireland) [Malin]

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The North-most--The Atlantic Ocean, Strathy Point, Sutherland, Scotland, 1991-2001. The North-most point of mainland Great Britain.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Other Vietnam Memorial, 1991

Chris Burden

Medium: steel, aluminum, etched annodized copper plates

Chris BurdenMuseum of Contemporary Art Chicago
The Pacific Ocean/El Océano Pacifico, Punta Marieto, Peninsula de Azuero, Herreia, Panama, Central America, 2007/2015, The South most point of all Central America.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Phoenix (II), 1982

E'wao Kagoshima

Medium: mixed media on paper

E'wao KagoshimaAsian American Arts Centre
The Pillar of Hercules, The Strait of Gibraltar, Looking towards Africa, Punta Europa, Gibraltar, The United Kingdom, 2003-2004, The European Pillars of Hercules

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Pillar of Hercules, The Strait of Gibraltar, Punta Almina, Ceuta, Spain, 2003-2004, The African Pillars of Hercules

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Pillar of Hercules, The Strait of Gibraltar, Punta Grande Europa, Gibraltar, The United Kingdom, 2003-2004, The European Pillars of Hercules

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Pillars of Hercules - Looking towards Africa The Strait of Gibraltar Punta Europa Gibraltar U.K. Europe 2003/2017 One of the two European “Pillars of Hercules”. Part 2 of a 3-part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Pillars of Hercules - Looking towards Africa The Strait of Gibraltar Punta Grande Europa Gibraltar U.K. Europe 2003/2017 One of the two European “Pillars of Hercules”. Part 1 of a 3-part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Pillars of Hercules Looking towards Europe The Strait of Gibraltar Punta Almina Ceuta Spain Africa 2003/2017 The African “Pillar of Hercules”. Part 3 of a 3 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Pilots, 1979

Robert Longo

Medium: lacquered wood over cast aluminum

Robert LongoPortland Art Museum
The Poetry Garden, 1992

Siah Armajani

Medium: courtyard installation: benches, central flower bed, granite stone, gates, trees, grass, paved walkways

Siah ArmajaniBeloit College
The Potomac River - looking down river Mount Vernon, Fairfax County, Virginia, USA 2009/2014 Looking towards the arterial edge of America – east-southeast from George Washington’s home (1754-1799), on the Potomac River.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
The Privet, 1997

John Chamberlain

Medium: Painted mild steel and chromium plated steel

John ChamberlainDia Art Foundation
The Rio Grande The mouth of Boquillas Canyon The Big Bend of The Rio Grande Big Bend National Park Brewster County Texas U.S.A., 1996/2015 - part 2 of a 2-part work North America The Southwest most point of the Continental U.S.A. lies at the apex between

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The Rio Grande The mouth of St. Elena Canyon The Big Bend of The Rio Grande Big Bend National Park Brewster County Texas U.S.A., 1996/2015 - part 1 of a 2-part work North America The Southwest most point of the Continental U.S.A. lies at the apex between

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua Cooper
The Rio Orinoco Estuary and the Gulf of Paria at Boca Grande y Boca del Dragón Punta Narzona Promontario Paria Peninsula de Paria Venezuela, 2005/2015 South America A site on the Mouth of the Rio Orinoco, one of the three great South American Rivers to

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua CooperUniversity of New Mexico Art Museum
The Road to Lanado, 1972

Donald Cole

Medium: sand, tire marks, metal, paint, appliques on canvas

Donald ColePortland Art Museum
The Royal Game

Verne Funk

Medium: glazed ceramic, acrylic paint, Plexiglas case

Verne Funk
The Second of Four Chrome Yellow Diagonals, Lannan Foundation Santa Fe, 1999

Fred Sandback

Medium: graphite on paper

Fred SandbackDia Art Foundation
The Shadow Variation, 1958

Jan Mueller

Medium: pastel and crayon on paper

Jan MuellerMuseum of Contemporary Art, Los Angeles
The Shoreline

Seymour Remenick

Medium: oil on panel

Seymour RemenickSpringfield Museum of Art
The South Atlantic Ocean and Bowl Bay, New Island, The Falkland Islands - Islas Malvinas, The United Kingdom, 2006, The Southwest-most point and very near the West-most point of the Islands

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The South Atlantic Ocean at The Indian Ocean-South, Quoin Point, South Africa, 2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The South Atlantic Ocean, Cape Pembroke, East Falkland Island, The Falkland Islands - Islas Malvinas, The United Kingdom, 2006, The East-most point of the Islands

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The South Atlantic Ocean-Furthest Southwest, The Cape of Good Hope, #2, South Africa, 2004. The Southwest-most point of Continental Africa.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The South Atlantic Ocean. Cape Dolphin. East Falkland Island-Islas Malvinas. The United Kingdom, 2006. Very near The North-most point of The Islands.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The South Atlantic Ocean. Ponta do Calcanhar - "The Corner of the Continent”. Rio Grande do Norte. Brazil, 2006. The Continental South American directional shift of wind currents occurs at this point. The “Bulge of Brazil”, where the wind no longer moves

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The South Atlantic Ocean. Ponta Jose Ignacías. Maldonado, Uruguay, 2006

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The South Atlantic Ocean. Ponte Copacabana. Copacabana Beach. Rio de Janiero, Brazil. 2006 (Part 2, the right-hand part, of a 2 part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
The South Atlantic Ocean. Punta de Arpoador-Harpooneer Point. Ipanema Beach. Rio de Janiero, Brazil, 2006. (Part 1, the left-hand part, of a 2 part work)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
The South Atlantic Ocean. Rockhopper Point. Sea Lion Island. The Falkland Islands-Islas Malvinas. The United Kingdom, 2006. Very near the South-most Point of The Islands.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The South-most Point-The North Atlantic Ocean Mizen head, No. 2 County Cork Ireland, 2002-2003 (The South-most point of Ireland) [Fastnet]

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The South-most Point-The North Atlantic Ocean, Mizen Head, County Cork, Ireland, (The South-most point of mainland Ireland) [Fastnet] 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The St. Lawrence River from an unnamed point Near Gros Marne The Gaspé Peninsula Quebec Canada North America 2013/2016 The Northmost point of Gaspé Peninsula

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
The Storm, 1982

Helmut Middendorf

Medium: acrylic on canvas

Helmut MiddendorfPortland Art Museum
The Story of Calvin Stroller

Michael Train

Medium: three drawings, pen and ink on paper

Michael Train
The Strait of Magellan and the South Atlantic Ocean, Punta Dungeness, Magellanes y Antártica Chilena, Chile, South America, 2006/2015, The southeast most point of mainland Chile.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Street Called Straight, 1970

Harvey Quaytman

Medium: acrylic on canvas

Harvey QuaytmanBerkeley Art Museum, University of California, Berkeley
The Superior Entry - Rising Lake Fog Lake Superior Superior Douglas County Wisconsin U.S.A. North America, 2010/2017 Very near the Westmost point of all the Great Lakes, and of Lake Superior.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea Looking West- The North Channel The Mull of Kintyre (from the lighthouse cliff edge) Argyllshire Scotland The United Kingdom Europe 2013/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Swelling of the Sea The Solway Firth Burrow Head Dumfries and Galloway Scotland U.K., Europe 1990/2017 One of the four Southmost points of Scotland

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Swelling of the Sea – Sun Lit Sea Fog Looking West – towards America and the New World The North Atlantic Ocean From the top of the Mistress Stone The Isle of St. Kilda Outer Hebrides Scotland The United Kingdom Europe 2008/2015 The Westmost point of

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Swelling of the Sea, The Atlantic Ocean, Point Ardnamurchan, Scotland, 1990, West. Western-most point of mainland Britain, looking toward the new world, The Absolute Bastard!!!

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Swelling of the Sea, The North Sea, Buchan Ness, Grampian Region (Buchan), Scotland, 1990, East, part two, the righthand part of a two-part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Swelling of the Sea, The North Sea, Duncansby Head, Caithness, Scotland, 1990, North, part two, the righthand side of a two-part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea, The Pentland Firth, Dunnet Head, Caithness, Scotland, 1990, North

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea, The Solway Firth, The Mull of Galloway, Scotland, 1990, South

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea,The Atlantic Ocean, Ferid Head, Sutherland, Scotland, 1990, North

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea,The Irish Sea, The Mull of Galloway, Scotland, 1990, South

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea,The North Sea, (Thistle Door), Duncansby Head, Caithness, Scotland, 1990, North

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea,The North Sea, Peterhead, Grampian Region (Buchan), Scotland, 1990, East, part one, the lefthand part of a two-part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
The Swelling of the Sea,The Pentland Firth, Duncansby Head, Caithness, Scotland, 1990, North, part one, lefthand part of a two-part work

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Swelling of the Sea,The River Tweed at the North Sea,, Berwick-Upon-Tweed, Old Berwickshire, Scotland, 1990, South

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The Tables, 1986-87

Tom Otterness

Medium: Core Ten steel, bronze

Tom OtternessWhitney Museum of American Art
The takeover by landless peasants of the Giacometti plantation. State of Parana, Brazil, 1996

Sebastiao Salgado

Medium: Black and white photograph

Sebastiao SalgadoMuseo de las Americas
The Thaw, 1981

John Marshall

Medium: sterling silver, acrylic, flourescent lights on wood base

John MarshallMetal Museum
The Thirty Identities of Dr. Pagolo Orsini

Sidney Delevante

Medium: ink, silverleaf, watercolor, tape

Sidney DelevanteJersey City Museum
The Three Graces, 1980

John Obuck

Medium: acrylic, wood and Plexiglas, canvas

John ObuckNew Jersey State Museum
The Three Great Rivers. Sunrise on the Equator-Zeroº degrees latitude - “The River Sea” at The Mouths of El Rio Amazanas – The Amazon River, The mouth of an unnamed stream and The South Atlantic Ocean. Vulture Beach, Ilha Mexicana, Para, Brazil, 2006,

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
The Three Great Rivers. Wind whipped. Looking towards Delta Amacuro-The Orinoco Delta. Gulfo de Paria, Boca Grande and Boca del Dragon-The Dragon's Mouths. Punta Piedras, Promontano de Paria, Peninsula de Paria, Sucre, Venezuela, 2005/2006. During the

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
The Three Great Rivers.Thick Early Morning River Mist. The confluence of the Rio de la Plata. Isla Martín Garcia, Buenos Aires, Argentina, 2006. At the rising of the World’s widest river. (part 3, right hand part, of a 3 part work)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
The Three Sails, The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperCenter for Creative Photography, University of Arizona
The top of the Baltic – looking south The top of The Gulf of Bothnia at the entrance to the Tornea River Estuary and Skomakarfjard. Röyttä Lappi/Lapland Finland Europe 1997/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
The Unconscious, 1952

Dino Predonzani

Medium: oil on canvas

Dino Predonzani
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Unfolding Center, 2010-2013

Susan York

Medium: Graphite on paper

Susan YorkUniversity of New Mexico Art Museum
The Upper Hand, 1982

Lance Kiland

Medium: oil and wax on canvas

Lance KilandMinnesota Museum of American Art
The Ventriloquist, 1981

Rex Lau

Medium: oil on canvas

Rex LauZimmerli Art Museum, Rutgers University
The Virgin's Dream, 1972

Pat Steir

Medium: Oil and pencil on canvas

Pat Steir
The Wall Next Door, 1959

Sartoris

Medium: paint on plaster

Sartoris
The Wandering - From one Circle to another The Antarctic Circle Looking North High Noon at Crystal Sound Bragg Island Graham Land Antarctic Penninsula Antarctica 2008/2017 With Gregg Landreth Part 2 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperUniversity of New Mexico Art Museum
The Wandering - From one Circle to another The Arctic Circle- Looking South Midnight at the Davis Strait Near Illilleq Dronning Ingrid Land Kangertittivaq/Greenland (Denmark) North America 2008/2017 With Jason Roberts Part 1 of a 2 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperUniversity of New Mexico Art Museum
The Wandering, from One Circle to Another Part 2-Midday Sun looking towards the deep South The Antarctic Circle Crystal Sound Bragg Island Bisco Islands, Graham Land Antarctica, 2008 66° 29.0’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Wandering, from One Circle to Another, Part One - Looking South Sudden darkness, Midnight - Just above the Arctic Circle The Davis Strait Sisimiut King Frederik IX Land Greenland, Denmark 66° 55.412' N 2008

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The Waterfall Project, Niagara Falls, Canada/USA, 2007

Olivo Barbieri

Medium: Inkjet print on archival paper

Olivo BarbieriCenter for Creative Photography, University of Arizona
The Winter Solstice - The Sound The Mayflower Steps Plymouth Devon England Great Britain,1998/2015 - part 1 of a 2 part work Europe The Pilgrim Fathers left from here on the Mayflower for their great voyage to America and the New World on 6th September

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin prints

Thomas Joshua CooperNational Library and Galleries of Scotland
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Cape-Portugal, 1994, Punta de Sagres (The Sacred Place)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes- Portugal, Cabo Carvoeiro 1994

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994, Cabo de Sao Vicente (6 am the first day), (The Southwestern-most point of Continental Europe)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994, Cabo Espichel

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994, Cabo Espichel

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994-Cabo de Sao Vicente (6am the next day), The Southwest-most point of Continental Europe

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
The World's Edge, Remembering Magellan-The Atlantic Ocean, Five Capes-Portugal, 1994-Cabo Roca (6am)

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The World's Edge, Remembering Magellan-The North Atlantic Ocean, Five Capes - Cabo de São Vicente Portugal, 1994 (midnight) The Southwest-Most point of Continental Europe

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The World’s Edge -The North Atlantic Ocean and Brandon Bay Brandon Point County Kerry, Ireland, 2002/2014 From this point Saint Brandon The Navigator began his great sixth-century sea voyages of pilgrimage and monastic exploration that, in part, led to

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
The “Pendulum Branch” The Greenwich Meridian- 0° Longitude (No.2) The Royal Observatory Greenwich Greenwich Park The Royal Borough of Greenwich London England U.K. Europe 2016/2018 With Andrew Lee.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Theatre, 1981

Luc Degryse

Medium: graphite on paper

Luc DegryseDennos Museum Center, Northwestern Michigan College
Thick Fog - Looking Toward the Rhine River, The Mouths of The Rivers Thames and Medway The Thames Estuary and The North Sea Sheerness, Isle of Sheppey England, 1998 - 2002 -- light grey --

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Thin Red Line, 1967

Robert Whitman

Robert WhitmanDia Art Foundation
Thinking about my brother David, Rio Dulce / Sweet River, La Boca del Canon / The Mouth of the Canyon, Livingston, Izabal, Guatemala, Central America, 2007/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Thinking of Sophie The ancient oak forrest At Balnakailly Burn very near Balnakailly Bay The Kyles of Bute The Isle of Bute Argyllshire Scotland U.K. Europe 2002/2017 With Sophie Alice Cooper Very near the Northmost point of the island.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Third War Dreams

George Fullard

Medium: painted paper, cork, plaster, wood, metal frame, wheels

George FullardObject not located in 1997
This is Just a Test, 1972

William Wiley

Medium: acrylic on canvas, leather, wire and wood

William WileyMuseum of Contemporary Art Chicago
This Object Does Not Exist *See Notes

Thomas Joshua Cooper

Thomas Joshua Cooper
Thom Wheeler Box, 1976

Thom Wheeler

Medium: wood, aluminum, brass, stone, metal

Thom WheelerFresno Metropolitan Museum of Art and Science
Thomas Lynch, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Thread Painting #2, 2004

Hadi Tabatabai

Medium: Wood, thread, paint

Hadi Tabatabai
Thread Painting #2, 2004

Hadi Tabatabai

Medium: Wood, thread, paint

Hadi Tabatabai
Thread Painting #28, 2009

Hadi Tabatabai

Medium: Wood, thread, and acrylic paint

Hadi Tabatabai
Three boulders - white, grey and black white hot - burning boulder High noon The Snake River Basin Pillar Falls Canyon Twin Falls County Idaho U.S.A. North America 2003/3018 With Toby Jurovics.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Three Heads, 1960

Lester Johnson

Medium: oil on canvas

Lester JohnsonRose Art Museum, Brandeis University
Three Nudes, 1957

Jan Mueller

Medium: oil on panel

Jan MuellerMuseum of Contemporary Art, Los Angeles
Three Red Paintings, 1988

John Baldessari

Medium: vinyl paint on three black and white photographs

John BaldessariMuseum of Contemporary Art, North Miami
Three Texas Waves - Erasing Wave Corpus Christi Bay Indian Point Portland Neucas County Texas U.S.A. North America 2009/2017 With David Jeffery Cooper Part 2 of a 3 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Three Texas Waves - Rolling Wave Galveston Bay and The Gulf of Mexico Fort Travis Galveston County Texas U.S.A. North America 2009/2017 With David Jeffery Cooper Part 1 of a 3 part work

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Throwaway

Gene Hedge

Medium: collage

Gene Hedge
Thrust

Joe Testa-Secca

Medium: acrylic on paper

Joe Testa-SeccaTampa Museum of Art
Thunder Bay Port Lockroy Weincke Island, Palmer Archipelago Graham Land Antarctica, 2008 Very near Base A, the second oldest research site in Antarctica 64° 49’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Tie design, 1951

Salvador Dali

Medium: gouache on matboard

Salvador DaliThe Museum at the Fashion Institute of Technology
Tiered Circle, 1973

Jackie Ferrara

Medium: cotton batting with glue over canvas and plaster

Jackie FerraraMuseum of Contemporary Art Chicago
Tigran the Great, 1980

Zadick Zadikian

Medium: 22 karat gold leaf over cast plaster

Zadick Zadikian
Time Bomb, 1963

Tony Delap

Medium: painted wood, glass, paper

Tony DelapOakland Museum of California
Time Colums

Howard Jones

Medium: paper

Howard JonesPalm Beach State College
Time Diffusion Sculpture

Terry Wilcox

Medium: copper, zinc, marble

Terry WilcoxDennos Museum Center, Northwestern Michigan College
Time Heals, 1982

Keith Milow

Medium: oil, iron and copper powder on canvas

Keith MilowPecos Benedictine Monastery, Our Lady of Guadalupe Abbey
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008-2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Kitchen, Lincoln St, Marfa, 2008/2010

Martha Hughes

Medium: Acrylic on panel

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 1 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 10 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 11 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 12 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 13 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 14 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 15 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 16 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 2 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 3 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 4 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 5 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 6 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 7 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 8 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (October 9 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Timelapse: Lannan, Apartment A, Santa Fe, September 29-October 16, 2013 (Sept 30 2013)

Martha Hughes

Medium: Watercolor on paper

Martha Hughes
Tin, Monreal Well. Arizona, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Tipped Vase, 1978

Jerry Brane

Medium: oil on canvas

Jerry BraneCarnegie Museum of Art
Tivoli, March 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Tivoli, March 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Tivoli, March 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
To and From Damascus, 1975

Norris Embry

Medium: oil on canvasboard

Norris EmbryZimmerli Art Museum, Rutgers University
To Benjamin B., 1980

Howard Tre

Medium: cast glass, copper

Howard TreUniversity of Michigan Museum of Art
To Fritz Lang, 1970

Ralph Humphrey

Medium: acrylic on shaped canvas

Ralph HumphreyCarnegie Museum of Art
Together A17, January, February, March, 2007

Jean-Luc Mylayne

Medium: C-Print

Jean-Luc MylayneUniversity of New Mexico Art Museum
Tomb For My Duck, Bruce

Tony Costanzo

Medium: sheet lead, Kennedy 50 cent pieces over wood

Tony Costanzo
Toncan, 1961

Mark Disuvero

Medium: wood, steel

Mark DisuveroThe Menil Collection
Toni Morrison, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Toothbrush Birthday

Tom Kiechle

Medium: assemblage with wood, wax, toothbrushes, plastic wire, yarn, lace

Tom KiechleOakland Museum of California
Tornado Generator

Linda Threadgill

Medium: sterling silver, copper, brass, plastic, silk, silver

Linda ThreadgillRacine Art Museum, Charles A. Wustum Museum of Fine Arts
Torrential Warm Rain at the mouth of an unnamed stream and the South Atlantic Ocean. Praia de Pacuiba. Ilhabela-Beautiful Island. São Paolo, Brazil, 2006. Very near The North-most point of The Island.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Torso, 1969

Von Breitlung

Medium: ink, watercolor on paper

Von Breitlung
tossed and tumbled, The Antarctic Sound, Cape Dubouzet, Trinity Peninsula, Graham Land, The Antarctic Peninsula, Antarctica, 2008, The Northeast-most point of Continental Antarctica, 63° 16’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Totem

S Mubayi

Medium: carved serpentine

S MubayiThe Salvation Army
Track and Field: Drawing from the Arena, 2003

Cassandra Jones

Medium: Chromira print

Cassandra Jones
Track and Field: Drawing from the Arena, 2003

Cassandra Jones

Medium: Chromira print

Cassandra Jones
Transfixed, 1974

Chris Burden

Medium: lithograph in colors

Chris BurdenMuseum of Contemporary Art, Los Angeles
Tree Branches + A Roundness of Fog

Wendy Vanderbilt

Medium: India ink on illustration board

Wendy Vanderbilt
Tree, Davis Plane, Arizona, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Triad, 1960

Robert M. Fisher

Medium: cast bronze, Plexiglas

Robert M. FisherCarnegie Museum of Art
Trinity Site, 2013

Joanne Lefrak

Medium: Scratched Plexiglas and shadow

Joanne Lefrak
Trinity: Box with Dot, 1999

Kate Shepherd

Medium: Set of three etchings with hard ground and soft ground printed on Somerset velvet paper

Kate ShepherdSheldon Art Association
Trinity: Long Flower Box, 1999

Kate Shepherd

Medium: Set of three etchings with hard ground and soft ground printed on Somerset velvet paper

Kate ShepherdSheldon Art Association
Trinity: Tall Box Leaning, 1999

Kate Shepherd

Medium: Set of three etchings with hard ground and soft ground printed on Somerset velvet paper

Kate ShepherdSheldon Art Association
Trio, 1976

Norris Embry

Medium: oil and colored chalks on canvasboard

Norris EmbrySweeney Art Gallery, University of California, Riverside
Trip, 1958

John Altoon

Medium: oil on canvas

John AltoonMuseum of Contemporary Art, Los Angeles
Triptych, 1962

Richard Artschwager

Medium: wood, Formica

Richard ArtschwagerMuseum of Contemporary Art Chicago
Tristan's Night, 1958

Budd Hopkins

Medium: oil on canvas

Budd HopkinsJersey City Museum
Trophies, 1976

Robert Arneson

Medium: glazed ceramic

Robert ArnesonCarnegie Museum of Art
Truncated Pyramid I, 1973

Jackie Ferrara

Medium: cotton batting with glue over cardboard

Jackie FerraraMuseum of Contemporary Art Chicago
Truncated Pyramid II, 1973

Jackie Ferrara

Medium: cotton batting with glue over cardboard

Jackie FerraraMuseum of Contemporary Art Chicago
TV's and a Hat, 1979

Chris Burden

Medium: mixed media

Chris BurdenMuseum of Contemporary Art Chicago
Twenty-seven people, including women and children, leave Sásabe heading northeast into the Buenos Aires National Wildlife Refuge. Daytime temperatures in the area reach 115 degrees. Sásabe, Sonora, 2004

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseo de las Americas
Twice, 1970

Chris Wilmarth

Medium: 4 pieces of acidized glass, steel wire

Chris WilmarthThe Art Institute of Chicago
Twilight - Looking at Cap Gaspé Remembering Paul Strand Detroit d’Honguedo / The Gulf of St Laurence Cap-des-Rosiers The Gaspé Peninsula Quebec Canada North America 2013/2016

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin

Thomas Joshua Cooper
Twilight-The Mid North Atlantic Ocean, Ponta da Pargo, The Isle of Madeira (The West-most point of the Island) Portugal, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Twisted Dune, El Gran Desierto, Sonora, 2008

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Two Blacks, 1969

Dorothea Rockburne

Medium: wrinkle finish paint on aluminum

Dorothea RockburneCarnegie Museum of Art
Two Candlesticks

Diego Giacometti

Medium: bronze with patina

Diego GiacomettiPhiladelphia Museum of Art
Two Flower Pots with Ash, 1987

Rolf Julius

Medium: clay pots, speakers, ash, walkman with audio tape, wire

Rolf JuliusMuseum of Contemporary Art, North Miami
Two Islands, 1981-1982

Mike Kelley

Medium: acrylic on sheetmetal over wood

Mike KelleyMuseum of Contemporary Art, Los Angeles
Two Lines Oblique, 1968

George Rickey

Medium: stainless steel

George RickeyMuseum of Contemporary Art Chicago
Two Reds, Standing Flower Box, Slight Bend Forward, Line Overlap, 1999

Kate Shepherd

Medium: Oil on wood panel

Kate Shepherd
Two Tables

Diego Giacometti

Medium: bronze

Diego GiacomettiPhiladelphia Museum of Art
U.S. Commissioners and Delegations of Sioux Chiefs Visiting Washington, October 15, 1888

Unknown

Medium: Photograph

UnknownMuseum of Fine Art Houston (MFAH)
Ulysses, James Joyce, 1988

Robert Motherwell

Medium: Etchings in color

Robert MotherwellThe Menil Collection
Umwandlung [Metamorphosis], 1968 (B.11)

Gerhard Richter

Medium: offset lithograph

Gerhard RichterMuseum of Contemporary Art, Los Angeles
Una Lettera da Pasione [A Letter of Passion], 1962

Arnaldo Pomodoro

Medium: bronze

Arnaldo PomodoroIndianapolis Art Center
Uncharted Dangers – Clear, Prime Head Ice Wall Trinity Peninsula, Graham Land The Antarctic Peninsula, Antarctica, The North-most point of Continental Antarctica 63° 13’ S. 2008

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Uncharted Dangers” – Blanketing Dense Fog - The Bransfield Strait The Mouth of The Antarctic Sound Looking towards Prime Head, “Catherine Island” Antarctica, 2008 Looking towards the North-most point of Continental, Antarctica from this newly charted and

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Under the Table at the Donner Party, 1976

Nell Sinton

Medium: photolithograph

Nell SintonOakland Museum of California
Une Lettre [A Letter], 1916

Andre Dunoyer de Segonzac

Medium: ink on paper

Andre Dunoyer de SegonzacBlanton Museum of Art, University of Texas, Austin
unexpected calm The Bransfield Strait Cape Juncal d’Urville Island Graham Land Antarctica, 2008 The North-most point of the Antarctic Peninsular “shield” islands 62°58.4' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Unexpected darkness, Golfo de Mexico / The Gulf of Mexico, Punta Roca Partida / Broken Rock Point (2) Veracruz, Mexico, North America, 2007/2015

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Unexpected daybreak – sudden sunrise The Lake of the Woods American Point, Penasse Island, The Northweast Angle Lake of the Woods County, Minnesota, U.S.A. 2010/2014 The Northmost point of Continental U.S.A. The only part of Continental U.S.A. to extend

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide gelatin silver print

Thomas Joshua Cooper
Unexpected Nightfall -- The Mid North Atlantic Ocean Porto Moniz The Isle of Madeira (Near the North-most point of The Island) Portugal, 2002

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
unknown

Frederick Kiesler

Medium: photo-offset poster

Frederick KieslerGuggenheim Museum
Unknown (from the Mexico portfolio) De Capo Press, 1967

Paul Strand

Medium: Photogravure

Paul Strand
Unknown (from the Mexico portfolio) De Capo Press, 1967

Paul Strand

Medium: Photogravure

Paul StrandMuseum of Contemporary Photography, Columbia College Chicago
Unknown Soldier, 1982

Martin Disler

Medium: oil on canvas

Martin DislerPortland Art Museum
unoe 03, 2009

Josef Schulz

Medium: Pigment print

Josef SchulzSan Antonio Museum of Art
Unpublished Poem

Robert Frost

Robert Frost
Unterwelt, 1981

Ann McCoy

Medium: pencil on paper

Ann McCoySweeney Art Gallery, University of California, Riverside
Untitled

Robert Goodnough

Medium: oil on canvas

Robert GoodnoughSpringfield Museum of Art
Untitled

John Grillo

Medium: Oil on canvas

John Grillo
Untitled

Andres Alfaro

Medium: screenprint with black ink on paper

Andres AlfaroGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Andre Derain

Medium: Conte crayon on paper

Andre DerainUniversity of Michigan Museum of Art
Untitled

Bill Moss

Medium: ink, watercolor on paper

Bill MossHouse of Hope
Untitled

Robert Goodnough

Medium: watercolor and pencil on paper

Robert GoodnoughThe William Benton Museum of Art, University of Connecticut
Untitled

Henri Pfieffer

Medium: watercolor on paper

Henri PfiefferCarnegie Museum of Art
Untitled

Andres Alfaro

Medium: screenprint with black ink on paper

Andres AlfaroGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Ed Ross

Medium: gouache and ink on paper

Ed RossDennos Museum Center, Northwestern Michigan College
Untitled

Andre Derain

Medium: charcoal on paper

Andre DerainUniversity of Michigan Museum of Art
Untitled

Harry Bertoia

Medium: bronze

Harry BertoiaUniversity of Michigan Museum of Art
Untitled

Forrest Myers

Medium: cast bronze

Forrest MyersDennos Museum Center, Northwestern Michigan College
Untitled

Henri Pfieffer

Medium: watercolor on paper

Henri PfiefferCarnegie Museum of Art
Untitled

Andres Alfaro

Medium: screenprint with black ink on paper

Andres AlfaroGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Sha Sha Higby

Medium: wood, silk, paint, cotton thread

Sha Sha HigbyOakland Museum of California
Untitled

Felix Roulin

Medium: steel, bronze, chrome

Felix RoulinDennos Museum Center, Northwestern Michigan College
Untitled

Henri Pfieffer

Medium: watercolor on paper

Henri PfiefferHouse of Hope
Untitled

Sha Sha Higby

Medium: wood, silk, paint, cotton thread

Sha Sha HigbyOakland Museum of California
Untitled

Jean Rudokas

Medium: wood, paint, bird, plastic, brass

Jean RudokasOakland Museum of California
Untitled

Lorna Simpson

Medium: lithograph on felt

Lorna SimpsonThe Art Institute of Chicago
Untitled

Robert Brady

Medium: ceramic

Robert BradyPalm Beach State College
Untitled

Hans Hofmann

Medium: oil on canvasboard

Hans HofmannUniversity of Michigan Museum of Art
Untitled

Jean Rudokas

Medium: wood, mouse head, bird head, paper, paint, cotton

Jean RudokasOakland Museum of California
Untitled

Robert Brady

Medium: ceramic

Robert BradyPalm Beach State College
Untitled

Ernest “Popeye” Reed

Medium: sandstone

Ernest “Popeye” ReedThe Salvation Army
Untitled

Jean Rudokas

Medium: wood, glass, photograph, felt, marine life in formaldehyde

Jean RudokasOakland Museum of California
Untitled

Gwen Widmer

Medium: paper, acrylic, twigs, feathers, string

Gwen WidmerObject not located in 1997
Untitled

Robert Brady

Medium: ceramic

Robert BradyPalm Beach State College
Untitled

Mary Cassat

Medium: graphite on paper

Mary CassatUniversity of Michigan Museum of Art
Untitled

Stephen Pace

Medium: oil on canvas

Stephen PaceZimmerli Art Museum, Rutgers University
Untitled

George Grosz

Medium: pen and black ink on paper

George GroszUniversity of Michigan Museum of Art
Untitled

Ernest “Popeye” Reed

Medium: sandstone

Ernest “Popeye” ReedThe Salvation Army
Untitled

Budd Hopkins

Medium: oil on two sides of paper

Budd HopkinsUniversity of New Mexico Art Museum
Untitled

Kiki Smith

Medium: lithograph in colors

Kiki SmithUniversity of Michigan Museum of Art
Untitled

Yvonne Thomas

Medium: colored chalks on paper

Yvonne ThomasSpringfield Museum of Art
Untitled

Jaraslov Cermak

Medium: blown glass

Jaraslov CermakPalm Beach State College
Untitled

George Grosz

Medium: ink and watercolor on paper

George GroszUniversity of Michigan Museum of Art
Untitled

Murray Reich

Medium: acrylic on canvas

Murray ReichSweeney Art Gallery, University of California, Riverside
Untitled

Robert Thompson

Medium: oil on wood

Robert ThompsonMuseum of Contemporary Art, Los Angeles
Untitled

John Chamberlain

Medium: paperbag, foil, painted resin

John ChamberlainUniversity of Michigan Museum of Art
Untitled

Francisco Molina

Medium: ink and paper collage on paper

Francisco MolinaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Julio Zachrisson

Medium: etching on paper

Julio ZachrissonGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Isamu Noguchi

Medium: Pencil on paper

Isamu NoguchiThe Isamu Noguchi Foundation and Garden Museum
Untitled

Sylvia Guirey

Medium: acrylic on woven hemp

Sylvia GuireyObject not located in 1997
Untitled

Luis Saez

Medium: pencil, crayon on paper

Luis SaezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Dylan

Medium: oil on masonite in artist's frame

DylanHouse of Hope
Untitled

Julio Zachrisson

Medium: etching on paper

Julio ZachrissonGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Lucio Fontana

Medium: torn and scratched paper

Lucio FontanaThe Art Institute of Chicago
Untitled

James Brown

Medium: acrylic on paper

James BrownGrunwald Center for the Graphic Arts, Hammer Museum, University of California, Los Angeles
Untitled

David Novros

Medium: ink on paper

David NovrosBlanton Museum of Art, University of Texas, Austin
Untitled

Sylvia Guirey

Medium: acrylic on linen

Sylvia GuireyObject not located in 1997
Untitled

Elizabeth MacDonald

Elizabeth MacDonaldPalm Beach State College
Untitled

Tom Wudl

Medium: porcelain plaque

Tom WudlOakland Museum of California
Untitled

Phillip Evergood

Medium: pen and ink on paper

Phillip EvergoodFarnsworth Art Museum
Untitled

Julio Zachrisson

Medium: etching on paper

Julio ZachrissonGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Lucio Fontana

Medium: torn and scratched paper

Lucio FontanaThe Art Institute of Chicago
Untitled

Jean Tinguely

Medium: collage of scotch tape, masking tape,pencil, aluminum foil on paper

Jean TinguelyUniversity of Michigan Museum of Art
Untitled

Sylvia Guirey

Medium: acrylic on linen

Sylvia GuireyObject not located in 1997
Untitled

Rochester Folk Art Guild

Rochester Folk Art Guild Palm Beach State College
Untitled

Luis Saez

Medium: pencil, crayon on paper

Luis SaezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Cheung Yee

Medium: copper, aluminum, wood

Cheung YeeCarnegie Museum of Art
Untitled

Julio Zachrisson

Medium: etching on paper

Julio ZachrissonGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Lucio Fontana

Medium: torn and scratched paper

Lucio FontanaThe Art Institute of Chicago
Untitled

Jean Tinguely

Medium: felt pen, pencil, watercolor on paper

Jean TinguelyUniversity of Michigan Museum of Art
Untitled

Sylvia Guirey

Medium: acrylic on burlap

Sylvia GuireyObject not located in 1997
Untitled

Rochester Folk Art Guild

Rochester Folk Art Guild Palm Beach State College
Untitled

Steve Keister

Medium: acrylic paint, suede, leather, foil on wood

Steve KeisterWhitney Museum of American Art
Untitled

Julio Zachrisson

Medium: etching on paper

Julio ZachrissonGodwin-Ternbach Museum, Queens College, City University of New York
Untitled

Sylvia Guirey

Medium: acrylic on woven cotton string and hemp twine

Sylvia GuireyObject not located in 1997
Untitled

Rochester Folk Art Guild

Rochester Folk Art Guild Palm Beach State College
Untitled

Auguste Rodin

Medium: graphite on paper

Auguste RodinUniversity of Michigan Museum of Art
Untitled

After Honore Daumier

Medium: graphite on colored paper

After Honore Daumier University of Michigan Museum of Art
Untitled

Kevin Kobus

Medium: acrylic on plaster and wood

Kevin KobusDennos Museum Center, Northwestern Michigan College
Untitled

Maurice de Vlaminck

Medium: gouache on paper mounted on canvas

Maurice de VlaminckUniversity of Michigan Museum of Art
Untitled #1, 1980

Max Cole

Medium: Etching

Max Cole
Untitled #1, 2006

Leslie Wilkes

Medium: Gouache on paper

Leslie Wilkes
Untitled #16, 2006

Leslie Wilkes

Medium: Gouache on paper

Leslie Wilkes
Untitled #2, 1980

Max Cole

Medium: Etching

Max Cole
Untitled #202, 1997

Florence Miller Pierce

Medium: Resin on Plexiglas mirror

Florence Miller PierceSan Antonio Museum of Art
Untitled #277, 4/3/98

Florence Miller Pierce

Medium: Resin on plexiglass mirror

Florence Miller Pierce
Untitled #283, 5/8/98

Florence Miller Pierce

Medium: Resin on plexigalss mirror

Florence Miller Pierce
Untitled #3, 1980

Max Cole

Medium: Etching

Max Cole
Untitled #36, 2002

Emi Winter

Medium: Oil on masonite

Emi WinterUniversity of New Mexico Art Museum
Untitled #55, 2014

Laura Letinsky

Medium: Archival pigment print on Hahnemule paper

Laura Letinsky
Untitled #7, 2006

Leslie Wilkes

Medium: Gouache on paper

Leslie WilkesMuseum of Fine Art Houston (MFAH)
Untitled #8, 2006

Leslie Wilkes

Medium: Gouache on paper

Leslie Wilkes
Untitled (#5), 2014

Max Cole

Medium: Ink and acrylic on Arches rag paper

Max Cole
Untitled (166), 1986

Cindy Sherman

Medium: color photograph

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled (98.8), 1998

Uta Barth

Medium: Color photographs on panels

Uta BarthMuseum of Contemporary Art San Diego
Untitled (98.8), 1998

Uta Barth

Medium: Color photographs on Sintra panels

Uta BarthMuseum of Contemporary Art San Diego
Untitled (Alaska pipeline, Dalton Highway, Mile 298), 2003

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Alaskan pipeline at Atigun Pass, Brooks Range, Alaska), 2003

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNational Gallery of Art
Untitled (Antarctica, 05 February 2009 00:21:17 GMT), from The Polar Project

Erika Blumenfeld

Medium: Digital pigment print

Erika BlumenfeldUniversity of New Mexico Art Museum
Untitled (Antarctica, 09 February 2009 22:09:26 GMT), from The Polar Project

Erika Blumenfeld

Medium: Digital pigment print

Erika Blumenfeld
Untitled (Antarctica, 16 February 2009 16:29:05 GMT), from The Polar Project

Erika Blumenfeld

Medium: Digital pigment print

Erika BlumenfeldUniversity of New Mexico Art Museum
Untitled (Antarctica, 21 February 2009 09:27:40 GMT), from The Polar Project

Erika Blumenfeld

Medium: Digital pigment print

Erika BlumenfeldUniversity of New Mexico Art Museum
Untitled (Antarctica, 21 February 2009 16:18:44 GMT), from The Polar Project

Erika Blumenfeld

Medium: Digital pigment print

Erika BlumenfeldUniversity of New Mexico Art Museum
Untitled (Antarctica, 31 January 2009 22:36:30 GMT), from The Polar Project

Erika Blumenfeld

Medium: Digital pigment print

Erika BlumenfeldUniversity of New Mexico Art Museum
Untitled (Arsenic), 2001 (JM40)

John Meyer

Medium: Orpiment (arsenic) tempera on walnut

John Meyer
Untitled (Asymmetrical Bar, no. 1, 5.2.07), 2007

Susan York

Medium: Graphite on Arches paper 88

Susan YorkMuseum of Fine Art Houston (MFAH)
Untitled (Asymmetrical Bar, no. 4), 2007

Susan York

Medium: Solid graphite

Susan York
Untitled (Asymmetrical Form, no. 1), 2007

Susan York

Medium: Solid graphite

Susan YorkMuseum of Fine Art Houston (MFAH)
Untitled (Asymmetrical form, no. 1, 10.2.07), 2007

Susan York

Medium: Graphite on Arches paper 88

Susan YorkMuseum of Fine Art Houston (MFAH)
Untitled (black and white), 2001 (JM25)

John Meyer

Medium: Tempera on oak

John Meyer
Untitled (black and white), 2001 (JM25)

John Meyer

Medium: Tempera on oak

John Meyer
Untitled (Boquillas del Carmen), Big Bend National Park, Texas, 2009

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNelson-Atkins Museum of Art
Untitled (Boquillas del Carmen), Big Bend National Park, Texas, 2009

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNelson-Atkins Museum of Art
Untitled (Border fence near Naco, AZ), 2010

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNational Gallery of Art
Untitled (bowling ball)

Mike Kelley

Medium: Bowling ball, shirt in bolwing bag

Mike KelleyCenter for Curatorial Studies, Bard College
Untitled (Boy in Chair), 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Untitled (Building site and grass, Cranbury, New Jersey), 2000

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisMuseum of Contemporary Photography, Columbia College Chicago
Untitled (Celadon truck line, Laredo, Texas), 2000

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (ceramic)

Nick Wood

Medium: ceramic

Nick WoodPalm Beach State College
Untitled (Check 2), 1985

Sherrie Levine

Medium: casein on mahogany panel

Sherrie LevineThe Art Institute of Chicago
Untitled (Children in Strollers), 2006

Julián Cardona

Medium: Gelatin silver print

Julián CardonaMuseum of Contemporary Photography, Columbia College Chicago
Untitled (Cinnabar), 2001 (JM39)

John Meyer

Medium: Cinnabar tempera on walnut

John Meyer
Untitled (Coaldale, Pennsylvania), 2007

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNational Gallery of Art
Untitled (Crater ring with boulders, Mountain Home, Idaho), 2008

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisUniversity of New Mexico Art Museum
Untitled (Damsel pointing at penis), n.d.

William Fielding

Medium: ink, watercolor, pencil on paper

William FieldingMuseum of Sex
Untitled (Damsel pulling on penis of a Knight), n.d.

William Fielding

Medium: ink, watercolor, pencil on paper

William FieldingMuseum of Sex
Untitled (Dandelions, Monemenie, Wisconsin), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisMuseum of Contemporary Photography, Columbia College Chicago
Untitled (Distant orange trucks docked with cornfield, Janesville, Wisconsin), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Distant steam vents, Yellowstone), 2008

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNational Gallery of Art
Untitled (Distant train with plains, Gillette, Wyoming), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Distant view from Cristo Rey, Sunland Park, NM), from the Border Series, 2010

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisUniversity of New Mexico Art Museum
Untitled (Drill site with tundra-distant view, Prudhoe Bay, Alaska), 2003

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Dummy in Stairwell)

Laurie Simmons

Medium: color photograph

Laurie SimmonsMuseum of Contemporary Art Chicago
Untitled (El pan nuestro de Ramón Frade), 2017

Aby Ruiz

Medium: oil on canvas

Aby Ruiz
Untitled (Faceless Faces), 1963

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Untitled (Farm with Workers), Jacumba, California, 2010

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisHood Museum of Art, Dartmouth College
Untitled (female breast)

Lucien Clergue

Medium: gelatin silver photograph

Lucien ClergueCarnegie Museum of Art
Untitled (female head), 1936

Henri Matisse

Medium: pen and ink on paper

Henri MatisseUniversity of Michigan Museum of Art
Untitled (Five trucks, moving train, New Carlisle, Indiana), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisCenter for Creative Photography, University of Arizona
Untitled (Flaming Gorge near Dutch John, Utah), 2007

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (four painted heads with hats)

Scott Miller

Medium: acrylic and screen print on aluminum on wood

Scott MillerJersey City Museum
Untitled (from God Games)

Unknown

Medium: acrylic on canvas

Unknown
Untitled (Garbage), 2006

Julián Cardona

Medium: Gelatin silver print

Julián CardonaUniversity of New Mexico Art Museum
Untitled (Gillette, Wyoming), 2007

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Hercules Gap, Ely, Nevada), 2004

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Il Pastore), 1948 etching, 1948

Giacomo Manzu

Medium: etching, signed in pencil

Giacomo ManzuKrannert Art Museum, University of Illinois Urbana-Champaign
Untitled (Isometric of DIA Art Foundation, 155 Mercer Street, New York), c. 1989

Fred Sandback

Medium: pencil and pastel on paper

Fred SandbackDia Art Foundation
Untitled (Kilauea Caldera-distant, Hawaii), 2005

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (La Famiglia), 1948

Giacomo Manzu

Medium: etching, signed in pencil

Giacomo ManzuKrannert Art Museum, University of Illinois Urbana-Champaign
Untitled (landscape), 1940

Arnold Friedman

Medium: oil on fiberboard

Arnold FriedmanZimmerli Art Museum, Rutgers University
Untitled (Lapis), 2001 (JM41)

John Meyer

Medium: Lapis lazuli tempera on walnut

John Meyer
Untitled (Last Light), 1993

Félix González-Torres

Medium: 24 light bulbs, extension cord, plastic light sockets, dimmer switch

Félix González-TorresThe Art Institute of Chicago
Untitled (Marfa Landscape Series)

Alain Clement

Medium: Sun-developed photograph toned with gold chloride

Alain Clement
Untitled (Marfa Landscape Series)

Alain Clement

Medium: Sun-developed photograph toned with gold chloride

Alain Clement
Untitled (Marfa Landscape Series)

Alain Clement

Medium: Sun-developed photograph toned with gold chloride

Alain Clement
Untitled (Marfa Landscape Series)

Alain Clement

Medium: Sun-developed photograph toned with gold chloride

Alain Clement
Untitled (Marfa Landscape Series)

Alain Clement

Medium: Sun-developed photograph toned with gold chloride

Alain Clement
Untitled (Marfa Landscape Series)

Alain Clement

Medium: Sun-developed photograph toned with gold chloride

Alain Clement
Untitled (Mexican Notebook), 1984

Tom Otterness

Medium: ink and frisket on four sheets of graph paper

Tom OtternessWhitney Museum of American Art
Untitled (Mexican Notebook), 1984

Tom Otterness

Medium: ink and frisket on graph paper

Tom OtternessWhitney Museum of American Art
Untitled (Near Echo Canyon-East, Utah), 2007

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNelson-Atkins Museum of Art
Untitled (Near Echo Canyon-West, Utah), 2007

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNelson-Atkins Museum of Art
Untitled (Notebook Drawings), 1984

Tom Otterness

Medium: ink on four sheets of notebook paper

Tom OtternessWhitney Museum of American Art
Untitled (ocean), 1968

Vija Celmins

Medium: pencil on paper

Vija CelminsThe Art Institute of Chicago
Untitled (Orange Schneider, Fort Worth, Texas), 2000

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisMuseum of Fine Art Houston (MFAH)
Untitled (painted head)

Scott Miller

Medium: acrylic on wood

Scott MillerHouse of Hope
Untitled (Petrified Forest near Holbrook, Arizona), 2004

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisMuseum of Contemporary Photography, Columbia College Chicago
Untitled (Plate Study), 1986

Tom Otterness

Medium: ink on paper

Tom OtternessWhitney Museum of American Art
Untitled (Portrait of Wallace Berman), 1974

Wallace Berman

Medium: acrylic on paper

Wallace BermanWhitney Museum of American Art
Untitled (Portrait of Wallace Berman), 1974

Wallace Berman

Medium: acrylic on paper

Wallace BermanWhitney Museum of American Art
Untitled (Portrait of Wallace Berman), 1974

Wallace Berman

Medium: acrylic on paper

Wallace BermanWhitney Museum of American Art
Untitled (Portrait of Wallace Berman), 1974

Wallace Berman

Medium: acrylic on paper

Wallace BermanWhitney Museum of American Art
Untitled (Portraits of Jay De Feo), 1959

Wallace Berman

Medium: gelatin silver photographs

Wallace BermanWhitney Museum of American Art
Untitled (Potash mine-distant view, Wendover, Utah), 2004

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNational Gallery of Art
Untitled (Rally), 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Untitled (Ralph Muller), 1986

Thomas Ruff

Medium: color photograph in artist's frame

Thomas RuffThe Art Institute of Chicago
Untitled (Reaper Drone), 2013

Trevor Paglen

Medium: chromogenic print

Trevor Paglen
Untitled (Red containers, wet ground, Fort Worth, Texas), 2000

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisNational Gallery of Art
Untitled (Red, green, silver train cars, Upton, Wyoming), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (road dividing charred land), Fort Davis, TX, 2011

Victoria Sambunaris

Medium: C-Print

Victoria Sambunaris
Untitled (Santa Elena Canyon), Big Bend National Park, Texas, 2010

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Schellmann 207-210V)

Donald Judd

Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata (vertical)

Donald JuddDia Art Foundation
Untitled (Schellmann 207-210V)

Donald Judd

Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata (vertical)

Donald JuddDia Art Foundation
Untitled (Schellmann 207-210V)

Donald Judd

Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata

Donald JuddDia Art Foundation
Untitled (Schellmann 207-210V)

Donald Judd

Medium: Four woodcuts printed in earth green on Japanese laid paper Mitsumata

Donald JuddDia Art Foundation
Untitled (Schellmann 219-222H)

Donald Judd

Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma

Donald JuddDia Art Foundation
Untitled (Schellmann 219-222H)

Donald Judd

Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma

Donald JuddDia Art Foundation
Untitled (Schellmann 219-222H)

Donald Judd

Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma

Donald JuddDia Art Foundation
Untitled (Schellmann 219-222H)

Donald Judd

Medium: Four woodcuts printed in Venetian red on Japanese laid paper Mitsuma

Donald JuddDia Art Foundation
Untitled (Sculptural Study, Black Wall Relief), 2003/2006

Fred Sandback

Medium: acrylic paint on wood

Fred SandbackNational Gallery of Art
Untitled (Sculptural Study, Terra-cotta Wall Relief), 2003/2006

Fred Sandback

Medium: acrylic paint on wood

Fred SandbackBlanton Museum of Art, University of Texas, Austin
Untitled (Sculptural Study, White Wall Relief), 2003/2006

Fred Sandback

Medium: acrylic paint on wood

Fred Sandback
Untitled (Skewed Square, no. 4, 27.1.07), 2007

Susan York

Medium: Graphite on Arches paper 88

Susan York
Untitled (Sleeping Woman), 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Untitled (Snow Geese), 2004

Carole Devillers

Medium: Color photograph

Carole DevillersCenter for Economic Research and Social Change
Untitled (Table Study), 1986

Tom Otterness

Medium: colored pencils and oil stick on paper

Tom OtternessWhitney Museum of American Art
Untitled (The Tables), 1991

Tom Otterness

Medium: charcoal on five sheets of paper mounted on Tycore and plywood

Tom OtternessWhitney Museum of American Art
Untitled (Train and highway, Janesville, Wisconsin), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisCenter for Creative Photography, University of Arizona
Untitled (Train on salt flats, Great Salt Lake Desert, Utah), 2002

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Train with tall grass, North Platte, Nebraska), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisSheldon Art Association
Untitled (Travertine, Yellowstone), 2008

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Trucks and tags, Des Moines, Iowa), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisUniversity of New Mexico Art Museum
Untitled (two painted heads)

Scott Miller

Medium: acrylic and screen print on aluminum on wood

Scott MillerJersey City Museum
Untitled (Two trucks, train, water, New Carlisle, Indiana), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisCenter for Creative Photography, University of Arizona
Untitled (Uranium tailings, Mexican Hat, Utah), 2005

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisHood Museum of Art, Dartmouth College
Untitled (Uranium tailings, Mexican Hat, Utah), 2005

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisHood Museum of Art, Dartmouth College
Untitled (vase), 1981

Keith Haring

Medium: ink marker on fiberglass

Keith HaringThe Art Institute of Chicago
Untitled (vase), 1981

Keith Haring

Medium: ink marker on fiberglass

Keith HaringThe Art Institute of Chicago
Untitled (Warehouse with sand, El Paso, Texas), 2002

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (Wendover, Utah), 2007

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (White containers with scum, Newton, Iowa), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria Sambunaris
Untitled (White trucks docked with water, New Carlisle, Indiana), 2001

Victoria Sambunaris

Medium: Chromogenic print

Victoria SambunarisCenter for Creative Photography, University of Arizona
Untitled (Woman on Horse), 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Untitled (Woman with U.S. Flag), 2006

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Untitled - Early November 1961, 1961

Lucas Samaras

Medium: pastel on paper

Lucas SamarasThe Art Institute of Chicago
Untitled - February 16, 1961, 1961

Lucas Samaras

Medium: pastel on paper

Lucas SamarasThe Art Institute of Chicago
Untitled 1957, 2010

Patrick McFarlin

Medium: graphite on Bristol board

Patrick McFarlin
Untitled 2, 1981

Kevin Cannon

Medium: dyed and painted leather, metal

Kevin CannonHarwood Museum, University of New Mexico
Untitled 2, 1983

Louis Renzoni

Medium: acrylic on canvas

Louis RenzoniDennos Museum Center, Northwestern Michigan College
Untitled 3, 1983

Louis Renzoni

Medium: acrylic on canvas

Louis RenzoniMuseum of Sex
Untitled 3/7/91, 1991

Bill Komoski

Medium: acrylic, modeling paste on canvas

Bill KomoskiMuseum of Contemporary Art San Diego
Untitled 4, 1983

Louis Renzoni

Medium: acrylic on canvas

Louis RenzoniMuseum of Sex
Untitled 5

Louis Renzoni

Medium: acrylic on canvas

Louis RenzoniThe William Benton Museum of Art, University of Connecticut
Untitled Drawing with Dog, 1975

Ken Feldsott

Medium: gouache, graphite on paper

Ken FeldsottOakland Museum of California
Untitled Film Still 14, 1978

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled Film Still, 1979

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled Film Still, 8, 1978

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled Film Still, 9

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled from PoÈsie de Mots inconnu: Two Impressions (see D, book 26)

Henri Matisse

Medium: one linocut in black, one linocut in red, both signed in pencil

Henri MatisseUniversity of Michigan Museum of Art
Untitled From the URBAN INTERVENTIONS, ROSARIO, ARGENTINA series, 2001-2004

Fernando Traverso

Medium: Epson digital print from film transparency

Fernando Traverso
Untitled No. 1, 1956-1959

Ronald Bladen

Medium: oil on masonite

Ronald BladenSan Francisco Museum of Modern Art
Untitled No. 26, 1973

Larry Poons

Medium: acrylic on canvas

Larry PoonsCarnegie Museum of Art
Untitled No. 4, 1956-1959

Ronald Bladen

Medium: oil on masonite

Ronald BladenSan Francisco Museum of Modern Art
Untitled Participation Sculpture, 1967

Judy Chicago

Medium: gold-plated, milled steel

Judy ChicagoUniversity of Michigan Museum of Art
Untitled Pill, 1967

Terry O'Shea

Medium: polyester resin, cast, transparent dyes

Terry O'SheaObject not located in 1997
Untitled Standing Figure 1, 1982

Manuel Neri

Medium: enamel paint on cast bronze

Manuel NeriSan Francisco Museum of Modern Art
Untitled WG3

Kevin Cannon

Medium: painted and dyed leather, metal

Kevin CannonHarwood Museum, University of New Mexico
Untitled [Etat: MarchÈ et ouvert and concentrÈ]

Jean Tinguely

Medium: ink, felt pen, pencil on 2 attached sheets of paper

Jean TinguelyUniversity of Michigan Museum of Art
Untitled, (8/16/89)

Bill Komoski

Medium: acrylic, modeling paste on canvas

Bill KomoskiDennos Museum Center, Northwestern Michigan College
Untitled, (Cargo ship, Seaboard Ranger, Liberia) Houston Ship Channel, Texas, 2015

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria SambunarisCenter for Creative Photography, University of Arizona
Untitled, (Container ship, CMA CGM Kingfish, Liberia), 2016

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria Sambunaris
Untitled, (Container ship, London Express, Germany), Houston Ship Channel, Texas, 2015

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria Sambunaris
Untitled, (Crude oil tanker, Advantage Avenue, Marshall Islands), 2016

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria Sambunaris
Untitled, (Crude oil tanker, Eagle Stealth, Marshall Islands), 2016

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria Sambunaris
Untitled, (General cargo, Tanto Bagus, formally UAL Coburg, Indonesia), 2016

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria SambunarisMuseum of Fine Art Houston (MFAH)
Untitled, (General cargo, Wieniawski, Malta), 2016

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria SambunarisCenter for Creative Photography, University of Arizona
Untitled, (Oil products tanker, FSL Osaka, formally Seven Express, Singapore), 2015

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria Sambunaris
Untitled, (Oil/chemical tanker, Nordic Lynx, Norway), 2016

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria SambunarisMuseum of Fine Art Houston (MFAH)
Untitled, (Oil/chemical tanker, Overseas Tampa, USA) Houston Ship Channel, Texas, 2015

Victoria Sambunaris

Medium: Archival pigment print mounted on dibond

Victoria SambunarisMuseum of Fine Art Houston (MFAH)
Untitled, (Trains crossing estuarial corridor), (#1 of 5), Virginia Point, Texas, 2015

Victoria Sambunaris

Medium: Chromogenic print mounted on white Plexiglas

Victoria Sambunaris
Untitled, (Trains crossing estuarial corridor), (#2 of 5), Virginia Point, Texas, 2015

Victoria Sambunaris

Medium: Chromogenic print mounted on white Plexiglas

Victoria Sambunaris
Untitled, (Trains crossing estuarial corridor), (#3 of 5), Virginia Point, Texas, 2015

Victoria Sambunaris

Medium: Chromogenic print mounted on white Plexiglas

Victoria Sambunaris
Untitled, (Trains crossing estuarial corridor), (#4 of 5), Virginia Point, Texas, 2015

Victoria Sambunaris

Medium: Chromogenic print mounted on white Plexiglas

Victoria Sambunaris
Untitled, (Trains crossing estuarial corridor), (#5 of 5), Virginia Point, Texas, 2015

Victoria Sambunaris

Medium: Chromogenic print mounted on white Plexiglas

Victoria Sambunaris
Untitled, 1925

Phillip Evergood

Medium: pencil on paper

Phillip EvergoodFarnsworth Art Museum
Untitled, 1949

John McLaughlin

Medium: oil on board

John McLaughlinMuseum of Contemporary Art, Los Angeles
Untitled, 1952

Rune Jansson

Medium: crayon on paper

Rune Jansson
Untitled, 1954

Rune Jansson

Medium: colored chalks on colored paper

Rune Jansson
Untitled, 1954

Morris Louis

Medium: Acrylic on unsized canvas

Morris Louis
Untitled, 1954

Morris Louis

Medium: Acrylic on canvas

Morris LouisAmon Carter Museum of American Art
Untitled, 1954

Morris Louis

Medium: Acrylic on canvas

Morris LouisThe Menil Collection
Untitled, 1954

Edward Dugmore

Medium: oil on canvas

Edward DugmoreHirshhorn Museum and Sculpture Garden
Untitled, 1954

Morris Louis

Medium: Acrylic on canvas

Morris LouisSheldon Art Association
Untitled, 1954

Morris Louis

Medium: Oil on canvas

Morris LouisSheldon Art Association
Untitled, 1954

Pedro Oraa

Medium: ink on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1955

Indrimi

IndrimiHouse of Hope
Untitled, 1955

Pedro Oraa

Medium: watercolor, ink on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1955

Antonio Bandeira

Medium: watercolor, gouache on paper

Antonio BandeiraGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Pedro Oraa

Medium: pastel on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Emilie Johnson

Medium: oil on canvas board

Emilie JohnsonHouse of Hope
Untitled, 1956

Pedro Oraa

Medium: brush and black ink on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Pedro Oraa

Medium: gouache on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Pedro Oraa

Medium: gouache, pastel on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Pedro Oraa

Medium: gouache, pastel on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Pedro Oraa

Medium: watercolor, ink, silver paint on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Emilie Johnson

Medium: oil on masonite

Emilie JohnsonHouse of Hope
Untitled, 1956

Pedro Oraa

Medium: watercolor, ink, copper paint on paper

Pedro OraaGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1956

Emilie Johnson

Medium: oil on masonite

Emilie JohnsonHouse of Hope
Untitled, 1957

Robert Richenburg

Medium: oil on canvas

Robert RichenburgZimmerli Art Museum, Rutgers University
Untitled, 1958

Clyfford Still

Medium: oil on canvas

Clyfford StillThe Art Institute of Chicago
Untitled, 1958

Budd Hopkins

Medium: oil on masonite

Budd HopkinsJersey City Museum
Untitled, 1958-59

Robert Irwin

Medium: oil on canvas in artist's wood frame

Robert IrwinMuseum of Contemporary Art, Los Angeles
Untitled, 1958-60

Robert Irwin

Medium: oil on canvas in artist's wood frame

Robert IrwinMuseum of Contemporary Art, Los Angeles
Untitled, 1959

John Grillo

Medium: oil and paper collage on board

John GrilloZimmerli Art Museum, Rutgers University
Untitled, 1959

John Grillo

Medium: Watercolor on paper

John Grillo
Untitled, 1959

Lucien Philippe Moretti

Medium: felt pen, gouache on paper

Lucien Philippe MorettiCarnegie Museum of Art
Untitled, 1959

C.R. Ginger

Medium: acrylic on glass

C.R. GingerHouse of Hope
Untitled, 1959

Julius Schmidt

Medium: copper plated cast iron

Julius SchmidtDennos Museum Center, Northwestern Michigan College
Untitled, 1959

Wallace Berman

Medium: graphite on paper mounted on board

Wallace BermanMuseum of Contemporary Art, Los Angeles
Untitled, 1960

Lester Johnson

Medium: oil on canvasboard

Lester JohnsonSmart Museum of Art, University of Chicago
Untitled, 1960

Robert Beauchamp

Medium: oil on canvas

Robert BeauchampRose Art Museum, Brandeis University
Untitled, 1960

Robert Richenburg

Medium: oil and encaustic on canvas

Robert RichenburgRose Art Museum, Brandeis University
Untitled, 1960

Oliver O'Connor Barrett

Medium: Black felt-tip pen on paper

Oliver O'Connor Barrett
Untitled, 1960

Sam Francis

Medium: Gouache on paper

Sam FrancisSheldon Art Association
Untitled, 1960

William Gambini

Medium: oil on canvas

William GambiniOakland Museum of California
Untitled, 1960's

Wallace Berman

Medium: Verifax collage, framed

Wallace BermanMuseum of Contemporary Art, Los Angeles
Untitled, 1960's

Miles Forst

Medium: acrylic on paper

Miles ForstMuseum of Sex
Untitled, 1960-1962

Warren Brandt

Medium: oil on canvas

Warren BrandtSweeney Art Gallery, University of California, Riverside
Untitled, 1961

Philip Roeber

Medium: oil on canvas

Philip RoeberOakland Museum of California
Untitled, 1961

Lester Johnson

Medium: oil on canvasboard

Lester JohnsonRose Art Museum, Brandeis University
Untitled, 1961

Lester Johnson

Medium: oil on canvasboard

Lester JohnsonSpringfield Museum of Art
Untitled, 1961

Lester Johnson

Medium: oil on canvasboard

Lester JohnsonSpringfield Museum of Art
Untitled, 1961

John Altoon

Medium: gouache and colored crayons on board

John AltoonMuseum of Contemporary Art, Los Angeles
Untitled, 1961

Lester Johnson

Medium: oil on canvasboard

Lester JohnsonSpringfield Museum of Art
Untitled, 1961

Lester Johnson

Medium: charcoal on paper

Lester JohnsonMuseum of Contemporary Art, Los Angeles
Untitled, 1961

Philip Roeber

Medium: oil on canvas

Philip RoeberOakland Museum of California
Untitled, 1961

Isaiah Zagar

Medium: acrylic, ink pen on paper

Isaiah ZagarHouse of Hope
Untitled, 1961

Philip Roeber

Medium: oil on canvas

Philip RoeberOakland Museum of California
Untitled, 1962

Sonia Gechtoff

Medium: pencil, watercolor and torn paper collage on paper mounted on board

Sonia GechtoffCarnegie Museum of Art
Untitled, 1962

William Fielding

Medium: oil on panel

William FieldingMuseum of Sex
Untitled, 1962

Clay Spohn

Medium: felt pen, crayon on paper

Clay SpohnOakland Museum of California
Untitled, 1962

Lester Johnson

Medium: ink wash and charcoal on paper

Lester JohnsonSpringfield Museum of Art
Untitled, 1962

Mario Yrissary

Medium: oil and paper collage on canvasboard

Mario YrissaryUniversity of New Mexico Art Museum
Untitled, 1963

Ed Ross

Medium: gouache, ink on paper

Ed RossDennos Museum Center, Northwestern Michigan College
Untitled, 1963

Nicholas Krushenick

Medium: acrylic on canvas

Nicholas KrushenickUniversity of New Mexico Art Museum
Untitled, 1963-65

Robert Irwin

Medium: oil on canvas on shaped wood veneer frame

Robert IrwinMuseum of Contemporary Art, Los Angeles
Untitled, 1964

Neil Williams

Medium: ink, crayon, graphite

Neil WilliamsCarnegie Museum of Art
Untitled, 1964

Nicholas Krushenick

Medium: oil on canvas

Nicholas KrushenickUniversity of New Mexico Art Museum
Untitled, 1964

Neil Williams

Medium: acrylic on canvas

Neil WilliamsSweeney Art Gallery, University of California, Riverside
Untitled, 1964

Robert Morris

Medium: lead, sculpmetal over particle board

Robert MorrisHirshhorn Museum and Sculpture Garden
Untitled, 1964

Robert Morris

Medium: lead sheeting over wood, plaster and nylon

Robert MorrisCarnegie Museum of Art
Untitled, 1964

George Segal

Medium: pastel on board

George SegalNew Mexico Museum of Art
Untitled, 1964-1965

Wendy Vanderbilt

Medium: India ink on illustrated board

Wendy Vanderbilt
Untitled, 1965

Agustin Fernandez

Medium: pencil on paper

Agustin FernandezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1965

Agustin Fernandez

Medium: pencil on paper

Agustin FernandezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1965

Tamara Melcher

Medium: acrylic on canvas

Tamara MelcherUniversity of New Mexico Art Museum
Untitled, 1965

D Wande

Medium: pen and ink

D WandeCarnegie Museum of Art
Untitled, 1965

Dean Fleming

Medium: gouache on paper

Dean FlemingCarnegie Museum of Art
Untitled, 1965

Robert Morris

Medium: sculptmetal, oil, flourescent light and canvas

Robert MorrisUniversity of Michigan Museum of Art
Untitled, 1965

Agustin Fernandez

Medium: graphite on paper

Agustin FernandezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1965

Amilcar de Castro

Medium: pastel on paper

Amilcar de CastroBlanton Museum of Art, University of Texas, Austin
Untitled, 1965

Agustin Fernandez

Medium: pencil on paper

Agustin FernandezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1965-67

Robert Irwin

Medium: sprayed acrylic lacquer on shaped aluminum

Robert IrwinMuseum of Contemporary Art Chicago
Untitled, 1965-67

Robert Irwin

Medium: sprayed acrylic lacquer on shaped aluminum

Robert IrwinMuseum of Contemporary Art, Los Angeles
Untitled, 1966

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Untitled, 1966

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Untitled, 1966

Paul Doolin

Medium: electron micrographs

Paul DoolinOxnard College
Untitled, 1966

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Untitled, 1966

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art, Los Angeles
Untitled, 1966 - 1968

Peter Alexander

Medium: polyester resin

Peter Alexander
Untitled, 1966-1968

Peter Alexander

Medium: Cast polyester resin

Peter Alexander
Untitled, 1966-1972

George Kuehn

Medium: bolted steel and aluminum

George Kuehn
Untitled, 1967

Salvatore Sirugo

Medium: paint on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
Untitled, 1967

Carlos Villa

Medium: ink, pencil on graph paper

Carlos VillaOakland Museum of California
Untitled, 1967

Jo Baer

Medium: two panels - acrylic on canvas - unframed

Jo BaerMuseum of Contemporary Art, Los Angeles
Untitled, 1967

Agustin Fernandez

Medium: pencil on paper

Agustin FernandezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1967

Agustin Fernandez

Medium: pencil on paper

Agustin FernandezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1967-1968

David Novros

Medium: lacquer on fiberglass

David NovrosBlanton Museum of Art, University of Texas, Austin
Untitled, 1968

Marty Greenbaum

Medium: a book with crayons and collage in a Plexiglas box

Marty GreenbaumSchool of the Art Institute of Chicago
Untitled, 1968

Kes Zapkus

Medium: triptych, acrylic on canvas

Kes ZapkusUniversity of New Mexico Art Museum
Untitled, 1968

Paul Donin

Medium: cast polyester resin, with plastic strap encased, in Plexiglas box with lid

Paul DoninObject not located in 1997
Untitled, 1968

Henry Miller

Medium: Watercolor on paper

Henry MillerHenry Miller Memorial Library
Untitled, 1968

Gerald Gooch

Medium: lithograph

Gerald GoochMuseum of Sex
Untitled, 1968

Wallace Berman

Medium: Verifax collage

Wallace BermanMuseum of Contemporary Art Chicago
Untitled, 1968

Al Brunelle

Medium: silver paper on cardboard, matboard

Al BrunelleCarnegie Museum of Art
Untitled, 1968

Gerald Gooch

Medium: lithograph

Gerald GoochMuseum of Sex
Untitled, 1968

Gerald Gooch

Medium: lithograph

Gerald GoochMuseum of Sex
Untitled, 1968-1969

Robert Irwin

Medium: acrylic lacquer on formed acrylic plastic

Robert IrwinMuseum of Contemporary Art, Los Angeles
Untitled, 1968-1971

Lynda Benglis

Medium: encaustic, damar resin on masonite

Lynda BenglisMuseum of Contemporary Art, Los Angeles
Untitled, 1969

Henry Miller

Medium: Watercolor on paper

Henry MillerHenry Miller Memorial Library
Untitled, 1969

Jose Soto

Medium: watercolor on paper

Jose SotoGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1969

Jose Soto

Medium: watercolor on paper

Jose SotoGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1970

William Pettet

Medium: acrylic on canvas

William PettetOakland Museum of California
Untitled, 1970

Ethlyn Honig

Medium: pencil on folded Japanese paper, with adhesive

Ethlyn Honig
Untitled, 1970

Alan Cote

Medium: acrylic on canvas

Alan CoteZimmerli Art Museum, Rutgers University
Untitled, 1970

Joel Fisher

Medium: hand made paper in formica frame

Joel FisherZimmerli Art Museum, Rutgers University
Untitled, 1970

Luis Saez

Medium: crayon on paper

Luis SaezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1970

Richard Artschwager

Medium: spun fibre and wood

Richard ArtschwagerMuseum of Contemporary Art Chicago
Untitled, 1970

Jose Soto

Medium: watercolor on paper

Jose SotoGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1970

Ed Moses

Medium: polyester resin on canvas

Ed MosesMuseum of Contemporary Art, Los Angeles
Untitled, 1970-1971

Douglas Sanderson

Medium: beeswax, alkkyd enamel on vellum

Douglas SandersonCarnegie Museum of Art
Untitled, 1970-1971

Douglas Sanderson

Medium: beeswax, alkyd enamel on vellum

Douglas SandersonCarnegie Museum of Art
Untitled, 1970-1971

Douglas Sanderson

Medium: beeswax, alkyd enamel on vellum

Douglas SandersonCarnegie Museum of Art
Untitled, 1971

Joel Shapiro

Medium: seven elements, limestone

Joel ShapiroMuseum of Contemporary Art Chicago
Untitled, 1971

Joel Shapiro

Medium: marble

Joel ShapiroMuseum of Contemporary Art, Los Angeles
Untitled, 1971

Jud Fine

Medium: pencil on paper

Jud FineCarnegie Museum of Art
Untitled, 1971

Marty Greenbaum

Medium: colored inks, colored pencils and photo offset on paper

Marty GreenbaumThe Art Institute of Chicago
Untitled, 1971

Mary Ann Warner

Medium: pencil on paper

Mary Ann WarnerHouse of Hope
Untitled, 1971

Jud Fine

Medium: bamboo, aluminum, cotton cord, latex

Jud FineOakland Museum of California
Untitled, 1971

Jud Fine

Medium: bamboo, latex, gold paint

Jud FineOakland Museum of California
Untitled, 1971

Antonio Lorenzo

Medium: nine etchings on paper matted together

Antonio LorenzoGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1971

Jud Fine

Medium: glass, cotton, latex

Jud FineOakland Museum of California
Untitled, 1971

Tom Wudl

Medium: bronze, gold leaf on perforated newspaper

Tom WudlPortland Art Museum
Untitled, 1971

Luis Saez

Medium: pencil, crayon on paper

Luis SaezGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1971

Joel Shapiro

Medium: granite

Joel ShapiroMuseum of Contemporary Art, Los Angeles
Untitled, 1971

Isaiah Zagar

Medium: photograph, paper, crayon, paint

Isaiah ZagarDennos Museum Center, Northwestern Michigan College
Untitled, 1972

Robert Moskowitz

Medium: Acrylic on canvas

Robert Moskowitz
Untitled, 1972

Alan Shields

Medium: acrylic on broom

Alan ShieldsZimmerli Art Museum, Rutgers University
Untitled, 1972

Lynton Wells

Medium: triptych, acrylic on photosensitized linen

Lynton WellsZimmerli Art Museum, Rutgers University
Untitled, 1972

Jose Guinovart

Medium: oil on canvas

Jose GuinovartGodwin-Ternbach Museum, Queens College, City University of New York
Untitled, 1972

John M. Miller

Medium: magna, graphite on canvas

John M. MillerMuseum of Contemporary Art, Los Angeles
Untitled, 1972

Al Brunelle

Medium: rhinestones on paper mounted on cardboard

Al BrunelleCarnegie Museum of Art
Untitled, 1973

Howard Buchwald

Medium: colored pencil on mylar

Howard BuchwaldThe William Benton Museum of Art, University of Connecticut
Untitled, 1973

Howard Buchwald

Medium: colored pencil on mylar

Howard BuchwaldThe William Benton Museum of Art, University of Connecticut
Untitled, 1973

Lindsay Bos

Medium: ink on paper

Lindsay BosDennos Museum Center, Northwestern Michigan College
Untitled, 1973

Howard Buchwald

Medium: colored pencil on mylar

Howard BuchwaldThe William Benton Museum of Art, University of Connecticut
Untitled, 1973, 1989

Charles Ray

Medium: black and white photograph, mounted on rag board

Charles RayMuseum of Contemporary Art, Los Angeles
Untitled, 1973-74

John M. Miller

Medium: magna, graphite on canvas

John M. MillerMuseum of Contemporary Art, Los Angeles
Untitled, 1974

Isaiah Zagar

Medium: watercolor on paper

Isaiah ZagarHouse of Hope
Untitled, 1974

Louis de Niverville

Medium: acrylic on masonite panels

Louis de NivervilleDennos Museum Center, Northwestern Michigan College
Untitled, 1974

Ralph Humphrey

Medium: acrylic on canvas

Ralph HumphreyMuseum of Contemporary Art, Los Angeles
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue plexiglass

Donald JuddDia Art Foundation
Untitled, 1975

Donald Judd

Medium: Stainless steel and blue Plexiglass

Donald JuddDia Art Foundation
Untitled, 1976

Lenore Tawney

Medium: wood, paper, string, nutshells

Lenore TawneyThe Art Institute of Chicago
Untitled, 1976

Robert Morris

Medium: felt with metal grommets

Robert MorrisThe Art Institute of Chicago
Untitled, 1976

Italo Scanga

Medium: acrylic on religious poster in artist's frame

Italo ScangaWhitney Museum of American Art
Untitled, 1976

Italo Scanga

Medium: acrylic paint on religious poster, artist's frame

Italo ScangaWhitney Museum of American Art
Untitled, 1976

Italo Scanga

Medium: acrylic paint on religious poster, artist's frame

Italo ScangaWhitney Museum of American Art
Untitled, 1977

Pinchas Cohen Gan

Medium: acrylic on cotton and acrylic blend fabric

Pinchas Cohen GanDennos Museum Center, Northwestern Michigan College
Untitled, 1977

Pierre Buraglio

Medium: blue glass painted wooden cabinet frame

Pierre BuraglioObject not located in 1997
Untitled, 1977

Lenore Tawney

Medium: wood, paper, feathers

Lenore TawneyThe Art Institute of Chicago
Untitled, 1977

Larry Poons

Medium: acrylic on canvas

Larry PoonsNew Mexico Museum of Art
Untitled, 1978

Bill Jensen

Medium: pastel, charcoal on paper

Bill JensenCarnegie Museum of Art
Untitled, 1978

Peter Campus

Medium: silver gelatin developed-out print

Peter CampusCarnegie Museum of Art
Untitled, 1978

David Salle

Medium: acrylic, graphite and charcoal on canvas

David SalleUniversity of Michigan Museum of Art
Untitled, 1979

Robert Therrien

Medium: painted wood

Robert TherrienMuseum of Contemporary Art Chicago
Untitled, 1979

Franklyn Liegel

Medium: acrylic, cotton, matboard, yarn, granules on paper

Franklyn LiegelCarnegie Museum of Art
Untitled, 1979

Peter Campus

Medium: silver gelatin developed-out print

Peter CampusCarnegie Museum of Art
Untitled, 1979

Troy Brauntuch

Medium: Kodalith film sandwich prints using filtered light

Troy BrauntuchMuseum of Contemporary Art, Los Angeles
Untitled, 1979

Brenda Goodman

Medium: oil on canvas - unframed

Brenda GoodmanCarnegie Museum of Art
Untitled, 1980

Jill Giegerich

Medium: rubber on brass

Jill GiegerichMuseum of Contemporary Art San Diego
Untitled, 1980

Pierre Buraglio

Medium: green and blue glass painted wooden cabinet frame

Pierre BuraglioObject not located in 1997
Untitled, 1980

Michael Zwack

Medium: pastel on paper

Michael ZwackGrunwald Center for the Graphic Arts, Hammer Museum, University of California, Los Angeles
Untitled, 1980

Michael Tetherow

Medium: acrylic on canvas

Michael TetherowThe William Benton Museum of Art, University of Connecticut
Untitled, 1980

Ellen Carey

Medium: oil on black and white photograph

Ellen CareyBurchfield Penney Art Center, Buffalo State College
Untitled, 1980

Troy Brauntuch

Medium: pastel on black paper

Troy BrauntuchNew Mexico Museum of Art
Untitled, 1980

Troy Brauntuch

Medium: C-Print (Kodalith film sandwich print using filtered light)

Troy BrauntuchMuseum of Contemporary Art San Diego
Untitled, 1980

James Brown

Medium: acrylic on paper

James BrownRose Art Museum, Brandeis University
Untitled, 1980 with maquette

Donald Jackson

Medium: acrylic on wood, muslin, paper

Donald Jackson
Untitled, 1981

Keith Haring

Medium: flourescent paint, sumi ink on laminated canvas

Keith HaringThe Art Institute of Chicago
Untitled, 1981

Keith Haring

Medium: vinyl ink on tarpaulin

Keith HaringWhitney Museum of American Art
Untitled, 1981

Garrick Dolberg

Medium: cast aluminum with paint

Garrick DolbergObject not located in 1997
Untitled, 1981

Michael Tetherow

Medium: acrylic on canvas

Michael TetherowDennos Museum Center, Northwestern Michigan College
Untitled, 1981

Neil Williams

Medium: acrylic on canvas

Neil WilliamsSweeney Art Gallery, University of California, Riverside
Untitled, 1981

Robin Bruch

Medium: acrylic on canvas

Robin BruchUniversity of New Mexico Art Museum
Untitled, 1981

Robin Bruch

Medium: acrylic on canvas

Robin BruchCarnegie Museum of Art
Untitled, 1981

Harvey Tulcensky

Medium: oil on canvas mounted on masonite

Harvey TulcenskyDennos Museum Center, Northwestern Michigan College
Untitled, 1981

Harvey Tulcensky

Medium: oil on canvas mounted on masonite

Harvey TulcenskyDennos Museum Center, Northwestern Michigan College
Untitled, 1981

Keith Haring

Medium: sumi ink on paper

Keith HaringMuseum of Contemporary Art, Los Angeles
Untitled, 1981

Keith Haring

Medium: vinyl paint on tarpaulin

Keith HaringCarnegie Museum of Art
Untitled, 1982

Robert Morris

Medium: cast hydrocal

Robert MorrisMuseum of Contemporary Art San Diego
Untitled, 1982

Louis Renzoni

Medium: acrylic on canvas

Louis RenzoniThe William Benton Museum of Art, University of Connecticut
Untitled, 1983

Carl Apfelschnitt

Medium: oil, roplex, goldleaf, silverleaf on three canvases

Carl Apfelschnitt
Untitled, 1985

Loren Calaway

Medium: galvanized steel, brass, colored pencil acrylic paint, felt, lead, paper on wood

Loren CalawaySweeney Art Gallery, University of California, Riverside
Untitled, 1986

Jill Giegerich

Medium: enamel paint on aluminum, plywood

Jill GiegerichMuseum of Contemporary Art San Diego
Untitled, 1986

Jill Giegerich

Medium: beeswax, acrylic, paint stick, charcoal, graphite, india ink on plywood

Jill GiegerichCarolyn Campagna Kleefeld Contemporary Art Museum, California State University, Long Beach
Untitled, 1986

Ulrich Ruckriem

Medium: blue granite

Ulrich RuckriemMuseum of Contemporary Art Chicago
Untitled, 1987

Richard Long

Medium: River Avon mud on rag board

Richard LongMuseum of Contemporary Art Chicago
Untitled, 1988

Thomas Ruff

Medium: color photograph in artist's frame

Thomas RuffThe Art Institute of Chicago
Untitled, 1988

Thomas Ruff

Medium: color photograph in artist's frame

Thomas RuffThe Art Institute of Chicago
Untitled, 1988

Kiki Smith

Medium: ink on gampi paper (2 arms, 2 legs, torso and head)

Kiki SmithThe Art Institute of Chicago
Untitled, 1989-1990

Kiki Smith

Medium: 230 cast glass piece (sperm), on 3 rubber sheets

Kiki SmithMuseum of Contemporary Art, Los Angeles
Untitled, 1990

Kiki Smith

Medium: 12 mirrored, etched glass jars

Kiki SmithMuseum of Contemporary Art, Los Angeles
Untitled, 1991 (crumpled paper)

Tom Friedman

Medium: 2 sheets of paper

Tom FriedmanMuseum of Contemporary Art, Los Angeles
Untitled, 1991 (Life Savers)

Tom Friedman

Medium: roll of Life Savers candy

Tom FriedmanMuseum of Contemporary Art, Los Angeles
Untitled, 1991 (paper & pin)

Tom Friedman

Medium: paper, pin

Tom FriedmanMuseum of Contemporary Art, Los Angeles
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1991, Stedelijk Museum, Amsterdam portfolio

Agnes Martin

Medium: Lithographs on velum

Agnes Martin
Untitled, 1992 (garbage bags)

Tom Friedman

Medium: approximately 3,000 garbage bags, steel pole, painted wooden pedestal

Tom FriedmanMuseum of Contemporary Art, Los Angeles
Untitled, 1992 (wire)

Tom Friedman

Medium: wire

Tom FriedmanMuseum of Contemporary Art, Los Angeles
Untitled, 1993 (string)

Tom Friedman

Medium: string

Tom FriedmanThe Art Institute of Chicago
Untitled, 1999 Lannan Foundation Santa Fe, 1999

Fred Sandback

Medium: graphite on paper

Fred SandbackDia Art Foundation
Untitled, 1999, Construction of Three Volumes, Lannan Foundation, Santa Fe

Fred Sandback

Medium: graphite on paper

Fred SandbackDia Art Foundation
Untitled, 1999, Construction of Two Planes, Lannan Foundation Santa Fe, 1999

Fred Sandback

Medium: graphite on paper

Fred SandbackDia Art Foundation
Untitled, 2002

Emi Winter

Medium: Oil on masonite

Emi Winter
Untitled, 2002-03 (fuschia)

Roger Walker

Medium: Ink on paper

Roger Walker
Untitled, 2003 (gold)

Roger Walker

Medium: Ink on paper

Roger Walker
Untitled, 2003 (graphite)

Roger Walker

Medium: Graphite on paper

Roger Walker
Untitled, 2003 (silver)

Roger Walker

Medium: Ink on paper

Roger Walker
Untitled, 2004

Emi Winter

Medium: Oil on panel

Emi WinterUniversity of New Mexico Art Museum
Untitled, 2004

Tasha Ostrander

Medium: Miixed media

Tasha Ostrander
Untitled, 2004

Bill Gilbert

Medium: Wood fired ceramic plaques

Bill GilbertUniversity of New Mexico Art Museum
Untitled, 2004

Bill Gilbert

Medium: Wood fired ceramic plaques

Bill GilbertUniversity of New Mexico Art Museum
Untitled, 2004

Bill Gilbert

Medium: Wood fired ceramic plaques

Bill GilbertUniversity of New Mexico Art Museum
Untitled, 2004

Stacey Neff

Medium: Glass mounted on board

Stacey Neff
Untitled, 2004

Bill Gilbert

Medium: Wood fired ceramic plaques

Bill GilbertUniversity of New Mexico Art Museum
Untitled, 2005

Susan York

Medium: Solid graphite with aluminum bracket

Susan YorkMuseum of Fine Art Houston (MFAH)
Untitled, 2005

Susan York

Medium: Solid graphite with aluminum bracket

Susan YorkMuseum of Fine Art Houston (MFAH)
Untitled, 2011

Ann Hamilton

Medium: Mixed media

Ann HamiltonMuseum of Contemporary Photography, Columbia College Chicago
Untitled, 2012

Eric Reinemann

Medium: Mixed media

Eric Reinemann
Untitled, 2012

Jonathan Morse

Medium: Ink on board

Jonathan Morse
Untitled, 2014

Valerie Arber

Medium: Hand printed paper and aluminum foil tape

Valerie Arber
Untitled, 3/1/91, 1991

Bill Komoski

Medium: acrylic, modeling paste on canvas

Bill KomoskiPhoenix Art Museum
Untitled, 6/12/60

Unknown

Medium: watercolor on paper

Unknown
Untitled, 9/3/89

Bill Komoski

Medium: acrylic, modeling paste on canvas

Bill KomoskiMuseum of Contemporary Art San Diego
Untitled, A, 1975

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled, B, 1975

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled, Ba Vi #1, 1998

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
Untitled, C, 1975

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled, c. 2008

Erika Blumenfeld

Medium: Direct recording of light on type 54 Polaroid film

Erika Blumenfeld
Untitled, c. 2008

Erika Blumenfeld

Medium: Direct recording of light on type 54 Polaroid film

Erika Blumenfeld
Untitled, c. 2008

Jonathan Morse

Medium: Archival pigment print mounted on wood

Jonathan MorseMuseum of Fine Art Houston (MFAH)
Untitled, circa 1950

John Storrs

Medium: painted stoneware

John StorrsUniversity of Michigan Museum of Art
Untitled, circa 1959

Jacques Brown

Medium: oil on velvet laid down on a fabric curtain

Jacques Brown
Untitled, circa 1962

Salvatore Sirugo

Medium: paint smudges on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
Untitled, circa 1962

Salvatore Sirugo

Medium: paint on paper

Salvatore SirugoZimmerli Art Museum, Rutgers University
Untitled, D, 1975

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled, E, 1975

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled, February 4, 1960

Bruce Conner

Medium: wood, feathers, nylon, broken mirror, silk lace, cotton, tin, light bulb, electric motor and wire

Bruce ConnerWalker Art Center
Untitled, Film Still, 49, 1979

Cindy Sherman

Medium: silver gelatin developed out print

Cindy ShermanMuseum of Contemporary Art Chicago
Untitled, from "Prevalence of Ritual", 1974

Romare Bearden

Medium: screenprint in colors

Romare BeardenUniversity of Michigan Museum of Art
untitled, from nowhere near (nw 12), 1999

Uta Barth

Medium: Color photograph on panel

Uta BarthMuseum of Contemporary Art San Diego
untitled, from nowhere near (nw 13), 1999

Uta Barth

Medium: Color photograph on panel

Uta BarthMuseum of Contemporary Art San Diego
untitled, from nowhere near (nw 13), 1999

Uta Barth

Medium: Color photograph on panel

Uta BarthMuseum of Contemporary Art San Diego
untitled, from nowhere near (nw 15), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 15), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 15), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 17), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 17), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 19), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 19), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 19), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 6), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 9), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
untitled, from nowhere near (nw 9), 1999

Uta Barth

Medium: Color photograph on panel

Uta Barth
Untitled, Ho Chi Minh City (kites), 1998

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
Untitled, Ho Chi Minh City (river), 1995

An-My Lê

Medium: Gelatin silver print

An-My LêThe Art Institute of Chicago
Untitled, June 1963

Nicholas Krushenick

Medium: acrylic on canvas

Nicholas KrushenickUniversity of New Mexico Art Museum
Untitled, no date

Enrique Gran

Medium: oil on wood

Enrique GranCarnegie Museum of Art
Untitled, October 19, 1981

Keith Haring

Medium: sumi ink on paper

Keith HaringWhitney Museum of American Art
Untitled, September 27, 1981

Keith Haring

Medium: sumi ink on paper

Keith HaringThe Art Institute of Chicago
Untitled, Two Geese

Unknown

Medium: a pair of wood and polychrome-painted figures of geese each with painted lady standing forward with head erect, the bill showing traces of yellow pigment

Unknown
Untitled,n.d.(wall plaque)

Ronald Morosan

Medium: wood

Ronald Morosan
Untitled-T-786, 1963

John McLaughlin

Medium: Lithograph on velum

John McLaughlinSheldon Art Association
Untitled-T-792, 1963

John McLaughlin

Medium: Lithograph

John McLaughlin
Untitled-T-796, 1963

John McLaughlin

Medium: Lithograph

John McLaughlin
Uri Geller Empfangt Fremde Wesse aus der Fabel [Uri Geller Welcomes Unknown Beings from the Realm of Fables], 1976

Sigmar Polke

Medium: photographs, newspaper, ink on paper

Sigmar PolkeThe Art Institute of Chicago
utter stillness – blinding brightness The Davis Strait The Labrador Sea Qagssiarssuk / Brattahlid Kong Frederik IX Land Greenland, Denmark, 2008 The first European settlement point in Greenland. It was first settled by Erik the Red. Later his son, Leif

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Library and Galleries of Scotland
Valley of Kings, Utopian Landscape 1, 1988

Jim Shaw

Medium: pencil on paper

Jim ShawMuseum of Contemporary Art, Los Angeles
Van Ness No. 23, 1964-1965

Ron Miyashiro

Medium: wood, masonite, lacquer, glass mirror

Ron MiyashiroObject not located in 1997
Vanilla Neighbor, 1970

David Diao

Medium: acrylic on canvas

David DiaoSweeney Art Gallery, University of California, Riverside
Variations on Psalm 117, 1959

Mathias Goeritz

Medium: two panels gold leaf on wood

Mathias GoeritzNational Autonomous University of Mexico
Variations on Psalm 117, 1960-1961

Mathias Goeritz

Medium: gold leaf on wood

Mathias GoeritzNational Autonomous University of Mexico
Vase

Peter Strong

Peter StrongPalm Beach State College
Versatile Hip, 1963

Enrique Castro-Cid

Medium: acrylic, ink and colored pencil on paper mounted on canvas

Enrique Castro-CidUniversity of New Mexico Art Museum
Vertical Black, 1957

Lawrence Calcagno

Medium: oil on canvas

Lawrence CalcagnoUniversity of New Mexico Art Museum
Vertical Figures, 1981

Tom Otterness

Medium: cast plaster

Tom OtternessWichita Art Museum
very early morning The upper Rio Grande Bridge Street (under the bridge) Albuquerque Bernalillo County New Mexico U.S.A. 1995/2017 (with Jim Kraft and Judy Booth) The first of the Rio Grande pictures

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Very near The Arctic Circle, The North Atlantic Ocean, PistilWar∂argrunn, Looking towards the Old Lands, Hraunhafnartangi, Melrukkaslétta, Nardur-Pingeyjarsysla, Nordurland Eystra, Iceland, 2007-2008,The North-most point of Iceland, 66° 33.087' N

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Very near the Confluence of the Ottawa River and the St. Lawrence River Near Pointe des Cascades Vaudreuil - Soulanges Quebec Canada North America, 2015/2017

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
Vespers, Monastery of Christ in the Desert, 1996

Tony O'Brien

Medium: Gelatin silver print

Tony O'BrienCenter for Creative Photography, University of Arizona
Vessel, Rock Nude, 1979

Jerry Brane

Medium: acrylic and crayon with fabric and canvas collage on canvas in artist's frame

Jerry BraneOakland Museum of California
Viejita [Little Old Woman], 1961

Rafael Coronel

Medium: acrylic on paper

Rafael CoronelGodwin-Ternbach Museum, Queens College, City University of New York
Viejito [Little Old Man], 1961

Rafael Coronel

Medium: acrylic on paper

Rafael CoronelGodwin-Ternbach Museum, Queens College, City University of New York
Ville Crepuscale, 1955

Antonio Bandeira

Medium: watercolor, ink on paper

Antonio BandeiraGodwin-Ternbach Museum, Queens College, City University of New York
Virus, 1989

Dennis Oppenheim

Medium: cast plaster, polyester resin, aluminum rods

Dennis OppenheimDenver Art Museum
Voodoo, 1976-1977

Bill Jensen

Medium: tempera, graphite, pastel on vellum

Bill JensenWhitney Museum of American Art
Voyager 1, drawings #1274, 1275, 1276, 1277, 1278 & 1279, 2014

James Drake

Medium: Graphite and charcoal on book pages

James DrakeBlanton Museum of Art, University of Texas, Austin
Vulkan

Werner Knaupp

Medium: lithograph, black and white

Werner Knaupp
W.S. Merwin, Readings & Conversations, 26 October 2005

Don Usner

Medium: Archival pigment print on paper

Don Usner
W.S. Merwin, Readings and Conversations Author, 2001

Don Usner

Medium: Black and white photograph

Don Usner
Walking Spirit, 1982

Louise Hoeschen

Medium: oil on canvas

Louise HoeschenTacoma Art Museum
Wall and Ceiling Relief, 1970

Bernard Kirschenbaum

Medium: blue, red, and brown enameled steel room

Bernard Kirschenbaum
Wall of Paladeium Dreams

Alice Wingwall

Medium: photo mural, black and white

Alice WingwallOakland Museum of California
Wall Painting with Stripes, 1944

Robert Motherwell

Medium: oil on canvas

Robert MotherwellThe Art Institute of Chicago
Wall, Sierra del Rosario, Sonora, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. Berman
Wallace Shawn, Readings & Conversations, 15 December 1999

Don Usner

Medium: Archival pigment print on paper

Don Usner
Wallace Stevens, 1981

Mimi Gross

Medium: Acrylic on aluminum

Mimi GrossAmon Carter Museum of American Art
Walloomsac, 1969

Philip Wofford

Medium: oil and sand on canvas unframed

Philip WoffordJersey City Museum
Wallpaper Piece, 1998 (Woodchip Wallpaper Royal No. 82)

Karin Sander

Medium: Woodchip Wallpaper Royal No. 82

Karin Sander
Walter Hopps, Hopps, Hopps, 1959

Ed Kienholz

Medium: mixed media construction

Ed KienholzThe Menil Collection
Water Bottles & Sling, Mohawk Valley, Arizona, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanCenter for Creative Photography, University of Arizona
Water Tank. Rancho Palomino, Chihuahua, 2008

Michael P. Berman

Medium: Carbon pigment ink on etching paper

Michael P. BermanCenter for Creative Photography, University of Arizona
Water-Flow Monitoring Installations on the Rio Grande Near Presidio, TX, Facing South, The Gauge Shelter, 1:30 pm, 2002-2003

Rackstraw Downes

Medium: Oil on canvas

Rackstraw DownesNational Gallery of Art
Watercolor Study od the Nude, 1961

Nathan Oliveira

Medium: watercolor on paper

Nathan OliveiraUniversity of Michigan Museum of Art
Weather Drift, 1969

Philip Wofford

Medium: acrylic and sand on canvas unframed

Philip WoffordUniversity of New Mexico Art Museum
Weaver Caves, 2001

Johnnie Winona Ross

Medium: Watercolour mounted on board mounted on wooden frame

Johnnie Winona RossHarwood Museum, University of New Mexico
Wedge 13, 2006

Stuart Arends

Medium: Oil paint on aluminum with clear lacquer

Stuart Arends
Wedge 16, 2006

Stuart Arends

Medium: Oil paint on aluminum with clear lacquer

Stuart ArendsCenter for Economic Research and Social Change
Wedge 18, 2006

Stuart Arends

Medium: Oil paint on aluminum with clear lacquer

Stuart ArendsCenter for Economic Research and Social Change
Wedgework IV, 1974 (grey book)

James Turrell

Medium: Light projection GREY BOOK

James TurrellUniversity of New Mexico Art Museum
West - The North Sea - The Norwegian Sea, Near Kolgrov, The Isle of Fritz Scila, Norway, 2004, Near the West-most point of Norway

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
West - The North Sea Westhoek, near De Panne West-Vlandern, Belgium The West-most point of Belgium 2004/2005

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
West - The North Sea, Blauands Huk, Denmark 2004-2005, The West-most point of Denmark

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
West Chanel du Four - La Mer D’Iroise, Pointe de Kermorvan, Finistère, Brittany, France 2004, Very Near the West-most point of mainland France

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperNational Gallery of Art
West — The Berents Sea Fuglehuken / Bird Point Prins Karls Foreland / Prince Karls Headland Svalbard, Norway 2004 The West-most point of The Svalbard Archipelago

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
West, The Ems Estuary, Knock near Emden, Ostfri Esland, Germany, 2004, The West-most sea point of Germany

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
West-most - The Mid North Atlantic Ocean Above Faja Granda, Ilhas das Flores / The Island of Flowers Regiones Autonomas Acores / The Azores, Portugal 2004-2005 The West-most point of the Azorean Archipelago for all of Europe

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
West—Het Zwin Estuary—The North Sea Zomerdorp Het Zwin, Near Cadzand-Bad Zeeuws Vlaanderen The Netherlands 2004 The West-most point of The Netherlands

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
We’R Alive, Chalmette, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
When I Arrived at the Railroad, 2009

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Where Babies Come From (from Innocent Love series), 1999

Agnes Martin

Medium: Acrylic and graphite on canvas

Agnes MartinDia Art Foundation
Where the Cooper’s Hawk Flew Away As I Approached the Dead Piñones: On My Way to the Railroad, 2009

Subhankar Banerjee

Medium: Digital Dye Coupler Print Photograph

Subhankar Banerjee
Which Came First? (Enlightenment 4), 1982

Celia Munoz

Medium: photographs, book

Celia MunozThe Art Institute of Chicago
Whirpool, 1978

Rodney Ripps

Medium: oil, wax, wood, cloth

Rodney RippsUniversity of New Mexico Art Museum
Whispers (Can Water Be Held), 2016

James Drake

Medium: Lithograph on Rives BFK off-white paper

James DrakeMuseum of Fine Art Houston (MFAH)
Whispers (Desire Is Not Enough), 2016

James Drake

Medium: Lithograph on Rives BFK off-white paper

James DrakeMuseum of Fine Art Houston (MFAH)
Whispers (Escalators Of Speech), 2016

James Drake

Medium: Lithograph on Rives BFK off-white paper

James DrakeMuseum of Fine Art Houston (MFAH)
Whispers (Put Us To The Question), 2016

James Drake

Medium: Lithograph on Rives BFK off-white paper

James DrakeMuseum of Fine Art Houston (MFAH)
Whispers (Showers Of Doubt), 2016

James Drake

Medium: Lithograph on Rives BFK off-white paper

James DrakeMuseum of Fine Art Houston (MFAH)
Whispers (Standing In The Dirt), 2016

James Drake

Medium: Lithograph on Rives BFK off-white paper

James DrakeMuseum of Fine Art Houston (MFAH)
Whispers (The Lengua Of Nahuatl), 2016

James Drake

Medium: Lithograph on Rives BFK off-white paper

James DrakeMuseum of Fine Art Houston (MFAH)
Whispers, 2016

James Drake

Medium: Bound Portfolio containing Suite of Seven Lithographs

James DrakeMuseum of Fine Art Houston (MFAH)
white on black - The Greenland Sea Kap Philip Broke Shannon Island Kong William Land Kangertittivaq/Greenland (Denmark) North America 2008/2017 The Southmost point of the island, and below the Northeast most point of Greenland.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
White on Red, 1957

Gastone Novelli

Medium: acrylic on paper mounted on masonite

Gastone NovelliUniversity of New Mexico Art Museum
whiteout, The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Whites, Standing Open Box, Blue Line 1999

Kate Shepherd

Medium: Oil on wood panel

Kate Shepherd
Whites, Standing Open Box, Blue Line 1999

Kate Shepherd

Medium: Oil on wood panel

Kate Shepherd
Who Pays for It? (from Devil Drawings), 1982

Chris Burden

Medium: black and white photograph, color xerox and newspaper on paper

Chris BurdenMuseum of Contemporary Art, Los Angeles
Wild and bewildered-Ojo de agua. The South Atlantic Ocean. Cabo Santo Agostino. Pernambaco, Brazil, 2006. The geological point from which continental South America broke off and broke away from the ancient super continent of Gondwana.

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
Wild West Hotel, Las Vegas, May 1999, 1999

Christina Hejtmanek

Medium: Chromogenic print

Christina HejtmanekCenter for Creative Photography, University of Arizona
wild winter apple tree with apples - for Kate Munising Picture Rocks National Seashore Alger County Michigan U.S.A. North America, 2015/2017 The Southmost point of Lake Superior.

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua Cooper
William Gass, Readings and Conversations Author, 2004

Don Usner

Medium: Black and white photograph

Don Usner
Winding Towers, 1967-1978

Bernd and Hilla Becher

Medium: nine silver gelatin developed-out print

Bernd and Hilla BecherMuseum of Contemporary Art, Los Angeles
Windy Hill and The Three Sails, The Continental Ice Shelf, Patriot Hills, Ellsworth Land, Antarctica, 2007-2008, 80° 17.994' S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
Windy Night II, 1969-1982

George McNeil

Medium: acrylic and oil on canvas

George McNeilZimmerli Art Museum, Rutgers University
Wingtable, 1986

Mathieu Gregoire

Medium: Formica, plywood, steel, nylon

Mathieu GregoireOakland Museum of California
Winter Rose, 2014

Christy Hengst

Medium: Porcelain with cobalt serigraphy

Christy Hengst
Woman Before a Mirror, 1978

Gary Bower

Medium: oil pastel, charcoal on paper

Gary Bower
Wooden Cube on Aluminum Table

Toshio Odate

Medium: oak, aluminum

Toshio OdateSweeney Art Gallery, University of California, Riverside
Wooden Woman, 1980

Richard Mock

Medium: oil on canvas

Richard MockZimmerli Art Museum, Rutgers University
Word Poem, 1967

Carl Andre

Medium: ink, paper, painted cardboard tube

Carl AndreThe Art Institute of Chicago
Words Without Thoughts Never To Heaven Go, 1987

Edward Ruscha

Medium: acrylic on canvas unframed

Edward RuschaMuseum of Contemporary Art Chicago
Work in Regress, 1997

Peter Edwards

Medium: Etching

Peter Edwards
Wrestlers

John Broumas

Medium: wall mounted stone, mounted on board

John Broumas
Written Minneapolis (The Last Tomb), 2014

Siah Armajani

Medium: Felt Pen on Mylar

Siah ArmajaniThe Menil Collection
X sign meets the U.S. Mail, 1962

John Baldessari

Medium: Oil on wood

John Baldessari
X, Baton Rouge River Shelter, 2005

Debbie Fleming Caffery

Medium: Gelatin silver print

Debbie Fleming CafferyMuseum of Fine Art Houston (MFAH)
X, Y & Z , Camino del Diablo, Arizona, 2007

Michael P. Berman

Medium: Carbon pigment photograph

Michael P. BermanNorth Dakota Museum of Art, University of North Dakota
XVIII century miniature

Mughal School Unknown

Mughal School UnknownCarnegie Museum of Art
XVIII century miniature

Mughal School Unknown

Mughal School UnknownCarnegie Museum of Art
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia AndujarMuseum of Fine Art Houston (MFAH)
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia AndujarBlanton Museum of Art, University of Texas, Austin
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia AndujarMuseum of Fine Art Houston (MFAH)
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia AndujarMuseum of Fine Art Houston (MFAH)
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia AndujarMuseum of Contemporary Art, Los Angeles
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia AndujarMuseum of Contemporary Art, Los Angeles
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia AndujarMuseum of Contemporary Art, Los Angeles
Yanomami, 2000

Claudia Andujar

Medium: Black and white photograph

Claudia Andujar
Yellow House/Red Chimney, 1981

Mira Schor

Medium: gouache, pastel on rice paper

Mira SchorCarnegie Museum of Art
Yellow Lines, 2004

David Marshall

Medium: Fuji crystal archive photograph print

David Marshall
Yellow Rose II, 1963

Walter Bannard

Medium: oil on canvas

Walter Bannard
Yellowtop, 1968

Ron Davis

Medium: polyester resin and fiberglass

Ron DavisNew Mexico Museum of Art
Yiyun Li, Readings & Conversations, 12 May 2010

Don Usner

Medium: Archival pigment print on paper

Don Usner
yoo hoo -- little boy, 1977

Jim Nutt

Medium: etching on paper

Jim NuttCarnegie Museum of Art
Young Bird of Paradise, 1957

Wallace Berman

Medium: oil, graphite, charcoal on paper, mounted on canvas

Wallace BermanMuseum of Contemporary Art, Los Angeles
Young men and boys from southern Mêxico light votive candles and pray for a safe crossing before leaving the Sonoran town of Altar. Soon they will be loaded into vans and trucks and ferried north toward La Línea. Altar, Sonora, 2005 (from the special

Julián Cardona

Medium: Gelatin silver print

Julián Cardona
Your so course (tish tish), 1977

Jim Nutt

Medium: etching on paper

Jim NuttCarnegie Museum of Art
Zürich, 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju Cole
Zürich, August 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Zürich, July 2015

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Zurich, November 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
Zürich, October 2014

Teju Cole

Medium: Archival pigment print with accompanying text

Teju ColeMuseum of Contemporary Photography, Columbia College Chicago
“3 haiku: jazz, Spirituals, blues” by DJ Renegade (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“Field before the Storm”, Walter de Maria's Lightning Field, 1977

John Cliett

Medium: Chromogenic color print

John Cliett
“Force Majeure”, The South Atlantic Ocean, Looking towards Cabo San Juan, from “The Lighthouse at the End of the World”, Cabo Lasserre, Isla de Los Estados/Staten Island, Tierra del Fuego, Argentina, 2008, The Southeast-most point of all South America, 54

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
“Grandmother” by Sherman Alexie (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“His Life” by Naomi Shihab Nye (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsCenter for Economic Research and Social Change
“History Lesson” by Lucile Adler (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“Late Afternoon Over a Bottle of Sake” by John Brandi (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“Maps and Wings” by Gary Mex Glazner (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“Rosa” by Rita Dove (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsCenter for Economic Research and Social Change
“Santuario at Chimayo” by Kim Addonizio (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“The Door”-The Strait of Gibraltar, Cape Malabata, Morocco 2003/2018

Thomas Joshua Cooper

Medium: Selenium toned chloro-bromide silver gelatin print

Thomas Joshua CooperLos Angeles County Museum of Art (LACMA)
“The Door”-The Strait of Gibraltar, Cape Malabata, Morocco, 2003-2004

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
“The Fish” by Jane Hirshfield (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“Transforming the Strange” by Renee Gregorio (from the Word Art Poetry Broadside Portfolio), 2005

Press Palace of the Governors

Medium: Print

Press Palace of the GovernorsHistoric Santa Fe Foundation
“uncharted dangers” – dense fog again, The Bransfield Strait, The Mouth of The Antarctic Sound, Prime Head, Trinity Peninsula, Graham Land, The Antarctic Peninsula, Antarctica, 2008, The North-most point of Continental Antarctica, 63° 13’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
“uncharted dangers” – dense fog The Bransfield Strait The Mouth of The Antarctic Sound Prime Head Trinity Peninsula, Graham Land The Antarctic Peninsula Antarctica, 2008 The North-most point of Continental Antarctica 63° 12’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper
“uncharted dangers” – sudden clearing Prime Head Ice Wall Trinity Peninsula, Graham Land The Antarctic Peninsula Antarctica, 2008 The North-most point of Continental Antarctica 63° 12’ S

Thomas Joshua Cooper

Medium: Selenium and gold chloride toned silver gelatin print

Thomas Joshua Cooper